Highlights

  1. PhotoFrom left: Christoph Gawenda, Laurenz Laufenberg and Renato Schuch in Thomas Ostermeier’s powerful production of “History of Violence” at St. Ann’s Warehouse.
    CreditRichard Termine for The New York Times

    critic’s notebook

    Fleeing Home, but Not Homophobia

    Two plays based on the autobiographical novels of Édouard Louis put the problem of violence against gay men in a larger social context.

    1. PhotoAndrew Burnap, left, as Toby Darling, the flamboyant writer-boyfriend of Soller’s Eric Glass.
      CreditSara Krulwich/The New York Times

      ‘The Inheritance’ Review: So Many Men, So Much Time

      Breadth doesn’t always equal depth in Matthew Lopez’s supersize, vividly painted portrait of gay life in the 21st century, featuring E.M. Forster as a spirit guide.

  1. PhotoWorkman, left, and Cespedes during rehearsal.
    CreditSasha Arutyunova for The New York Times

    Get Ready for the Masterwork No One Has Seen

    “Fefu and Her Friends,” perhaps the finest work of the Cuban-American director and playwright María Irene Fornés, is finally getting a New York revival.