Author: Colette Copeland

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God, War, Politics and Time Travel at the McKinney Avenue Contemporary

Three different exhibitions—Sandow Birk and Elyse Pignolet’s The 99 Names of God, Moreshsin Allahyari’s Re: apologies to the many wonderful Iranians and Christopher Blay’s Machine Time are on display at the McKinney Avenue Contemporary through December 8. Both Birk/Pignolet and Allahyari examine mis/perceptions of the Middle East, addressing the ramifications of political warfare. Meanwhile, Blay [...]

God, War, Politics and Time Travel at the McKinney Avenue Contemporary

350 Words: “Cosmopolitanism” at Conduit Gallery

The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically I buy into that idea, but on a practical level, trying to achieve consensus on the definition of morality would prove impossible. Curator Ben Lima’s [...]

Héctor Zamora, "Sciame di Dirigibili," video still, 1:05

2012 Dallas Video Festival

The end of September hailed the 25th anniversary of the Dallas Video Festival. Changing the venue to the Dallas Museum of Art proved to be a smart move. Despite the bad storms, attendance was up from the previous year at the Angelika. Artistic Director Bart Weiss outdid himself yet again. The programming combined innovative, edgy [...]

2012 Dallas Video Festival

Contemporary Art in Mozambique

I had the pleasure to travel to Mozambique this summer to visit some friends, who had recently relocated there. We stayed outside the capital city Maputo in the town of Matola. In researching Mozambican art, I found information on the two most renowned artists—sculptor Chissano and painter Malangatana (both have museums located in their former [...]

Mario Macilau, "A falha humana (human failure)," documentary photography

350 Words: “City Zoo” at Brand 10 Art Space, And X Art Space

Featuring seven artists’ work in two galleries, the exhibition City Zoo marks the debut of Brand 10’s new space—And X. Conveniently located on the I-30 service road, And X’s mission is to showcase large-scale sculptural and video installations, as well as host collaborative or collective artist groups. Artists will be invited to spend a few [...]

Susi Brister, "Crystal-Studded Shag in Dunes," 2012, Archival pigment print on Hahnemühle photo rag

350 Words: Jackie Tileston at Holly Johnson Gallery

Jackie Tileston’s latest exhibition Freefall at Holly Johnson Gallery in Dallas includes paintings from 2007 to present. I’ve followed Tileston’s work for the past ten years and I never get tired of looking at it. The artist draws inspiration from a variety of sources including abstraction, physics, traditional eastern imagery and contemporary visual culture. Co-mingling [...]

350 Words: Jackie Tileston at Holly Johnson Gallery

Corpus Christi Galleries and the Rockport Art Center

Two weeks ago, I took a road trip to the coast to jury a student exhibition at Rockport Center for the Arts. I spent Saturday in downtown Corpus Christi which was deserted. Boarded-up, empty buildings dotted the urban landscape. I visited two galleries while in town. K Space featured intaglio prints by San Antonio artist [...]

Anne

Jill Magid Speaks at Richland College

  I first met Jill Magid in the Fall of 2006 when we team taught an interdisciplinary studio course for visual studies majors at the University of Pennsylvania. Over the past few years, her work has garnered much attention including exhibitions at the Tate Modern, Whitney Museum and Yvon Lambert in Paris. When asked to [...]

video surveillance still from (Evidence Locker, 2004)

CAA Part II: Design, Food, Weegee and Naked Hollywood

  The College Art Association Conference was a great excuse to play in L.A. for a few days. Arriving at the swanky L.A. Marriott Live hotel, I immediately noticed the intersection between art, design and advertising. The bathroom lobby resembled a pink Dan Flavin installation. Huge Guess banners filled the lobby walls and columns. Guess [...]

Weegee, [Marilyn Monroe, ca. 1960, International Center of Photography, Bequest of Wilma Wilcox, 1993, © Weegee/International Center of Photography/Getty Images"

CAA Part I: Conference Highlights

My grumble with College Art Association conferences is that historically the programming primarily targets art historians. Last year’s New York conference was a notable exception with some of my favorite artists on the roster. Shirin Neshat participated in a panel on censorship. The Guerrilla Girls performed. A panel on the artist as critic/critic as artist [...]

Mary Kelly, "Post-Partum Document 1973-79 Documentation I Analyzed fecal stains and feeding"

350 Words: “Glenn Ligon: America”

I have followed Glenn Ligon’s work over the past twenty years. He’s not known for his subtlety. In fact, he deliberately provokes his viewers. Given that his work examines race, gender and politics in such raw and unblinking ways, I admit I was pleasantly surprised that The Modern was willing to take the risk of [...]

Glenn Ligon, "Malcolm X (Version 1) #1," 2000, Vinyl-based paint, silkscreen ink, and gesso on canvas, 96 x 72 in. (243.8 x 182.9 cm) Collection of Michael and Lise Evans

350 Words: “In the Interest of Time” at Brazos Gallery

The exhibition In the Interest of Time presents three projects by the Brooklyn collaborative Smudge Studio, comprised of artists Elizabeth Ellsworth and Jamie Kruse. Their primary subject is the landscape, and their approach includes embodying the roles of scientist, historian, anthropologist and, of course, artist. Their process is a performative journey, navigating, investigating and documenting [...]

Smudge Studio

Chit Chat with Shepard Fairey and Pedro Alonzo

February 2, 2012. By 6:30 pm, the line waiting for the Shepard Fairey talk was already a block long. Thankfully, my RVSP and press status allowed me instant entry. After securing a seat, I went in search of a beer—finding instead another long line of people waiting for Fairey to sign their books. I spoke [...]

Shepard Fairey. (From the Dallas Contemporary site.)

“Words” at Brand 10 Art Space

Video exhibitions tend to be hit or miss. As someone who makes, curates and writes about video, I have seen my share of mediocre video work. Most recently I wrote about the Memery exhibition at Mass MoCA, in which nine primarily video artists explore Internet memes and memory in visual culture. (A meme is a [...]

Mary Reid Kelley, You make me illiad -

Angus Fairhurst at Fort Worth Contemporary Art: Guerilla Gorilla

Fort Worth Contemporary Art’s exhibit of Angus Fairhurst’s bronze gorilla sculpture entitled A Couple of Differences Between Thinking and Feeling pays homage to the YBA artist who tragically died in 2008. Post-death, we cannot help but anthropomorphize and project the artist’s depression and loneliness onto the magnificent sculpture. The gorilla, regal in stature, stares at [...]

Angus Fairhurst at Fort Worth Contemporary Art: Guerilla Gorilla

Dore Ashton talks with Michael Corris in the 360 Speaker Series

Last night I attended the 360 Speaker Series at the Nasher Sculpture Center featuring SMU Art Chair Michael Corris in conversation with famed art critic and author Dore Ashton. I left feeling so energized. Ashton is a gifted storyteller. In relating her experiences with the Abstract Expressionist painters of the 50’s, she made art history [...]

Portrait of Dore Ashton, pencil on paper, by Phong Bui

350 Words: Mark Bradford at the DMA

Every writer has her biases and I’m no exception. If someone were to ask me if Abstract Expressionism were my favorite art genre, I would vehemently shake my head “no.” So it surprises me that I’m having such a lovefest with the expressive work of  L.A. artist Mark Bradford at the DMA. In fact, this [...]

Scorched Earth, 2006 Mark Bradford, American Billboard paper, photomechanical reproductions, acrylic gel medium, carbon paper, acrylic paint, bleach, and additional mixed media on canvas 94-1/2 x 118 inches Collection of Dennis and Debra Scholl © Mark Bradford

350 Words: Contemplative Cinema at Texas Theater

My husband is like the other 99.5% of Americans who go to the movies to be entertained, not to think. So it is with some trepidation that I asked him to accompany me to the Contemplative Cinema event at the Texas Theater earlier this month. The short 45-minute screening and beer allowed in the theater [...]

Still from Carolee Schneemann's "Fuses," (1965).