Editor's picks
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I have to joke … or I'd be whimpering
The Invisible Dot's Natasia Demetriou elevates her anxieties to an art form, finds Ryan Gilbey
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David Peace on Red Ladder
'They are utterly committed to the society in which they live; their work is not for or about themselves' -
Early One Morning
The story of a private executed by his colleagues for desertion plays like a classical tragedy, writes Alfred Hickling -
Play it again, Godot
Luke Mullins talks to Alexandra Spring about taking Beckett's Lucky to London and his new role – as a rabbit -
Packing more punch than the papers
In our verbatim plays, Nicolas Kent and I aimed to create something with a much greater impact than journalism, writes Richard Norton-Taylor
Michael Billington: Awayday adventurers Adrian Edmondson, Robert Webb, Miles Jupp and Neil Morrissey go wild in the Lake District
Tao Ye’s bare, sparse choreography takes his cast through rippling, repetitive cycles, better suited to the dark haze of the first half than the startling whiteness of the second, writes Judith Mackrell
Infuriating, mildly amusing and then wonderfully unforeseen, the Mighty Boosh man’s show features some reality-busting set-pieces, writes Brian Logan
This show based on Jeff Brown’s offbeat novel is loud, colourful and cleverly designed – and it will strike a chord for younger siblings, writes Chris Wiegand
The story of nine black men, falsely convicted of raping two white women, is reframed as a minstrel show with a brilliant cast and electrifying choreography, says Lyn Gardner
