Dance

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• Tao Dance Theatre review – monochrome minimalism

  

  21 Oct 2014: Tao Ye’s bare, sparse choreography takes his cast through rippling, repetitive cycles, better suited to the dark haze of the first half than the startling whiteness of the second, writes Judith Mackrell

• The Royal Ballet: Ashton mixed bill review – a five-star masterclass

  

  20 Oct 2014: Elegance and intelligence abound in this evening devoted to the genius of the choreographer Frederick Ashton, says Judith Mackrell

• Team of Life review – dance theatre mixes sport and therapy

  

  20 Oct 2014: Two stories run in tandem: a young couple expecting a baby and a former child soldier as comfortable with a soccer ball as a gun, writes Alexandra Spring

• Birmingham Royal Ballet: Shadows of War review – savage fragment of British dance history

  

  19 Oct 2014: Even if the new choreography doesn’t convince, Birmingham Royal Ballet’s new version of Robert Helpmann’s lost Miracle in the Gorbels is still a gift to the archives, writes Judith Mackrell
  

• Francesca Hayward: the next great British ballerina?

  19 Oct 2014: At 22, Hayward is already being fast-tracked into principal roles and is one of the Royal Ballet’s most promising talents

• Northern soul attracts a new – and younger – demographic down under

  18 Oct 2014: As a film about the scene’s 1970s heyday is released, Australians are keeping northern soul alive in the southern hemisphere, writes Pete Smith

• Wendy Whelan's farewell to NYCB - a ballerina's career in pictures

  17 Oct 2014: After 30 years, New York City Ballet principal dancer Wendy Whelan will bid farewell to the company with a special performance on Saturday 18 October 2014. Leap back through her incredible career
  

• Rocío Molina: Bosque Ardora review – a flamenco chameleon defies stereotypes

  

  17 Oct 2014: The riveting Spanish dancer plays goddess, burlesque seducer, sex kitten and more for her raw and ritualistic new show, writes Judith Mackrell

• This week’s new dance

  17 Oct 2014: Joseph Mercier And PanicLab: RIOT | Royal Ballet: Ashton Programme

• Rocío Molina: flamenco and beyond

  15 Oct 2014: Some say she’s killing ‘real’ flamenco – but Rocío Molina has no time for conservatism. She tells Judith Mackrell about taking her inspiration from Nietzsche, Brueghel and Pasolini

• Like Rabbits review – Virginia Woolf story becomes dance-theatre fantasy

  

  14 Oct 2014: Lucy Kirkwood and Ben Duke have strikingly reinvented the story Lappin and Lapinova for the stage, writes Judith Mackrell

• Cameron and the morris dancers: a sign of our nationalistic mood

  14 Oct 2014: Lola Okolosie: By posing with blacked-up dancers, the prime minister is telling us it’s time to endorse Englishness. So what if black people are offended?

• Natalia Osipova in Giselle, the heartbreak ballet - video

  Video (2min 33sec), 14 Oct 2014:

  Watch the former Bolshoi dancer's five-star performance in the lead role in Petipa's classic romantic ballet

• David Cameron risks row by posing with blacked-up morris dancers

  13 Oct 2014: Prime minister appears at Banbury’s folk festival with the Foxs morris dance troupe, who perform with blackened faces

• Complexity of Belonging review – superior stagecraft but little emotion

  

  13 Oct 2014: Scenes overlap in this Falk Richter and Anouk Van Dijk collaboration and the result is inarticulate confusion, writes Van Badham

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