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Can - and should - we distinguish between Gergiev's political and artistic beliefs? I don't think we can anymore, writes Philip Clark
Activist Peter Tatchell urges Gergiev to speak out over Russia's new homophobic laws but orchestra distances itself from outcry
Nikolai Lugansky found depth and nuance in a sensational performance of Prokofiev's Third Piano Concerto, writes Erica Jeal
The orchestra was a touch heavy-handed and the compositions a touch overdone, but Mitsuko Uchida was superb as ever, writes Erica Jeal
High-voltage intensity and fierce insight powered this superb concert performance of Verdi's masterpiece, writes Tim Ashley
Valery Gergiev serves up a stunning performance of Sofia Gubaidulina's The Rider on the White Horse and a vivid Pictures at an Exhibition, writes Martin Kettle
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