- Perspective
Giacometti recast sculpture as open, skeletal and fragile instead of weighty, solid and monumental.
Giacometti recast sculpture as open, skeletal and fragile instead of weighty, solid and monumental.
The Middle East Institute’s online exhibition offers images of hope as well as heartache.
Nicole Eisenman’s painting ‘Ariana’s Salon’ reveals fresh thinking at Pittsburgh's Carnegie Museum.
Thomas Jefferson’s dream university confronts its past to get us talking about our future.
The Metropolitan Museum of Art’s ‘La Grenouillère’ is one of the first truly Impressionist pictures.
Contemporary pieces by Sterling Ruby and Huma Bhabha join the museum’s outdoor display.
A long time coming, the Frank Gehry-designed monument seems somewhat out of place in this moment of time.
Timely new book presents the photographer’s 1957 photo essay on crime in expanded form.
Six video artworks are part of the University of Maryland Art Gallery’s ‘Breath & Delirium.’
Nancy Holt’s 1984 environmental sculpture hold a magnifying glass up to Time itself.
Jean-Étienne Liotard brought the medium of pastel to a level of rare perfection with his portrait of a 7-year-old girl
Protests on the Southern city’s showplace street reverberate among other cities, with other icons.
Free timed-entry passes are required, and visitors are capped at 500 per day.
The rediscovery of Ife heads at the beginning of the 20th century overturned assumptions about the sophistication of such art.
“It is normalizing to be here,” one visitor says, despite the limited access and safety precautions.
Other museums will remain closed for now. “We are taking a deliberate, phased and cautious approach to reopening,” says Lonnie Bunch.
“Petition or no petition, we’ve been dedicated to this work,” Kaywin Feldman says of equity initiatives.
“We erred in including it,” museum’s interim director says of item in “Talking About Race” web portal.
In a letter to Smithsonian secretary Lonnie Bunch, former employees and board members say bias and attacks in the workplace have been ignored.
In ‘The Dead Toreador,’ this French master captured the spectacle of a 19th-century moment.