Larry Austin Collection, 1955-2014
By Adam La Spata and Maristella Feustle
Collection Overview
| Title: |
Larry Austin Collection, 1955-2014 |
|---|---|
| ID: | 06/ 100 |
| Primary Creator: | Austin, Larry (1930 -) |
| Extent: | 88.0 Boxes |
| Arrangement: | This collection is arranged into series by type of material. |
| Date Acquired: | 03/24/2016 |
| Subjects: |
Abstract
Scope and Contents of the Materials
This collection consists 88 boxes of musical works by Larry Austin and includes his compositions, sound recordings, and videos/films.Biographical Note
Subject/Index Terms
Access Information
Access Restrictions:
Access to this collection is provided only by special arrangement. Please contact the Music Library for more information.
Use Restrictions:
Reproduction and publication of materials in this collection are subject to the policies of the UNT Music Library. Copyright restrictions may apply.
Physical Access Note:
Collection is housed in the UNT Music Library and remote storage. Advance notice for use is required. Please contact the Music Library for further information.
Reading Room or Duplication Requests
Depending on any access restrictions noted above, you may be able to request items be delivered to our reading room, or that we make reproductions for you. Just click on either the or icons in the listings below to be routed to our request form.
Administrative Information
| Repository: | Music Library |
|---|---|
| Acquisition Source: | Larry Austin |
| Acquisition Method: | Gift. |
| Related Materials: | See also: the Source: Music of the Avant Garde Collection, and the Merrill Ellis Music Collection. |
| Preferred Citation: | Larry Austin Collection, University of North Texas Special Collections |
| Finding Aid Revision History: | August 17, 2018. |
| Other Note: |
Persons seeking assistance with any of Larry Austin’s compositions are invited to contact his daughter: Thais Austin 555 Massachusetts Avenue, N.W., Unit 901 Washington, DC 20001 Thaisaustin1[at]gmail.com 202-289-2718 |
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Box and Folder Listing
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Series 1: Sketches
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Box 1.1
Barcode 701001-
Item 1: Agape
A manila envelope of handwritten sketches for various pieces -
Item 2: Continuum
A large page of staff paper outlining a 23-note row -
Item 3: Untitled
Four pages of 8.5" x 11" staff paper taped together outlining a 23-note tone row -
Item 4: Untitled
Page of an untitled sketch (8) -
Item 5: Untitled
Sketch of an unknown piece for two or three tenor clef instruments -
Item 6: Untitled, 1964 December 11
Pages 8 - 23 of a sketch of an unknown piece consisting of four grand staves labeled A, B, C, and D -
Item 7: Untitled, 1964 December 11
Page 9 of a sketch of an unknown piece consisting of four grand staves labeled A, B, C, and D -
Item 8: Untitled
Page 11 of an untitled sketch -
Item 9: NME Piece
Four separate pages of a sketch -
Item 10: Maze
Sketches of this piece as well as Roma and Bass -
Item 11: Mass
Sketch of Kyrie -
Item 12: Mass
Sketch of Credo
-
-
Box 1.2
Barcode 701000-
Item 1: Transmission One
Manila envelope containing materials for this piece; "1. Script 2. Plan 3. Process 4. Circuit" written in red pen on envelope -
Item 2: Phantasmagoria Sketches, 1977 January 1
Compositional sketches -
Item 3: Untitled
Page of sketches written in red pen with numbers 1829, 1841, 1892, and 1852 in boxes -
Item 4: Untitled
Page of sketches written in pencil with numbers 1844 in box -
Item 5: Ives Row
Prime and Inversion forms of a tone row -
Item 6: Untitled
Page of sketches -
Item 7: Theme for last mvt. Tempo di minuetto, Theme and Variations, 1986 January 5
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Item 8: Untitled, 1986 April 7
-
Item 9: Untitled, 1989 October 21
Five-page sketch
-
-
Box 1.3
Barcode 700999-
Item 1: LOGO #1, 1988 October 8
Page of sketch (2) -
Item 2: Untitled
Ozalid pages 2 - 23 of unknown piece for orchestra -
Item 3: Untitled
Sketch of an unknown piece possibly for organ -
Item 4: Piano piece(s?); Invention(s?)
Pages of a sketch (10) -
Item 5: Piano Fractal for Violet, 1988 June
Page of sketch -
Item 6: Cue Sheet for Interview
Timings -
Item 7: Flourishes
Sketch (2 pp) -
Item 8: Electra
Sketch -
Item 9: Tableaux
Sketch of flute part -
Item 10: Alarms
Sketch -
Item 11: Parle
Sketch -
Item 12: Homecoming
Full score sketch -
Item 13: The Moon is Bloody; Fantasy on a theme by Berg
Sketch for a jazz band piece -
Item 14: Event/Complex Number 6, 1973 January 1
Sketch of piece for amplified flute, clarinet, and tape [Quadrants: Event/Complex Number 6 is for flute and tape] -
Item 15: String Quartet in Open Style
Pages 1-8,10, 12, 13, 55, 57, and 59 -
Item 16: Untitled
Pages 1 - 3 of an unknown piece for piccolo, English horn, viola, vibraphone, tambourine, and harp -
Item 17: Tape #1 9753
Breakdown of a recording session -
Item 18: In Memoriam John Fitzgerald Kennedy for Concert Band
Sketch (13.5 pp) -
Item 19: Quartet Number 1
Full score sketch of first movement -
Item 20: Quartet Number 1
First 12 bars of full score sketch of second movement -
Item 21: Quartet Number 1
Full score sketch of second and third movements -
Item 22: Untitled
Pages 1 - 23 of an unknown piece for flute/alto flute, oboe, vibraphone/xylophone, percussion, and contrabass -
Item 23: Current for Clarinet and Piano, 1964 August 3
Pages 1 - 31 of concert pitch sketch -
Item 24: Clarini!, 1985 March 28
Sketch for "A piece which appears, on paper, to be simply baroque-style trumpet writing" -
Item 25: Untitled, 1986 January 2
Pages of sketch for piece for flute and harp (8) -
Item 26: The Reception of Musical Sounds
Table II: Frequencies of notes in the tempered scale -
Item 27: Clarini!
Page of "Sequences" -
Item 28: Untitled, 1964 September 3
Sketch of piece for string quartet (pages 9, 14-54, 56, 58, 60-80) -
Item 29: Continuum for a Number of Instruments
Page of sketch -
Item 30: Untitled
Sketch of piece for brass and timpani -
Item 31: Untitled
Part for unknown treble instrument -
Item 32: Piano and Orch. Piece
Sketch -
Item 33: Canadian Coastlines
Timings -
Item 34: Bullfight Fanfare and Entrance of the Bulls March
First two pages of short score sketch -
Item 35: Mexican Sequence; El Rancho Grande
First two pages of short score sketch -
Item 36: Untitled
Sketch of a 24-note tone row (with quarter tones) in prime form -
Item 37: Untitled
Pages 2 - 6 of an unknown piece -
Item 38: Untitled
Pages 1 - 7 of a sketch of an unknown piece consisting of four grand staves labeled A, B, C, and D -
Item 39: Changing of the Guard
Pages 1 -8 of short score sketch to incidental music; includes Big Ben Bell, Rule Brit, Tipp, and America -
Item 40: Sequence #3: Scottish Sword Dance
Pages 1 - 3 of short score sketch -
Item 41: Everything's Comin' Up Roses
Pages of sketch (4) -
Item 42: Ritournelle
Sketch (9 pp) -
Item 43: Couplings
Sketch (5 pp) -
Item 44: Hommage a
Sketch (4 pp) -
Item 45: Fiddle-Faddle
Sketch (6 pp) -
Item 46: Porgy and Bess (Yo' is my woman)
Sketch (7 pp) -
Item 47: Oh, I Can't Sit Down
Sketch (6 pp) -
Item 48: I'm On My Way
Sketch (5 pp) -
Item 49: I Enjoy Being a Girl
Sketch (5 pp) -
Item 50: O.B.R.
Sketch -
Item 51: Untitled
Page of tone rows -
Item 52: Figure n
Bar graph of sonorities in Cage string quartet -
Item 53: Untitled
Graph paper sketch -
Item 54: Violet's Invention, 1988 January 1
Manila envelope of sketches -
Item 55: Agape
Sketches for various pieces -
Item 56: Eroica Sketches
Manila envelope of sketches -
Item 57: Magicians and Brass
Sketches for write-up" -
Item 58: Piano Set in Open Style
Sketch -
Item 59: Untitled
Ozalid reproduction of 24-tone matrix -
Item 60: Untitled
Vowel pronunciation guide -
Item 61: Untitled
Pages 3 and 4 of handwritten performance notes
-
-
Box 1.4
Barcode 700998-
Item 1: Joan2 - The Sounds
Timings -
Item 2: Sound Poems, 1991 January 1
Manila envelope of concepts [for SoundPoemSet] -
Item 3: Joan1 - The Name
Timings -
Item 4: Joan3 - The Music
Timings -
Item 5: BluesAx, 1996 January 1
Manila envelopes containing overhead acetates for talk 1) sketches 2) score pages -
Item 6: Variations beyond Pierrot, 1993-1995
Manila envelope of sketches -
Item 7: La Barbara, 1991 January 1
Original score -
Item 8: BluesAx
Pages of sketch of Blues Our Parker (2) -
Item 9: BluesAx
Sketch of BluesLude -
Item 10: BluesAx
Manila folder of manuscript originals -
Item 11: Untitled
Several large pages of graph paper with numbers and straight red and blue lines -
Item 12: Sketches for Imp. and Consort
Manila envelope of sketches for two different pieces -
Item 13: Tarogato!, for Tarogato and Octophonic Computer Music
Envelope of masters and sketches
-
-
Box 1.5
Barcode 700997-
Item 1: The Chord
Sketch -
Item 2: Untitled
Sketch of unknown piece for five bass clef instruments -
Item 3: Collage
Page of sketch -
Item 4: Mass
Orchestrated sketch of Gloria; manila envelope incorrectly states it contains the Kyrie as well -
Item 5: Mass
Sketches -
Item 6: Mass
Sketch of Credo - a serial monophonic setting of the "Ave Maria" text; does not correspond with the version of this movement in the score -
Item 7: Mass
Condensed score sketch of Sanctus -
Item 8: Mass
Condensed score sketch of Agnus Dei -
Item 9: Canadian Coastlines
Pages of sketch -
Item 10: Triptych
Sketches on ozalid -
Item 11: Triptych
Sketches -
Item 12: Canadian Coastlines
Post-it note -
Item 13: Untitled
Page of sketch (2) -
Item 14: Chord-sonorities
Page of sketch -
Item 15: various
Page of sketch (8) -
Item 16: March for Col
Sketch -
Item 17: Plastic Surgery for the Electric Stereopticon
Manila envelope -
Item 18: Euphonia sketches
Manila envelope -
Item 19: Brass
Information sheet -
Item 20: Agape
Sketches -
Item 21: Protoforms: Fractals for Cello Choir and Computer Band
Manila envelope of sketches and graphs -
Item 22: Protoforms: Fractals for Cello Choir and Computer Band
Sketches -
Item 23: Composing from a Geometric Model
Guidelines written on a piece of yellow legal pad paper -
Item 24: Catalogo Voce
Sketches (5 pp) -
Item 25: Quadrants: Event/Complex Number 2 for Chorus, Percussion, and Tape
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-
Box 1.6
Barcode 700996-
Item 1: Catalogo Voce
Sketches (10 pp) -
Item 2: Catalogo Voce
Various sketches -
Item 3: Catalogo Voce
Sketch -
Item 4: Pauline Oliveros Episode
Pencil score and reproduction of cello part (2 pp each) -
Item 5: Gamuts
Sketches -
Item 6: Stars
Sketches -
Item 7: Untitled
Page of sketches (2) -
Item 8: Untitled
Page of sketches on NTSU School of Music letterhead -
Item 9: Pretty
Sketch -
Item 10: Southern Sky
Sketch -
Item 11: Untitled
Sketch -
Item 12: Untitled
Red pencil sketch about harmonics -
Item 13: Score File (Context!)
Sketch -
Item 14: Untitled
Sketch (2 pp) -
Item 15: Solo Sonoro
Sketch -
Item 16: Untitled
Sketch (3) -
Item 17: Untitled
Sketch of flute harmonics -
Item 18: Untitled
Two pages of sketches -
Item 19: Catalogo Sonoro
Sketches -
Item 20: Untitled
Sketches -
Item 21: Singing!, 1998 March 2
Materials/sketches and masters for time-line score -
Item 22: Montage, 1985 January 1
Pencil score (pp. 2-4) -
Item 23: Montage, 1985 January 1
Reproduction of pencil score (pp. 1-4) -
Item 24: Montage, 1985 June 25
Sketches -
Item 25: Transmission Two: The Great Excursion Part II
Comb-bound draft of full score -
Item 26: Untitled
Pages 1-8 -
Item 27: Part II
Page with "Part II" printed on it -
Item 28: Canadian Coastlines
Manila envelope of sketches -
Item 29: VC
Sketches -
Item 30: Untitled
Sketch on graph paper -
Item 31: Untitled
First two pages of piece for organ -
Item 32: Quadrants
Three pages of tape part -
Item 33: Event/Complex
Various sketches -
Item 34: Catalogo Sonoro
Various sketches -
Item 35: Untitled
Various sketches (19 pp) -
Item 36: Untitled
Sketch of piece for solo bass, amplified bass, and electronics
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Box 1.7
Barcode 700995-
Item 1: Magic Prelude
First page of sketch of organ piece (Box 31, Item 17) -
Item 2: Peace is Flowing
Sketch of piece for organ -
Item 3: Hosea
Sketch of piece for organ (2 pp) -
Item 4: Prelude "We are members of the magic orchestra"
Sketch of piece for organ (2 pp) -
Item 5: Postlude - Recessional
Page of piece for organ -
Item 6: Let Us Break Bread
Page of piece for organ -
Item 7: Ottuplo!
Sketch, pp. 1 and 2 -
Item 8: Sub-harmonic Series on C8 (4096 cps)
Numerical values on graph paper -
Item 9: Ottuplo!
Pages 3-9 -
Item 10: Euphonia 2344: A Tale of the Future, 1987 January 1
Reproduction of score sketch (2) -
Item 11: Sequence-10
"Eleven-tone row matrix for improvisation, freely expressed in harmony with the tape" -
Item 12: SALOME Recorder Music, 1972 - circa 1978
Sketches -
Item 13: Untitled
Twelve-tone matrix -
Item 14: Charley's Cornet
Sketches -
Item 15: Ottuplo!, 1998 July 21
Bell matrices (2 pp) -
Item 16: Ottuplo!, 1998 July 27
Very large matrix -
Item 17: Untitled
Sketch/score [?] -
Item 18: Universe Symphony realization
Sketches -
Item 19: Transmission Two: The Great Excursion
Draft of full score -
Item 20: Adagio: Convolutions on a Theme by Mozart
Sketches (4 pp) -
Item 21: Tableaux: Convolutions on a Theme for Alto Saxophone and Computer Music, 2003 November 29
Sketches -
Item 22: Bill Watrous
Various sketches -
Item 23: Promenade
Yellow paper copies of sequences in pencil (pp 5-11) -
Item 24: Untitled
Copies of pages of sketches -
Item 25: Untitled
Pages of sketches -
Item 26: Transmission Two: The Great Excursion
Sketches -
Item 27: Quadrants: Event/Complex Number 3 for Violin, "Daisy," and 4-Channel Tape
Sketchbook -
Item 28: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT), 2001 January 1
Draft copy of pencil score -
Item 29: Montage: Themes and Variations for Violin and Computer Music, 1985 January 1
First page of score
-
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Box 1.8
Barcode 700990-
Item 1: Untitled
Binders
-
-
Box 1.9
Barcode 700989-
Item 1: Untitled
Binders
-
-
Box 1.10
Barcode 700988-
Item 1: Untitled
Sketchbook -
Item 2: Untitled
Sketchbook -
Item 3: Untitled
Binders -
Item 4: Euphonia 2344: A Tale of the Future, 1987 January 1
Binder of sketches -
Item 5: Source sketchbook
Sketchbook
-
-
-
Series 2: Scores
-
Box 2.1
Barcode 700994-
Item 1: Tango Violento!, 1984 January 1
Masters -
Item 2: Quadrants: Event/Complex Number 4
Masters of original version -
Item 3: Quadrants: Event/Complex Number 9 for Percussion and Tape
Manila envelope of score -
Item 4: Quadrants: Event/Complex Number 9 for Percussion and Tape
Score -
Item 5: Quadrants: Event/Complex Number 4
Score -
Item 6: Quadrants: Event/Complex Number 10 for Trombone and Tape
Loose pages of score in a cover -
Item 7: Quadrants: Event/Complex Number 5 for Cello and Four-Channel Tape
Score -
Item 8: Quadrants: Event/Complex Number 3 for Violin, "Daisy," and 4-Channel Tape
Score
-
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Box 2.2
Barcode 700993-
Item 1: The Maze - Open Style for Percussion Ensemble, Tape, and Dancer, 1966 January 1
Envelope containing two scores and two sets of parts -
Item 2: The Ordinary of the Mass: A Setting for Chorus and Orchestra, 1959 January 31
Fair copy of full score on 11" x 14" onion skin paper (105 pages) -
Item 3: Triptych for Chorus and String Quartet (or Piano, 4-Hands); poems by Carolyn Stoloff, 1962 January 5
Full score -
Item 4: Triptych for Chorus and String Quartet; poems by Carolyn Stoloff, 1962 January 5
-
Item 5: Triptych for Chorus and String Quartet (or Piano, 4-Hands); poems by Carolyn Stoloff, 1962 January 22
11" x 14" ozalid reproductions -
Item 6: Fanfare and Procession, 1953 January 1
Full score and full set of parts -
Item 7: Fanfare and Procession, 1953 January 1
Full score -
Item 8: Fanfare and Procession, 1953 January 1
Manila envelope containing masters for score
-
-
Box 2.3
Barcode 700992-
Item 1: Life Pulse Prelude, 1984 January 1
Score -
Item 2: Catalogo Sonoro, 1978 January 1
Two masters and ozalid reproductions -
Item 3: Catalogo Sonoro, 1978 January 1
Spiral-bound score (3) -
Item 4: Sinfonia Concertante: A Mozartean Episode, 1986 January 1
Comb-bound score -
Item 5: art is self-alteration is Cage is, 1983 January 1
Master score and copies -
Item 6: art is self-alteration is Cage is, 1983 January 1
Score (2)
-
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Box 2.4
Barcode 700991-
Item 1: Sinfonia Concertante: A Mozartean Episode, 1986 January 1
Masters for part-scores -
Item 2: Life Pulse Prelude, 1974 January 1
Original pencil score -
Item 3: Tango Violento!, 1984 March 21
Reproduction of score (2) -
Item 4: Violet's Invention, 1988 January 1
Masters -
Item 5: Euphonia 2344, 1997 January 1
Score of Scene 2 (2) -
Item 6: Euphonia 2344, 1987 January 1
Master score of Scene 2 -
Item 7: Euphonia 2344, 1987 January 1
Master score of Scene 2 -
Item 8: Catalogo Voce - A Mini-Opera for Bass-Baritone and Tape, 1979 January 1
Master score -
Item 9: Euphonia 2344, 1987 January 1
Miscellaneous pages -
Item 10: Concertante Cybernetica: Interactions for Performer and Real-Time Digital Music Systems, 1987 January 1
Set of notes and score (3) -
Item 11: Montage, 1985 January 1
Masters of reduced score -
Item 12: Concertante Cybernetica: Interactions for Performer and Real-Time Digital Music Systems, 1987 January 1
Masters -
Item 13: Montage: Themes and Variations for Violin and Computer Music, 1985 January 1
Spiral-bound score -
Item 14: Montage: Themes and Variations for Violin and Computer Music, 1985 January 1
Pages 11-17, score, transparencies -
Item 15: Montage, 1985 January 1
Masters for small study score -
Item 16: Protoforms: Fractals for Cello Choir and Computer Band, 1981 January 1
Masters for score and parts and one set of parts -
Item 17: Snare Drum Cycles from the Life Pulse Prelude, 1987 January 1
Score (5)
-
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Box 2.5
Barcode 700987-
Item 1: March and Trio: Men of California, 1958 January 1
Condensed score (3) -
Item 2: Men of California, 1957 January 1
Master copy of short score -
Item 3: Fanfare and Procession for Concert Band, 1953 January 1
Full score (3) -
Item 4: Homecoming: a Jazz Cantata for Soprano and Jazz Quintet, 1958-1959
Score and parts -
Item 5: Homecoming, 1958-1959
Ozalid masters for poem and soprano part (cut out) -
Item 6: String Quartet in Three Movements, 1955 January 1
Masters of score -
Item 7: Quartet Number 1
Score and parts -
Item 8: Homecoming, 1958-1959
Masters of score and parts for alto sax version -
Item 9: Life Pulse Prelude
Pages 1-46 of score (2) -
Item 10: Montage
Score with printed violin part and pencil-written realization of tape part
-
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Box 2.6
Barcode 700986-
Item 1: Improvisations for Symphony Orchestra and Jazz Soloists, 1961 January 1
Full score (2) -
Item 2: Triptych for Chorus and String Quartet, 1962 January 1
Score and parts -
Item 3: In Memoriam John Fitzgerald Kennedy for Concert Band, 1963 January 1
Masters for score and parts -
Item 4: In Memoriam John Fitzgerald Kennedy for Concert Band, 1964 January 21
Full score -
Item 5: Music for Electra, 1963 January 1
Masters -
Item 6: Fantasy on a Theme by Berg for Jazz Band, 1960 January 1
Masters for score and parts -
Item 7: Collage for Mixed Ensemble, including Uncommon Canon, 1963 January 1
Masters -
Item 8: Tarogato!, for Tarogato and Octophonic Computer Music, 1998 January 1
Spiral bound score (4) -
Item 9: Tarogato!, for Tarogato and Octophonic Computer Music, 1998 November 26
Envelope of final masters -
Item 10: Tarogato!, for Tarogato and Octophonic Computer Music
Envelope of masters
-
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Box 2.7
Barcode 700985-
Item 1: BluesAx, 1996 January 1
Spiral-bound score -
Item 2: BluesAx, 1995 January 1
Comb-bound score -
Item 3: BluesAx, 1996 January 1
Title page master -
Item 4: BluesAx, 1996 January 1
Reproduction of score -
Item 5: BluesAx, 1995 January 1
Comb-bound score of Blues in Cameroon -
Item 6: BluesAx
Envelope 11" x 14 1/4" masters plus 8 1/2" x 1" masters -
Item 7: W.A. Mozart; Six Symphonies
Volume 17 of the Hampton Miniature Scores series; contains K. 285, 425, 504, 543, 550, and 551 -
Item 8: Second Fantasy on Ives' Universe Symphony: the heavens
Ozalid reproduction of score -
Item 9: Maroon Bells for Voice, Piano, and Tape, 1976 January 1
Masters -
Item 10: Agape Set
Comb-bound Full Score (3)
-
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Box 2.8
Barcode 700983-
Item 1: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT)
Masters -
Item 2: Transmission Two: The Great Excursion, 1990 January 1
Comb-bound full score of part 1 -
Item 3: Transmission Two: The Great Excursion, 1990 January 1
Comb-bound full score of part 2 -
Item 4: Transmission Two: The Great Excursion, 1990 January 1
Single-sided reproduction of full score
-
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Box 2.9
Barcode 700984-
Item 1: Tableaux
Score masters -
Item 2: Octophonic Sound Diffusion Modeling, 1998 January 1
Three copies in manila envelope -
Item 3: Quadrants: Event/Complex Number 10 for Trombone and Tape, 1978 January 1
Score -
Item 4: Sinfonia Concertante, 1986 May 24
Unbound score -
Item 5: Maze
Score of Wood section -
Item 6: Agape Set, 1971, 1978, 1999
Original masters of score. Revised in 1978. -
Item 7: Agape Set, 1971 January 1
Fair copy of score -
Item 8: Les Flutes de Pan: Hommage a Debussy, 2006 January 1
Spiral-bound score -
Item 9: Quadrants: Event/Complex Number 6 for Flute and Four-Channel Tape
Score -
Item 10: Quadrants: Event/Complex Number 8 for Viola and Four-Channel Tape
Score -
Item 11: Quadrants: Event/Complex Number 10 for Trombone and Tape
Score -
Item 12: Quadrants: Event/Complex Number 11
Score
-
-
Box 2.10
Barcode 700982-
Item 1: Universe Symphony
Transparencies of score -
Item 2: Open Style for Orchestra with Piano Soloist, 1965 January 1
Ozalid reproduction of first page of score -
Item 3: I'll See You in My Dreams
First page of band score -
Item 4: Overture from George Frederick Handel's Royal Fireworks Music, 1963 July 5
Condensed score of band version -
Item 5: Suite for Massed Bands, 1961 August
Condensed score (2) -
Item 6: Various Brass Fanfares, etc.
Parts and scores -
Item 7: Variations beyond Pierrot, 1993-1995
Conductor/director's time-line score for density/continutity -
Item 8: La Barbara, 1991 January 1
Reproduction of tape/vocal score -
Item 9: Life Pulse Prelude, 1996 January 1
Live percussionisits' part-score (3 comb-bound copies) -
Item 10: Accidents Two
Manila envelope of xerox copies of event-scores for practice -
Item 11: Variations beyond Pierrot, 1995 January 1
Manila envelope containing transparencies of scenes and selected moon scores -
Item 12: BluesAx, 1996 January 1
Manila envelope of select score pgs. transparencies -
Item 13: La Barbara, 1991 January 1
Manila envelope of masters -
Item 14: La Barbara, 1991 January 1
Manila envelope of masters -
Item 15: Tarogato!, for Tarogato and Octophonic Computer Music, 1998 January 1
Manila envelope of full score transparencies -
Item 16: Adagio: Convolutions on a Theme by Mozart
Manila envelope of masters
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Box 2.11
Barcode 700981-
Item 1: Time It (A Time Object), 1969 January 1
Score in manila envelope -
Item 2: Accidents Two: Sound Projections for Piano with Computer Music, 1992 January 1
Performance instructions and review selection of score-slide reproductions -
Item 3: Accidents
Score -
Item 4: BluesAx, 1996 March 26
Final masters -
Item 5: Life Pulse Prelude, 1996 January 1
Manila envelope of masters of Version II for Percussion Trio -
Item 6: Variations beyond Pierrot, 1993-1995
Manila envelope of masters -
Item 7: Variations beyond Pierrot, Part One, 1993-1995
Conductor/director's time-line score for density/continutity -
Item 8: Accidents Two, 1992 January 1
Copy of front cover -
Item 9: Variations beyond Pierrot, 1993-1995
Copy of front cover -
Item 10: Euphonia 2344, 1997 January 1
Pages 10-25 of score -
Item 11: Euphonia 2344, 1997 January 1
Stapled libretto of Scene 2 (3) -
Item 12: Tarogato!, for Tarogato and Octophonic Computer Music, 1998 January 1
Title page and performance notes -
Item 13: Djuro's Tree, 1997 September 21
Reproduction of score -
Item 14: Tarogato!, for Tarogato and Octophonic Computer Music, 1998 January 1
Reproduced pages of score held with a paper clip -
Item 15: Changes: Open Style for Trombone and Magnetic Tape, 1965 January 1
Reproduced pages of score held with four paper clips -
Item 16: Bass: A Theater Piece in Open Style for Bass, Film Projection and Tape, 1966 January 1
Score in manila envelope -
Item 17: Piano Set in Open Style, 1964 January 1
Score -
Item 18: Current for Clarinet and Piano, 1964 January 1
Score (2) -
Item 19: Changes: Open Style for Trombone and Magnetic Tape, 1970 January 1
Published score (8)
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Box 2.12
Barcode 700971-
Item 1: Current, 1967 January 1
Published score (5) -
Item 2: Open Style for Orchestra with Piano Soloist, 1965 January 1
Score -
Item 3: Piano Set in Open Style, 1967 January 1
Published score (3) -
Item 4: Changes: Open Style for Trombone and Magnetic Tape, 1965 January 1
Comb-bound score (2) -
Item 5: Piano Set in Open Style, 1964 January 1
Masters of original score in manila envelope -
Item 6: Continuum for a Number of Instruments
Score (2) -
Item 7: Square (from "Collage"), 1963 January 1
Score (3) -
Item 8: Suite for Massed Bands, 1961 January 1
Handwritten (in pencil) full score -
Item 9: Improvisations for Symphony Orchestra and Jazz Soloists, 1961 July 17
Fair copy of full score
-
-
Box 2.13
Barcode 700970-
Item 1: Ceremony for Organ, Voice, and Percussion, 1980, 1993
Comb-bound score. Revised in 1993. -
Item 2: In Memoriam John Fitzgerald Kennedy for Concert Band, 1963 January 1
Comb-bound full score -
Item 3: In Memoriam John Fitzgerald Kennedy for Concert Band, 1963 January 1
Full score and full set of parts -
Item 4: Changes: Open Style for Trombone and Magnetic Tape, 1965 January 1
Score -
Item 5: Catalogo Sonoro di Viola a Sola e Nastro Magnetico, 1978 January 1
Score (2) -
Item 6: Euphonia 2344: A Tale of the Future, 1997 January 1
Comb-bound score of Scene 2 (3) -
Item 7: Sonata Concertante for Pianist with Computer Music on Tape, 1985 May 1
Revised version of score for copyist -
Item 8: Euphonia 2344: A Tale of the Future
Libretto by Thomas Holliday for a two-act opera with music by Lary Austin based on a section of Hector Berlioz's Evenings with the Orchestra -
Item 9: Music for Electra, 1963 January 1
Condensed score, piccolo, and English horn parts -
Item 10: Music for Electra, 1963 January 1
Condensed score -
Item 11: Catalogo Voce - A Mini-Opera for Bass-Baritone and Tape, 1980 January 1
Score -
Item 12: Sonata Concertante for Pianist with Computer Music on Tape
Score -
Item 13: Alarms, 1963 November 22
Score (5) -
Item 14: Parle
Score (4) -
Item 15: Square (from "Collage"), 1963 January 1
Performance instructions -
Item 16: Universe Symphony
Reproduction of realization of Sec. A -
Item 17: Quartet in Open Style
Ozalid reproduction of score
-
-
Box 2.14
Barcode 700969-
Item 1: Quadrants: Event/Complex Number 7 for Clarinet and Four-Channel Tape
Score -
Item 2: Quadrants: Event/Complex Number 6 for Flute and Four-Channel Tape
Score -
Item 3: Quadrants: Event/Complex Number 5 for Cello and Four-Channel Tape, 1973 January 1
Score -
Item 4: La Barbara: The Name/The Sounds/The Music, 1991 January 1
Manila envelope of full score transparencies -
Item 5: Transmission Two: The Great Excursion, 1990 January 1
Plastic wrapped score -
Item 6: Transmission Two: The Great Excursion, 1990 January 1
Unbound score -
Item 7: Transmission Two: The Great Excursion, 1990 January 1
Manila envelope of masters -
Item 8: Euphonia 2344, 1987 January 1
Manila envelope of masters for score -
Item 9: Sinfonia Concertante: A Mozartean Episode, 1986 January 1
Manila envelope of transparencies of pp. 1-6 of score -
Item 10: Sonata Concertante for Pianist with Computer Music on Tape, 1983 January 1
Manila envelope of original masters before revision in 1984-85 (?) -
Item 11: Euphonia 2344, 1987 January 1
Comb-bound reproduction of full score (3) -
Item 12: Euphonia 2344, 1997 January 1
Page 38
-
-
Box 2.15
Barcode 700968-
Item 1: Snare Drum Cycles from the Life Pulse Prelude, 1987 January 1
Masters -
Item 2: Violet's Invention, 1988 January 1
Spiral bound score (4) -
Item 3: Sinfonia Concertante: A Mozartean Episode, 1988 January 1
Comb-bound tape operator's score -
Item 4: Sonata Concertante for Pianist with Computer Music on Tape, 1984 January 1
Comb-bound score -
Item 5: Euphonia 2344, 1997 January 1
Score of Scene 2 (4) -
Item 6: Snare Drum Cycles from the Life Pulse Prelude, 1987 January 1
Comb-bound score -
Item 7: Life Pulse Prelude, 1996 January 1
Spiral bound full score -
Item 8: Untitled, 1990 January 1
Pages wrapped in plastic -
Item 9: Adagio
Masters -
Item 10: Alvaro Company: Las Seis Cuerdas, 1963 January 1
Score -
Item 11: BluesAx for Saxophonist and Computer Music, 1995 January 1
Comb-bound score ("Steve's marked score")
-
-
Box 2.16
Barcode 700967-
Item 1: Felix Mendelssohn-Bartholdy: Songs Without Words
Score published by G. Schirmer, Inc. -
Item 2: Sinfonia Concertante: A Mozartean Episode, 1986 January 1
For chamber orchestra and computer music narrative -
Item 3: Transmission Two: The Great Excursion
Score of part 1 -
Item 4: Transmission Two: The Great Excursion
Score of part 2 -
Item 5: Sinfonia Concertante: A Mozartean Episode, 1986 February 3, 1986 May 24
Fair copy of full score. Revised on May 24, 1986. -
Item 6: Maroon Bells, 1976 January 1
Score -
Item 7: The Ordinary of the Mass: A Setting for Chorus and Orchestra, 1959 January 31
Full score -
Item 8: Second Fantasy on Ives' Universe Symphony: the heavens
Score (6)
-
-
Box 2.17
Barcode 700966-
Item 1: Redux Four for Trumpet (Bb) and Octophonic Computer Music, 2009 January 1
Masters -
Item 2: Redux Four for Cello and Computer Music
Masters -
Item 3: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape
A-b score and C-D score -
Item 4: Sleeping Beauty for Electric Violin and Computer-Driven Electronic Instruments, 1989 January 1
Score by Allen Strange (2) -
Item 5: Tribute, 1990 January 1
Score by J.B. Floyd -
Item 6: Quadrants: Event/Complex Number 5 for Cello and Four-Channel Tape, 1973 January 1
Score -
Item 7: Phantasmagoria: Future
Score (2) -
Item 8: Protoforms: Fractals for Cello Choir and Computer Band
Reproduction of title page -
Item 9: Walter's Matrix, 1970 September
Page of score -
Item 10: Catalogo Voce
Manila envelope of masters -
Item 11: Sonata Concertante for Pianist with Computer Music on Tape
Score -
Item 12: Montage, 1985 January 1
Masters of reduced score -
Item 13: art is self-alteration is Cage is, 1983 January 12
Score and information page. Revised in 1993. -
Item 14: Untitled
Pages 25, 26, 50, and 123 of score -
Item 15: Catalogo Voce, 1979 May 26
Score -
Item 16: Jerusalem Stones for Narrator, Chorus, and Orchestra, 1997 January 1
Score by Robert J. Frank -
Item 17: Catharsis: Open Style for Two Improvisation Ensembles, Tape and Conductor, 1965 January 1
Score -
Item 18: Tango Violento!
Reproduction of first page of score -
Item 19: Tableaux: Convolutions on a Theme, 2003 January 1
Part-score Folio for Sequences 1-16 -
Item 20: Quadrants: Event/Complex Number 3 for Violin, "Daisy," and 4-Channel Tape, 1972 November 23
Score -
Item 21: Quadrants: Event/Complex Number 2 for Chorus, Percussion, and Tape
Masters -
Item 22: Quadrants: Event/Complex Number 5 for Cello and Four-Channel Tape, 1973 January 1
Score (2) -
Item 23: Quadrants: Event/Complex Number 8 for Viola and Four-Channel Tape, 1974 August 4
Score -
Item 24: Quadrants: Event/Complex Number 10 for Trombone and Tape, 1977 January 21
Score (2) -
Item 25: Redux Three, 2010 June 15
Manila envelope with masters (edited with Liquid Paper) -
Item 26: I'm Goin Away, 1977 January 1
Score by Ben Johnston -
Item 27: Kryl for Solo Trumpet in C, 1977 August 29
Score by Robert Erickson -
Item 28: Facing the Danger, 1982 September
Score by Vincent Plush -
Item 29: Were-Being Split Personality Jazz for Actor and Computer-Driven Instruments, 1990 January 1
Score by Allen Strange
-
-
Box 2.18
Barcode 700965-
Item 1: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape
First page of score (?) -
Item 2: Morton Subotnick Episode
Three pages of score -
Item 3: Djuro's Tree, 1997 September 21
1st page of score (3) -
Item 4: Djuro's Tree, 1997 September 21
Masters of score and diffusion map -
Item 5: Djuro's Tree, 1997 September 21
Copies of score and diffusion map -
Item 6: Threnos, 2002 August 11
8-channel ADAT score -
Item 7: Heaven Music
Flute choir score -
Item 8: Variations on Pierrot
Part One chart (3) -
Item 9: Variations on Pierrot
Part Three chart (2) -
Item 10: Life Pulse Prelude, 1996 January 1
Manila envelope of masters/copies of Version II for Percussion Trio -
Item 11: Originale
Score by Karlheinz Stockhausen -
Item 12: Sever Tipei; Cuniculi for Five Tubas
Score -
Item 13: Uncommon Canon
Score (6) -
Item 14: Square
Score -
Item 15: Square
Score and performance instructions (9) -
Item 16: John Adams; Harmonium, 1981 January 1
Full score published By Associated Music Publishers -
Item 17: Roger Reynolds; Quick Are the Mounths of Earth, 1965 January 1
Comb-bound full score -
Item 18: Dick Higgins; Sonata for Prepared Piano, 1982 January 1
Full score -
Item 19: Franco Evangelisti; Ordini: strutture variate per sedici strumenti, 1962 January 1
Full score published by Edition Tonos Darmstadt -
Item 20: Dick Higgins; Variations on a Natural Theme for Orchestra, 1982 January 1
Full score -
Item 21: Robert Carl; 3 Real Time Etudes for Synclavier, 1986 August 5
Full score published by American Composers Alliance -
Item 22: Sunburst for Brass Quintet and Tape, 1985 January 1
Full score by Robert Carl published by American Composers Alliance
-
-
Box 2.19
Barcode 700964-
Item 1: Open Style for Orchestra with Piano Soloist
Masters of score -
Item 2: Bass: A Theater Piece in Open Style for Bass, Film Projection and Tape, 1966 January 1
Manila envelope of master score -
Item 3: Catharsis, 1968 January 1
Score (2) -
Item 4: Catharsis, 1968 January 1
Reproduction of score (3) -
Item 5: Catharsis, 1968 January 1
Reproduction of score on 11" x 17" paper (3) -
Item 6: Continuum for a Number of Instruments
Score (7) -
Item 7: Continuum for a Number of Instruments
Score without cover -
Item 8: Current for Clarinet and Piano, 1964 January 1
Manila envelope of original masters for score -
Item 9: Changes: Open Style for Trombone and Magnetic Tape, 1965 January 1
Manila envelope of masters for score -
Item 10: Open Style
White envelope of revision masters
-
-
Box 2.20
Barcode 700963-
Item 1: The Maze, 1966 January 1
Manila envelope of original masters for score -
Item 2: Accidents, 1967 January 1
Manila envelope of small score reproductions -
Item 3: Walter, a Film Composition and Theater Piece, 1970, 1971
Manila envelope of masters and copy of score. Revised in 1991. -
Item 4: Agape Set
Masters of score (3) -
Item 5: Quartet in Open Style
Score with cover -
Item 6: Quartet in Open Style
Score without cover -
Item 7: California 99, for Hal Budd and TimeOut, for Dan Lentz and The Time Machine
Manila envelope -
Item 8: Clarini!
Score (2) -
Item 9: Montage: Themes and Variations for Violin and Computer Music, 1985 January 1
Unbound pages of printed score -
Item 10: Montage: Themes and Variations for Violin and Computer Music
Score -
Item 11: Euphonia 2344, 1987 January 1
Manila envelope of 1st proofs and 2nd proofs -
Item 12: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape, 1972 January 1
Comb-bound full score published by Peer International Corporation -
Item 13: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape, 1972 January 1
Full score with revisions in red pencil -
Item 14: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape, 1972 January 1
Unbound reproduction of full score published by Peer International Corporation
-
-
Box 2.21
Barcode 700979-
Item 1: Maroon Bells for Voice, Piano, and Tape
Comb-bound score (2) -
Item 2: Organ Mass, 1977 January 1
Score -
Item 3: Sinfonia Concertante
Edited proofs of score -
Item 4: Catalogo Sonoro di Viola a Sola e Nastro Magnetico
Comb-bound score -
Item 5: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT), 2001 January 1
Sequence #4 -
Item 6: Les Flutes de Pan: Hommage a Debussy, 2006 January 1
Spiral bound full score (2) -
Item 7: Redux for Violin and Octophonic Computer Music
Manila envelope of masters -
Item 8: La Flute de Pan
Reproductions of Debussy's autograph score -
Item 9: Les Flutes de Pan: Hommage a Debussy, 2006 January 1
Tape bound full score -
Item 10: Tableaux: Convolutions on a Theme for Alto Saxophone and Computer Music, 2003 January 1
Copy of proofed score -
Item 11: Les Flutes de Pan
Pencil score -
Item 12: Quadrants: Event/Complex Number 6 for Flute and Four-Channel Tape
Published score -
Item 13: Variations beyond Pierrot (1993-95), 1993-1995
Master part-scores (moon scores) -
Item 14: Clarini!, 1985 April 14
Transposed score for trumpet choir (3 copies, 6 pp each) -
Item 15: Syrinx
Copy of first page of score -
Item 16: I. Prelude
Copy of first page of score -
Item 17: Protoforms: Fractals for Cello Choir and Computer Band
Comb-bound part-book and performance-process (2) -
Item 18: Clarini!, 1985 January 1
11 x 17 score and 8.5 x 11 parts -
Item 19: art is self-alteration is Cage is
Score -
Item 20: Second Fantasy on Ives' Universe Symphony: the heavens
Score -
Item 21: Ceremony for Organ and Voice, 1980, 1993
Comb-bound score. Revised in 1993. -
Item 22: Ceremony for Organ, Voice, and Percussion, 1980, 1993
Comb-bound score. Revised in 1993. -
Item 23: Life Pulse Prelude, 1996 January 1
Spiral bound full score -
Item 24: Tango Violento!, 1984 March 21
Copy of score
-
-
Box 2.22
Barcode 700980-
Item 1: Tableaux: Convolutions on a Theme, 2003 January 1
Part-score Folio for Sequences 1-16 -
Item 2: Dary John Mizelle: lake-mountain-thunder, 1981 January 1
Score (11, one incomplete) -
Item 3: Ottuplo!
Masters -
Item 4: Tableaux: Convolutions on a Theme, 2003 January 1
Part-score Folio for Sequences 1-16 -
Item 5: Lamentations, for Bass Clarinet - for Michael Lowenstern
Small copy of score -
Item 6: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT), 2002 January 1
Part-scores Folio for Sequences 1-8 [unbound] (2) -
Item 7: Sinfonia Concertante
Copy of score -
Item 8: Maroon Bells
Score -
Item 9: Quadrants: Event/Complex Number 7 for Clarinet and Four-Channel Tape
Score -
Item 10: Quadrants: Event/Complex Number 6 for Flute and Four-Channel Tape
Score in manila envelope -
Item 11: Organ Mass, 1977 January 1
Masters -
Item 12: Lamentations, for Bass Clarinet - for Michael Lowenstern
Pencil score -
Item 13: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT)
Pencil score of Sequences 1-8 for bass clarinet -
Item 14: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT)
Sequence #1-8 [unbound] -
Item 15: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT)
Sequence #4
-
-
Box 2.23
Barcode 700978-
Item 1: Euphonia 2344: A Tale of the Future
Pages 30-34 -
Item 2: Euphonia 2344: A Tale of the Future, 1987 January 1
Reproduction of Finale with edits (pp. 39-49) -
Item 3: Euphonia 2344: A Tale of the Future, 1987 January 1
Reproduction of printed score with edits (pp. 1-8) -
Item 4: Redux for Violin and Octophonic Computer Music, 2007 January 1
Cover page for score -
Item 5: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT), 2001 January 1
Small copies of Sequences 1, 3, and 4 -
Item 6: Dennis H. Miller: A Bit Above for Piano and Pre-Recorded Tape, 1991 January 1
Comb-bound score -
Item 7: Cindy McTee: "M" Music, 1993 January 1
Comb-bound score -
Item 8: Dido's Lament
Reproduction of final aria from Purcell's Dido and Aeneas -
Item 9: Feria V in Cena Domino
Pages 630-637 from the Liber usualis -
Item 10: Masses for the Dead
Pages 1810-1813 from the Liber usualis -
Item 11: WRM Essay for Pat Z Hall and Cambridge U. Press, 3-Oct
Final Proofs/Drafts [of Williams [re]Mix[ed]] -
Item 12: Les Flutes de Pan: Hommage a Debussy, 2006 January 1
Score (2) -
Item 13: Ottuplo!, 2000 January 1
Score (2) -
Item 14: Ottuplo!
Unbound score -
Item 15: Ottuplo!
Unbound score - 2nd draft with revisions in red pen -
Item 16: Ottuplo!
Miscellaneous pages of score with penciled notes -
Item 17: Ottuplo!
Manila envelope of sound/sequence scores -
Item 18: Ottuplo!, 2000 January 1
Violin-1 part -
Item 19: Ottuplo!, 2000 January 1
Cello part -
Item 20: Ottuplo!, 2000 January 1
Viola part -
Item 21: Redux Three
Extra score pages -
Item 22: Agape Set, 1971 January 1
Title page -
Item 23: Redux for Violin and Octophonic Computer Music, 2006-7
Master part-score -
Item 24: Les Flutes de Pan: Hommage a Debussy, 2006 February 7
2nd proof -
Item 25: Les Flutes de Pan: Hommage a Debussy, 2006 February 6
1st proof -
Item 26: Redux for Violin and Octophonic Computer Music, 2006 July 1
Score -
Item 27: John explains, 2007 September 5
Octophonic computer music, csound scores, etc. -
Item 28: Redux Two
Masters -
Item 29: Wolfgang Amadeus Mozart: Clarinet Concerto, Mvt. 2
Reproductions of full and condensed scores -
Item 30: Redux Two
Copies -
Item 31: Redux Three
Copies -
Item 32: Adagio
Masters -
Item 33: Lamentations, for Bass Clarinet - for Michael Lowenstern, 2001 November 14
Containing an arrangement of Purcell's "Dido's Lament" and Monteverdi's "Lamento d'Arianna" -
Item 34: The Buffalo Piano Collection 1982, 1982 January 1
Anthology of fifteen pieces for piano -
Item 35: Syrinx, 1913 January 1
By Claude Debussy -
Item 36: Some Household Words I-XVI, 1983 January 1
Score to spoken song cycle by unknown composer -
Item 37: Arnold Schoenberg; Pierrot Lunaire, 1912 January 1
Score
-
-
Box 2.24
Barcode 700953-
Item 1: Triptych
Full score (27 comb-bound copies)
-
-
Box 2.25
Barcode 700947-
Item 1: First Fantasy on Ives' Universe Symphony, 1978 January 1
Score for brass quintet, narrator, and tape (4) -
Item 2: First Fantasy on Ives' Universe Symphony, 1978 January 1
Ozalid copies of score -
Item 3: Phantasmagoria
Tape Operator score (Ensembles E, F, and G)
-
-
-
Series 3: Parts
-
Box 3.1
Barcode 700977-
Item 1: Protoforms: Fractals for Cello Choir and Computer Band, 1981 January 1
Set of parts -
Item 2: Music for Woodwind Quintet and Suite for Woodwinds, 1948-1949
Score and set of parts for each piece (5 and 4, respectively) -
Item 3: Theme and Variations, 1950 January 1
Set of parts copied by L. Perkins -
Item 4: Double Fugue with Prosody
Set of parts -
Item 5: Mass, 1955-1959
Masters for parts
-
-
Box 3.2
Barcode 700976-
Item 1: Sinfonia Concertante
Violin II part -
Item 2: Sinfonia Concertante
Violin I part -
Item 3: Sinfonia Concertante
Piano part -
Item 4: Sinfonia Concertante
Flute part -
Item 5: Sinfonia Concertante
Oboe part -
Item 6: Sinfonia Concertante
Bb Clarinet part -
Item 7: Sinfonia Concertante
Trumpet in C part -
Item 8: Sinfonia Concertante
Timpani part -
Item 9: Sinfonia Concertante
Bassoon part -
Item 10: Sinfonia Concertante
Horn in F part -
Item 11: Sinfonia Concertante
Contrabass part -
Item 12: Sinfonia Concertante
Cello part -
Item 13: Sinfonia Concertante
Harp part -
Item 14: Sinfonia Concertante
Viola part -
Item 15: Sinfonia Concertante
Reproduction of Cello part -
Item 16: Sinfonia Concertante
Duplicate Bassoon part -
Item 17: Sinfonia Concertante
Duplicate Bb Clarinet part -
Item 18: Sinfonia Concertante
Duplicate Horn in F part -
Item 19: Sinfonia Concertante
Duplicate Oboe part -
Item 20: Sinfonia Concertante
Duplicate Viola part -
Item 21: Sinfonia Concertante
Duplicate Trumpet in C part (also D trumpet and Bb piccolo trumpet) -
Item 22: Sinfonia Concertante
Duplicate Piano part -
Item 23: Sinfonia Concertante
Duplicate Flute part -
Item 24: Sinfonia Concertante
Duplicate Harp part -
Item 25: Sinfonia Concertante
Duplicate Violin 1 part (violin/piano duo) -
Item 26: Sinfonia Concertante
Duplicate Contrabass part -
Item 27: Sinfonia Concertante
Duplicate Timpani part -
Item 28: Sinfonia Concertante
Duplicate Violin 2 part (string trio) -
Item 29: A Broken Consort, 1962 January 1
Set of parts
-
-
Box 3.3
Barcode 700975-
Item 1: Beachcombers, 1983 January 1
Instructions for musicians, etc. -
Item 2: Beachcombers, 1983 January 1
Card masters -
Item 3: Tableaux Vivants, 1973, 1981
Parts and instructions. Revised in 1981. -
Item 4: Triptych, 1962 January 5
First Violin part -
Item 5: Triptych, 1962 January 5
Second Violin part -
Item 6: Triptych, 1962 January 5
Viola part -
Item 7: Triptych, 1962 January 5
Cello part -
Item 8: Mass, 1959 January 1
Manila envelope containing masters of choral parts -
Item 9: W.A. Mozart's Masonic Lament (1785), circa 1960
Manila envelope containing masters and reproduced parts only (no score) of this wind band transcription -
Item 10: Fanfare and Procession, 1953 January 1
Manila envelope containing ozalid parts -
Item 11: Music for Richard II, 1963 January 1
Includes Alarms and Parle for 3 flutes, C trumpet, voice, piano, and percussion plus incidental music; masters and copies
-
-
Box 3.4
Barcode 700974-
Item 1: Mass
Flute part -
Item 2: Mass
B-flat Clarinet part -
Item 3: Mass
Bass part (3) -
Item 4: Mass
Cello part (6) -
Item 5: Mass
Viola part -
Item 6: Mass
Horns in F I and II part -
Item 7: Mass
Violin II part (5) -
Item 8: Suite for Massed Bands
Set of parts -
Item 9: Flourishes
Parts for Trumpet 1-6 and Drums -
Item 10: Charley's Cornet, 1979 January 1
B-flat Cornet part (2) -
Item 11: Life Pulse Prelude, 1996 January 1
Live percussionist-3 part -
Item 12: Agape, 1970 January 1
Masters for chorus in manila envelope -
Item 13: Agape: An Electronic Masque, 1970 January 1
Scenario masters and polemic in manila envelope -
Item 14: Variations beyond Pierrot, 1993-1995
Pages of piano part in FedEx envelope -
Item 15: Suite for Massed Bands
Set of parts
-
-
Box 3.5
Barcode 700973-
Item 1: First Fantasy on Ives' Universe Symphony, 1978 January 1
Parts for two brass quintets -
Item 2: Phantasmagoria
Full set of parts (copies) -
Item 3: Phantasmagoria
Full set of parts (originals) -
Item 4: SoundPoemSet, 1990-1991
Poem texts (2)
-
-
Box 3.6
Barcode 700959-
Item 1: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape
Original parts -
Item 2: Transmission Two: The Great Excursion
Celletto part -
Item 3: First Fantasy on Ives' Universe Symphony
Set of 11x14 parts -
Item 4: Canadian Coastlines
Set of parts -
Item 5: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape
Set of published parts -
Item 6: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape, 1980 April 9
Parts - Score and Both "Time Impulse" Tapes -
Item 7: Quadrants: Event/Complex Number 2 for Chorus, Percussion, and Tape
Percussion part
-
-
Box 3.7
Barcode 700961-
Item 1: Open Style for Orchestra with Piano Soloist, 1965 January 1
A ("5 Oboe II" written in pencil on title page) -
Item 2: Open Style for Orchestra with Piano Soloist, 1965 January 1
B ("6 Clar I" written in pencil on title page) -
Item 3: Open Style for Orchestra with Piano Soloist, 1965 January 1
C -
Item 4: Open Style for Orchestra with Piano Soloist, 1965 January 1
D ("Conductor" written in red pen on title page) -
Item 5: Open Style for Orchestra with Piano Soloist, 1965 January 1
Notes (note durations and pitch determinations) (29) -
Item 6: Open Style for Orchestra with Piano Soloist, 1965 January 1
E (includes a Notes page) (5) -
Item 7: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - I" written in pencil on title page) -
Item 8: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - VIII" written in pencil on title page; includes a Notes page) -
Item 9: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - VII" written in pencil on title page; includes a Notes page) -
Item 10: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - VI" written in pencil on title page; includes a Notes page) -
Item 11: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - V" written in pencil on title page; includes a Notes page) -
Item 12: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - IV" written in pencil on title page; includes a Notes page) -
Item 13: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - III" written in pencil on title page; includes a Notes page) -
Item 14: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - II" written in pencil on title page; includes a Notes page) -
Item 15: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("2nd Violin - I" written in pencil on title page; includes a Notes page) -
Item 16: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - X" written in pencil on title page; includes a Notes page) -
Item 17: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - IX" written in pencil on title page) -
Item 18: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - VIII" written in pencil on title page; includes a Notes page) -
Item 19: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - VII" written in pencil on title page; includes a Notes page) -
Item 20: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - VI" written in pencil on title page; includes a Notes page) -
Item 21: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - V" written in pencil on title page; includes a Notes page) -
Item 22: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - IV" written in pencil on title page) -
Item 23: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - III" written in pencil on title page; includes a Notes page) -
Item 24: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("1st Violin - II" written in pencil on title page; includes a Notes page) -
Item 25: Open Style for Orchestra with Piano Soloist, 1965 January 1
E ("Conductor" written in red pen on title page) -
Item 26: Open Style for Orchestra with Piano Soloist, 1965 January 1
D ("26 [Unknown] IV" written in pencil on title page; large X written across title page; "155 in C fix!" written in red pencil on title page) -
Item 27: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Conductor" written in red pen on title page) -
Item 28: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (includes a Notes page) -
Item 29: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - I" written in pencil on title page; includes a Notes page) -
Item 30: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - II" written in pencil on title page; includes a Notes page) -
Item 31: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - III" written in pencil on title page; includes a Notes page) -
Item 32: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - IV" written in pencil on title page; includes a Notes page) -
Item 33: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - V" written in pencil on title page; includes a Notes page) -
Item 34: Open Style for Orchestra with Piano Soloist, 1965 January 1
F ("Viola - VI" written in pencil on title page; includes a Notes page) -
Item 35: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello I" written in pencil on title page; includes a Notes page; "6 1/2 minutes to Hell SHMOOK GAY CACAN" written in pencil on title page) -
Item 36: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello II" written in pencil on title page; includes a Notes page) -
Item 37: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello III" written in pencil on title page; includes a Notes page) -
Item 38: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello IV" written in pencil on title page; includes a Notes page) -
Item 39: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello IV" written in pencil on title page; includes a Notes page) -
Item 40: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Cello VI" written in pencil on title page; includes a Notes page) -
Item 41: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass I" written in pencil on title page; includes a Notes page; "'Desecration of the House' Oneonta 10/7/68" written in pencil on title page) -
Item 42: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass II" written in pencil on title page; includes a Notes page) -
Item 43: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass III" written in pencil on title page; includes a Notes page) -
Item 44: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass IV" written in pencil on title page; includes a Notes page) -
Item 45: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass V" written in pencil on title page; includes a Notes page) -
Item 46: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (Bass VI" written in pencil on title page; includes a Notes page) -
Item 47: Open Style for Orchestra with Piano Soloist, 1965 January 1
F (includes a Notes page) (6)
-
-
Box 3.8
Barcode 700960-
Item 1: Agape Set, 1971 January 1
Original parts, etc. (1/2) -
Item 2: Agape Set, 1971 January 1
Original parts, etc. (2/2)
-
-
Box 3.9
Barcode 700958-
Item 1: Agape Set
Comb-bound Eb Alto Saxophone-1 (Bb Soprano Saxophone) part (2) -
Item 2: Agape Set
Comb-bound Eb Alto Saxophone-2 part (2) -
Item 3: Agape Set
Comb-bound Tenor Trombone-3 part (2) -
Item 4: Agape Set
Comb-bound Solo Bb Trumpet (condensed score) part (2) -
Item 5: Agape Set
Comb-bound Bass Trombone part (2) -
Item 6: Agape Set
Comb-bound Electric Piano part (2) -
Item 7: Agape Set
Comb-bound Electric Guitar part (2) -
Item 8: Agape Set
Comb-bound Electric Bass (String Bass) part (2) -
Item 9: Agape Set
Comb-bound Drum Set-1 (bass, snare, hi-hat, ride) part (2) -
Item 10: Agape Set
Comb-bound Drum Set-1 (bass, snare, hi-hat, xylophone plus triangle, antique cymbals) part (2) -
Item 11: Agape Set
Comb-bound Conga Drum (chimes: f and d) part (2) -
Item 12: Agape Set
Comb-bound Eb Baritone Saxophone part (2) -
Item 13: Agape Set
Comb-bound Bb Trumpet-4 part (2) -
Item 14: Agape Set
Comb-bound Tenor Trombone-2 part (2) -
Item 15: Agape Set
Comb-bound Bb Trumpet-3 part (2) -
Item 16: Agape Set
Comb-bound Bb Trumpet-2 part (2) -
Item 17: Agape Set
Comb-bound Bb Tenor Saxophone-2 part (2) -
Item 18: Agape Set
Comb-bound Bb Tenor Saxophone-1 (jazz soloist) part (2) -
Item 19: Agape Set
Comb-bound Tenor Trombone-1 part -
Item 20: Agape Set
Comb-bound Bb Trumpet-1 part
-
-
Box 3.10
Barcode 700957-
Item 1: Phantasmagoria
Backup A, B, C, D conductor parts -
Item 2: Improv, 1998 January 1
Octophonic sound diffusion modeling (2) -
Item 3: Untitled
Computer printout -
Item 4: Collage, 1963 January 1
Bass part -
Item 5: Collage, 1963 January 1
Soprano saxophone part -
Item 6: Collage, 1963 January 1
E-flat clarinet part -
Item 7: Octophonic Sound Diffusion Modeling, 1998 January 1
Three copies
-
-
Box 3.11
Barcode 700956-
Item 1: Mass
Violin II part (2) -
Item 2: Mass
Viola part (5) -
Item 3: Mass
Horns in F I and II part -
Item 4: Mass
Violin I part (8) -
Item 5: Mass
Bassoon part -
Item 6: Mass
Bass part -
Item 7: Mass
Oboe part
-
-
Box 3.12
Barcode 700955-
Item 1: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Representative "singing" canon part [Viola] and Representative "rhythmic" canon part [Marimba or Guitar] -
Item 2: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Part Book Performance Process -
Item 3: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Tonal center drone -
Item 4: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Oakville" (singing version) flute or violin -
Item 5: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Oakville" (singing version) flute or violin -
Item 6: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Oakville flute or violin -
Item 7: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Flute or violin part [unspecified movement] -
Item 8: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Toronto" Voice or Recorder (C-trpt) (singing version) -
Item 9: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Toronto" Voice or Recorder (2nd Violins) C-trpt -
Item 10: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Toronto" viola (singing version) -
Item 11: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Hamilton" viola (singing version) (2) -
Item 12: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Oakville" Marimba or Guitar [unspecified version] -
Item 13: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Toronto" (rhythmic version) Marimba or Guitar (2) -
Item 14: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Oakville" Marimba or Guitar -
Item 15: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Whitby" Marimba or Guitar (rhythmic version) (2) -
Item 16: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Whitby" Bassoon, 'Cello, or Trombone [unspecified version] -
Item 17: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Whitby" Bassoon, 'Cello, or Trombone (singing version) (2) -
Item 18: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Whitby" S. Bass, Harp, or Harpsichord [unspecified version] -
Item 19: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Toronto" S. Bass, Harp, or Harpsichord [unspecified version] -
Item 20: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Hamilton" string bass, harp, or harpsichord ("rhythmic version") (2) -
Item 21: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
"Oakville" string bass, harp, or harpsichord ("rhythmic version") (2) -
Item 22: Canadian Coastlines: Canonic Fractals for Musicians and Computer Band, 1981 January 1
Last page of string bass, harp, or harpsichord
-
-
-
Series 4: Computer printouts
-
Box 4.1
Barcode 700943-
Item 1: Canadian Coastlines
Computer printout of clicktrack -
Item 2: Brass Fantasy Program #1
Computer printout -
Item 3: Untitled
Computer printout (2) -
Item 4: VLNCUE
Computer printout -
Item 5: Canadian Coastlines
Computer printout: Dynamic Flux #1 and #2 -
Item 6: #10
Computer printout -
Item 7: #7 and #8
Computer printout -
Item 8: #7
Computer printout -
Item 9: Sans (2) or Con (1) vibrato (VIBRATO)
Computer printout -
Item 10: Density (double stops, etc.)
Computer printout -
Item 11: Coloration
Computer printout -
Item 12: Sordino
Computer printout -
Item 13: Untitled
Computer printouts of information about Ottuplo! -
Item 14: Untitled
Computer printouts of information about Tableaux Sonore -
Item 15: Untitled
Computer printouts -
Item 16: Dynamic Flux
Computer printouts -
Item 17: A City Sounds
Computer printout -
Item 18: Smith Scor4 Manual, 1969 July 16
Computer printout -
Item 19: Tableaux Sonore
Computer printouts -
Item 20: Les Flutes de Pan
Computer printouts for Les Flutes de Pan -
Item 21: Les Flutes de Pan
Computer printouts -
Item 22: Les Flutes de Pan
Computer printouts -
Item 23: Adagio
Computer printouts -
Item 24: art is self-alteration is Cage is
Computer printout -
Item 25: Ludus
Final version -
Item 26: Number Inverter for Filed from czwalk
Computer printout -
Item 27: LIS LUDUSL
Computer printout -
Item 28: Canadian Coastlines
Computer printout of dynamics for #10 -
Item 29: #5
Computer printout -
Item 30: Canadian Coastlines
Computer printout of dynamics for #9 -
Item 31: Canadian Coastlines
Computer printout of dynamics for #s 7 and 8 -
Item 32: Canadian Coastlines
Computer printout of dynamics for #6 -
Item 33: Canadian Coastlines
Computer printout of dynamics for #5 -
Item 34: #5
Computer printout -
Item 35: #6
Computer printout -
Item 36: Canadian Coastlines
Computer printout -
Item 37: #7 and #8
Computer printout -
Item 38: #2
Computer printout -
Item 39: Ape: A Computer Composition, 1969 August 6
Score -
Item 40: F#, cont to end
Computer printout -
Item 41: Sound/Silence #1 1st 16 bars
Computer printout -
Item 42: Sect 3 VOCE 2
Computer printout
-
-
Box 4.2
Barcode 700942-
Item 1: LIS CUECOM
Computer printout -
Item 2: lis czwalk1
Computer printout -
Item 3: Ludus
Computer printout -
Item 4: Untitled
Computer printout (3) -
Item 5: HP Magnetic Tape System
Computer printout -
Item 6: What Octave Division?
Computer printout -
Item 7: Tempered Scales, 1975 August 9
Computer printout -
Item 8: Rightone
Computer printout -
Item 9: Sim.Go
Computer printout -
Item 10: synclavier script monitor simulator version 1.3, 1982 March 11
Computer printout -
Item 11: Barney Improv
Computer printout -
Item 12: Protoforms: Fractals for Cello Choir and Computer Band
Computer printout -
Item 13: Parameter Factoring Algorithm
Computer printout -
Item 14: LIST TIMEC
Computer printout -
Item 15: LIS
Computer printout -
Item 16: Montage
Computer printout -
Item 17: PRINT NOGEN
Computer printout -
Item 18: First run, first section
Computer printout -
Item 19: Untitled
Computer printout (3) -
Item 20: First TEXT RUN First Section
Computer printout -
Item 21: 2nd Section
Computer printout -
Item 22: Sect 2 VOCE 2 (live and taped)
Computer printout -
Item 23: SECT 5 VOCE 1
Computer printout -
Item 24: Sect. 5 Voce 2
Computer printout -
Item 25: Sect 4 VOCE 2
Computer printout -
Item 26: Sect 4 VOCE 1
Computer printout -
Item 27: Sect. 3 Voce 1
Computer printout -
Item 28: Untitled
Miscellaneous computer printouts -
Item 29: Ludus
Computer printout -
Item 30: #5, 6, 7, 8, 9, 10 for Adolfo
Computer printout -
Item 31: Untitled
Computer printout (4) -
Item 32: LIST TMBR1
Computer printout -
Item 33: EXE-MUSBUL.I262
Computer printout -
Item 34: Canadian Coastlines
Computer printout -
Item 35: Ab complete
Computer printout -
Item 36: Bb Begin at 114
Computer printout -
Item 37: Continuation of 9:4 New #3
Computer printout -
Item 38: Illegal Format
Computer printout -
Item 39: Untitled
Computer printout (2) -
Item 40: Review of Scientific Session #11, 1982 ICMC, Venezia, 1982 January 1
Computer printout
-
-
Box 4.3
Barcode 700941-
Item 1: Factoring for Voice K
Computer printout -
Item 2: Adolfo's Sound/Silence factoring
Computer printout -
Item 3: Untitled
Computer printout (14) -
Item 4: Complete "C#"
Computer printout -
Item 5: COLPTC F# 1-43
Computer printout -
Item 6: Factored Note-Group #1
Computer printout -
Item 7: #2
Computer printout -
Item 8: New #3
Computer printout -
Item 9: New #4
Computer printout -
Item 10: Protoforms: Fractals for Cello Choir and Computer Band
Computer printouts: #s 2, 3, and 4 (L) -
Item 11: Protoforms: Fractals for Cello Choir and Computer Band
Computer printouts: New #s 5, 6, 7, 8, 9, and 10 -
Item 12: Factored Sound ms. 1-65
Computer printout -
Item 13: Factoring for timbre patch
Computer printout -
Item 14: SC LEFTONE (1st Sect) Distribution of timbre patches, 1983 December 19
Computer printout -
Item 15: Old Cy3
Computer printout -
Item 16: Untitled, 1985 April 22
Computer printout -
Item 17: Untitled, 1985 July 9
Computer printout
-
-
-
Series 5: Instructional materials
-
Box 5.1
Barcode 700972-
Item 1: Operating Manual
For Yamaha SPX 90 Digital Multi-Effect Processor -
Item 2: R.O. Morris and Howard Ferguson; Preparatory Exercises in Score-Reading
-
Item 3: Vincent H. Duckles and Harriet S. Nicewonger; A Guide to Reference Materials on Music, 3rd ed., 1965 January 1
University of California Syllabus Series - Syllabus Number 344 -
Item 4: Stuart Jay Petock; Expression in Art: The Feelingful Side of Aesthetic Experience, 1972 January 1
-
Item 5: Composing as Process; Invention and Form in Music - A Proposed Text for the College Music Student, 1986 January 1
Book by Larry Austin and Thomas Clark -
Item 6: McGraw-Hill Films; Casals, Segovia, Heifetz Master Classes Film Series
Catalog -
Item 7: G. Ricordi and Co.; Goffredo Petrassi, 1974 January 1
Catalog of works published by Ricordi -
Item 8: Schott; Aribert Reimann, 1973 January 1
Index of Larry Austin's works appearing in the catalogue of Ars Viva Verlag, Mainz -
Item 9: G. Ricordi and Co.; Sylvano Bussotti, 1974 January 1
Catalog of works published by Ricordi -
Item 10: G. Ricordi and Co.; Bruno Maderna, 1974 January 1
Catalog of works published by Ricordi -
Item 11: G. Ricordi and Co.; Luigi Nono, 1974 January 1
Catalog of works published by Ricordi -
Item 12: Wolfgang Rathert; "Paysage imaginaire et perception totale - l'idee et la forme de la symphonie Universe"
Excerpt from Contrechamps -
Item 13: The Realization and First Complete Performances of Charles Ives's Universe Symphony, 1996 March 12
Scholarly paper -
Item 14: Wm. C. Brown Publishers, 1989 January 1
Catalog -
Item 15: Charles Ives's Universe Symphony (1991-51) as realized and completed (1974-93) by Larry Austin
Essay (2 versions, 1 with revisions) -
Item 16: Chapter 14 Larry Austin, 2009 February 15
John Cage's Williams Mix (1951-53): The Restoration and New Realizations of and Variations on the First Octophonic, Surround-Sound Tape Composition -
Item 17: Larry Austin Williams Mix
Manila envelope of talk/demo w/acetates -
Item 18: Tableaux, 2003 January 1
Various documents in manila envelope -
Item 19: US Talk w/acetates
Various documents in manila envelope -
Item 20: Williams Mix
Articles and abstract masters in manila envelope -
Item 21: Williams [re]Mix[ed], 2001 January 1
Article -
Item 22: Extra US acetates for talk
Supplementary material on Universe Symphony reconstrcution -
Item 23: Roma: A Theater Piece in Open Style for Improvisation Ensemble and Tape
Performance instructions -
Item 24: Redux Two
Manila envelope with CD-Rs and pages of information -
Item 25: Williams [re]Mix[er]
Abstracts and final essay copies and talk/demo -
Item 26: Williams [re]Mix[er]
Abstracts and final essay copies and talk/demo -
Item 27: Roma: A Theater Piece in Open Style for Improvisation Ensemble and Tape, 1965 January 1
Manila envelope of master performance instructions
-
-
Box 5.2
Barcode 700946-
Item 1: MAC G4
Technical specs -
Item 2: Warmup, 1998 January 1
Octophonic sound diffusion modeling -
Item 3: Phantasmagoria: A Chronicle of Computer Music -assisted Composition/Performance
Manila envelope of scholarly paper and transparencies for overhead projector -
Item 4: RomaDue: Sounds and Movements for Improvisation Ensemble, Dancers, and Tape, 1965 January 1
Two sets of information pages -
Item 5: Computer Music for Compact Disc: Composition, Production, Audience, 1995 January 1
Paper by Larry Austin and Rodney Waschka II -
Item 6: ICMC Paper and Real-time talk, 1987-1989
-
Item 7: Article for ICMC '98, 1998 January 1
Three different scholarly papers in one envelope -
Item 8: Accidents Two
Various documents regarding this piece in office correspondence envelope
-
-
Box 5.3
Barcode 700945-
Item 1: MacBook Pro documents, 2007 August 12
Technical materials -
Item 2: Composing Hybrid Music with an Open, Interactive System
Scholarly paper -
Item 3: Acetates for ICMC GAC Talk
Various documents -
Item 4: Glossary: Computer-assisted Composition
Glossary of terms -
Item 5: Catalogo Voce
Various terms relating to this piece (2) -
Item 6: Duality of Process and Drama in Larry Austin's Sonata Concertante
Scholarly paper by Thomas Clark -
Item 7: Wm. C. Brown Company Publishers; Guide for Authors
Book -
Item 8: Rembrandthuis Amsterdam Guide, 1986 January 1
Englsih-language guide to Rembrandt's house -
Item 9: Glossary
2 pp -
Item 10: HP Assembler Package
Page 1 -
Item 11: Untitled
Transparency for cover pages for Djuro's Tree, Tarogato!, and Singing!...the music of my own time -
Item 12: Jean-Marc Jot: Real-time spatial processing of sounds for music, multimedia and interactive human-computer interfaces, 1997 February
Scholarly paper -
Item 13: Williams [re]Mix[er]: An Interactive I Ching Composing Program
Scholarly paper (2) -
Item 14: Austin - Electronic Music Syllabus
Draft of pedagogical documents -
Item 15: csound manual, 1986 January 1
A Manual for the Audio Processing System and Supporting Programs" -
Item 16: Session Schedule in Separate Segments
Timings of sections of unknown piece -
Item 17: Untitled, 1987 April 18
Ntsu Recording Session Take Sheet -
Item 18: The American Music Center Library: Works by Larry Austin, 1997 April 30
Two-page catalog -
Item 19: La Barbara, 1996 September 12
Layout of audio resources (2) -
Item 20: Quadrants: Event/Complex Number 2 for Chorus, Percussion, and Tape
Reproduction of choral score (3) -
Item 21: Quadrants: Event/Complex Number 1 for Symphonic Wind Ensemble and Tape
Manila folder with information regarding layout of ensemble -
Item 22: MUCP 5700
Course materials -
Item 23: John Cage: Fontana Mix, 1958 January 1
Manila envelope of performance instructions and materials
-
-
Box 5.4
Barcode 700944-
Item 1: American Academy in Rome
List of Staff in Rome 1999/2000 -
Item 2: Reglement du 23e Concours International / Bourges 1996, 1996 January 1
List of rules -
Item 3: Undergraduate Composition Majors, 1994 June 14
Information sheet about undergrad composition majors at UNT -
Item 4: University of North Texas College of Music Division of Composition Studies, 1994 March 30
Information sheet about UNT Division of Composition Studies -
Item 5: The Cosmic Dancer: Shiva Nataraja
Book/pamphlet about the Hindu deity Shiva -
Item 6: 1992 Catalogue Music by Tom Johnson, 1992 January 1
Catalog of compositions by Tom Johnson -
Item 7: For the composers of tomorrow... we have their text for today!
Information sheet and order form for Learning to Compose: Modes, Materials and Models of Musical Invention by Larry Austin and Thomas Clark (14) -
Item 8: Interactor Version 4.0
Information sheet and order form for Interactor Version 4.0 -
Item 9: 2002 Catalog of Music
2002 catalog for Smith Publications Sonic Art Editions featuring Snare Drum Cycles on page 4 -
Item 10: A Study of Rhythm in Selected Concerti and Concerto Grossi of Bach and Vivaldi, 1955 January 4
Paper written by Austin for Music 116A -
Item 11: MUCP 5690.001: Seminar in Computer Music II, 1989 January 1
Syllabus -
Item 12: HPASMB, Page 2
Computer commands -
Item 13: Quadrants: Ten Event-Complexes for Instruments, Voices, and Four-Channel Tape
Information about this series of pieces -
Item 14: Untitled
Various documents in envelope mailed to Larry Austin from Prof. Lanneck -
Item 15: Sound and Idea in "Soundscape" - reprint from Percussive Notes Research Edition, Volume 21, Number 3, 1983 March
Reproduced article -
Item 16: Inter-American Institute for Musical Research, 1967 January 1
Yearbook -
Item 17: Equipement et Studios Logiciels de creation musicale Bourges - 1998, 1998 January 1
Handbook describing the resources available at the Institut International Musique Electroacoustique Bourges -
Item 18: NeXT External CD-ROM Drive Owner's Guide, 1992 January 1
Technical manual -
Item 19: Reviews
Reviews of four performances between November 9, 1998 and October 28, 1999 from Computer Music Journal -
Item 20: Living Tomorrrow's Life: In Memoriam, Salvatore Martirano, 1927-1995, 1996 January 1
Reprint of article by Larry Austin from Volume 34, Number 1 from Pespectives of New Music (5) -
Item 21: Williams [re]Mix[er]: An Octophonic, I Ching, Composing Program
Scholarly paper (2) -
Item 22: Form in Music
Essay (19 pages, stapled) -
Item 23: Sound Effects Library Index
-
-
-
Series 6: Concert, recital, and conference programs
-
Box 6.1
Barcode 700937-
Item 1: Music at UMBC, 2007 May 14
Program for concert featuring world premiere of Redux, for amplified violin and digital media -
Item 2: Wired 4 Sound, 2008 January 20
Program for concert featuring world premiere of Redux for violin and quadrophonic computer music (2) -
Item 3: Verge Ensemble Aleph, 2008 April 27
Program for concert featuring Threnos (2) -
Item 4: International Percussive Arts Pre-Convention Research Symposium, 1988 November 16
Information on Life Pulse Prelude -
Item 5: University of Illinois School of Music Festival of Contemporary Arts - John Cage Lecture: Music for Magnetic Tape, 1953 March 22
Concert program (3) -
Item 6: James Beauchamp and John Melby; Proceedings of the Second Annual Music Computation Conference, 1975 November
Conference proceedings -
Item 7: Memphis Symphony Orchestra, 1989 April
Concert programme -
Item 8: Verge Ensemble Aleph, 2008 April 27
Program for concert featuring Threnos (2) -
Item 9: The University of South Florida Library Gallery: Rauschenberg at Graphicstudio, 1974 January
-
Item 10: Society for the Promotion of New Music, 1993 March
Fiftieth Anniversary Programme -
Item 11: New Music New York, 1979 June 8
Festival program book -
Item 12: The Orchestra of Santa Fe, 1988-1989
Fifteenth Anniversary program (2) -
Item 13: New Music America, 1980 June
Festival program -
Item 14: New Music America, 1984 January 1
Festival program -
Item 15: New Music, New York: A Festival of Composers and Their Music, 1979 June
Festival program
-
-
Box 6.2
Barcode 700936-
Item 1: 15th Annual Electroacoustic Music Festival, 2006 April 6
Program book -
Item 2: International Computer Music Conference, 1994 January 1
1994 concert programme -
Item 3: International Computer Music Conference, 1988 January 1
1988 program book -
Item 4: International Computer Music Conference, 1998 January 1
1998 program book -
Item 5: Festival International de Musique Contemporaine, 1965 January 1
Conference proceedings -
Item 6: American Society of University Composers, 1974-1975
Proceedings of the Ninth and Tenth Annual Conferences -
Item 7: American Society of University Composers, 1976-1977
Proceedings of the Eleventh and Twelfth Annual Conferences -
Item 8: GEMdays presents Larry Austin (USA) in a programme of his own compositions, 2006 December 11
Concert program -
Item 9: 15th Annual Florida Electroacoustic Music Festival, 2006 April 6
Festival program book -
Item 10: Octophonie
Program for concert featuring Djuro's Tree -
Item 11: Mixing Music Series 8
Program for performance season that includes Accidents Two -
Item 12: Texas - The Netherlands: The Beginnings of an Exchange
Program book
-
-
Box 6.3
Barcode 700935-
Item 1: Mayor Byrne's New Music America '82, 1982 July 5-11
Festival program flyer (Tableaux Vivants featured on July 7) (2) -
Item 2: The North American Music Festival 1983, 1983 April 5-15
Festival program book (3) -
Item 3: N.Y.U. Composers Forum, 1983 April 11
Concert program (8) -
Item 4: Southwest Alternate Media Project, 1986 April 11
Concert program (2) -
Item 5: An Afternoon of Music Experiment and Commentary, 1981 April 12
Concert program -
Item 6: 1981 International Computer Music Conference, 1981 November 5-8
Conference program book -
Item 7: Voices of Change, 1984 April 9
Program for concert featuring Square(4) -
Item 8: Festival of Texas Composers, 1982 February 25-26
Festival program -
Item 9: Voices of Change
Program notes (4) -
Item 10: A Concert of Works by Guest Composer Larry Austin, 1984 April 10
Concert program (9) -
Item 11: Guest Artist Recital, 1996 February 27
Program for concert featuring BluesAx (3) -
Item 12: Stephen Duke, Alto and Soprano Saxophone, 1996 February 25
Program for concert featuring BluesAx (4) -
Item 13: Elektronmusik Festival 1987, 1987 May 29-31
Festival program -
Item 14: Composers, Sax and Computers: New Solo Works by American Composers, 1996 November 5
Program for concert featuring BluesAx -
Item 15: Synthese 97, 1997 January 1
Program for a concert series featuring BluesAx and SoundPoemSet -
Item 16: The Two-Sided Triangle, 1998 May 28
Program for concert featuring SoundPoem: Morton Subotnick -
Item 17: A Celebrity Recital, 1996 February 1
Poster for concert featuring Accidents Two -
Item 18: CEMI Event Series, 1996 March 4
Program for concert featuing Continuum, for a number of players (6) -
Item 19: Steve Duke -- Program Notes
Program notes for various pieces (4) -
Item 20: Centerpieces I, 1985 January 28
Program for a benefit concert for Austin featuring Tango Violento and Ludus Fractalis(2) -
Item 21: Centerpieces I, 1985 January 28
Program notes for concert in Box 48, Number 15 (2) -
Item 22: Musicircus, 19?? October 24
Concert program -
Item 23: Computer Music Weekend, 1985 December 14-15
Program for concert featuring Sonata concertante -
Item 24: International Computer Music Conference, 1997 September 25
1997 conference proceedings -
Item 25: CEMI Event Series, 1996 March 4
Program -
Item 26: Musik im 20. Jahrhundert, 1998 May 20
Program -
Item 27: Atlantic Center for the Arts Annual Review 2005, 2005 January 1
Sseason guide -
Item 28: 40 Years on the Edge, 20?? April 19
Festival program book (7) -
Item 29: SEAMUS Y2k, 2000 March 9-11
Festival program book -
Item 30: L'espace du Son II, 2005 June 13
Conference proceedings
-
-
Box 6.4
Barcode 700934-
Item 1: International Computer Music Conference, 1995 September 3
1995 conference proceedings -
Item 2: International Computer Music Conference, 1993 September 10
1993 conference proceedings
-
-
Box 6.5
Barcode 700933-
Item 1: Academie Internationale de Musique Electroacoustique de Bourges, 2-Jun
Conference proceedings -
Item 2: Electronic Music Midwest, 2004 September 16-18
Festival program book -
Item 3: Untitled, 2007 October 19
Program for concert at the 28th Annual BGSU New Music and Art Festival featuring Les Flutes de Pan: Hommage a Debussy -
Item 4: SEAMUS 2009, 2009 January 1
Various pages from festival program book -
Item 5: Huddersfield Contemporary Music Festival, 2008 November 21
Festival program book -
Item 6: Interpretations, 2008 December 11
Reproduction of concert program -
Item 7: 1999 Florida Electroacoustic Music Festival, 1999 April 8-10
Festival program book (2) -
Item 8: Something Old, Something New, 1983 May 1
Program for concert featuring the world premiere of scenes from Euphonia(8) -
Item 9: Centerpieces I, 1983 January 31-February 1
Concert program -
Item 10: American Society of University Composers 20th Annual Conference: Concert VI, 1985 March 30
Program notes -
Item 11: 1999 Florida Electroacoustic Music Festival, 1999 April 8-10
Festival program book (2) -
Item 12: Composing Computer Music recent works at Kunitachi, 1994 July 4
Cover of concert program [?] -
Item 13: CEMI 35th Anniversary Celebration, 1998 November 9-11
Festival program book -
Item 14: 80th Birthday Concert and Reception, 2010 September 12
Various documents -
Item 15: A Wrinkle in the Air, 1993 February 16
Concert program -
Item 16: INterVENTIONS, 19?? October 21-23
Festival program book -
Item 17: Synthese 97, 1997 January 1
Festival program book -
Item 18: International Computer Music Conference, 1992 October 14-18
Program book -
Item 19: Alumni Appreciation Day, 2007 April 20
Program book featuring Larry Austin's bio on pp. 18 and 19 -
Item 20: SEAMUS 2007 National Conference, 2007 March 8-10
Conference program book
-
-
Box 6.6
Barcode 700932-
Item 1: Experimental Intermedia, 2007 March 15
Program bios, and program notes for concert (24) -
Item 2: Experimental Intermedia, 2007 March 15
Program bios, and program notes -
Item 3: 28th Annual BGSU New Music and Art Festival, 2007 October 17-20
Festival program book featuring performance of Les Flutes de Pan: Hommage a Debussy on October 19 -
Item 4: International Music Congress, 1968 September 6
Conference proceedings -
Item 5: L'Espace du Son reedition 1998, 1998 January 1
Conference proceedings -
Item 6: Oakland Symphony November/Number 2, 1969-1970
Sseason program book -
Item 7: the ninth annual Contemporary Music Festival, 1985 March 7
Festival program book -
Item 8: International Computer Music Conference, 1983 October 9
Concert program for Concert IV (2) -
Item 9: La Musica e le Macchine del Suono - IL CEMAT, 1997 December 11
Festival program book -
Item 10: New Music New York, 1979 June 8
Festival program book (duplicate of Box 30, Item 36) -
Item 11: Frankfurt Feste '91 - Schonheit - eine Utopie?, 1991 January 1
Concert program -
Item 12: Seamus Conference 2006, 2006 March 30
Festival program book -
Item 13: La Musica e le Macchine del Suono - Progettazione del sistema informatico musicale "MACCHINA DEL 2000", 1997 December 11
Festival program book -
Item 14: La Musica e le Macchine del Suono - I CENTRI UNIVERSITARI ITALIANI, 1997 December 11
Festival program book -
Item 15: Stars, 1982 April
Program notes -
Item 16: SoundPoemSet, 1990-1991
Poems
-
-
Box 6.7
Barcode 700931-
Item 1: Untitled, 1983 March 16
Information sheet on Beachcombers -
Item 2: 15th Annual Florida Electroacoustic Music Festival - Concert VI, 2005 April 7
Concert program (3) -
Item 3: Between Sound and Vision, 2001 February 14
Festival program book (2) -
Item 4: Marcelle Evrard avec le Concours de Louis Fleury, 2025 February 10
Reproduction of program -
Item 5: Known performances of compositions from Spring, 1948, to 1994
Master copy -
Item 6: A Master's Recital, 1999 November 17
Recital program of Joren Cain's recital featuring Austin's BluesAx (2) -
Item 7: 20th Annual New Music and Art Festival, 1999 October 9-16
Festival program book -
Item 8: A Festival of Music by American Composer Larry Austin, 2000 March 21
Program (2) -
Item 9: Society of Composers, Inc. National Conference, 1997 March 5-8
Conference program book (2) -
Item 10: University of Florida Center for Performing Arts Black Box Theater: Concert VIII, 1998 April 10
Program for a concert featuring Tarogato! (6) -
Item 11: Electroacoustic Music from ICEM: Folkwang Hochschule, Essen, Germany, 1999 April 9
Concert program (2) -
Item 12: The Italian Metamorphosis, 1943-1968, 1994 November 19
Exhibition program -
Item 13: CEMI Gallery of Computer Music: Celebrating the 10th Anniversary of SEAMUS, 1994 November 9
Program for concert featuring Rompido! -
Item 14: The Percussion Group, 1994 January 11
Program for concert featuring Life Pulse Prelude -
Item 15: Larry Austin - The Complete Solo Computer Music Compositions on Tape (1969-1996): An Introduction, 1996 April 10
Concert program (5) -
Item 16: Interpretations, 1999 May 13
Program for a concert featuring Singing!...the music of my own time (2) -
Item 17: Interpretations 98/99 season
Festival program book -
Item 18: Musica Scienza '99: parola versus suono, 1999 June 1-9
Festival poster (in English on reverse) -
Item 19: Sounds New, 1999 February 24-March 6
Festival program -
Item 20: The Electric Saxophone, 1998 November 1
Program for concert featuring BluesAx at Ohio University -
Item 21: The Electric Saxophone, 1998 October 18
Program for concert featuring BluesAx at Central Michigan University [repertoire identical to that in Box 46, Item 101] -
Item 22: SEAMUS 99 The Society for Electro-Acoustic Music in the United States, 1999 March 26-28
Festival program book -
Item 23: EMF @ Engine 27
Reproduction of program -
Item 24: Blues, Saints and Computers, 2000 July 15
Program notes for a performance featuring BluesAx (5) -
Item 25: Strada Facendo il Teatro della Citta, 1999 June 28 - July 18
Program for a concert featuring Tarogato! (2) -
Item 26: BEAST rumours, 1998 April 3-5
Program book -
Item 27: Rainbow Over Bath Concert Series 94/95
Program book -
Item 28: untitled UNT CoM with Canticum novum and NOVA, 1999 March 8
Concert program -
Item 29: acreq
1997-1998 season concerts -
Item 30: CEMI Event Series, 1996 March 4
Program for concert featuing Continuum, for a number of players (3) -
Item 31: Interpretations, 1996 September 12
Program for Larry Austin's 66th Birthday Concert -
Item 32: Sixth Annual Florida Electroacoustic Music Festival: Concert V, 1997 April 12
Program for concert featuring Quadrants: Event/Complex Numbers 4 and 6 -
Item 33: Gallery: Ives and Austin, 1995 February 1
Program for concert featuring Universe Symphony and four other Larry Austin works -
Item 34: CEMI and NOVA Event Series, 1996 March 4
Program for concert featuing Continuum, for a number of players -
Item 35: Texas Computer Musicians Network, 1998 February 9
Program for a concert featuring Djuro's Tree -
Item 36: Celebrity Recital, 1996 February 1
Program for a concert featuring the Welsh premiere of Accidents Two
-
-
Box 6.8
Barcode 700930-
Item 1: Threnos for 1, 2, 4, 8 Bass Clarinets, real (live) and virtual (ADAT)
Program and performance notes -
Item 2: Klang Welt Moderne: Die Musik im 20. Jahrhundert, 2000 April 25
Festival program book -
Item 3: ASUC 20th Annual Conference and Festival of Contemporary Music at Arizona State University, 1985 March 28
Festival program -
Item 4: The Fourteenth Annual International Electronic Music Plus Festival: Concert VI, 1985 March 23
Program (5) -
Item 5: London Symphony Orchestra, 1997 January 1
Season program book -
Item 6: GVSU New Horizons Series: Into the Soundscape V, 2004 February 19
Program -
Item 7: NYU School of Education Summer 2001 Study Abroad Music and Dance, 2001 July 2
Program -
Item 8: The Mills College Music Department: Composition Students of Darius Milhaud and Piano Students of Alexander Libermann, 19?? August 2
Program -
Item 9: CEMI Event Series, 1995 October 30
Concert program -
Item 10: Untitled
Information on Universe Symphony -
Item 11: Untitled
Program notes for a performance of Variations beyond Pierrot (2) -
Item 12: North American Saxophone Alliance 2002 Biennial Conference, 2002 March 6
Reproduction of pages from festival program book (2) -
Item 13: Bridging the Millenia Academic Festival IV 1999-2000, 1999 September 15
Symposium program -
Item 14: Moon Madness, 1996 April 29-30
Program for concert featuring Variations beyond Pierrot -
Item 15: Untitled, 1997 April 28
Program for concert featuring the world premiere of RomaDue (2) -
Item 16: The University of Central Arkansas Department of Music Guest Artists, 1995 November 1
Program for concert featuring BluesAx -
Item 17: CCM Percussion Ensemble, 1992 January 28
Program for concert featuring Life Pulse Prelude -
Item 18: North Texas State University School of Music Faculty Recital, 1979 October 18
Program for concert featuring six Austin pieces -
Item 19: SEAMUS @ Ithaca '95
Concert program -
Item 20: Synthese, 1999 May 30
Program for concert featuring Art is self-alteration is Cage is -
Item 21: Untitled
Program for a concert featuring Tarogato! (2) -
Item 22: 6th Annual Electroacoustic Music Festival, 1997 April 10-12
Festival program book -
Item 23: Untitled, 1994 January 28
Program of concert featuring Larry Austin/CI's Universe Symphony -
Item 24: Untitled
Program for a concert featuring BluesAx -
Item 25: Society of Composers, Inc. Annual Conference: Concert 8, 1988 April 29
Program -
Item 26: Society of Composers, Inc. 1998 National Conference, 1998 April 14-18
Conference program book -
Item 27: Tearing Granite: Thunder in the Stone, 1994 April 15-16
Program for concert featuring Rompido! -
Item 28: Composing Computer Music - Recent Work at Kunitachi, 1994 July 4
Prinout of program and program notes in English and Japanese -
Item 29: Experimental Intermedia, 7-Mar
Information about performances including Larry Austin's works on March 15 -
Item 30: 14th Annual Florida Electroacoustic Music Festival, 2005 April 7-9
Festival program book featuring performance of Tableaux: Convolutions on a Theme on April 8 -
Item 31: ICMC 2010, 2010 June 1
Conference program book -
Item 32: Music and Communication, 1968 September 6
Conference proceedings -
Item 33: The Composer in Performance
A program of financial support for performances of contemporary music performed or directed by the composers" -
Item 34: La Biennale di Venezia - XXVII Festival Internationale di Musica Contemporanea, 1964 September 6
Conference program book
-
-
Box 6.9
Barcode 700929-
Item 35: ICMC Glasgow, 1990 January 1
Conference proceedings -
Item 36: Philharmonic Hall, 1963-1964
Sseason concert programs -
Item 37: The Aspen Music Festival, 1976 January 1
Festival program -
Item 38: The American Bicentennial, Part II: The British and The Americans, 1976 January 1
Festival program
-
-
-
Series 7: Correspondence and interviews
-
Box 7.1
Barcode 700940-
Item 1: Old/New, 2003 November 19
12-tone row by Robert Fleisher -
Item 2: Untitled
Letter to Larry Austin from Gunther [Schuller?] regarding publishing and premiering a new composition -
Item 3: Untitled
Letter from Larry Austin and Thomas Clark to Beth Maynard -
Item 4: Untitled
Letter from Larry Austin and Thomas Clark to Henmar Press -
Item 5: Permissions
-
Item 6: Welcome to WCB!, 1987 March 31
Letter to Larry Austin from Susan Trenkamp -
Item 7: Untitled
Letter from Larry Austin and Thomas Clark to Raphael Kadushin -
Item 8: Agreement
Contract between Larry Austin and Thomas Clark and WCB for Learning to Compose -
Item 9: Wm. C. Brown Company Publishers
Envelope of documents from publisher to Austin about Learning to Compose -
Item 10: Untitled
Letter from Lois V. Vierk to Austin -
Item 11: Robert Ashley; Perfect Lives
Manila envelope of documents about this opera -
Item 12: Untitled, 2014 January 1
Printout of email -
Item 13: Austin/La Barbara interview
Manila envelope -
Item 14: Untitled
Letter from Nancy Udow to Larry Austin -
Item 15: Untitled
Letter from Art [Lewis] to Larry Austin -
Item 16: Untitled
Letter from Nancy and Michael Udow to Larry Austin -
Item 17: Untitled, 1977 June 15
Letter from Larry Austin to Arthur Lewis (original and reproduction) (3 pages) -
Item 18: Untitled
Letter from UNT Office of Development -
Item 19: Larry Austin Ambrose interview and WM-article
Various documents in manila envelope -
Item 20: Sound Diffusion in Composition and Performance Practice, 1998 October 27
Transcription of interview between Larry Austin and Dennis Smalley (edited in green pen) -
Item 21: Untitled, 2002 April 8
Letter from someone at Northern Illinois University to Larry Austin -
Item 22: Untitled
Unopened pamphlet from the Consortium to Distribute Computer Music -
Item 23: Untitled
Letter to Larry Austin from the Pauline Oliveros Foundation, Inc. -
Item 24: Untitled, 2007 January 5
Printout of email from Byron Westbrook to Larry Austin -
Item 25: Austin concert details
Printout of email from Larry Austin to Steve Duke et alia -
Item 26: Untitled, 1996 September 3
Letter from Larry Austin to Gladys Serrano and Thomas Buckner at Mutable Music -
Item 27: a new piece, 2010 June 15
Printout of email from F. Gerard Errante to Larry Austin -
Item 28: Re: extended range, etc., 2001 November 2
Printout of email from Michael Lowenstern to Larry Austin
-
-
Box 7.2
Barcode 700939-
Item 1: Away With the Ives Myth: The 'Universe' Is Here at Last, 1994 October 23
Article in the New York Times (2.5 complete copies) -
Item 2: Austin/Lockwood NYC concert at roulette, winter/spring, 2009 February 12
Various documents -
Item 3: Untitled, 1995 January 1
Correspondence with Timothy Crowley -
Item 4: Universe Errata, 2000 October 19
Printout of email from Maggie Heskin to Larry Austin -
Item 5: same message, 2002 June 18
Printout of email from Michael A. Thompson to Larry Austin -
Item 6: csound info, 2002 June 17
Printout of email from Michael A. Thompson to Larry Austin -
Item 7: 80. Avenue du Bois de Boulogne, 2013 November 17
Reproduction of autograph of Debussy's letter to Mourey -
Item 8: Composition Contracts (BMI, ACA, Peer-Southern)
Accordion folder of contracts with various publishing companies -
Item 9: Les Flutes de Pan
Printouts of correspondence between Larry Austin and Jackie Martelle -
Item 10: Untitled
Printouts of email correspondence between Larry Austin and Don Joseph -
Item 11: Larry Austin to Retire, 1996 January 1
Reproduction of UNT Division of Composition Studies newsletter -
Item 12: Modern music works get in your face, 1996 April 30
Original and reproduction of article from Winnipeg Free Press -
Item 13: Faculty Notes, 1996 June 6
Newsletter -
Item 14: A Mini-Retrospective Birthday Party, 1996 September 16
New York Times article by Allan Kozinn: Larry Austin's 66th birthday concert -
Item 15: Austin Earns Honor for New Composition, 1996 July 21
Article in the Denton Record-Chronicle about Larry Austin receiving an award for BluesAx -
Item 16: NT professor receives a Magistere, a special music award, 1996 August 1
Article in the North Texas Daily about Larry Austin's award -
Item 17: Partake in peerless premiere, 1987 January 25
Article in Denton Record-Chronicle about an upcoming concert of Larry Austin's works (2) -
Item 18: Austin brings Mozart's music into modern age, 1989 February 9
Article in The North Texas Daily about Sinfonia Concertante: A Mozartean Episode -
Item 19: Mozart goes back to BASIC in teacher's high-tech music, 1987 January 23
Article in The North Texas Daily about Sinfonia Concertante: A Mozartean Episode(2)
-
-
Box 7.3
Barcode 700938-
Item 1: Untitled
Packet of information sent to Larry Austin from Marcia Bauman, archivist at the Center for Computer Research in Music and Acoustics -
Item 2: SEAMUS 2009 Lifetime Achievement Award, 2009 April 16
Various documents -
Item 3: Clark Austin Bio for Borik Press
Biography of Larry Austin for publication -
Item 4: Robert Ashley, Larry Austin, Karlheinz Stockhausen
Transcript of conversation between the three named composers in a periodical -
Item 5: Untitled
Letter from Howard Bell to Larry Austin -
Item 6: Small Grants Program Project Request Form, 1996 January 29
Grant request for extraction of parts from Life Pulse Prelude -
Item 7: Untitled, 1995 August 21
Letter to Larry Austin from UNT's Office of the Chancellor -
Item 8: Faculty Research Grant Application, 1990 April 2
Grant application for "A New Work for Extended Vocal Techniques and Computer Music" -
Item 9: Untitled, 1997 June 10
Letter to Larry Austin about article -
Item 10: Larry Austin Cage's Williams Mix correspondence, etc. 1997-2002
Manila envelope with various documents -
Item 11: Untitled, 1982 May 25
Letter from Curt Roads to Larry Austin -
Item 12: Untitled, 1980 May 30
Letter from "B." at University of Redlands to Larry Austin -
Item 13: Untitled, 19??
Letter from "B." at University of Redlands to Larry Austin. Dated Friday, possibly the 12th, month unknown. -
Item 14: Untitled, 1982 July 25
Letter from John Mauceri to Larry Austin -
Item 15: Untitled, 1982 June 21
Letter from Jane Koock to Larry Austin -
Item 16: Agreement, 1982 May 19
Contract between the City of Chicago and Larry Austin to perform at Navy Pier on July 7, 1982 -
Item 17: Untitled, 1982 September 11
Copy of letter to Bruce Pennycook from Larry Austin -
Item 18: Untitled, 1982 September 11
Copy of letter to Moses Asch from Larry Austin -
Item 19: Untitled
Copy of letter to Benoit Mandelbrot from Larry Austin -
Item 20: An Open Letter to Composers, Performers, Teachers, Students, Musical Institutions and Friends of New Music in Texas
Letter -
Item 21: Meet the Composer/Texas Information Form
Blank information form -
Item 22: ICMC'95 Banff, Canada, 1995 September 3-7
Postcard -
Item 23: Untitled, 1995 September 26
Letter from Paul Bauer to Larry Austin -
Item 24: Untitled, 1994 August 9
Letter from Lee Mamunes to Larry Austin -
Item 25: Performance Evaluation Report, 1994 February 18
Excellent evaluation of Larry Austin @ UNT -
Item 26: Untitled, 1994 June 14
Printout of email correspondence betwwen Kiyotomi Yoshizaki and Larry Austin -
Item 27: Untitled, 1991 May 3
Correspondence between Joan La Barbara and Larry Austin -
Item 28: Performance Evaluation Form, 1991 December 13
Excellent evaluation of Larry Austin -
Item 29: Untitled, 1991 November 15
Letter from Eric Rauch to Larry Austin -
Item 30: Untitled, 1991 November 18
Letter from Allan Otte to Larry Austin re: recording of Life Pulse Prelude -
Item 31: Untitled, 1991 January 5
Letter from Katharine M. Warne to Larry Austin -
Item 32: Untitled, 1991 March 12
Correspondence between David Harrington and Larry Austin -
Item 33: Composer's Copy, 1992 January 24
Rental order of parts for performance of Sinfonia Concertante on September 20, 1991 -
Item 34: Composer's Copy, 1992 January 24
Rental order of parts for performance and recording of Life Pulse Prelude on February 15, 1992 -
Item 35: Untitled, 1991 November
Letter from Michelle Fillion to Larry Austin -
Item 36: Mills job, 1991 December 17
Correspondence and information about Larry Austin's application to the Darius Milhaud Professorship in Composition at Mills College -
Item 37: Untitled, 1988 July 5
Correspondence and information about Michael Matthews' application for residency at the Bellagio Center -
Item 38: Untitled, 1990 April 2
Letter from Regula Qureshi and Christopher Lewis to Larry Austin -
Item 39: Description of computer music credentials, 1993 June 24
Letter from Mary Simoni to Larry Austin -
Item 40: Untitled, 1993 June 11
Original of letter accompanying Item 116 in Box 46 (copy stapled to nomination form) -
Item 41: ICA Exhibitions: Anya Gallaccio, 1992 July 29-August 16
Interview about exhibition -
Item 42: ICA Exhibitions: Lee Miller's War, 1992 July 29-September 6
Interview about exhibition -
Item 43: Untitled, 1991 January 24
Correspondence between Larry Austin and "Kay" regarding sick-leave policies -
Item 44: Harwood Academic Publishers, 1990 December 21
Letter from Anne White to Larry Austin regarding proffs of book -
Item 45: Untitled, 1990 December 8
Letter from Chris and Katy Barnes to Larry Austin -
Item 46: Instituto Nacional de Bellas Artes, 1990 May 24
Correspondence between Manuel Enriquez and Francisco Nunez and Larry Austin -
Item 47: Baltimore Symphony Orchestra, 1990 July 27
Letter from Ronald Merlno to Larry Austin re: Phantasmagoria -
Item 48: Yamaha, 1991 September 10
Letter from Xavier Serra to Larry Austin -
Item 49: Untitled
Letter from Jeff Z[ikey] to Larry Austin (2 pp)
-
-
-
Series 8: Periodicals
-
Box 8.1
Barcode 700928-
Item 1: Foundation for Contemporary Arts 2014, 2014 January 1
Periodical -
Item 2: Electronic Music Review Number 6, 1968 April
Reproduction of original publication -
Item 3: Mundus Artium Volume 7, Number 2, 1974 January 1
International Women's Issue -
Item 4: Academie bourges Vol 3, 1997 January 1
Composition / Diffusion in Electroacoustic Music -
Item 5: Academie bourges Vol 4, 1998 January 1
Electroacoustic Music: reflections and prospects (2 copies) -
Item 6: Academie bourges Vol 5, 1999-2000
Time in Electroacoustic Music -
Item 7: Academie bourges Vol 6, 2001 January 1
Composition and Technology in Electroacoustic Music (3 copies) -
Item 8: Xenharmonikon 5, 1976 January 1
Volume 3, Number 1 -
Item 9: Xenharmonikon 3, 1975 January 1
Volume 2, Number 1 -
Item 10: The List
6th edition -
Item 11: The Directory: Individuals and Organizations Active in New Music 1982
Composers' Forum, Inc. 1982 membership directory -
Item 12: 1985 The MacDowell Colony
1985 annual report -
Item 13: William Wegman
Pamphlet on Wegman's art -
Item 14: Real Art Ways
-
Item 15: Percussive Notes Volume 22, Number 6, 1984 September
Periodical -
Item 16: High Performance Volume 8, Number 3, 1985 January 1
Periodical -
Item 17: Nextworld, 1991 January 1
Volume 1, Number 2 -
Item 18: Nextworld, 1991 January 1
Volume 1, Number 3 -
Item 19: Nextworld, 1991 January 1
Volume 1, Number 4 -
Item 20: Studio for Electro-instrumental Music, 1986 January 1
Periodical -
Item 21: 1981 The MacDowell Colony
1981 annual report -
Item 22: The Darius Milhaud Society Newsletter, 1990 January 1
Newsletter -
Item 23: Myth! Interactive Composition Technology Performance, 19?? October 10
Poster for a concert featuring Tarogato! -
Item 24: Visiting Composers Series: Larry Austin, 19?? January 28
Flyer for discussion with Larry Austin about Universe Symphony -
Item 25: International Computer Music Association
Mail advertising ICMA Annual Conference -
Item 26: The Darius Milhaud Society Newsletter, 1990 Fall - 1991 Spring
Newsletter featuring In Memoriam section for Leonard Bernstein and Aaron Copland -
Item 27: The Darius Milhaud Society
Information pamphlet -
Item 28: 28th Annual BGSU New Music and Art Festival, 2007 October 17-20
Information flyer -
Item 29: A Festival of Music by American Composer Larry Austin
Festival poster -
Item 30: Florida Electroacoustic Music Festival, 1998 April 8
Poster -
Item 31: Psyche, 2013 December 1
Reproduction of program from the first performance of Psyche -
Item 32: Geodesic Mathematics and Random Chaos: Buckminster Fuller and John Cage, 2006 August 28-September 29
Exhibition poster at NIU School of Art Builindg featuring a Larry Austin Concert at NIU Concert Hall on September 16, 2006 -
Item 33: Larry Austin in Concert, 2006 September 16
Concert poster -
Item 34: Untitled
Information sent by Esther Lanmeck to Larry Austin -
Item 35: Untitled
Card announcing the publication of Rompido! by Borik Press -
Item 36: University of Cincinnati CCM Visiting Composers Series 1993-94
Flyer -
Item 37: Bang on a Can <<Festival>>, 1992 May 12-17
Flyer for concert series -
Item 38: the countdown begins
Flyer for the UNT Wind Studies 1997-1998 concert season featuring Larry Austin's Quadrants: Event/Complex Number 1 on Decemeber 4, 1997 -
Item 39: Myth!, 19?? October 10
Copy of poster for concert featuring Tarogato! -
Item 40: CEMI Event Series, 1995 January 1
Flyer for concert series
-
-
Box 8.2
Barcode 700927-
Item 1: Saturday Review, 1987 September 23
Periodical -
Item 2: 1990 in Glasgow, 1990 January 1
Periodical -
Item 3: Analog Sounds, 1975 January
Periodical -
Item 4: Down Beat, 1962 September 27
Periodical -
Item 5: Down Beat, 1962 July 19
Periodical -
Item 6: Down Beat, 1964 July 16
Periodical -
Item 7: BMI The Many Worlds of Music, Issue Number 3, 1984 January 1
Periodical -
Item 8: BMI Symphonic Catalogue Supplement #1, 1978 January 1
Catalog -
Item 9: Smith Publications Sonic Art Editions 1985 Catalog of American Music, 1985 January 1
Catalog
-
-
Box 8.3
Barcode 700926-
Item 1: American Music, 2011 Summer
Volume 29, Number 2 -
Item 2: American Music, 2013 Summer
Volume 31, Number 2 -
Item 3: American Music, 2013 Winter
Volume 31, Number 4 -
Item 4: Fylkingen International Bulletin, 1967 January
Periodical -
Item 5: The First Decade - Atlantic Center for the Arts, 1987 January 1
Periodical -
Item 6: Loyola New Orleans, circa 1981-1982 Winter
Volume 1, Number 1 -
Item 7: Atlantic Center for the Arts - The Second Decade
Periodical -
Item 8: Transmission Two: The Great Excursion (TT:TGE) - The Aesthetic, Art and Science of a Composition for Radio, 1991 January 1
Article in Leonardo Music Journal Volume 1, Number 1 -
Item 9: News
Newsletter from United Music Publishers Ltd. -
Item 10: Colony News, 1986 January 1
Periodical -
Item 11: Untitled
Back cover of a periodical -
Item 12: American Music, 2009 Fall
Volume 27, Number 3 -
Item 13: American Music, 2010 Winter
Volume 28, Number 4 -
Item 14: American Music, 2009 Summer
Volume 27, Number 2
-
-
Box 8.4
Barcode 700925-
Item 1: Music World, 1989 January 1
Periodical -
Item 2: Nutida Musik, 1967-1968
Periodical -
Item 3: Jazz: A Quarterly of American Music, 1958 January 1
Volume 1 -
Item 4: Jazz: A Quarterly of American Music, 1959 January 1
Volume 2 -
Item 5: Jazz: A Quarterly of American Music, 1959 January 1
Volume 3 -
Item 6: Jazz: A Quarterly of American Music, 1959 January 1
Volume 4 -
Item 7: Jazz: A Quarterly of American Music, 1960 January 1
Volume 5 -
Item 8: Soundings Number 6, 1973 January 1
Periodical -
Item 9: Soundings Number 2, 1972 January 1
Periodical -
Item 10: Soundings Nos. 3/4, 1972 January 1
Periodical -
Item 11: Soundings Number 1, 1972 January 1
Periodical -
Item 12: Soundings Number 5, 1973 January 1
Periodical -
Item 13: Focus KQED channel 9, 1968 January
Periodical -
Item 14: SGML SIGhyper: SGML Users' Group Special Interest Group on Hypertext and Mutlimedia Volume 1, Number 1, 1991 October
Periodical -
Item 15: Xenharmonikon Volume 4, Nos. 1 and 2, 1979 January 1
Periodical
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Box 8.5
Barcode 700924-
Item 1: IRCAM Annual Report, 1989 January 1
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Item 2: Coast FM and Fine Arts, 1970 March
Periodical -
Item 3: Florida Music Director Volume 27, Number 2, 1973 September
Periodical (2 copies) -
Item 4: Pan Pipes Volume 70, Number 2, 1978 January 1
Periodical -
Item 5: Internationales Musikinstitut Darmstadt, 1967 January 1
Catalog of publications -
Item 6: Artforum, 1973 September
Periodical -
Item 7: International Musician, 1958 August
Periodical -
Item 8: NMW Numus West Volume 2, Number 2, 1975 January 1
Periodical
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Series 9: Visual materials
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Box 9.1
Barcode 700949-
Item 1: Stephanie Snedden; The Seer, 1972 January 1
Original artwork in matte frame
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Box 9.2
Barcode 700948-
Item 1: Untitled
Artwork -
Item 2: Brass 1967
Pieces of art with colored lines and numbers in circles associated with this piece of music (13) -
Item 3: Jack Ox, 1996 January 1
Book of artwork inspired by Anton Bruckner's Symphony Number 8 -
Item 4: Life Pulse Prelude
"Photos, etc." -
Item 5: Ludus Fractalis Photos
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Item 6: Sound in Space 2000, UC Santa Barbara, 2000 January 1
Photo of Larry Austin -
Item 7: Untitled, 2005 January 1
Printout of emailed press release for "Music in the Meadows"
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Series 10: Audiovisual media
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Box 10.1: Beta videocassettes (36)
Barcode 700952 -
Box 10.2: Videocassette tapes (26)
Barcode 700951. 5 U-matic videocassettes, 7 ADAT tapes, 14 VHS or ADAT. -
Box 10.3: VHS, ADAT, and Beta (37)
Barcode 700950. 3 ADAT, 1 Beta, 26 VHS, 7 Audio-Design CTC. -
Box 10.4: Reel-to-reel audio tapes
Barcode 701016 -
Box 10.5: ADAT, Beta, VHS, U-matic, Audio-Design CTC
Barcode 701018. 16 ADAT, 2 Beta, 9 VHS, 2 U-matic, 6 Audio-Design CTC. -
Box 10.6: Various media
Barcode 701022. Five empty containers, ten 16mm films, sixteen 8mm films, small can of slides; NeXT ROM device. -
Box 10.7: Film reels
Barcode 701013. Three empty film canisters, seven 16mm reels of various sizes, 15 8mm reels, roll of 8mm leader tape. -
Box 10.8: Film reels
Barcode 701023. Twelve 16mm film reels. -
Box 10.9: Reel-to-reel audio tapes
Barcode 701012 -
Box 10.10: Film reels
Barcode 701024. Four 16mm film reels. -
Box 10.11: Reel-to-reel audio tapes
Barcode 701026 -
Box 10.12: Reel-to-reel audio tapes
Barcode 701025 -
Box 10.13: Film and video tape
Barcode 701021. Two 16mm films, one Memorex 2-inch videotape. -
Box 10.14: Various media
Barcode 701014. Floppy disks, PDP tape, audio cassettes.
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Series 11: Other documents and materials
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Box 11.1
Barcode 700954-
Item 1: Untitled
Rubberband-wrapped sets of vocabulary cards (4) -
Item 2: Montage, 1985 January 1
CD (2) -
Item 3: Misc, circa 1970
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Item 4: Catharsis
Copy of CD with Stereo Tape part (2) -
Item 5: Untitled
"Get Well" banner -
Item 6: Untitled
Transparency for cover pages for Djuro's Tree, Tarogato!, and Singing!...the music of my own time -
Item 7: Larry Austin Interpretation concert, NYC, 2003 January 30
Manila envelope with various documents -
Item 8: Untitled
Folder of information on the Guggenheim Memorial Foundation -
Item 9: FY 1993 Music Fellowships Application Acknowledgement Card, 1992 January 14
Application to NEA for a Fellowship -
Item 10: The Computer Music Association
Hashmarks -
Item 11: Board of Directors Election
Information about International Computer Music Association election of board members [likely related to Box 48, Item 111] -
Item 12: The University of Michigan Housing Division, 1993 June 24
Fax cover sheet -
Item 13: Call for Nominations, May, 1993 for the Election of the Board of Directors, 1994-98 International Computer Music Association, Inc., 1993 June 19
Nomination form for Ricardo Dal Farra -
Item 14: Call for Nominations, May, 1993 for the Election of the Board of Directors, 1994-98 International Computer Music Association, Inc., 1993 July 8
Nomination form for Andrew Horner -
Item 15: Call for Nominations, May, 1993 for the Election of the Board of Directors, 1994-98 International Computer Music Association, Inc., 1993 June 19
Nomination form for Neil Rolnick -
Item 16: Call for Nominations, May, 1993 for the Election of the Board of Directors, 1994-98 International Computer Music Association, Inc., 1993 June 11
Nomination form for Mary Simoni, Ph.D. (2) -
Item 17: Untitled
Larry Austin's ICMC93 ID badge as President of the ICMA, Inc.
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