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  • An Evening With Mary Wilson

    3,483 views 6 months ago
    On Wednesday, Dec. 4, 2019, Mary Wilson, a founding member of The Supremes, joined us to celebrate our special exhibition, "Motown: The Sound of Young America," and her latest book, "Supreme Glamour." The conversation was moderated by Judy Maggio, Editorial Director - Austin PBS KLRU.

    The program was part of the Friends of the LBJ Library's "An Evening With" speaker series. Learn more: http://www.lbjfriends.org

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    /// About Mary Wilson
    Ms. Wilson is an original member of The Supremes as well as a best-selling author, motivational speaker, businesswoman, former U.S. Cultural Ambassador, wife, mother, and grandmother. This fall, she joined the cast of ABC's "Dancing with the Stars."

    As an original member of The Supremes, Ms. Wilson achieved an unprecedented 12 No. 1 hits, five of which were consecutive from 1964 to 1965. In 2018, Billboard celebrated The Supremes' 60th anniversary with a list of The Hot 100's Top Artists of All Time, where the group was ranked at No. 16 and still remain the No. 1 female recording group of all time.

    An irresistible force of social and cultural change, Berry Gordy's legendary Motown Records made its mark not just on the music industry, but society at large, with a sound that has become one of the most significant musical accomplishments and stunning success stories of the 20th century. The music of The Supremes and other Motown artists communicated and brought together a racially divided country and segregated society, touching people of all ages and race around the world.

    Listen to Mary Wilson's biggest Motown hits on Spotify or Apple Music: https://classicmotown.lnk.t...

    /// About the Book
    As Motown's leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. "Supreme Glamour" presents Mary Wilson's unparalleled collection, showcasing 32 of the group's most eye-catching gowns.

    In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Packed with anecdotes and insights, Ms. Wilson tells the complete story of The Supremes, both on and off stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, "Where Did Our Love Go," and from the departure of Diana Ross to The Supremes' disco hits of the 1970s. "Supreme Glamour" builds a complete picture of the charm, sophistication, and magic of The Supremes. Show less
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  • Speeches: LBJ's Vice Presidential, Presidential, and Post-Presidential Play all

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  • 1967: Selected Telephone Conversations Play all

    While in the Senate, Lyndon Johnson often made a record of his telephone conversations by having a third party, frequently Walter Jenkins, listen in on his conversations and take shorthand notes. The notes were transcribed and many of the transcripts are filed in the pre-presidential collection, "Notes and Transcripts of Johnson Telephone Conversations."

    During the Vice Presidential period, Johnson used an Edison Voicewriter to record his conversations. The Voicewriter used thin red flat disks which were similar in appearance to 45 rpm records and recorded by making a groove in the disk. All of the recorded Vice Presidential telephone conversations that the LBJ Library has located are on the Edison Voicewriter disks. The staff has also found IBM belts and Dictaphone Dictabelt recordings of speeches and interviews from the Pre-Presidential period.

    The earliest "belt" recordings of telephone conversations were created on November 22, 1963. Conversations recorded on November 22 and 23, 1963, are on IBM magnetic belts. According to the President's Daily Diary, Johnson was in his office in the Executive Office Building (EOB) when these conversations took place. After November 23, 1963, conversations were recorded on Dictaphone equipment, although Johnson continued to use the EOB office through November 25.

    The IBM belts are dark brown in color and appear to be an iron oxide bonded to a base material. They are magnetic recordings, and the belts contain no grooves. When the Library staff played the IBM belts in June 1992, the sound quality was very poor.

    The Dictaphone Corporation referred to their belts as "Dictabelt Records," and the recordings were created on Dictaphone equipment which cut a groove in the belt with a needle. Most Dictabelts are made of a blue transparent plastic material, although a few early belts are red. The company described the process as "the sound you can see" and printed "Dictabelt Visible Record" along the edge of some of the belts. Although sound quality varies on the Dictabelts, it is far superior to that of IBM belts. Unless otherwise noted in the description, recordings in this collection were made on Dictabelts with Dictaphone equipment. Because the majority of the recordings were made on Dictabelts, the recordings commonly were referred to as "Dictabelts" by President Johnson's staff.

    The dictating equipment used to record the conversations was attached to the telephone line. Johnson signaled the secretary when he wanted a conversation recorded, and she pressed a switch located at her desk to activate the machine. It appears from the content and nature of the recordings that the secretaries often left the machine running and recorded many conversations inadvertently, including many office conversations. Office conversations may also have been picked up by the speakerphone in the Oval Office.

    Some of the Dictabelts were designed to run for 15 minutes; others are 30-minute belts. Although a belt may contain only one conversation, most contain several conversations. The Dictaphone recorder held two belts and would switch automatically to the second belt, enabling the secretary to record a long conversation on two belts without interruption. The secretary prepared a slip listing the recording information for each belt. However, these slips are not always accurate. Some conversations are not listed on the slips, and some are listed which were not recorded.

    The White House Communications Agency (WHCA) and the Signal Corps also recorded some of President Johnson's telephone conversations. The Signal Corps apparently was responsible for making the recordings when the President was away from the White House, either at the LBJ Ranch or on presidential trips. Some of these recordings were made on reel-to-reel audio tape, but most were made on Dictaphone belts. Occasionally, both the Signal Corps and the President's secretaries recorded conversations. In such cases, both recordings have been included in the collection and are described as "concurrent recordings."

    It is the policy of the National Archives and Records Administration that Archives personnel will not transcribe presidential recordings. However, President Johnson's White House secretarial staff prepared transcripts of many, but not all, of the recordings. Notes found with the transcripts indicate that transcripts for some recordings were prepared long after, sometimes several years after, the conversation took place. When President Johnson left office and began working on The Vantage Point, his Austin staff made additional transcriptions and summaries. Occasionally there is more than one version of a transcript for the same conversation in the collection. These transcriptions and summaries will be made available for research when the corresponding recordings of the telephone conversations are opened.

    Photos in slideshow and more info available via www.lbjlibrary.org. See also playlists for other years.
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  • Lady Bird Johnson's Home Movies Play all

    Sources and Rights
    Lady Bird Johnson bought a movie camera and taught herself how to use it from a book. She shot most of the footage in these films, or had a friend or other person present on the scene do so with her camera. The great preponderance of the film can be used without payment of any usage fees to anyone. There are some stray bits that found their way into the films from other easily identified sources—a Disney Mickey Mouse cartoon (which she may have been given when she bought her projector), some Telenews newsreel footage, an ad from one of her husband's Senate campaigns. Where such footage poses rights issues, that is noted in the film descriptions; in a few cases, that footage has been excluded from duplicate copies that one may purchase from the LBJ Library, unless one obtains a permission letter from the original source. There are also some questions about footage origins that remain unanswered. Mrs. Johnson did not accompany her husband to Australia in 1942. That footage was presumably shot by LBJ or a companion, but some of it may have been obtained from sources unknown to us; so "use at your own risk" is an appropriate caution in that case.
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