THE ONLINE AUTHORITY ON MOVIES

Dolphin Boy

And now for something entirely different. Variety reports (via ComingSoon) that Walt Disney Pictures have picked up the film rights to Dani Menkin and Yonatan Nir‘s 2011 documentary Dolphin Boy in order to turn it into a narrative feature. Dolphin Boy, you say, that sounds charming! A boy and his dolphins! Swimming free! Free Willy with dolphins, nature’s smartest aquatic creature! Aww!

Wrong. The synopsis for the original film doesn’t shy away from tossing out terms that we might necessarily associate with the House of Mouse – terms like “violent attack,” “before hospitalization in a mental institution,” “devastating havoc that human violence can wreak upon the human soul,” and more! I’m devastated just reading about this film. If you’re into having your soul pulled out through your throat, the doc’s full synopsis reads as such:

Morad – a teenager from an Arab village in the north of Israel disconnects himself from humans following a violent attack that he experienced. As a last resort before hospitalization in a Mental Institution, he is taken by his devoted father to be treated with Dolphins in Eilat. Morad starts speaking again after months of silence, but he erases his past and refuses to go home to his awaiting mother. This documentary about the devastating havoc that human violence can wreak upon the human soul, and about the healing powers of nature and of love, was filmed over the course of the past four years.

Not wrenching enough for you? Check out the trailer for the Dolphin Boy doc after the break, and bring the tissues.

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That strangely obvious Top Gun IMAX 3D re-release news was announced way back in September of 2011, but we’ve heard scarce little about just when we’ll get to see everyone’s favorite volleyball scene play out in the biggest cinematic format possible since then. Until now! Good news, fans of classic ’80s schlock cinema, as Paramount has just announced that the re-release will hit screens for a limited, six-day-only engagement on Feburary 8, 2013.

The film will only be available in select IMAX theaters, so perhaps start thinking about your tickets now (also, perhaps you should also start planning your cosplay look, while you’re at it). The re-master was overseen by the late Tony Scott, and the conversion is promised to “reveal extraordinary depth and clarity, allowing viewers to explore every detail of the action.”

Is six days just not long enough for you? Never fear, the Top Gun Blu-ray 3d and Blu-ray 2D sets arrive on February 19, 2013.

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Side Effects Poster

Whether or not Side Effects is director Steven Soderbergh‘s final film still remains to be seen, but even that added (potential) intrigue seems unnecessary so far, because the Channing Tatum, Jude Law, and Rooney Mara-starring film looks satisfyingly confounding all on its own. Mara stars as a young wife (to Tatum, lucky duck) who turns to a doc played by Law to help ease her anxiety. He prescribes her a new drug. And it has, you guessed it, side effects.

The film’s first poster is a sleekly designed affair, and we’re willing to bet it holds more than a few secrets to Side Effects. Like just what does “a doctor’s most important prescription is trust” mean?

Side Effects opens on February 8, 2013. [The Huffington Post]

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Reboot

Let’s just all pray that there will never need to be a reboot of Reboot, because this title is already a tad ludicrous as is, at least cinematically speaking. THR reports that Fox 2000 has set newbie scribe Lindsay Devlin to adapt Amy Tintera‘s upcoming YA novel, “Reboot,” into a feature film for them. The book which, again, won’t be released until next year, so no wonder you haven’t heard of it, is described as “edgy” and predictably takes place after the world has experienced a major upheaval.

At the center of Tintera’s novel is “Wren 178,” a female “reboot” who works as soldier for “HARC (Human Advancement and Repopulation Corporation).” What’s the deal with reboots? Well, they sort of sound like zombies – they are all people who have died, been brought to life, and now have superhuman strength (the depth of their strength is based on how long they were dead, as it were). The “178″ in Wren’s name refers to how long she was dead – 178 minutes – and Wren tops the Reboot charts in death-length. Part of Wren’s work as a Reboot is to train new ‘boots, but everything gets topsy-turvy for Wren when a new Reboot throws her for a loop. It’s a boy Reboot. Hide your shock. You can guess where this is going. The whole thing sounds a bit “Hunger Games” mixed with “Insurgent,” but hey, that’s what the kids are into these days.

After the break, check out a full synopsis for the book, via ComingSoon.

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Why Watch? I caught this short at Fantastic Fest when it played in 2011, and I’m glad it’s finally online because it deserves to be seen by a wider audience. The hook here is a young man (Luke Sorge) waking up in a bathtub full of ice, staring down at bloodied instruments in a sink and trying to maintain his sanity while a massive staple job runs up his side. But if this is your normal snatch-and-grab liver job, why are the doors and windows barred shut?

Jimmy Weber‘s intense little horror flick plays off of the aggressive physicality of Sorge’s performance (as well as some well place atonal music) to put you in the sweaty boxer shorts of the guy going through the unthinkable. While it’s admittedly minimal when it comes to story, it makes up for it with a gruesome bit of practical effects and a self-surgery that’s difficult to watch in the best way.

What will it cost you? Only 6 minutes.

Skip work. Watch more short films.

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Drinking Games

When you grew up, did you have that special toy that you believed was actually alive? We all did, but usually those toys didn’t follow us into adulthood, at least not for those of us who aren’t schizophrenic. Seth MacFarlane explores what would happen if that toy grew up like you did, probably having more sex and smoking way more pot than you do, in the film Ted.

Available on DVD and Blu-ray this week, Ted pours raunchy jokes and inappropriate humor. Knock back a couple during the course of this film, and you might just believe that your teddy bear can talk. Knock back more than a couple, and you might just believe that you’re in the Flash Gordon film from the 1980s. Either way, it will be a magical night. (And if you feel up to it, you can watch that movie and play our Flash Gordon drinking game, too.)

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There’s a ton of inspirational philosophizing in the new trailer for Man of Steel, and damn does it also look awe-inspiring. Massive in scope, potentially intimate in its character arcs, terrifying use of Michael Shannon‘s eyes. All excellent notes (even if the song choice is a bit too cloying).

If trailers can be trusted, this one yells from the cold mountaintops that Zack Snyder‘s take on Superman will be a thing of wonder. It’s exhilarating.

I think I need to catch my breath.

Man of Steel hits theaters June 2013.

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Salt Movie

According to The Hollywood Reporter, Columbia/Sony is still trying to make the Salt sequel a reality by hiring Becky Johnston. It’s an interesting choice and a pleasantly surprising one considering Johnston’s career legacy in adult dramas — particularly Seven Years in Tibet and The Prince of Tides. There’s no doubt that she’s a smart screenwriter, and it was a smart move for Columbia.

Admittedly part of that is from how indirect it is. They’ve hired an Oscar nominee with a great skill for character building to take on an action follow-up. That’s unexpected to say the least.

Of course, the goal here is to please star Angelina Jolie who wasn’t happy with the earlier version of the story turned in by Kurt Wimmer. If Johnston has the right take on the spy thriller, there’s a great chance that we’ll see Salt 2 put into production in the relatively near future.

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Culture Warrior

Editor’s Note: Landon is participating in a top secret experiment this week, so he’s invited colleague Joshua Coonrod to fill in for him.

Your usual Culture Warrior and I teach at the same university (Indiana U – home of Breaking Away and the Hoosiers) in the same communications program. Amongst the most interesting things about teaching media studies at a major university is the sense you get of what young film students are interested in, what (few) films drive them into theaters, and how they understand the constantly shifting mediascape around them. While you obviously don’t have to be an academic to watch film, love it, study it and critique it (re: the title of this site), it is intriguing to consider how upcoming film students – who make a decision to invest copious amounts of time, energy, and money into the study of film – approach the medium. With all the end-of-year discussions of 2012’s best films, what have those students been heralding?

From my experience – barely anything.

I feel like there’s a lot of assumptions as to the answer to that question, though. Film students? They like foreign films, right? Really arty, cerebral shit? Don’t they want to prove themselves by knowing the most obscure, hard-to-find films?

My semester began with a student introducing himself in (just about) the following way: “My favorite filmmaker is this director Quentin Tarantino. He made this film Inglourious Basterds. Everyone should really check it out.” People nodded. The student looked proud of himself. I stared blankly, wondering if we’ve really gotten to a point where Tarantino and a film that made $120m and got nominated for Best Picture at the Oscars needed to be introduced to media students as utterly alien concepts. Was it something of a freak moment that spoke to a student being unaware of the cultural context in which the film existed, or was it just a logical assumption of an unaware collegiate audience? In other words, have we passed the point where one in every three dorm rooms boasts a Reservoir Dogs poster?

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Angry Birds

In a press release today, Rovio Entertainment has announced that Despicable Me producer John Cohen will be producing an Angry Birds movie with an eye to release it in the summer tentpole season of 2016. The film will be animated and in 3D.

It’s not the first time we’ve reported on it, and it probably won’t be the last that we question the idea of taking an admittedly popular, completely uncinematic franchise and shoving it into film form. But since it’s happening, they could have done worse than to hire Cohen, especially since he’ll be working alongside executive producer David Maisel — formerly of Marvel Studios and Iron Man. Cohen has a lengthy track record working successfully in big budget animation (alongside Fox Animation and Blue Sky Studios), so the expertise is certainly there.

They’ll make a great team to create something visually and (most likely) comically appealing. No doubt it will be aimed at children and their parents, but the challenge remains of taking something addictive because of its simplicity and translating it with any worth into a story worth telling over an hour and a half. If I can’t draw my finger back on the screen, I’m not sure I want to see the fowl fly. Fortunately, they’ve announced it early enough for doubters like me to get out of the way when it hits.

 

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We are a community of strangers. Even though most of us never met the names on this marquee, they’ve given parts of themselves to us, and we’ve given something in return. It’s a strange family, but it’s our connection that makes us sad when our brothers and sisters leave us.

As they do every year, Turner Classic Movies has put together a video that honors the filmmakers who died in 2012. It’s a soaring tribute intercut with shots of Atlanta’s Starlight Drive-In coming to life in glorious 35mm.

It’s stunning, and it’s absolutely worth it to take six minutes out of the day to remember some of the members of our film family.

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Kevin Hart

What is Casting Couch? It’s a handy one-stop source for all the casting news that broke while you were sleeping in over the weekend.

Not only are Will Ferrell and Kevin Hart two of the most hilarious comic actors working today, they’re also two of the most famous funny people on the planet. So the fact that they’re going to be teaming up for a new comedy from Key & Peele showrunners Ian Roberts and Jay Martel is potentially big news.

The pitch they’ll be working from, which Deadline says Warner Bros. is currently negotiating to acquire, is for a film called Get Hard, which will cast Ferrell as a yuppie investment banker who gets sentenced to a maximum security prison, and Hart as the streetwise guy he hires to teach him how to handle life on the inside before he has to report in 30 days. Montage fans should take note, because it sounds like this is the sort of movie that’s going to have a lot of them.

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It’s less than two weeks now until Judd Apatow’s latest riff-filled look at the life of the married human, This is 40, hits theaters, so that means it’s starting to be time for the film’s marketing team to go for the hard sell. You know what that means… it means they’ve now released a raunch-filled red band trailer meant to lure in all of the teenagers and young at heart people who love to hear people say naughty things, but are still on the fence when it comes to seeing a movie about wrinkled up old people in their 40s (yuck) doing whatever old people do.

So what kind of new stuff does this new, more restricted trailer have in it that the ones playing on TV just aren’t going to get you? You’ve got Paul Rudd inspecting the inside of his butt while doing a contortionist routine, a frank discussion about what Megan Fox is hiding under her skirt, Apatow and Leslie Mann’s teenage daughter screaming about dicks, boner talk, mustache talk, and a partridge in a pear tree. Is all of this stuff funny? Yes, indeed it is. Is it funny enough to convince you to see another Apatow movie that clocks in at over two hours? Well, that’s something everybody is going to have to decide for themselves.

The newer, naughtier ad is courtesy of Funny or Die, and the film itself is due to hit theaters on December 21. The time to decide whether this one fits into your crowded, end of the year movie schedule is nigh.

 

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