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It’s Arts in Education Week: Let’s Celebrate and Get to Work!

Dancing studentsArts in Education Week (Sept. 9-15) is a time to celebrate the importance of the arts in a well-rounded education for all students. Through dance,music, theatre, and the visual arts, young children explore the world through sight and sound, creative movement, and drama. Through the arts, young people acquire invaluable cognitive abilities and social skills — problem solving and perseverance to name only two — that prepare them for the rigors of college, careers, and life in the 21st century. We also know through research that arts-rich schools make for quality learning environments, heighten student engagement and correlate to increases in attendance and decreases in behavior problems. In addition, robust arts education has shown short and long-term academic achievement gains, including the pursuit of higher education and college completion.

“We’ve Got Trouble …”

Despite all this, a recent Department of Education survey tells us that for far too many students, the arts do not play a role at all in their K-12 educations. Here are some disconcerting facts as of the 2009-10 school year:

  • More than 1.3 million elementary students attended schools where no music learning occurred and 3.9 million students, in nearly 20 percent of America’s elementary schools, lacked the opportunity to paint, sculpt or draw a picture;
  • Since 2000, when an earlier survey occurred, the availability of theatre and dance in elementary schools went from bad to worse —20 percent of elementary schools offered these arts disciplines in 2000; in 2010, only one out of every 33 schools offered dance and one out of every 25 offered theatre; and
  • In more than 40 percent of our nation’s secondary schools, students can graduate without taking a single arts course.

DREAM: Integrating the Arts to Increase Reading Proficiency

Students sit on the floor, attentively listening as the storyteller reads aloud. Several hands shoot up, without further prompting. Students took on the various roles in the story, dramatizing what they were reading and now they are talking about how acting out the story helped them feel the narrative and understand it better. Thoughtful answers to questions are given, prompting more discussion.

This is not just a teacher’s dream, but a real DREAM — the Developing Reading Education with Arts Methods (DREAM) project. Funded through the Arts in Education Model Development and Dissemination Grant Program (AEMDD) in OII, the four-year project uses visual arts and theater to teach students about reading and to improve how they read. 

Drama and Theatre Educators Are Ready for the Next Act

picture of aate past presidents AATE past presidents reflected on 25 years of efforts to strengthen the role of drama and theatre in schools and the lives of children and youth in a special conference session. Pictured (front row, left to right) are Judith Kase-Cooper, Orlin Corey, Janet Rubin, Joe Juliano and (back row, left to right) Harold Oaks, Coleman Jennings, Joan Lazarus, Betsy Quinn, Kim Alan Wheetley. AATE Past President Rives Collins, not pictured, moderated the discussion. (photo courtesy of the Child Drama Collection, Arizona State University, Tempe, Az.) The theme of this year’s American Alliance for Theatre and Education (AATE) conference was “Looking Back and Charging Ahead.” On the one hand, the nearly 400 conference attendees recently gathered in Lexington, Ky., to celebrate the 25 years AATE has served its membership of teachers and teaching artists, postsecondary educators and researchers, youth theatre companies, playwrights, and advocates. The “looking back” portion included a special session at which a number of the association’s past presidents and other leaders shared stories of the quarter-century-long effort to keep the light shining on the importance of drama and theatre for children and youth. 

By the time I arrived on the second day of the conference, the emphasis had shifted to the present and future. My task was to share the recent findings of a nationwide survey of the conditions of arts education, one that also offered comparisons of those conditions of arts teaching and learning with data from 1999-2000—prior to the No Child Left Behind Act. My presentation would unfortunately remind attendees that between 2000 and 2010, the percentage of elementary schools offering instruction in drama and theatre had plummeted from 20 percent to four percent. At the secondary level, the drop was less dramatic but sobering just the same—less than half of secondary schools nationwide offered students the opportunity to study theatre. It’s hard to shine a light on what’s not on the stage.

Ten Years of Arts Integration

In the past 10 years, the Arts in Education Model Development and Dissemination (AEMDD) and Professional Development for Art Educators (PDAE) grant programs have unleashed the creative minds of students, deepened their learning experiences in core academic subjects through arts integration, and enhanced the knowledge and skills of teachers to meet high standards in the arts. Both programs emphasize collaborations between school districts and non-profit organizations that result in a well-rounded education for all students as well as greater student engagement across the curriculum and increased school attendance by both students and teachers. In addition, AEMDD projects, using rigorous evaluation measures, have documented gains in academic achievement by students involved in arts-integrated teaching and learning compared to their peers.

April … and All that Jazz: Celebrate Jazz Appreciation Month

April 2012 marks the celebration of the 11th annual Jazz Appreciation Month (JAM). The U.S. Department of Education is joining forces once again with the Smithsonian Institution National Museum of American History as well as more than 25 governmental, cultural, and community organizations to support this important cultural and educational initiative.

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