Emily Brewer, Cut wall piece (detail) Emily Brewer, Cut wall piece (detail)

Material Evolution:

Ugandan Bark Cloth

Mar 1, 2011 - Mar 26, 2011

Curated by Lesli Robertson, CVAD Lecturer, Fibers

 

Opening Reception

Tuesday, March 1, 4:30-6:00 pm

 

  • Material Evolution: Ugandan Bark Cloth, Installation view, UNT Art Gallery, 2011
  • Material Evolution: Ugandan Bark Cloth, Installation view, UNT Art Gallery, 2011
  • Material Evolution: Ugandan Bark Cloth, Installation view, UNT Art Gallery, 2011
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  • Material Evolution: Ugandan Bark Cloth, opening reception, UNT Art Gallery, 2011
  • Material Evolution: Ugandan Bark Cloth, opening reception, UNT Art Gallery, 2011
  • Material Evolution: Ugandan Bark Cloth, artist workshop with Oliver Heintz and Mary Barongo Heintz, husband-and-wife business partners, who formed the  company BARK CLOTH® Europe with offices and workshops in Uganda and Germany, to continue to push the limits of bark cloth by dyeing, gilding, rubberizing, bleaching and more; CVAD 2011
  • Material Evolution: Ugandan Bark Cloth, artist workshop with Oliver Heintz and Mary Barongo Heintz, husband-and-wife business partners, who formed the  company BARK CLOTH® Europe with offices and workshops in Uganda and Germany, to continue to push the limits of bark cloth by dyeing, gilding, rubberizing, bleaching and more; CVAD 2011
  • Material Evolution: Ugandan Bark Cloth, artist workshop with Oliver Heintz and Mary Barongo Heintz, husband-and-wife business partners, who formed the  company BARK CLOTH® Europe with offices and workshops in Uganda and Germany, to continue to push the limits of bark cloth by dyeing, gilding, rubberizing, bleaching and more; CVAD 2011
  • Material Evolution: Ugandan Bark Cloth, artist workshop with Oliver Heintz and Mary Barongo Heintz, husband-and-wife business partners, who formed the  company BARK CLOTH® Europe with offices and workshops in Uganda and Germany, to continue to push the limits of bark cloth by dyeing, gilding, rubberizing, bleaching and more; CVAD 2011
  • Storyteller Ann Marie Newman performing in the UNT Art Gallery.
  • CVAD student art educators hosting children's art activities in the gallery.

EXHIBITION DESCRIPTION

This exhibition presents the works of an international group of artists and designers who engage with one material, bark cloth. Material Evolution highlights the centuries-old process of making cloth from the bark of mutuba trees in Uganda, Africa--a process that persists in the realm of the handmade and, in the last 20 years, has enjoyed a cultural and commercial resurgence in Ugandan and abroad. Working through personal experience with bark cloth, the artists translate this material into new forms, helping to ensure its cultural survival and exploring an understanding of what a material can signify.

ARTISTS

Gloria Wavamunno, a London-trained and Uganda-based fashion designer whose label GloRia WavaMunno was launched in 2009 at Africa Fashion Week in Johannesburg, South Africa; Susana Duarte-Pinto, whose fashion design label Losgeloest is based in Frieburg, Germany; Peter Boehm, whose  company, Inform, specializes in custom designed furniture, cabinetry and more; Markus Werner, who creates shoes that combine ecological materials with unique design elements; Oliver Heintz and Mary Barongo Heintz, husband-and-wife business partners who formed the  company BARK CLOTH® Europe, with offices and workshops in Uganda and Germany, to continue to push the limits of bark cloth by dyeing, gilding, rubberizing, bleaching and more; Sarah Nakisanze, Kampala-based designer and lecturer who has exhibited internationally; Sara Katebalirwe, owner and lead designer of Marie-Sar Agencies Limited based in Kampala, Uganda; Ivan Yakuze, who continues to explore the potential for bark cloth in the creation of works that have found their way into collections in the United States and Uganda; Renè Malcorps, owner and head designer at the company, Art Nature Design, based in Eindhoven, Netherlands, who creates bark cloth products under the brand Kingskin; and Emily Brewer, a UK-based designer who has been working with bark cloth for close to four years to create sustainable interior textile objects through her company, Decode Designs. 

Artist biographies [PDF]

CURATOR

Lesli Robertson, Insitute for the Advancement of the Arts Faculty Fellow, 2010-2011

The faculty fellowship of the Institute for the Advancement of Arts (IAA) gives selected UNT faculty members time and resources to pursue creative endeavors. Lesli Robertson is a Lecturer of Fibers and Weaving at UNT. She exhibits her work nationally and in 2009 was the inaugural Visiting Artist at the Dallas Museum of Art’s Center for Creative Connections. For her research in Uganda, Africa, Robertson has received grants from the Dallas Museum of Art, Surface Design Association, Textile Society of America and the IAA. She publishes articles in leading textile journals including Surface Design Journal and Fiberarts Magazine, and her work with communities is highlighted in various publications and news outlets.

In 2010, Robertson traveled to Uganda, and with Ugandan printmaker Fred Mutebi worked to promote the preservation of bark cloth through an initiative titled Renewing Material. Fred and Lesli partnered with artists and educators to create a traveling exhibition of contemporary bark cloth artworks, a series of art workshops and a talking mural exchange between Rasor Elementary in Plano, Texas and primary and secondary schools in Masaka District, Uganda.

"For hundreds of years, bark cloth has been a part of the Buganda Kingdom of Uganda, and now this unique material is finding a place in contemporary art and design, both in Uganda and abroad,” Robertson explains. "This is about promoting and keeping alive a beautiful and interesting traditional material."

Read an online interview between Lesli Robertson and "Start-Journal of Arts and Culture"

SPONSORS

This exhibition is made possible by support from the UNT Fine Arts Series; UNT Institute for the Advancement of the Arts; BARK CLOTH® Europe and Oliver Heintz and Mary Barongo Heintz of Ebringen, Germany; ARTE International, Belgium; Art Nature Design, Netherlands; and by a grant from the Texas Commission on the Arts.

Special thanks to Amie Adelman, Susan Diachisin, and Johnnie Stark for advising on this exhibition, to Kristine Koenigsberg for her skill in shooting and editing each video, and Oliver and Mary Barongo-Heintz for their assistance in curating the works from Europe.

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