Most recent
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29 Aug 2014:Mark Lawson: It's fairly easy to bag Chekhov's quartet of masterpieces, but getting to see productions of all the Shakespearean canon is a much bigger challenge
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13 Aug 2014:
From Robert Bloch's Psycho to Chekhov's Lady With the Dog, Mark Watson explores the magnetism of hotels for novelists
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22 May 2014:
Andrei Zvyagintsev's latest is a very strong contender for the Palme d'Or – a mix of Hobbes, Chekhov and the Bible, and full of extraordinary images and magnificent symmetry
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6 May 2014: Chekhov's characters encounter the Beatles, pop art and mini-skirts in rural Scotland, writes Mark Fisher
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25 Apr 2014:
Andrei Konchalovsky reveals his movie background in this double bill with compelling performances, writes Michael Billington
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22 Apr 2014:
How did an auteur who started out working with Tarkovsky end up being fired from Tango & Cash? Andrei Konchalovsky talks to Stephen Moss about $90m flops, being mentored by Billy Wilder – and killed by Disney
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17 Apr 2014:
The dark and panoramic Three Sisters has been relocated to the Middle East and set among British diplomats and military, writes David Jays
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2 Mar 2014: Anya Reiss overlooks the wider context in her vivid reimagining of Chekhov, writes Clare Brennan
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26 Feb 2014:
Chris Honer's production – his last as artistic director of the Library theatre – is entirely faithful to the spirit of Chekhov, writes Alfred Hickling
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20 Feb 2014:
Brian Friel's audacious, Chekhovian epilogue is short, masterful and hilarious, writes Alfred Hickling
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19 Dec 2013:
Matt Trueman: In John Donnelly's brilliant new version for Headlong, Chekhov's play became entirely – almost eerily – contemporary
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11 Dec 2013:
Chris Power: Chekhov's story of happiness, self-deception and cruelty is not a reassuring read, but the richness of the writing delivers deepening pleasure with each revisit
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22 Nov 2013: This anthology is a nice crash course for would-be Muscovites travelling literally or literately, writes WB Gooderham
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14 Nov 2013:
No Hamlet. No Willy Loman. No Jimmy Porter. Male characters have always been centre stage. So what are the great parts for women? We asked Britain's leading actresses to tell us
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8 Oct 2013: New research shows works by writers such as Charles Dickens and Téa Obreht sharpen our ability to understand others' emotions – more than thrillers or romance novels, writes Liz Bury
1-15 of 191 for Anton Chekhov
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