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  2. Photo
    CreditVincent Tullo for The New York Times

    A Master of Dance Lighting Steps Out of the Shadows

    Brandon Stirling Baker talks about his essential but rarely discussed art, pointing out mistakes and misconceptions, and the joys of collaboration.

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    CreditEmon Hassan for The New York Times

    Watch the Feet

    Mariaa Randall performs a segment of “Footwork/Technique” — part of First Nations Dialogues — showcasing aboriginal footwork from Australia.

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    CreditShawn Brackbill for The New York Times

    Tango, From the Heart

    The tango master Gabriel Missé and his partner Maru Rifourcat have danced together for a year and a half. Now, they’re a couple in real life too.

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    CreditAdam Golfer for The New York Times

    A Ballerina, From Head to Toe Shoe

    “I tried to be a good male dancer,” said Long Zou of the Les Ballets Trockadero de Monte Carlo. “It took me a while to figure out that’s not what I’m good at.”

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    CreditAngelo Silvio Vasta for The New York Times

    When Man and Hoop Become One

    Watch New York City Ballet principal Daniel Ulbricht perform part of Candy Cane’s solo from “George Balanchine’s The Nutcracker’

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    CreditRudolf Costin for The New York Times

    Circles, Stars and Then Down the Drain

    We went underwater to bring you the synchronized swimmers of the Manhattan Plaza Health Club performing a section of “Wish.”

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    This Week in Arts: a Menagerie, Fresh-Picked Plays and Cuban Dance

    Animals from the American Folk Art Museum share a habitat with paintings from Fountain House Gallery that embrace a similar theme.

    By The New York Times

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    5 Dance Performances to See in N.Y.C. This Weekend

    Our guide to dance performances happening this weekend and in the week ahead.

    By Gia Kourlas

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    It’s a Sex-Positive Party, Not a Play

    At Bushwick Starr, Diana Oh and her team of “super queero heart questers” welcome guests to a night of dance-filled revelry. (Yes, there’s a sleepover option.)

    By Laura Collins-Hughes

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    Stephen Varble: The Street Was His Stage, the Dress Was His Weapon

    The 1970s performance artist known for his guerrilla-style spectacles in costumes made from trash and found objects gets an overdue retrospective.

    By Holland Cotter

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    The Shed, a Rare New Arts Center on the Hudson, Is Set to Open

    For its first season, beginning in April, the Shed has commissioned more than a dozen exhibitions, performances and lectures across disciplines.

    By Joshua Barone

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    Catching Up With One of the ‘Old Gang’ That Reinvented Dance

    Aileen Passloff, 87, whose work will be at 92nd Street Y, talks about her career, Nijinsky’s ears and learning from James Waring.

    By Gia Kourlas

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    Review: A Tap Prodigy, Growing Up in Public

    At its best, Caleb Teicher’s “More Forever,” with music performed by the composer Conrad Tao, is both youthful and sophisticated.

    By Brian Seibert

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    This Week in Arts: Roy Hargrove, Caleb Teicher, Prototype Festival

    The virtuoso trumpeter, who died last year, will be honored at two venues.

    By The New York Times

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    A Choreographer Gives In to His Ambition of Recklessness

    Miguel Gutierrez’s new piece, with a cast of Latin American heritage, melds the formal and the personal, the tactile and the untamed.

    By Gia Kourlas

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    12 Dance Performances to See in N.Y.C. This Weekend

    Our guide to dance performances happening this weekend and in the week ahead.

    By Brian Schaefer

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