D.C.’s Seaton Smith headlines two shows at the newly reopened comedy club.

With performance and training moving online, student dancers, musicians and actors are questioning whether to continue pursuing already highly competitive careers.

Zoom technique classes, rehearsing with masks and then, at last, “Back to work!” for a performance at Kaatsbaan in New York


  • Perspective

“Stories of a Lifetime” jumps from off-Broadway to Audible, revealing glimpses of the CBS newsman on and off the job.

  • Perspective

How a comedy of errors on Irish Twitter led to an honorary doctorate in hairdressing.

Michael Pastreich’s exit and the season cancellation arrive on the heels of covid-19 cases after the ballet’s June gala.

Deborah Rutter says action is needed to close $23 million budget gap from pandemic-related shutdown.

Theater vets Warren Adams and T. Oliver Reid have teamed up with a philanthropist to find jobs for young black colleagues.

The revised schedule includes Broadway, dance, opera and orchestra events built around hope for a new phase of the pandemic.

In the absence of live performance, the competition show offers insights into the art — especially its human side.

  • Perspective

New York Theatre Workshop, the birthplace of “Rent,” puts its faith in artistic “instigators.”

“Celia and Fidel” is set to be the first play on a roster that includes two new musicals.

Pandemic losses force more ‘tragic’ cuts, but the company vows to come back strong.

  • Perspective

The fallout is a lesson for other arts groups. They must build trust to reopen.

Kent’s announcement comes in the wake of the ballet’s gala after which multiple attendees were diagnosed with the novel coronavirus.

  • Perspective

“And So We Come Forth” and “Les Blancs” are powerful in very different ways.

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With coronavirus measures on and off the stage, American Shakespeare Center readies a July 25 restart.

Area theater students produce audio versions of three classic plays after traditional summer repertory season is canceled.

The joy of social dancing is now tempered by the fear of contagion.

The Alden Theatre’s “Small Change” is a hybrid of the drive-in and live performance.

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