"During our initial meeting with Malcolm, he referred to the three books as 'intellectual adventure stories,'" Sahre tells Co.Design. "Brian and I really responded to that, as it suggested a specific and interesting way to think about how the books could be designed. We wanted the books to feel like first editions of Moby-Dick or Treasure Island or The Wizard of Oz."
The tasteful gray cloth binding and foil stamping of the set and its "extremely conventional" design, as Sahre puts it ("maybe 'comfortable' would be a better way to describe it," he adds) makes me think of famous children's literature collections, like The Chronicles of Narnia. "This 'traditional/comfortable' design allowed for the drawings Brian was doing to venture off into the abstract and unconventional place they ended up," Sahre continues. "More importantly, the quiet design allowed the text and the drawings room to interact and to breathe. I hope the reader doesn't notice the design of the book at all."
In today's paradoxical world of maximizing shareholder value, which Jack Welch himself has called "the dumbest idea in the world", the situation is the reverse. CEOs and their top managers have massive incentives to focus most of their attentions on the expectations market, rather than the real job of running the company producing real products and services.
In Fixing the Game, Roger Martin reveals the culprit behind the sorry state of American capitalism: our deep and abiding commitment to the idea that the purpose of the firm is to maximize shareholder value. This theory has led to a massive growth in stock-based compensation for executives and, through this, to a naive and wrongheaded linking of the real market -- the business of designing, making, and selling products and services -- with the expectations market -- the business of trading stocks, options, and complex derivatives. Martin shows how this tight coupling has been engineered and lays out its results: a single-minded focus on the expectations market that will continue driving us from crisis to crisis -- unless we act now.
As I went down the subway stairs, through the turnstile, and onto the darkened station platform, a sinking sense of fear gripped me. I grew alert, and looked around to see who might be standing by, waiting to attack. The subway was dangerous at any time of the day or night, and everyone who rode it knew this and was on guard at all times; a day didn't go by without the newspapers reporting yet another hideous subway crime. Passengers on the platform looked at me, with my expensive camera around my neck, in a way that made me feel like a tourist-or a deranged person.
In the excesses of satire one may take a certain comfort. They provide a distance from the human condition as we meet it in our daily life that preserves our habitual refuge in sloth or blindness or self-righteousness. Mr. Orwell's earlier book, Animal Farm, is such a work. Its characters are animals, and its content is therefore fabulous, and its horror, shading into comedy, remains in the generalized realm of intellect, from which our feelings need fear no onslaught. But ''Nineteen Eighty-four'' is a work of pure horror, and its horror is crushingly immediate.
With this in mind, for an eighth year, we asked some of our favorite writers, thinkers, and readers to look back, reflect, and share. Their charge was to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2012 a fruitful one.
Contributors include Duff McKagan, Mayim Bialik, Jennifer Egan, Colum McCann, and Rosecrans Baldwin.
In recent years, authors have claimed that many seemingly boring things have changed the world but a particularly strong case can be made for the potato and Charles C. Mann makes it.
The effects of this transformation were so striking that any general history of Europe without an entry in its index for S. tuberosum should be ignored. Hunger was a familiar presence in 17th- and 18th-century Europe. Cities were provisioned reasonably well in most years, their granaries carefully monitored, but country people teetered on a precipice. France, the historian Fernand Braudel once calculated, had 40 nationwide famines between 1500 and 1800, more than one per decade. This appalling figure is an underestimate, he wrote, "because it omits the hundreds and hundreds of local famines." France was not exceptional; England had 17 national and big regional famines between 1523 and 1623. The continent simply could not reliably feed itself.
The potato changed all that. Every year, many farmers left fallow as much as half of their grain land, to rest the soil and fight weeds (which were plowed under in summer). Now smallholders could grow potatoes on the fallow land, controlling weeds by hoeing. Because potatoes were so productive, the effective result, in terms of calories, was to double Europe's food supply.
Richard Rhodes, author of two of my favorite books of all time (Making of the Atomic Bomb and Dark Sun), has written a book about one of the most intriguing people of the 20th century, Hedy Lamarr, big-time Hollywood bombshell and inventor of a frequency-hopping spread-spectrum communication system.
Hedwig (Hedy) Kiesler may be one of the greatest unsung heroes of twentieth century technological progress. An opportunistic Austrian immigrant driven by curiosity and a desire to make it as a Hollywood actress in the early years of World War II, Hedy worked with avant-garde composer George Antheil to create the technology that we depend upon today for cell phones and GPS: frequency hopping. Though Richard Rhodes presents details about everyone involved in the separate experiences that the two inventors drew upon to make their breakthrough in Hedy's Folly, the invention itself takes center stage, driving the remarkable story with precision. Rhodes skillfully weaves together all the disparate parts of the story, from how Hedy learned about Nazi torpedoes to why George's knowledge of player pianos was key to the invention, in order to create a highly readable genesis of the technology that influences billions of lives every day.
Next is a restaurant like no other. Every season the menu and service explore an entirely different cuisine. Buying a ticket is the only way to get in... and the entire season sold out in a few hours. The inaugural menu took diners back to Paris: 1906, Escoffier at the Ritz for a multi-course pre fixe dinner that was described by the New York Times as "Belle Epoque dishes largely unseen on American tables for generations."
Ok, someone needs to do this: 1. Open a restaurant (in New York, say) that features old menus from Next every three months using the Next cookbooks to plan menus. 2. Call it Previous. 3. Profit!
Jobs's sensibility was editorial, not inventive. His gift lay in taking what was in front of him-the tablet with stylus-and ruthlessly refining it. After looking at the first commercials for the iPad, he tracked down the copywriter, James Vincent, and told him, "Your commercials suck."
"Well, what do you want?" Vincent shot back. "You've not been able to tell me what you want."
"I don't know," Jobs said. "You have to bring me something new. Nothing you've shown me is even close."
Vincent argued back and suddenly Jobs went ballistic. "He just started screaming at me," Vincent recalled. Vincent could be volatile himself, and the volleys escalated.
When Vincent shouted, "You've got to tell me what you want," Jobs shot back, "You've got to show me some stuff, and I'll know it when I see it."
With 2 Oscar winners, Chris Cooper and Diane Wiest, already cast as the leads, this was a no-brainer, but it's now official: HBO's drama pilot The Corrections is proceeding to production.
Moses, who at one time was dubbed the city's "master builder,' was among the most powerful men in 20th century urban planning and politics, having influenced New York's infrastructure as much as any other individual.
The story says it'll be a movie, but how are they going to cram the 1344 pages of The Power Broker into 120 minutes? It'll be a multi-parter, surely. (via ★al)
You can't believe how excited my four-year-old was at the arrival of this book last night. He read it this morning as he ate his breakfast, quiet as a stone, save for the occasional "daddy, look at this!" outburst.
From 1958, a piece from Fortune magazine written by Jane Jacobs called Downtown is for People.
There are, certainly, ample reasons for redoing downtown--falling retail sales, tax bases in jeopardy, stagnant real-estate values, impossible traffic and parking conditions, failing mass transit, encirclement by slums. But with no intent to minimize these serious matters, it is more to the point to consider what makes a city center magnetic, what can inject the gaiety, the wonder, the cheerful hurly-burly that make people want to come into the city and to linger there. For magnetism is the crux of the problem. All downtown's values are its byproducts. To create in it an atmosphere of urbanity and exuberance is not a frivolous aim.
Using Jeffrey Eugenides's newest book, The Marriage Plot, as a jumping-off point, Evan Hughes explores how the personal relationships and jealousies amongst a cadre of writers that included Eugenides, Rick Moody, Jonathan Franzen, Mary Karr, and David Foster Wallace pushed each of them to produce their best work and plumb the lowest depths of their self-loathing.
It was another novel-in-manuscript that had propelled Franzen toward his new phase -- the thousand-plus pages of Infinite Jest. Almost all of what Franzen had read at the Limbo had been written in a kind of response to Wallace after getting an early look at his groundbreaking book. "I felt, Shit, this guy's really done it." As Franzen saw it, Wallace had managed to incorporate the kind of broad-canvas social critique that the great postmodernists did into a narrative "of deadly personal pertinence." The pages Franzen produced then, he says, "came out of trying to feel good about myself as a writer after what an achievement Infinite Jest was." His comments to Wallace weren't all sunshine, though; he also "pointed toward some plot problems." Wallace granted that the problems existed, Franzen told me, but said that he would thereafter deny ever having admitted it.
Nevertheless, Franzen knew it was "a giant book," an end point of sorts. "It was clear that it was not going to be appropriate of me to try to compete at the level of rhetoric and the level of formal invention that he had achieved." He turned instead to "a family story about a midwestern Christmas," the beginning of which he read at the Limbo. The result was The Corrections.
Michael Pollan and Maira Kalman come together to create an enhanced Food Rules for hardcover, now beautifully illustrated and with even more food wisdom.
Michael Pollan's definitive compendium, Food Rules, is here brought to colorful life with the addition of Maira Kalman's beloved illustrations.
This brilliant pairing is rooted in Pollan's and Kalman's shared appreciation for eating's pleasures, and their understanding that eating doesn't have to be so complicated. Written with the clarity, concision, and wit that is Michael Pollan's trademark, this indispensable handbook lays out a set of straightforward, memorable rules for eating wisely. Kalman's paintings remind us that there is delight in learning to eat well.
Ed Levine, whom Ruth Reichl calls the "missionary of the delicious," and his SeriousEats.com editors present their unique take on iconic foods made and served around the country. From house-cured, hand-cut corned beef sandwiches at Jake's in Milwaukee to fried-to-order doughnuts at Shipley's Do-Nuts in Houston; from fresh clam pizza at Zuppardi's Pizzeria in West Haven, Connecticut, to Green Eggs and Ham at Huckleberry Bakery and Caf'e in Los Angeles, Serious Eats is a veritable map of some of the best food they have eaten nationwide.
Covering fast food, family-run restaurants, food trucks, and four-star dining establishments, all with zero snobbery, there is plenty here for every food lover, from coast to coast and everywhere in between. Featuring 400 of the Serious Eats team's greatest food finds and 50 all-new recipes, this is your must-read manual for the pursuit of a tasty life.
You'll learn not only where to go for the best grub, but also how to make the food you crave right in your own kitchen, with original recipes including Neapolitan Pizza (and dough), the Ultimate Sliders (which were invented in Kansas), Caramel Sticky Buns, Southern Fried Chicken, the classic Reuben, and Triple-Chocolate Adult Brownies. You'll also hone your Serious Eater skills with tips that include signs of deliciousness, regional style guides (think pizza or barbecue), and Ed's hypotheses-ranging from the Cuban sandwich theory to the Pizza Cognition Theory-on what makes a perfect bite.
The incomplete fonts found in the PDFs were reassembled into the text of Frankenstein based on their frequency of use. The most common characters are employed at the beginning of the book, and the text devolves into less common, more grotesque shapes and forms toward the end.
The Innovator's Cookbook is a collection of texts on innovation collected by Steven Johnson. The video is a pretty good introduction (and illustration) of what to expect from the book.
From bestselling author and Internet pioneer Steven Johnson, The Innovator's Cookbook (on sale October 4, 2011) is an essential book for anyone interested in innovation: the key texts on the topic from a wide range of fields as well as interviews with successful, real-world innovators, prefaced with a new essay by Johnson that draws upon his own experiences as an entrepreneur and author.
TO SEE how profoundly the book business is changing, watch the shelves. Next month IKEA will introduce a new, deeper version of its ubiquitous "BILLY" bookcase. The flat-pack furniture giant is already promoting glass doors for its bookshelves. The firm reckons customers will increasingly use them for ornaments, tchotchkes and the odd coffee-table tome-anything, that is, except books that are actually read.
In the first five months of this year sales of consumer e-books in America overtook those from adult hardback books. Just a year earlier hardbacks had been worth more than three times as much as e-books, according to the Association of American Publishers. Amazon now sells more copies of e-books than paper books. The drift to digits will speed up as bookshops close. Borders, once a retail behemoth, is liquidating all of its American stores.
Photos from the book are disappearing from various sites around the web as takedown notices are sent out, but you can get the gist of the book by watching this video by Wehrli about how one of the photos was made:
John Hodgman has the details and release dates for his "FINAL BOOK OF COMPLETE WORLD KNOWLEDGE", That Is All.
YOU WILL SOON start to see changes in both design and mood that will reflect the dark, apocalyptic vision of my book, which deals with the very last information you need to know before the coming global superpocalypse called RAGNAROK, plus some information on WINE and SPORTS.
Where Children Sleep is a book of photographs by James Mollison of kids and the rooms they sleep in.
The caption for the photo above is: "Joey, 11, killed his first deer at the age of 7. He lives with his family in Kentucky." The diversity in living environments is amazing. (via lens)
So, before she goes away for good, let us sing the praises of Hermione. A generation could not have asked for a better role model. Looking back over the series -- from Hermione Granger and the Philosopher's Stone through to Hermione Granger and the Deathly Hallows -- the startling thing about it is how original it is. It's what inspires your respect for Rowling: She could only have written the Hermione Granger by refusing to take the easy way out.
For starters, she gave us a female lead. As difficult as it is to imagine, Rowling was pressured to revise her initial drafts to make the lead wizard male. "More universal," they said. "Nobody's going to follow a female character for 4,000 pages," they said. "Girls don't buy books," they said, "and boys won't buy books about them." But Rowling proved them wrong. She was even asked to hide her own gender, and to publish her books under a pen name, so that children wouldn't run screaming at the thought of reading something by a lady. But Joanne Rowling never bowed to the forces of crass commercialism. She will forever be "Joanne Rowling," and the Hermione Granger series will always be Hermione's show.
Star Wars: The Blueprints is a $500 limited edition book that contains photographs and illustrations about how the Star Wars movies wre created.
Star Wars: The Blueprints brings together, for the first time, the original blueprints created for the filming of the Star Wars Saga. Drawn from deep within the Lucasfilm Archives and combined with exhaustive and insightful commentary from best-selling author J. W. Rinzler, the collection maps in precise, vivid, and intricate detail the very genesis of the most enduring and beloved story ever to appear onscreen.
Star Wars: The Blueprints gives voice to the groundbreaking and brilliant engineers, designers, and artists that have, in film after film, created the most imaginative and iconic locales in the history of cinema. Melding science and art, these drawings giving birth to fantastic new worlds, ships, and creatures.
Most importantly, Blueprints shows how in bringing this extraordinary epic to life, the world of special effects as we know it was born. For the first time, here you will see the initial concepts behind such iconic Star Wars scenes as the Rebel blockade runner hallways, the bridge of General Grievous s flagship, the interior of the fastest hunk of junk in the Galaxy, and Jabba the Hutt's palace. Never before seen craftsmanship and artistry is evident whether floating on the Death Star, escaping on a speeder bike, or exploring the Tatooine Homestead.
Author Alex Shakar shares the story of the sale of his first book. It went for low-to-mid six figures to a great editor, the marketing was tight, reviews were rave, and then...well, I won't spoil it for you.
I would have felt blessed to work with any of editors I'd met that week, but Robert was my first choice, and Bill's as well. Robert, though, left nothing to chance. He was the highest bidder at auction, consenting to be turned upside-down and shaken for change. At day's end, after Bill told me the final figure on the phone, I wandered numb out of the special ed teacher's apartment and up St. Marks to the subway. I was having dinner with two of my closest friends from college, also aspiring writers, one of whom had been gifted by a grandparent a coupon good for two free entrees at a Ruth's Chris steakhouse, our plan being to split the cost of the third. I couldn't bring myself to tell them how much money I'd just made. I said it was a lot. Then I kind of laughed. Then I said it was a whole lot. There was an uncomfortable silence as we all realized I wasn't going to get more specific.
I'm slowly working my way through Charles Mann's 1493 and there are interesting tidbits on almost every page. One of my favorite bits of the book so far is a possible explanation of the Little Ice Age that I hadn't heard before put forth by William Ruddiman.
As human communities grow, Ruddiman pointed out, they open more land for farms and cut down more trees for fuel and shelter. In Europe and Asia, forests were cut down with the ax. In the Americas before [Columbus], the primary tool was fire. For weeks on end, smoke from Indian bonfires shrouded Florida, California, and the Great Plains.
Burning like this happened all over the pre-Columbian Americas, from present-day New England to Mexico to the Amazon basin to Argentina. Then the Europeans came:
Enter now the Columbian Exchange. Eurasian bacteria, viruses, and parasites sweep through the Americas, killing huge numbers of people -- and unraveling the millenia-old network of human intervention. Flames subside to embers across the Western Hemisphere as Indian torches are stilled. In the forests, fire-hating trees like oak and hickory muscle aside fire-loving species like loblolly, longleaf, and slash pine, which are so dependent on regular burning that their cones will only open and release seed when exposed to flame. Animals that Indians had hunted, keeping their numbers down, suddenly flourish in great numbers. And so on.
The regular fires and forest regrowth resulted in less carbon dioxide in the atmosphere and the atmosphere traps less heat. It's like global warming in reverse.
The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it was temptation, offering entire societies the chance to reveal aspects of their characters they could not normally afford to indulge.
Icelanders wanted to stop fishing and become investment bankers. The Greeks wanted to turn their country into a pi~nata stuffed with cash and allow as many citizens as possible to take a whack at it. The Germans wanted to be even more German; the Irish wanted to stop being Irish.
Michael Lewis's investigation of bubbles beyond our shores is so brilliantly, sadly hilarious that it leads the American reader to a comfortable complacency: oh, those foolish foreigners. But when he turns a merciless eye on California and Washington, DC, we see that the narrative is a trap baited with humor, and we understand the reckoning that awaits the greatest and greediest of debtor nations.
No Kindle version available yet, just like last time. If you'd like to see one, click on the "I'd like to read this book on Kindle" below the cover image. (thx, brian)
Update: Just got word from Lewis' publisher that the ebook version (including Kindle) will be available the same day as the hardcover.
The Inn at the Crossroads is a blog dedicated to exploring the cuisine of George R.R. Martin's Fire and Ice book series, from which HBO's Game of Thrones is adapted.
The Queen took a flagon of sweet plum wine from a passing servant girl and filled Sansa's cup. "Drink," she commanded coldly. "Perhaps it will give you courage to deal with truth for a change."
For completenessesses's sake, here's Werner Herzog reading Go the Fuck to Sleep. The video was shot at the book's launch at the New York Public Library last night.
See also Samuel L. Jackson's reading. All we need now are readings by Walken, Pacino, Oprah, Ian McShane, Joan Cusack, Alec Baldwin, David Ogden Stiers, David Attenborough, and Yeardley Smith as Lisa Simpson. Internet, make it happen!
If you thought a children's book called Go the Fuck to Sleep couldn't get any funnier, here's the ultimate f-bomb thespian, Samuel L. Jackson, reading it.
His early writing in the short story form was impacted by the political situation on the world stage. He believed in a world government and he was extremely sympathetic to Hitler, Mussolini, and the entire Nazi cause. His stories were filled with caricatures of greedy Jews. One suggests "a little pawnbroker in Housditch called Meatbein who, when the wailing started, would rush downstairs to the large safe in which he kept his money, open it and wriggle inside on to the lowest shelf where he lay like a hibernating hedgehog until the all-clear had gone." In 1951 he visited Germany with Charles Marsh and luxured in Hitler's former retreat at Berchtesgaden. His dislike of Jews and especially of Zionists was egged on by Marsh's Israel hatred, later encapsulated in a revolting letter to Marsh where he mocked the head of East London's B'Nai B'rith Club.
Dahl's dark side is on display in his short story collection, Tales of the Unexpected, which I read as a teen (twice!) and loved. A more charitable take on Dahl is available at Wikipedia.
Tyler Cowen says that Charles Mann's 1491 (a taste of which can be read here) is "one of my favorite books ever, in any field", to which I add a hearty "me too". Mann's been hard at work at a sequel, 1493: Uncovering the New World Columbus Created, which is due out in August, just in time for some seriously awesome beach reading.
From the author of 1491 -- the best-selling study of the pre-Columbian Americas -- a deeply engaging new history that explores the most momentous biological event since the death of the dinosaurs.
More than 200 million years ago, geological forces split apart the continents. Isolated from each other, the two halves of the world developed totally different suites of plants and animals. Columbus's voyages brought them back together -- and marked the beginning of an extraordinary exchange of flora and fauna between Eurasia and the Americas. As Charles Mann shows, this global ecological tumult -- the "Columbian Exchange" -- underlies much of subsequent human history. Presenting the latest generation of research by scientists, Mann shows how the creation of this worldwide network of exchange fostered the rise of Europe, devastated imperial China, convulsed Africa, and for two centuries made Manila and Mexico City -- where Asia, Europe, and the new frontier of the Americas dynamically interacted -- the center of the world.
Last night I started thinking about e-books, partly because I was frustrated that I wanted to buy some books that aren't available for Kindle. (If you're curious, the two I was pining over were John Ashbery's new translation of Rimbaud's Illuminations and Eugene Jolas's Critical Writings: 1924-1951.)
Truth be told, I probably would have talked myself out of the purchases anyways, because I haven't had any spare money for my drug of choice (books) in a while. But I was bothered because I couldn't buy them. I wanted them, and if I had enough money, I wanted them all. And if I could have them all, I'd find a way to get enough money.
So I took to Twitter with this idea, with the following results.
So, so far, we've got a few different possible models (assuming everything could be worked out on the back end with author consumption, etc., which is a pretty gigantic assumption):
Every book that's ever been made digital or easily could be made digital (I'll come back to this second point later);
The same thing for movies and TVs. Which might be an even bigger, more popular idea;
A curated digital book club/book channel, a la Netflix, that offers you enough popular and backlist material to keep you busy;
Very likely, in the near future, I won't "own" any music, or books, or movies. Instead I will have immediate access to all music, all books, all movies using an always-on service, via a subscription fee or tax. I won't buy - as in make a decision to own -- any individual music or books because I can simply request to see or hear them on demand from the stream of ALL. I may pay for them in bulk but I won't own them. The request to enjoy a work is thus separated from the more complicated choice of whether I want to "own" it. I can consume a movie, music or book without having to decide or follow up on ownership.
For many people this type of instant universal access is better than owning. No responsibility of care, backing up, sorting, cataloging, cleaning, or storage. As they gain in public accessibility, books, music and movies are headed to become social goods even though they might not be paid by taxes. It's not hard to imagine most other intangible goods becoming social goods as well. Games, education, and health info are also headed in that direction.
And Mark Sample noted that really, you already can get almost any book, movie, TV show, etc., if you're willing to put in a little work and don't mind circumventing the law.
Here's a thought: How would this change the way we read? If I haven't laid down money for a particular book, would I feel less obligated to stick it through to the end? I'd probably do a lot more dipping and diving. I'd be quicker to say, "this isn't doing it for me -- what else is on?"
And remember, a lot of the books -- cookbooks, textbooks, reference material -- would be geared for browsing, not reading straight through. We might actually find ourselves plunking down extra money for a digital app with a better UI.
Ditto, imagine the enhanced prestige of rare books that were off this universal grid, or whose three-dimensionality couldn't be reduced (without difficulty, if at all) to an e-book.
Still, I think whatever I pay for cable, internet, my cellphone's data plan, newspaper and magazine subscriptions, Dropbox backups, etc. -- I'd pay way more for the Library of Babel.
What do you think? What would you need to make this work for you?
(Comments enabled. I'll shut 'em down at the end of the week. Be nice.)
Stanley Kubrick's unfinished Napoleon project was supposed to be (in Kubrick's words) "the greatest film ever made." At the meticulous-yet-epic scale Kubrick imagined it -- think 30,000 real troops (from Romanian and Lithuanian Cold-War-armies) in authentic costume on location as extras for the battle scenes -- it was unfilmable.
So instead of the film, we have Kubrick's gigantic preproduction archive of notes and drawings and photographs, which (on top of the complete screenplay and drafts for the movie) is one of the largest scholarship-grade Napoleonic archives in the world.
Two years ago, Taschen put out a ten-volume de luxe edition of this material that cost $1500, which was by all accounts definitely awesome, but so expensive and unwieldy I don't think even Kubrick superfan John Gruber bought it.
The book, in a deliberate echo of the film, is rough around the edges. Rather than providing a seamless, synthesized account of Kubrick's vision, the editor, Alison Castle, has focused on the raw materials: the photographs, clippings, letters, and notes that Kubrick kept in binders and a huge, library-style card catalog. There are interviews with Kubrick, and a complete draft of the screenplay, with many marked-up pages from earlier drafts. Here and there you'll find introductory essays by Kubrick experts, or a historian's response to Kubrick's screenplay -- but the emphasis is on the small gestures, as in the collection of underlined passages and marginal notes that Castle compiles from Kubrick's personal library of books about the emperor. A special 'key card' included with the book gives you access to a huge online library of images.
While I was wondering how/if we'd remember Kubrick differently if the Napoleon movie had come together, I came across this snappy transition from Kubrick's Wikipedia page:
After 2001, Kubrick initially attempted to make a film about the life of Napoleon Bonaparte. When financing fell through, Kubrick went looking for a project that he could film quickly on a small budget. He eventually settled on A Clockwork Orange (1971).
Eric Schlosser's Fast Food Nation came out ten years ago but this chapter on how much the taste and smell of food is chemically manipulated is still well worth a read.
Today's sophisticated spectrometers, gas chromatographs, and headspace-vapor analyzers provide a detailed map of a food's flavor components, detecting chemical aromas present in amounts as low as one part per billion. The human nose, however, is even more sensitive. A nose can detect aromas present in quantities of a few parts per trillion -- an amount equivalent to about 0.000000000003 percent. Complex aromas, such as those of coffee and roasted meat, are composed of volatile gases from nearly a thousand different chemicals. The smell of a strawberry arises from the interaction of about 350 chemicals that are present in minute amounts. The quality that people seek most of all in a food -- flavor -- is usually present in a quantity too infinitesimal to be measured in traditional culinary terms such as ounces or teaspoons. The chemical that provides the dominant flavor of bell pepper can be tasted in amounts as low as 0.02 parts per billion; one drop is sufficient to add flavor to five average-size swimming pools. The flavor additive usually comes next to last in a processed food's list of ingredients and often costs less than its packaging. Soft drinks contain a larger proportion of flavor additives than most products. The flavor in a twelve-ounce can of Coke costs about half a cent.
However I am just as impressed but the extent in which Scarry's work has in fact not dated very much at all. While the book covers an almost bafflingly broad range of occupations and includes sections on the extraction and transformation of raw materials, there is one notable omission: large-scale manufacturing. And without industry, from a Western perspective the book seems in fact almost presciently current. Some of the jobs the author describes have evolved, very few of them have all but disappeared (you can't easily bump into a blacksmith, much less one who sells tractors); the texture of our cities has changed and those little shops have given way to larger chain stores; but by and large we still do the things that occupy Scarry's anthropomorphic menagerie: we fix the sewers and serve the meals and cut down the trees and drive the trucks and cultivate the land and so forth. It's almost as if Scarry made a conscious effort to draw only the jobs that could not be outsourced overseas, and had thus future-proofed the book for his domestic audience.
Another thing they love is magic -- and recent culinary discoveries have opened up extraordinary possibilities for the chef to serve things that the customers had never thought were possible. Foods that change temperature when you eat them, a cup of tea that is cold on one side and hot on the other, an edible menu, a "Styrofoam" beaker that turns into a bowl of ramen when the server pours hot water over it, edible clay and rocks, a pocket watch that turns into mock-turtle soup, a bar of soap covered in foam that is actually a biscuit with honey bubbles, a milkshake volcano -- these are the kinds of thing with which the modernist chefs amaze their audience.
"Marshmallow pillows are terrific," shouted Mr. Wonka as he dashed by. "They'll be all the rage when I get them into the shops! No time to go in, though! No time to go in!"
Lickable Wallpaper for Nurseries, it said on the next door.
"Lovely stuff, lickable wallpaper!" cried Mr. Wonka, rushing past. "It has pictures of fruits on it -- bananas, apples, oranges, grapes, pineapples, strawberries, and snozzberries..."
"Snozzberries?" said Mike Teevee. "Don't interrupt!" said Mr. Wonka. "The wallpaper has all these pictures of all these fruits printed on it, and when you lick the picture of the banana, it tastes of banana. When you lick a strawberry, it tastes of strawberry. And when you lick a snozzberry, it tastes just exactly like a snozzberry..."
"But what does a snozzberry taste like?"
"You're mumbling again," said Mr. Wonka. "Speak louder next time. On we go. Hurry up!"
Hot Ice Cream for Cold Days, it said on the next door.
"Extremely useful in the winter," said Mr. Wonka, rushing on. "Hot ice cream warms you up no end in freezing weather. I also make hot ice cubes for putting in hot drinks. Hot ice cubes make hot drinks hotter."
Peter Paul Rubens gives us a lot to think about in his canvasses of rushing color, action, and puckered flesh, so it's not surprising that his work as a diplomat and spy has been neglected. One of my goals in writing Master of Shadows was to fill that gap in the record. Here, after all, is an actual Old Master using actual secret codes, dodging assassination, plotting the overthrow of foreign governments, and secretly negotiating for world peace.
Certainly, a biographer could not ask for a more compelling subject. Rubens was a charismatic man of extraordinary learning, fluent in six languages, who made a fortune from his art. He never fit the paradigm of the artist as a self-destructive figure at odds with convention. More than one of his contemporaries actually thought his skill as a statesman surpassed his unmatched talent before an easel.
Little, Brown timed the release of David Foster Wallace's posthumous novel, The Pale King, to coincide with tax day in the United States because the book revolves around activities at the IRS. But Amazon and other bookstores have already started selling the book...it's been on sale since March 22 actually. Amazon has copies of the book in stock (I ordered mine yesterday)...your local bookstore might as well.
But in a move that's either clever or stupid, the ebook version of the book isn't available for the Kindle or for iBooks until April 15. Is this a ploy to get people to buy more hardcover copies? Or just sort of a "we didn't really think about this" situation?
The latest issue of the New Yorker has a new excerpt from David Foster Wallace's The Pale King.
Every whole person has ambitions, objectives, initiatives, goals. This one particular boy's goal was to be able to press his lips to every square inch of his own body.
His arms to the shoulders and most of his legs beneath the knee were child's play. After these areas of his body, however, the difficulty increased with the abruptness of a coastal shelf. The boy came to understand that unimaginable challenges lay ahead of him. He was six.
Except that it's not really new...Wallace did a reading of it back in 2000; the audio is available here. A comparison of the transcript of that reading and the "finished" version published in the NYer can be found here. (thx, @mattbucher)
In the 1820s, two Nantucket whaling ships captained by George Pollard sank within three years of each other. The sinking of the first, The Essex, inspired Moby-Dick. Remains of the second ship, the Two Brothers, have recently been found off Hawaii, the first time artifacts from a sunken Nantucket whaler have been found.
"Nantucket whaling captains were renowned for being what was called 'fishy men,' meaning that they didn't care what was involved," said Nathaniel Philbrick, a maritime historian and author of "In the Heart of the Sea," the acclaimed account of the Essex's sinking. "They were hard-wired to bring in whales, because whales meant money."
Pollard, however, was different, "a little more contemplative," said Mr. Philbrick, despite earning his first helm -- the Essex -- at the young age of 28.
"He definitely garnered his men's respect," Mr. Philbrick said. "But he was twice unlucky."
And understandably gun-shy. According to an account by Thomas Nickerson, who had been on the Essex -- and nearly starved to death at sea after it sank, but still re-upped for another voyage with Pollard -- the captain froze on the deck of the Two Brothers after the ship began to sink, and he had to be practically dragged into a smaller whale-chasing boat.
"His reasoning powers had flown," Nickerson later wrote.
Dr. Gleason says she was impressed that Pollard even went back on a boat at all, considering, you know, the cannibalism of his first trip.
"You just imagine this man who had the courage to go back out to sea, and to have this happen?" she said. "It's incredible."
Speaking of Scientology, P.T. Anderson is working on two movies: 1) a film people are calling The Master about a religious movement similar to Scientology, and 2) an adaptation of Thomas Pynchon's Inherent Vice.
Last December, this blog was the first to report that Anderson had written a treatment of Pynchon's seventh novel, and was considering doing a screenplay. Now insiders confirm to Vulture that Anderson has, in fact, obtained the blessing of Pynchon and -- in frequent consultation with the eremite novelist himself -- has not only written a first draft, but is more than halfway done with a second.
Steven Heller had heard rumors of a Nazi graphics standards manual for years and finally tracked one down.
Published in 1936, The Organizationsbuch der NSDAP (with subsequent annual editions), detailed all aspects of party bureaucracy, typeset tightly in German Blackletter. What interested me, however, were the over 70 full-page, full-color plates (on heavy paper) that provide examples of virtually every Nazi flag, insignia, patterns for official Nazi Party office signs, special armbands for the Reichsparteitag (Reichs Party Day), and Honor Badges. The book "over-explains the obvious" and leaves no Nazi Party organization question, regardless of how minute, unanswered.
Life, on the Line is the forthcoming memoir of chef Grant Achatz about his early life, his training at The French Laundry under Thomas Keller, the opening of the reigning Best Restaurant in America, and his diagnosis of a life-and career-threatening illness. Somewhat unusually, the book was jointly written by Achatz and Nick Kokonas, his friend and business partner. The newly launched companion web site has more info, including excerpts.
"Chef, you have Ruth Reichl on line two," one of the reservationists whispered to me as I peeled asparagus. I walked to the host area and saw the light for line two blinking; I grabbed the handle and pushed the button.
After exchanging greetings she spoke up. I was wildly and unexpectedly nervous.
"Grant, I don't know if you know this, but every five years Gourmet does a restaurant issue where we rank the fifty best restaurants in the country." I told her I recall seeing it back in 2001, and remembered that Chez Panisse coming in at number one and the Laundry at three.
"Well, the issue will come out this October, and I wanted to call you personally and tell you that we have chosen Alinea to be on the list." She paused for dramatic effect. "At number one."
The Penguin Classics Complete Library is a massive box set consisting of nearly every Penguin Classics book ever published and is available on Amazon for only (only!) $13,413.30.
From Edwin A. Abbott to Emile Zola, the 1,082 titles in the Penguin Classics Complete Library total nearly half a million pages--laid end to end they would hit the 52-mile mark. Approximately 700 pounds in weight, the titles would tower 828 feet if you stacked them lengthwise atop each other--almost as tall as the Empire State Building. But don't worry, a nice set of bookshelves will hold them side-by-side just fine.
If you're on the fence about purchasing this item, here's a review from someone who did:
This is an orgy for a book-lover. I have had a wonderful time from the moment I placed the order. They arrived in 25 boxes shrink-wrapped on a wooden pallet, over 750 lbs. of books. It took about twelve hours to unpack them, check them off the packing list (one for each box), and then check them off the list we downloaded from Amazon.com. They take up about 77 linear feet.
It would be fun to see HBO do something like this...a massive DVD or Blu-ray box set of all their hour-long dramas: The Sopranos, The Wire, Six Feet Under, Deadwood, Big Love, True Blood, Boardwalk Empire, Canivale, Rome, etc.
The idea of a more politically correct Finn came to the 69-year-old English professor over years of teaching and outreach, during which he habitually replaced the word with "slave" when reading aloud. Gribben grew up without ever hearing the "n" word ("My mother said it's only useful to identify [those who use it as] the wrong kind of people") and became increasingly aware of its jarring effect as he moved South and started a family. "My daughter went to a magnet school and one of her best friends was an African-American girl. She loathed the book, could barely read it."
I wonder how many times that word was used in songs appearing on Billboard's Hot 100 chart last year? Or perhaps nigga != nigger.
Just as Abramovic's piece concerned duration, the photographs give the viewer a chance to experience the performance from Abramovic's perspective. They reveal both dramatic and mundane moments, and speak to the humanity of such interactions, just as the performance itself did. The resultant photographs are mesmerizing and intense, putting a face to the world of art lovers while capturing what they shared during their contact with the artist.
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together.
You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet.
You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it's agony-free for the rest of your afterlife.
But that doesn't mean it's always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line.
This is crying out to be put on a poster or tshirt. (via bobulate)
For a seventh year, The Millions has reached out to some of our favorite writers, thinkers, and readers to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2011 a fruitful one.
Over the course of more than fifteen years, architect and critic Michael Sorkin has taken an almost daily twenty-minute walk from his apartment near Washington Square in New York's Greenwich Village to his architecture studio further downtown in Tribeca. This walk has afforded abundant opportunities for Sorkin to reflect on the ongoing transformation of the neighbourhoods through which he passes. Inspired by events both mundane and monumental, Twenty Minutes in Manhattan unearths a network of relationships between the physical and the social city.
Here's a chapter listing:
The Stairs
The Stoop
The Block
Washington Square
LaGuardia Place
Soho
Canal Street
Tribeca
145 Hudson Street
Alternative Routes
Espri d'Escalier
Robert Campbell, the architecture critic for the Boston Globe, says of the book:
Not since the great Jane Jacobs has there been a book this good about the day-to-day life of New York. Sorkin writes like an American Montaigne, riffing freely off his personal experience (sometimes happy, sometimes frustrating) to arrive at general insights about New York and about cities everywhere.
The world's most isolated continent has spawned some of the most unusual words in the English language. In the space of a mere century, a remarkable vocabulary has evolved to deal with the extraordinary environment and living organisms of the Antarctic and subantarctic.
The first entry in the dictionary is "aaaa, aaaaah, aaahh See ahhh". The entry for "ahhh" reads:
'Halt', a sledge dog command, usually softly called
Ever since Meg brought it home one day several years ago, I've wanted to read Gotham: A History of New York City to 1898. But despite the Pulitzer, I never got around to it because the physical book weighs in at 6.1 pounds and 1424 pages. Oof. On a whim the other day, I checked to see if it was available for the Kindle and, lo, here it is. In addition to the much lighter load, the free sample is extremely generous...it's nearly 100 pages and takes you all the way up to the 1680s. Great book so far.
My library was always working library, with the rare books beside my computer as I was writing. But in the last few years, the books were viewed only when a visitor requested a look at the Galileo, Playfair, or Picasso books, or when I took a nostalgic look in the library. Furthermore, the important books in my library are the unread books. My introduction to the Christie's catalog explains exactly what I'm thinking about in doing the auction. In particular, note the second to last paragraph. And I am in excellent health, delighted with new adventures in Washington, DC and New York City, and fortunate to be a working and exhibiting artist.
He also dropped the name of his next book: Seeing Around, which will likely be about landscape architecture. (thx, brian)
Jonathan Safran Foer's new book is called Tree of Codes and he constructed it by taking his favorite book, The Street of Crocodiles by Bruno Schulz, and cut out words to form a completely new story.
It's a rare novel that's blurbed by Olafur Eliasson:
[A]n extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words. Jonathan Safran Foer deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers it actually has a body.
As near as I can tell, if you grow up in the magical world (as opposed to be Muggle-born, for example), you do not go to school at all until the age of eleven. In fact, it's entirely unclear to me how the children of the wizarding world learn to read and write. There is a reason Hermione seems much more intelligent than Ron Weasley. It's because Ron is very likely completely uneducated.
My take is that wizards are jocks, not nerds; Hogwarts is not so much a secondary school as a sports academy. What's odd about that is that quidditch is an extracurricular...
"Ordering Disorder" is an overview of all of my thoughts on using the typographic grid in the practice of Web design. The first part of the book covers the theories behind grid design, the historical underpinnings of the grid, how they're relevant (and occasionally irrelevant) to the work of Web designers -- and a bit of my personal experience coming to grips with grids as a tool.
The second part of the book, which makes up its bulk, walks readers through the design of a full Web site from scratch, over the course of four projects.
Vinh did the art direction for the book himself, so it's bound to be purty (and grid-y). The perfect early holiday gift for the web designer in your life.
The phone itself was a pretty big deal, of course, helping intimacy transcend proximity. But phone books provided a crucial element to the system: intrusiveness. In the beginning of 1880, Shea writes, there were 30,000 telephone subscribers in the U.S. At the end of the year, that number had grown to 50,000, and because of phone books, each one of them was exposed to the others as never before. While many American cities had been compiling databases of their inhabitants well before the phone was invented, listing names, occupations, and addresses, individuals remained fairly insulated from each other. Contacting someone might require a letter of introduction, a facility for charming butlers or secretaries, a long walk.
Phone books eroded these barriers. They were the first step in our long journey toward the pandemic self-surveillance of Facebook. "Hey strangers!" anyone who appeared in their pages ordained. "Here's how to reach me whenever you feel like it, even though I have no idea who you are."
In Jospeh Tainter's The Collapse of Complex Societies, the author argues that the fall of Rome happened because "the usual method of dealing with social problems by increasing the complexity of society [became] too costly or beyond the ability of that society". Basically when Rome stopped expanding its territory, the fallback was relying solely on agriculture, a relatively low-margin affair.
The distances, now no longer adjacent to easily accessible coastline, were making the cost of conquest prohibitive. More to the point, the enemies Rome faced as it grew larger were vast empires themselves and were more than capable of defeating the Roman legions.
It was at this point that Rome had reached a turning point: no longer would conquest be a significant source of revenue for the empire, for the cost of further expansion yielded no benefits greater than incurred costs. Conjointly, garrisoning its extensive border with its professional army was becoming more burdensome, and more and more Rome came to rely on mercenary troops from Iberia and Germania.
The result of these factors meant that the Roman Empire began to experience severe fiscal problems as it tried to maintain a level of social complexity that was beyond the marginal yields of it's agricultural surplus and had been dependent upon continuous territorial expansion and conquest.
Hopefully I don't have to draw you a picture of how this relates to large bureaucratic companies.
Advertising pioneer and visionary Roger Sterling, Jr., served with distinction in the Navy during World War II, and joined Sterling Cooper Advertising as a junior account executive in 1947. He worked his way up to managing partner before leaving to found his own agency, Sterling Cooper Draper Pryce, in 1963.
During his long and illustrious career, Sterling has come into contact with all the luminaries and would-be luminaries of the advertising world, and he has acquired quite a reputation among his colleagues for his quips, barbs, and witticisms.
Taken as a whole, Roger Sterling's pithy comments and observations amount to a unique window on the advertising world -- a world that few among us are privileged to witness first-hand -- as well as a commentary on life in New York City in the middle of the twentieth century.
The agents at the IRS Regional Examination Center in Peoria, IL, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.
THE PALE KING remained unfinished at the time of David Foster Wallace's death, but it is a deeply intriguing and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the ultimate value of work and family--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for a writer who dared to take on the most daunting subjects the human spirit can imagine.
Kindle users, don't forget to click on the "I'd like to read this book on Kindle" link just under the cover image. (thx, robert)
Kelly: The musician Brian Eno invented a wonderful word to describe this phenomenon: scenius. We normally think of innovators as independent geniuses, but Eno's point is that innovation comes from social scenes,from passionate and connected groups of people.
Johnson: At the end of my book, I try to look at that phenomenon systematically. I took roughly 200 crucial innovations from the post-Gutenberg era and figured out how many of them came from individual entrepreneurs or private companies and how many from collaborative networks working outside the market. It turns out that the lone genius entrepreneur has always been a rarity-there's far more innovation coming out of open, nonmarket networks than we tend to assume.
Kelly: Really, we should think of ideas as connections,in our brains and among people. Ideas aren't self-contained things; they're more like ecologies and networks. They travel in clusters.
Some of the titles are featured prominently in the series and others are mentioned in passing. Remember the book Sally read with her grandfather at bedtime? The book on Japanese culture the agency was told to read? The scandalous book the ladies passed between each other in secret? You can find all these and more!
The paper reports the discovery of two new planets around the nearby red dwarf star Gliese 581. This brings the total number of known planets around this star to six, the most yet discovered in a planetary system other than our own solar system. Like our solar system, the planets around Gliese 581 have nearly circular orbits.
The most interesting of the two new planets is Gliese 581g, with a mass three to four times that of the Earth and an orbital period of just under 37 days. Its mass indicates that it is probably a rocky planet with a definite surface and that it has enough gravity to hold on to an atmosphere, according to Vogt.
Gliese 581, located 20 light years away from Earth in the constellation Libra, has a somewhat checkered history of habitable-planet claims. Two previously detected planets in the system lie at the edges of the habitable zone, one on the hot side (planet c) and one on the cold side (planet d). While some astronomers still think planet d may be habitable if it has a thick atmosphere with a strong greenhouse effect to warm it up, others are skeptical. The newly discovered planet g, however, lies right in the middle of the habitable zone.
Sam Arbesman's prediction of May 2011 might have been too conservative. And 20 light years...that means we could send a signal there, and if someone of sufficient technological capability is there and listening, we could hear something back within our lifetime. Contact! (thx, jimray)
Speaking of Steven Johnson and new books, Alex Ross has a post about how Johnson's long zoom concept has influenced his music writing *and* has a new book of his own out soon called Listen to This (at Amazon). See how deftly I knitted that together in a Johnsonian way? Ahem. Anyway, here's what Listen to This is about:
It offers a panoramic view of the musical scene, from Bach to Björk and beyond. In the Preface, I say that the aim is to "approach music not as a self-sufficient sphere but as a way of knowing the world." I treat pop music as serious art and classical music as part of the wider culture; my hope is that the book will serve as an introduction to crucial figures and ideas in classical music, and also give an alternative perspective on modern pop.
The best part is that Ross' web site contains an extensive collection of audio, video, and images of the works mentioned in the book.
Steven Johnson's new book, Where Good Ideas Come From, comes out in a couple weeks. As in many of Johnson's previous books, place plays a starring role -- Interface Culture was set in cyberspace, Emergence talked extensively about cities, The Ghost Map's epicenter was a water pump on Broad St. in London, and Mind Wide Open mapped out our brain space. In Where Good Ideas Come From, Johnson steps back to ask: what is the relationship between place and ideas? What are the attributes common to places in which innovation happens? The trailer for the book explains further.
I've read the book and the last chapter's discussion of market/non-market environments & individual/network approaches in relation to innovation is alone worth the price of purchase, nevermind that the rest of it is interesting as well. Heck, even the appendix is fascinating; it contains a chronology of the key human inventions and innovations from 1400 to the present that is difficult to put down.
In The Grand Design we explain why, according to quantum theory, the cosmos does not have just a single existence, or history, but rather that every possible history of the universe exists simultaneously. We question the conventional concept of reality, posing instead a "model-dependent" theory of reality. We discuss how the laws of our particular universe are extraordinarily finely tuned so as to allow for our existence, and show why quantum theory predicts the multiverse--the idea that ours is just one of many universes that appeared spontaneously out of nothing, each with different laws of nature. And we assess M-Theory, an explanation of the laws governing the multiverse, and the only viable candidate for a complete "theory of everything."
The Austen Fiction Manuscripts Project is scanning Jane Austen's original manuscripts and putting them online for scholars to study and for us norms to gawk at.
Set at an IRS tax-return-processing center in Illinois in the mid-1980s, The Pale King is the story of a crew of entry-level processors and their attempts to do their job in the face of soul-crushing tedium. "The Pale King may be the first novel to make accountants and IRS agents into heroes," says Bonnie Nadell, Wallace's longtime agent and literary executor. Michael Pietsch, Little, Brown's publisher and The Pale King's editor, says, "Wallace takes agonizing daily events like standing in lines, traffic jams, and horrific bus rides -- things we all hate -- and turns them into moments of laughter and understanding. Although David did not finish the novel, it is a surprisingly whole and satisfying reading experience that showcases his extraordinary imaginative talents and his mixing of comedy and deep sadness in scenes from daily life."
The cover was designed by Karen Green, Wallace's widow.
Now, we are always in the center of the map, and it's a very powerful place to be.
Now you are the starting point. Now the digital world follows you, not the other way around.
In the political world, the rough analog to this digital media future is democracy. But as we've seen, the seeming transfer of control from lawmakers to the people is just that: seeming. To a large degree, the big media and technology companies -- particularly the de facto monopolies like the mobile carriers, cable companies, etc. -- still control the consumer experience. The future will be personalized, but don't think you'll get everything you want when you want it.
From the Guardian, a review of a book called Meat: A Benign Extravagance by Simon Fairlie. In it, Fairlie argues that meat production isn't actually that inefficient when done properly and veganism as an ethical response leaves something to be desired.
But these idiocies, Fairlie shows, are not arguments against all meat eating, but arguments against the current farming model. He demonstrates that we've been using the wrong comparison to judge the efficiency of meat production. Instead of citing a simple conversion rate of feed into meat, we should be comparing the amount of land required to grow meat with the land needed to grow plant products of the same nutritional value to humans. The results are radically different.
If pigs are fed on residues and waste, and cattle on straw, stovers and grass from fallows and rangelands -- food for which humans don't compete -- meat becomes a very efficient means of food production. Even though it is tilted by the profligate use of grain in rich countries, the global average conversion ratio of useful plant food to useful meat is not the 5:1 or 10:1 cited by almost everyone, but less than 2:1. If we stopped feeding edible grain to animals, we could still produce around half the current global meat supply with no loss to human nutrition: in fact it's a significant net gain.
He both writes and thinks about food in the present tense. Ask about favorite foods and he'll scribble a note: "I love spicy and Indian." An offer to bring some New Jersey peaches to his summer home here on the shore of Lake Michigan brings a sharp defense of Michigan peaches and a menu idea. "Maybe for dessert we could have a salad of local fresh fruits."
"Food for me is in the present tense," he said. "Eating for me is now only in the past tense." He says he has a "voluptuous food memory" that gets stronger all the time.
"I can remember the taste and smell of everything, even though I can no longer taste or smell," he said.
Here are the opening couple of paragraphs from the post that evolved into the cookbook:
First, get the Pot. You need the simplest rice cooker made. It comes with two speeds: Cook, and Warm. Not expensive. Now you're all set to cook meals for the rest of your life on two square feet of counter space, plus a chopping block. No, I am not putting you on the Rice Diet. Eat what you like. I am thinking of you, student in your dorm room. You, solitary writer, artist, musician, potter, plumber, builder, hermit. You, parents with kids. You, night watchman. You, obsessed computer programmer or weary web-worker. You, lovers who like to cook together but don't want to put anything in the oven. You, in the witness protection program. You, nutritional wingnut. You, in a wheelchair.
And you, serving in Iraq or Afghanistan. You, person on a small budget who wants healthy food. You, shut-in. You, recovering campaign worker. You, movie critic at Sundance. You, sex worker waiting for the phone to ring. You, factory worker sick of frozen meals. You, people in Werner Herzog's documentary about life at the South Pole. You, early riser skipping breakfast. You, teenager home alone. You, rabbi, pastor, priest,, nun, waitress, community organizer, monk, nurse, starving actor, taxi driver, long-haul driver. Yes, you, reader of the second-best best-written blog on the internet.
The traffic jam has sparked some entrepreneurial spirit for local residents, which has added to traffic-hostages' annoyance. One truck driver complained that vendors were selling instant noodles for "four times the original price while I wait in the congestion."
Tom Vanderbuilt, who wrote the book on traffic, notes that the jam is on its way to becoming a small settlement. (via mr)
I totally didn't know that David Fincher was directing an American version of The Girl with the Dragon Tattoo with Daniel Craig as Blomkvist. First the Facebook movie and now this. Fincher's career continues to develop in a curious fashion.
Rosecrans Baldwin, one of the co-thinker-uppers of The Morning News (a favorite around these parts), has released a novel, his first. It's called You Lost Me There (Kindle). So far, it's about a scientist and an artist and this episode of Radiolab. I'm wary of novels, especially contemporary ones written by friends, but YLMT has me hooked; I'm going back to it as soon as I finish a bit more work.
Let's start with Gutenberg again. In 2008, Jason blogged about Stephen Fry's brilliant documentary The Machine That Made Us, about Gutenberg's career and his experiments with print. Fry even assembles a team to build a replica. The YouTube clips Jason embedded are gone, but you can still catch a short clip at the BBC. (I think Brits can still catch the whole thing on iPlayer, lucky bastards you are.)
If Gutenberg is too newfangled for you, there's also the St John's Bible, a hand-lettered illuminated manuscript that will set you back a cool $145,000 (and that's 2009 dollars.) A few months earlier, Jason assembled a catalog of some unusual Bibles, including copies in Manga and Lego.
If you actually want to read the Bible, there's the conveniently titled How to Read the Bible, by Hebrew Studies professor James Kugel, an Orthodox Jew who nonetheless dismantles most of claims of events in the Bible to be historical fact. Or if you think fresh eyes can have something more to offer than expertise, there's Blogging the Bible, by David Plotz, who writes about each book of the Old Testament having never read the book before. And if you want to close your eyes for the scary parts, here is a list of the Bible's greatest massacres.
If you don't actually want to read the Bible, at least as it is, you're in good company. Steven Johnson's Invention of Air includes a look at Thomas Jefferson, who famously crossed out references to miracles. The translators who wrote the King James Bible just made up unicorns, all on their own. And no, the Bible Code doesn't work either. It's just statistical noise.
Finally, are you into data visualization? Forget those boring "beget"s, artifact of that silly oral tradition. Have we got a family tree for you!
All three books in Stieg Larsson's Millennium Trilogy--"The Girl With the Dragon Tattoo," "The Girl Who Played with Fire" and "The Girl Who Kicked the Hornet's Nest"--are now in the top 10 bestselling Kindle books of all time.
Over on Twitter, Tim Carmody is burning it up with links and retweets, mainly about the Kindle, Amazon, Google, Apple, and the future of books and media. Lots of good stuff there.
A look at medieval manuscripts reveals that they were hypertextual, written by multiple authors, and read/shared/discussed in groups. You know, less like the book circa 1990 and more like the current web.
The function of these images in illuminated manuscripts has no small bearing on the hypertext analogy. These "miniatures" (so named not because they were small-often they were not-but because they used red ink, or vermillion, the Latin word for which is minium) did not generally function as illustrations of something in the written text, but in reference to something beyond it. The patron of the volume might be shown receiving the completed book or supervising its writing. Or, a scene related to a saint might accompany a biblical text read on that saint's day in the liturgical calendar without otherwise having anything to do with the scripture passage. Of particular delight to us today, much of the marginalia in illuminated books expressed the opinions and feelings of the illuminator about all manner of things-his demanding wife, the debauched monks in his neighborhood, or his own bacchanalian exploits.
Amazon announced yesterday that sales of Kindle books outnumbered sales of hardcover books over the last three months.
In that time, Amazon said, it sold 143 Kindle books for every 100 hardcover books, including hardcovers for which there is no Kindle edition. The pace of change is quickening, too, Amazon said. In the last four weeks sales rose to 180 digital books for every 100 hardcover copies. Amazon has 630,000 Kindle books, a small fraction of the millions of books sold on the site.
If the Mac was so great, why did it lose? Cost, again Microsoft concentrated on the software business and unleashed a swarm of cheap component suppliers on Apple hardware. It did not help either that suits took over during a critical period. (And it hasn't lost yet. If Apple were to grow the iPod into a cell phone with a web browser, Microsoft would be in big trouble.)
Then again, a few footnotes later Graham writes:
I would not even use Javascript, if I were you; Viaweb didn't. Most of the Javascript I see on the Web isn't necessary, and much of it breaks. And when you start to be able to browse actual web pages on your cell phone or PDA (or toaster), who knows if they'll even support it.
An economist would find it inefficient to carry two lungs and two kidneys -- consider the costs involved in transporting these heavy items across the savannah. Such optimisation would, eventually, kill you, after the first accident, the first "outlier". Also, consider that if we gave Mother Nature to economists, it would dispense with individual kidneys -- since we do not need them all the time, it would be more "efficient" if we sold ours and used a central kidney on a time-share basis. You could also lend your eyes at night, since you do not need them to dream.
Read through to the end for Taleb's list of ten principles for a Black Swan-robust society.
Unsurprisingly finding itself on the bestseller list is a book by Kenneth Rogoff and Carmen Reinhart called This Time is Different, an economic history of the dozens of financial crises that have occurred over the past 800 years. The NY Times has a profile of the authors.
Mr. Rogoff says a senior official in the Japanese finance ministry was offended at the suggestion in "This Time Is Different" that Japan had once defaulted on its debt and sent him an angry letter demanding a retraction. Mr. Rogoff sent him a 1942 front-page article in The Times documenting the forgotten default. "Thank you," the official wrote in apology, "for teaching the Japanese something about our own country."
According to a study by Jakob Nielsen, people read at a slower rate on the Kindle and iPad devices than on paper...at least when reading Ernest Hemingway.
Stieg Larsson is back with a previously unreleased Lisbeth Salander short story from his rumored extensive back catalog: The Girl Who Fixed the Umlaut.
She tried to remember whether she was speaking to him or not. Probably not. She tried to remember why. No one knew why. It was undoubtedly because she'd been in a bad mood at some point. Lisbeth Salander was entitled to her bad moods on account of her miserable childhood and her tiny breasts, but it was starting to become confusing just how much irritability could be blamed on your slight figure and an abusive father you had once deliberately set on fire and then years later split open the head of with an axe.
Considering the New Yorker's umlaut policy, this is an unusual stone throw.
Tuna then are both a real thing and a metaphor. Literally they are one of the last big public supplies of wild fish left in the world. Metaphorically they are the terminus of an idea: that the ocean is an endless resource where new fish can always be found. In the years to come we can treat tuna as a mile marker to zoom past on our way toward annihilating the wild ocean or as a stop sign that compels us to turn back and radically reconsider.
Greenberg has written extensively on this and related topics in his forthcoming book, Four Fish. Humans have primarily selected four mammals (cows, pigs, sheep and goats) and four birds (chickens, turkeys, ducks and geese) to utilize for food, and are now in the process of choosing four fish (cod, salmon, tuna, and bass).
In 2005, David Foster Wallace gave the commencement address at Kenyon College. After a transcript of the speech was posted online (the original was taken down...a copy is available here), it became something of a high-brow viral sensation and was eventually packaged into book form.
The original audio recording (i.e. as read by Wallace on the Kenyon podium) has just been released on Audible.com and is also available through iTunes and on Amazon (this is the cheapest option). Note: there is also an audiobook version of the speech read by Wallace's sister...but I think the original is the best bet. It's a fantastic speech. (via howling fantods)
The recently announced iPhone 4 includes a feature called FaceTime; it's wifi videophone functionality. In Infinite Jest, David Foster Wallace wrote that within the reality of the book, videophones enjoyed enormous initial popularity but then after a few months, most people gave it up. Why the switch back to voice?
The answer, in a kind of trivalent nutshell, is: (1) emotional stress, (2) physical vanity, and (3) a certain queer kind of self-obliterating logic in the microeconomics of consumer high-tech.
First, the stress:
Good old traditional audio-only phone conversations allowed you to presume that the person on the other end was paying complete attention to you while also permitting you not to have to pay anything even close to complete attention to her. A traditional aural-only conversation [...] let you enter a kind of highway-hypnotic semi-attentive fugue: while conversing, you could look around the room, doodle, fine-groom, peel tiny bits of dead skin away from your cuticles, compose phone-pad haiku, stir things on the stove; you could even carry on a whole separate additional sign-language-and-exaggerated-facial-expression type of conversation with people right there in the room with you, all while seeming to be right there attending closely to the voice on the phone. And yet -- and this was the retrospectively marvelous part -- even as you were dividing your attention between the phone call and all sorts of other idle little fuguelike activities, you were somehow never haunted by the suspicion that the person on the other end's attention might be similarly divided.
[...] Video telephony rendered the fantasy insupportable. Callers now found they had to compose the same sort of earnest, slightly overintense listener's expression they had to compose for in-person exchanges. Those caller who out of unconscious habit succumbed to fuguelike doodling or pants-crease-adjustment now came off looking extra rude, absentminded, or childishly self-absorbed. Callers who even more unconsciously blemish-scanned or nostril explored looked up to find horrified expressions on the video-faces at the other end. All of which resulted in videophonic stress.
And then vanity:
And the videophonic stress was even worse if you were at all vain. I.e. if you worried at all about how you looked. As in to other people. Which all kidding aside who doesn't. Good old aural telephone calls could be fielded without makeup, toupee, surgical prostheses, etc. Even without clothes, if that sort of thing rattled your saber. But for the image-conscious, there was of course no answer-as-you-are informality about visual-video telephone calls, which consumers began to see were less like having the good old phone ring than having the doorbell ring and having to throw on clothes and attach prostheses and do hair-checks in the foyer mirror before answering the door.
Those are only excerpts...you can read more on pp. 144-151 of Infinite Jest. Eventually, in the world of the book, people began wearing "form-fitting polybutylene masks" when talking on the videophone before even that became too much.
I look at human environments that have been unusually generative: the architecture of successful science labs, the information networks of the Web or the Enlightenment-era postal system, the public spaces of metropolitan cities, even the notebooks of great thinkers. But I also look at natural environments that have been biologically innovative: the coral reef and the rain forest, or the chemical soups that first gave birth to life's good idea.
The American scholar Bart Ehrman has been explaining the scholars' truths for more than a decade now, in a series of sincere, quiet, and successful books. Ehrman is one of those best-selling authors like Richard Dawkins and Robert Ludlum and Peter Mayle, who write the same book over and over -- but the basic template is so good that the new version is always worth reading. In his latest installment, "Jesus, Interrupted", Ehrman once again shares with his readers the not entirely good news he found a quarter century ago when, after a fundamentalist youth, he went to graduate school: that all the Gospels were written decades after Jesus' death; that all were written in Greek, which Jesus and the apostles didn't speak and couldn't write (if they could read and write at all); and that they were written as testaments of faith, not chronicles of biography, shaped to fit a prophecy rather than report a profile.
"On the street," wrote FBI special agent Joseph Pistone, who infiltrated the Colombo and later the Bonanno mafia families of New York under the name of Donnie Brasco, "everybody is suspicious of everybody else until you prove yourself." If someone says, "I am ready to deal with you, pal," or sports some item of clothing that conventionally indicates he is a criminal, such as a pair of dark glasses, these signals are hardly sufficient to prove that he is a criminal. As a professional thief put it, "language is not in itself a sufficient means of determining whether a person is trustworthy, for some people in the underworld are stool pigeons and some outsiders learn some of the language." Proving oneself requires tougher tests than cheap talk.
The Big Short by Michael Lewis is finally out for the Kindle (well, it came out two weeks ago, about a month after the hardcover). You might remember the hubbub about the lack of a Kindle version.
Anyway, the book is excellent; I read it pretty much nonstop until finished. Lewis cleverly recasts the story of one of the biggest financial disasters in American history as a heroic tale. Heroic!
I just read J.D. Salinger's Franny and Zooey, and in discussing it, I got to wondering about the pronunciation of Zooey. I couldn't find any record of Salinger discussing the pronunciation, so no one really knows how it's supposed to sound. This Live Journal post has a few comments from people certain it rhymes with showy. It also has a few comments from people certain it rhymes with dewy. MetaFilter was also non-conclusive. Is it possible the internet doesn't know?
Actress Zooey Deschanel is named after the book title, but pronounces her name Zoe. However, when asked about Salinger's pronunciation, Deschanel said "I don't really care what Salinger says about my name. It's my name." So let's take her with a grain of salt.
For my money, I'm going with Zooey as in Zoo-y. If you want an analytical reason why, I'll go with doubting the meticulous Salinger would have used the word "Phooey" in the book if the pronunciation was Zoe. If you find certain evidence otherwise, let me know.
Comments for this thread are open for a bit. I swear you guys, I'm going to be moderating, and if there's any trouble, I'll turn this comment section right around.
Update:
Via Jeremy Stahl in the comments, a disappointing end to the argument.
In a Guardian excerpt from the forthcoming At Home by Bill Bryson, some mysteries of the home are revealed. My favorite was why forks have four tines. Incidentally, eating forks were introduced by Thomas Coryate who also introduced the umbrella
Eating forks were thought comically dainty and unmanly - and dangerous, too, come to that. Since they had only two sharp tines, the scope for spearing one's lip or tongue was great, particularly if one's aim was impaired by wine and jollity. Manufacturers experimented with additional numbers of tines - sometimes as many as six - before settling, late in the 19th century, on four as the number with which people seemed most comfortable. Why four should induce the optimum sense of security isn't easy to say, but it does seem to be a fundamental fact of flatware psychology.
Over at New York magazine, the Vulture Reading Room is reading/reviewing David Lipsky's Although Of Course You End Up Becoming Yourself, an almost straight-up transcript of a 5-day Rolling Stone interview with David Foster Wallace in 1996. Participating are D.T. Max (author of a forthcoming DFW biography), Sam Anderson (New York mag book critic), Laura Miller (Salon book critic), Garth Risk Hallberg (from The Millions), and me (blogger, dad, slacker).
David Foster Wallace's interviews were always show-stoppers: erudite, casual, funny, passionate, and deeply self-aware -- like he wasn't just answering the questions at hand but also interviewing himself, and his interviewer, and the entire genre of interviews. Last month, David Lipsky published essentially the Platonic ideal of the form: the book-length Although of Course You End Up Becoming Yourself -- a sort of DFW version of a DFW interview.
Brought up an atheist, he has twice failed to pass throguh the Rite of Christian Initiation for Adults, the first step toward becoming a Catholic. The last time, he made the mistake of referring to "the cult of personality surrounding Jesus." That didn't go over big with the priest, who correctly suspected Wallace might have a bit too much skepticism to make a fully obedient Catholic. "I'm a typical American," says Wallace. "Half of me is dying to give myself away, and the other half is continually rebelling."
For the 25th anniversary of his book Hackers: Heroes of the Computer Revolution, Steven Levy talks to a few of the book's subjects (Bill Gates, Richard Stallman, Steve Wozniak) about how they've changed and what hacking means today.
On the one hand, information wants to be expensive, because it's so valuable," [Stewart Brand] said. "On the other hand, information wants to be free, because the cost of getting it out is getting lower and lower all the time. So you have these two fighting against each other." His words neatly encapsulate the tension that has since defined the hacker movement -- a sometimes pitched battle between geeky idealism and icy-hearted commerce.
Amazon has opened slightly their data kimono with a look at the most highlighted passages by Kindle users. The results aren't that interesting (to me) because the bestsellers dominate: some Gladwell, Dan Brown, etc. To make it more useful, they should weigh the results by sales and cram some social in there: the most highlighted passages by my friends = gold.
Taking his central cue from Levitt's conviction that "incentives matter," executive producer Seth Gordon ("The King of Kong: A Fistful of Quarters") directs several introductory segments featuring Levitt (the economist) and Dubner (the journalist) breaking down the book's main assertions, aided by playful 2-D animation. The first of these sequences borrows from an early chapter in the source material, taking on self-interested real estate agents to explain the authors' intention of parsing the motives behind many phenomena often taken for granted. While Gordon's fluffy treatment of his chatty subjects suggests the potential for a "This American Life"-type television series, the individual short films embody their claims with a variety of methods.
Getting books back from the prisoners and letting them pick out new ones is a bit of controlled chaos. We stood outside the iron door to the house with our cart and had two prisoners come out at one time, check off their returned book, and pick out a new one. Each prisoner is allowed one book and one magazine. The most popular books are by far James Patterson's novels, so popular in fact that we have to lock them up after book service because they tend to disappear. I wonder if James Patterson has any idea. National Geographic is the magazine of choice, and there is an entire box of them to choose from, some as far back as the early 80's.
Writing for the New Yorker, Ken Auletta surveys the ebook landscape: it's Apple, Amazon, Google, and the book publishers engaged in a poker game for the hearts, minds, and wallets of book buyers. Kindle editions of books are selling well:
There are now an estimated three million Kindles in use, and Amazon lists more than four hundred and fifty thousand e-books. If the same book is available in paper and paperless form, Amazon says, forty per cent of its customers order the electronic version. Russ Grandinetti, the Amazon vice-president, says the Kindle has boosted book sales over all. "On average," he says, Kindle users "buy 3.1 times as many books as they did twelve months ago."
Many compare ebook-selling to what iTunes was able to do with music albums. But Auletta notes:
The analogy of the music business goes only so far. What iTunes did was to replace the CD as the basic unit of commerce; rather than being forced to buy an entire album to get the song you really wanted, you could buy just the single track. But no one, with the possible exception of students, will want to buy a single chapter of most books.
I've touched on this before, but while people may not want to buy single chapters of books, they do want to read things that aren't book length. I think we'll see more literature in the novella/short-story/long magazine article range as publishers and authors attempt to fill that gap.
The NY Times' Paper Cuts blog calls Cartographies of Time "the most beautiful book of the year". I cannot disagree. In attempting to answer the question "how do you draw time?", the authors present page after page of beautiful and clever visual timelines.
Cartographies of Time is the first comprehensive history of graphic representations of time in Europe and the United States from 1450 to the present. Authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways-curving, crossing, branching-defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history.
A book about Agatha Christie's working notebooks reveals that the writer known for her intricate plots worked in a highly nonlinear fashion. Sometimes she didn't even know whodunnit until late in the writing process.
The contents of the notebooks are as multi-dimensional as their Escher-like structure. They include fully worked-out scenes, historical background, lists of character names, rough maps of imaginary places, stage settings, an idle rebus (the numeral three, a crossed-out eye, and a mouse), and plot ideas that will be recognizable to any Christie fan: "Poirot asks to go down to country-finds a house and various fantastic details," "Saves her life several times," "Inquire enquire-both in same letter." What's more, in between ominous scraps like "Stabbed through eye with hatpin" and "influenza depression virus-Stolen? Cabinet Minister?" are grocery lists: "Newspapers, toilet paper, salt, pepper ..." There was no clean line between Christie's work life and her family life. She created household ledgers, and scribbled notes to self. ("All away weekend-can we go Thursday Nan.") Even Christie's second husband, the archeologist Sir Max Mallowan, used her notebooks. He jotted down calculations. Christie's daughter Rosalind practiced penmanship, and the whole family kept track of their bridge scores alongside notes like, "Possibilities of poison ... cyanide in strawberry ... coniine-in capsule?"
I don't know why this approach seems so surprising. From all that I've read about how book authors work, writing a book is like sanding wood...you can't just start with the extra-fine sandpaper and expect a smooth surface.
OMG, Alice for the iPad, paper kids books are dead.
Alice for the iPad is indeed really nice:
My nearly 3-year-old son loves using the iPad. At best, the iPad is a proof-of-concept gadget for adults -- they'll get it right by version three -- but it's perfect for kids right now. It's just the right size for little hands and laps and the interface is simple, intuitive, and easy to learn.
However, I'd like to assure the childless Rose that if paper books ever go extinct (they won't), paper children's books will be the last to go, particularly among the pre-K crowd. E-books are "broken" in several ways that are important to kids, not the least of which is that paper books are super useful as floors in really tall block buildings.
Instead of being against noise, I think we need to begin making a case for silence. This means getting imaginative about expanding our understanding of silence in ways that develop associations between silence and a vibrant, fulfilling life. Anti-noise activists often compare noise pollution to air pollution. But unlike smoke, lots of noises are good, at least some of the time. Instead, we might frame noise as a dietary problem. Most of us absorb far too much sonic junk. We need to develop a more balanced sound diet in which silence, and sounds we associate with quiet states of mind, become part of our daily regimen.
The author, George Prochnik, keeps a silence blog as well.
Around this time, I unwittingly made the first move that would unravel the whole deal. I applied for Library of Congress Cataloging in Publication data.
In fiction, Dan Brown was #1 but James Patterson appears *five times* in the top 25. On the nonfiction side, a certain former Alaskan governor (no, not Walter J. Hickel) tops the list. The full list is here. (via the millions)
So why I had found it easier to read from my iPhone? First, an ordinary page of text is split into about four pages. The spacing seems generous and because of this I don't get lost on the page. Second, the handset's brightness makes it easier to take in words. "Many dyslexics have problems with 'crowding', where they're distracted by the words surrounding the word they're trying to read," says John Stein, Professor of Neuroscience at Oxford University and chair of the Dyslexia Research Trust. "When reading text on a small phone, you're reducing the crowding effect."
Alice in Wonderland is one of the most adapted works in cinema, which is surprising, really, when you reflect on the fact that the book is pretty much unfilmable. There's no real narrative thread besides 'Alice is curious' and the story is little more than a series of tableaux where Carroll can flex his surrealist prose. In light of the recent Burton riff on this very popular story, I thought I'd do a little historical trek through the numerous filmed versions of this famous novel. (No I haven't seen the 1976 porn version so don't expect a review).
And let's not confuse shyness with modesty or humility. Charles Darwin, who was very interested in shyness, correctly diagnosed it as a form of "self-attention" -- a preoccupation with self. How do I fit in here? What do they think of me? It's not always virtuous to sit on one's personality and refuse to share it.
I don't have it in front of me right now, but I read David Lipsky's Although Of Course You End Up Becoming Yourself a few weeks ago (more on that in an upcoming post, I hope) and IIRC, during his sprawling conversation with David Foster Wallace, Wallace discussed the self-absorption of shyness: in unfamiliar or uncomfortable social situations, the introvert is always thinking of the me. (via fimoculous)
The judges have spoken in a close race between The Lacuna and Wolf Hall. My vote went to Wolf Hall:
All three of the Tournament books I read (including Let the Great World Spin and The Lacuna) were more or less historical fiction, but Wolf Hall was the one that most put the reader into the action; it read very much like nonfiction. For that and Hilary Mantel's graceful and beautiful and just flat-out great prose, Wolf Hall gets my vote for the Golden Rooster. (There is a Golden Rooster, right?)
Trophy Books - books that are most frequently purchased, but never actually read. Burning the midnight oil - books that keep people up late at night. Read Speed - which books/authors/genres have the lowest word-per-minute average reading rate? Do readers of Glenn Beck read faster or slower than readers of Jon Stewart?
The semifinals in The Morning News Tournament of Books begin today with yours truly attempting to decide between The Lacuna by Barbara Kingsolver and Let the Great World Spin by Colum McCann.
Consider the book as an object, as a vessel for the novel. Readers are warned against judging books by their appearances before they've read the novels within, but designers, publishing companies, and bookstores conspire against us. They use what economists refer to as signalling to compel people to buy (but not necessarily read) books. The physical size and shape, the page thickness, the fonts and colors used, the choice of title, the back- and front-cover blurbs, the embossed book award and/or Oprah stickers, and the cover -- especially the cover -- are all signals to the potential buyer that (a) this book is worth her time and money, and more importantly, (b) make her feel a certain way about herself: intelligent, hip, involved, safe. When you see a book, you can't not have an immediate reaction to it. Your brain does so without consent.
Twenty minutes into Let the Great World Spin and I knew everyone would expect it to beat The Lacuna. But which did I go with? Read on...
In a review in Prospect, Matt Ridley, who is no slouch as a science writer himself, calls Andrew Montford's The Hockey Stick Illusion "one of the best science books in years". Pretty high praise for what Ridley also calls "the biography of a graph". Specifically, this graph:
You may have seen it in An Inconvenient Truth in this form. The graph shows the dramatic rise in temperature in the northern hemisphere over the past 100 years caused, presumably, by humans. But as Montford details in his book, the graph is incorrect.
[The author] had standardised the data by "short-centering" them -- essentially subtracting them from a 20th century average rather than an average of the whole period. This meant that the principal component analysis "mined" the data for anything with a 20th century uptick, and gave it vastly more weight than data indicating, say, a medieval warm spell.
As often as not, he turned up what he called "ick" investments. In October 2001 he explained the concept in his letter to investors: "Ick investing means taking a special analytical interest in stocks that inspire a first reaction of 'ick.'" A court had accepted a plea from a software company called the Avanti Corporation. Avanti had been accused of stealing from a competitor the software code that was the whole foundation of Avanti's business. The company had $100 million in cash in the bank, was still generating $100 million a year in free cash flow-and had a market value of only $250 million! Michael Burry started digging; by the time he was done, he knew more about the Avanti Corporation than any man on earth. He was able to see that even if the executives went to jail (as five of them did) and the fines were paid (as they were), Avanti would be worth a lot more than the market then assumed. To make money on Avanti's stock, however, he'd probably have to stomach short-term losses, as investors puked up shares in horrified response to negative publicity.
"That was a classic Mike Burry trade," says one of his investors. "It goes up by 10 times, but first it goes down by half." This isn't the sort of ride most investors enjoy, but it was, Burry thought, the essence of value investing. His job was to disagree loudly with popular sentiment. He couldn't do this if he was at the mercy of very short-term market moves, and so he didn't give his investors the ability to remove their money on short notice, as most hedge funds did. If you gave Scion your money to invest, you were stuck for at least a year.
Really fascinating. In a recent review, Felix Salmon called The Big Short "probably the single best piece of financial journalism ever written".
The Morning News Tournament of Books is underway with a first round matchup between Nami Mun's Miles From Nowhere and Colum McCann's Let the Great World Spin. As a semifinal judge, I know at least one of the final two books and for your betting purposes, I'll open the bidding on that knowledge at, say, $50K.
Unlike previous racist dictatorships, the North Korean one has actually succeeded in producing a sort of new species. Starving and stunted dwarves, living in the dark, kept in perpetual ignorance and fear, brainwashed into the hatred of others, regimented and coerced and inculcated with a death cult.
The printing happened on large sheets of paper which were then folded into rectangles the size of the finished pages and bound. The reader then sliced open the folds. Paper knives, variants of letter openers, were used for this purpose.
The deckle edge on modern books is an imitation of what those sliced open books looked like.
Someone sent this to me ages ago and I forgot to post it but luckily I ran across it again this morning: A Failed Entertainment is a show at The LeRoy Neiman Gallery featuring the films of James Incandenza...you know, the ones from the 8-page footnote in Infinite Jest.
Included as a footnote in Wallace's novel is the Complete filmography of James O. Incandenza, a detailed list of over 70 industrial, documentary, conceptual, advertorial, technical, parodic, dramatic non-commercial, and non-dramatic commercial works. The LeRoy Neiman Gallery has commissioned artists and filmmakers to re-create seminal works from Incandenza's filmography.
No word on whether any of the filmmakers made JOI's Infinite Jest...I guess we'll find out if anyone emerges from the opening reception tonight.
In truth, I think it is clear that morally, the act of pirating a product is, in fact, the moral equivalent of stealing... although that nagging question of what the person who has been stolen from is missing still lingers. Realistically and financially, however, I feel the impact of e-piracy is overrated, at least in terms of ebooks.
We can imagine wild wolves scavenging on a rubbish tip on the edge of a village. Most of them, fearful of men throwing stones and spears, have a very long flight distance. They sprint for the safety of the forest as soon as a human appears in the distance. But a few individuals, by genetic chance, happen to have a slightly shorter flight distance than the average. Their readiness to take slight risks -- they are brave, shall we say, but not foolhardy -- gains them more food than their more risk-averse rivals. As the generations go by, natural selection favours a shorter and shorter flight distance, until just before it reaches the point where the wolves really are endangered by stonethrowing humans. The optimum flight distance has shifted because of the newly available food source.
Cooked food is more digestible than raw food. And not just by a little, but by a lot. Learn how to control fire, use it to cook your food, and you free up extra energy -- plus time that would otherwise be spent masticating. Spend that time hunting, and your metabolic equation gets even better.
David Grann, the author of The Lost City of Z (which my wife scooped up off the bookshelf the other day and has barely put down since), reports on some new findings that indicate that there was a large civilization that lived in the jungles of the upper Amazon basin.
The latest discovery proves that we are only at the outset of this archeological revolution -- one that is exploding our perceptions about what the Amazon and the Americas looked like before the arrival of Christopher Columbus. Parssinen and the other authors of the study in Antiquity write, "This hitherto unknown people constructed earthworks of precise geometric plan connected by straight orthogonal roads... The earthworks are shaped as perfect circles, rectangles and composite figures sculpted in the clay rich soils of Amazonia."
The Morning News just announced the judges and books for their 2010 Tournament of Books -- "the one and only March Madness battle royale of literary excellence" -- and I am terrified to report that I will be one of the judges and therefore responsible for evaluating the writing (in public!) of some truly excellent authors like Nicholson Baker, Barbara Kingsolver, and the awesomely named Apostolos Doxiadis.
Haruki Murakami: People who like good music. Ralph Waldo Emerson: People who can start a fire. Dave Eggers: Guys who are in the third coolest frat of a private college.
The full list is here; it says I'm "confirmed 90's literati". Which is LOL. If I'm an -ati of anything, it is definitely not liter-, 90s or otherwise.
The best-selling cookbook [...] is soon to be an iPhone app that will help you calculate amounts of ingredients in all the fundamental culinary preparations. When you know a ratio, you don't know a recipe, you know 1,000. And this application does all the calculating for you.
Nice move...an iPhone app is perhaps a better expression of the subject matter than a book.
Sometimes a book cover is so bad that it keeps you from reading the words within, even if those words are some of the best Twain ever wrote.
The cover of the Signet Classic [version of The Adventures of Huckleberry Finn] was a drawing of a ruddy-cheeked scamp, buck teeth prominent, clutching an apple, with a perky little newsboy tam cocked at a saucy Depression-era angle. Here Huck bore an alarming similarity to both Jerry Mathers of "Leave It to Beaver" and Britney Spears. Revolting. So once again my efforts to polish off this peerless classic were stymied. I could never get more than a few pages into the book before the illustration on the cover made me sick.
2. Passion Wins 5. A Team Culture is Vital 6. Treat Engineers as Kings 15. Don't Think of The Web as Another Distribution Platform 19. Paradox: The Web Forges Both Niche and Large Communities
Watching Stanley Kubrick's Barry Lyndon is a pleasure, like eating a very good soup. It is very stylised and then suddenly comes some emotion [when the child falls off the horse]. There is not a lot of emotion. There are a lot of moods and some fantastic photography, really like these old paintings.
Thank God he didn't have a computer. If he had a computer at that time, you wouldn't care, but you know he has been waiting three weeks for this mountain fog or whatever. It is overwhelming with the boy, because it is suddenly this emotional thing. The character Barry Lyndon is not very emotional. In fact, he is the opposite. He is an opportunist.
I saw the film when it came out. I was in my early twenties. The first time I saw it, I slept. It was on too late and it is a very, very long film. What is interesting is that Nicole Kidman told me Kubrick hated long films. If you have seen Barry Lyndon, the last scene of the film, where she is writing out a cheque for him, is extremely long. It goes on and on and on, but it's beautiful.
The good thing is that Kubrick always sets his standards. Barry Lyndon to me is a masterpiece. He casts in a very strange way, Kubrick. It is a very strange cast. But that is how the film should be, of course. This thing that he liked short films was very surprising. And he liked Krzysztof Kieslowski very much. He was crazy about Kieslowski.
I don't know if Kubrick saw any of my films, but I know Tarkovsky watched the first film I did and hated it! That is how it is supposed to be.
"The first time I saw it, I slept" will be my go-to answer for lots of things from now forward.
I mentioned on Twitter last week that I made slow-poached eggs using a technique from the Momofuku book. A few folks asked about a recipe so here are the details:
Fill your largest pot with water and put it over super low heat on the stove. Put something in the bottom of the pot to keep the eggs off the bottom...you want them to be heated by the water, not the flame underneath. Use a thermometer to heat the water to 140-145°F and slip the whole eggs in (no cracking). Let the eggs sit in there for 40-45 minutes, maintaining the temperature the whole time. I found that turning the heat on for 30-45 seconds every 10 minutes or so was enough to keep the temperature in the proper range.
To serve, crack the eggs and discard any clear whites. If you're not serving them immediately, chill the whole eggs in an ice bath and store in the fridge. To reheat, run under hot water for a minute or two.
This takes a little longer than making poached eggs in the traditional way, but you can do several eggs at once (like dozens if you have a big enough pot), this technique is less messy and fussy, and results in a poached eggs with a super-creamy white. The whites on my first batch were a little too runny for my taste, so I'm going to try a slightly higher temperature next time to (hopefully) achieve something between soft boiled and poached.
That's it. There's a lot more context and advice in the Momofuku book (which is excellent and includes a technique for frying your slow-poached eggs); I'd suggest picking up a copy if you're interested.
From a book called Obsolete, a list of things that were once common but not so much anymore: blind dates, mix tapes, getting lost, porn magazines, looking old, operators, camera film, hitchhiking, body hair, writing letters, basketball players in short shorts, privacy, cash, and, yes, books.
If the list's books are skewed toward Barthelme's particular obsessions -- one of the entries is "Beckett entire" -- this is only to its credit. Most are novels. All but two of the books, Knut Hamsun's Hunger and Flaubert's Letters (numbers 15, 40), were written in the twentieth century, most in the past thirty years. And all have that dizzying sense of otherness and surprise common to great books, an affluence of vitality.
Given their emphasis on cold, hard numbers, it's noteworthy that Levitt and Dubner ignore what are, by now, whole libraries' worth of data on global warming. Indeed, just about everything they have to say on the topic is, factually speaking, wrong. Among the many matters they misrepresent are: the significance of carbon emissions as a climate-forcing agent, the mechanics of climate modelling, the temperature record of the past decade, and the climate history of the past several hundred thousand years.
That's not precisely true, but my book reading is down to a trickle of what it used to be. Most of my reading happens online for kottke.org and when I'm through with all that, the last thing I want to do is tuck into a book, no matter how good it is. But what I really haven't been doing is talking about the books I've read or am interested in reading if I had the time. Oh, there have been a few mentioned on the site recently, but there are many more1 stacked on the bedside table, on the shelf next to where I put my keys, and in the "to shelve" pile near the bookshelves that have gone unmentioned.
I know there are a few of you who are interested in what I've been reading, if only to avoid the same titles, so I'm going to do a series of collective mini-reviews of every single book that has crossed my desk recently (where recently is loosely defined as the past four years or so). Here's the first batch.
Create Your Own Economy by Tyler Cowen. I wanted to give this a full and proper review and perhaps still will, but right around the time I finished reading it was the shipping date for the second version of a project my wife and I were working on, Create Your Own Dependent Child. So this capsule will have to do. CYOE is an odd book consisting of two intertwining defenses: 1) of the internet in general and blogs/Twitter/Facebook in particular (one of the best defenses of the internet I've read, in fact), and 2) of autism, the main point being that a person on the autistic spectrum is not disabled or even differently abled but in many cases is better equipped to handle increasingly common situations in contemporary culture. I found Cowen's interrelation of these two topics fascinating. This book is from out of left field in the best possible sense. Recommended.
Master of Shadows by Mark Lamster. Before Mark told me he was writing this book, I had no idea that Peter Paul Rubens was diplomat as well as a painter. I might give this one a whirl after I finish my tour of the Dark Ages.
Sailing Alone Around the Room by Billy Collins. Google sent me this book as a promotion of their Sidewiki thing. The book arrived with a bookmark in it that basically said "what if you could do this to any web page in the world?" I used Sidewiki for about 3 minutes and never went back. Mr. Collins book will likely remain unread and eventually find its way to Housing Works to find a better home than I can provide.
Extreme Fear by Jeff Wise. This book is due out in December; Wise sent me a copy after reading this post, one of many on the site about relaxed concentration and deliberate practice. If you enjoy when I write about these things, you may want to check out this book.
Lost and Found edited by Thomas Beller. This is a collection of essays and stories about specific places in New York City drawn from Beller's web site, Mr. Beller's Neighborhood.
Lost and Found, Volume II of the series, is a mosaic of voices, drawing on the diverse experiences of such New Yorkers as a frequent patron of Manhattan sex clubs, a diamond dealer on 47th Street, and a doorman on the Upper East Side. The book features many exciting new voices (Said Sayrafiezadeh, Rachel Sherman, Bryan Charles) alongside work by well-known writers, including Phillip Lopate, Jonathan Ames, Alicia Erian, Madison Smartt Bell, and Edmund White.
Bailout Nation by Barry Ritholtz. The subtitle of the book is "How Greed and Easy Money Corrupted Wall Street and Shook the World Economy" and it came out in May. It's well-reviewed; the NY Times, WSJ, and the Freakonomics guys gave it favorable ratings. My son calls it his "pig book" for the porcine version of the Wall Street Bull on the dust jacket. Ritholtz blogs about economic and financial matters at The Big Picture.
SuperFreakonomics by Steven Levitt and Stephen J. Dubner. The sequel to the blockbuster economics book has only been out a couple of weeks but is already generating a lot of controversy. I'm keen to read this one and do a proper review; it looks like a fast read and, with all apologies to Mr. Rubens, might be next on the list.
Ok, that's enough for now. More soon.
[1] This is probably a good spot to mention that some of the books above (spacially speaking...or below, temporally speaking) have been purchased by me and some have been sent to me by the author or author's publishing company or author's publicist. In most cases, especially with books I've had for more than a few weeks, I honestly can't remember where I got them from, so I can't imagine it matters much w/r/t to my "review". How about this: if it seems relevent in a particular case, I'll mention it. ↩
This is a curious exchange between "book mechanic" Michael Turner and interviewer Brian Joseph Davis. Turner says:
We are living at a time when, for the writer, the book is too little.
And then Davis replies, in part:
[The book] is stalled out, in terms of technology, at 1500 AD, and sociologically at around 1930.
The sociological stalling of the book around 1930...I have no idea what that means. Could someone more steeped in book culture explain what that might mean? (via ettagirl)
Update:Henrietta Walmark asked Davis what he meant by his "sociological stalling" remark. Here's what he said:
Literature in book form, and discussion around it, was the mark of education, of the gentry and petit bourgeois. Literature in book form never really found a place in mass produced, post WW2 middle class culture.
That's pretty much the consensus of my inbox as well...TV and radio took over as the cultural currency around then.
A Story Before Bed allows you to record yourself reading a bedtime story to a faraway child...maybe you're away from home on business or a grandparent who lives in another state or just working late. When storytime rolls around, the child sees the book onscreen plus a video of you reading it to them. Slick.
The Strange Maps book is out today. The book is based on the awesome Strange Maps blog, one the very few sites I have to exercise restraint in not linking to every single item posted there. The content of the book is adapted from the site, so of course it's top shelf.
My only reservation in recommending the book is the design. When I cracked it open, I was expecting full-bleed reproductions of the maps, large enough to really get a detailed look at them. The maps *are* the book, after all. But that's not the case...only a few of the maps get an entire non-full-bleed page and some of the maps are stuck in the corner of a page of text, like small afterthoughts. The rest of the design is not much better, cheesy at best and distracting at worst. I wasn't expecting Taschen-grade production values, but something more appropriate to the subject matter would have been nice.
I was all fired up to make eight from-scratch servings of ramen last night after looking through the Momofuku book, but ulitmately the book is a Trojan horse for enticing people into the restaurants. As in: "Konbu? 5 pounds of meaty pork bones? Fuck that, let's just go to Noodle Bar."
Most people won't instantly jump to buy ebook readers after seeing them in TV commercials or liveblogged keynotes. They need to be experienced in person. (The ability to do this easily will give Barnes & Noble a huge advantage over Amazon.) And they'll spread via good, old-fashioned, in-person referrals from friends and coworkers.
I want a good e-reader more than anything...I instantly fell for the screen when I saw the Sony Libre a few years ago. I do a *ton* of reading, upwards of 100-150 pages a day when I'm working full-time. About 0.5% of those pages are from books. But the Kindle? I tried it and didn't like it. The screen is still great...the rest of it didn't work at all for me. And this is what is frustrating for me...the Kindle seemed right for buying books but not for what I want it for: reading all that other stuff. I know the functionality exists on these devices to read blogs, magazines, newspapers, etc., but they're marketed as book readers (Arment even calls them "ebook readers" instead of "e-readers"), the user experience is optimized for book reading, and the companies (esp. Amazon and B&N) view them as portable bookstores.
But there are a lot of people -- including, significantly, most people over age 40 - who don't like reading tiny text on bright LCD screens in devices loaded with distractions that die after 5 hours without their electric lifeline.
Agreed. I don't particularly enjoy reading text on the iPhone; I'd prefer a larger e-ink screen. Instapaper support on the Kindle was almost enough to make me get one...but not quite yet.
Most of Kottke's problem with ebook readers can be solved in software
The problem isn't that you can't route around Amazon's design decisions with clever hacks, but that Amazon chose to optimize the device for reading (and buying) books. I.e. the software *is* the problem. That is not so easily solved...to do so, Amazon has to address it. And maybe they will. I hope they do.
I'm not including RSS feeds or PDFs in the discussion. RSS feeds aren't reading: they're alerting, discovering and filtering.
Off-topic, but this isn't my experience. I'd say about 30-50% of my reading is done directly in my newsreader...there are plently of blogs out there that aren't link blogs or Tumblrs.
Sure, fine, make your single-use devices. But all these e-readers -- the Kindle, Nook, Sony Reader, et al -- are all focused on the wrong single use: books. (And in the case of at least the Nook and Kindle, the focus is on buying books from B&N and Amazon. The Kindle is more like a 7-Eleven than a book.) The correct single use is reading. Your device should make it equally easy to read books, magazine articles, newspapers, web sites, RSS feeds, PDFs, etc. And keep in mind, all of these things have images that are integral to the reading experience. We want to read; help us do it.
In addition to being a painter of some repute, Peter Paul Rubens was also a diplomat:
In Master of Shadows, Mark Lamster tells the story of Rubens's life and brilliantly re-creates the culture, religious conflicts, and political intrigues of his time. Commissions to paint military and political leaders drew Rubens from his Antwerp home to London, Madrid, Paris, and Rome. The Spanish crown, recognizing the value of his easy access to figures of power, enlisted him into diplomatic service. His uncommon intelligence, preternatural charm, and ability to navigate through ever-shifting political winds allowed him to negotiate a long-sought peace treaty between England and Spain even as Europe's shrewdest statesmen plotted against him.
Moretus was Rubens's most frequent design client. To save his friend money, Rubens generally did his work for Plantin on holidays, so he would not have to charge Moretus his rather exorbitant day rate (Rubens was notorious for his high prices), and even then he agreed to be paid in books.
The tulip, by gratifying our desire for a certain kind of beauty, has gotten us to take it from its origins in Central Asia and disperse it around the world. Marijuana, by gratifying our desire to change consciousness, has gotten people to risk their lives, their freedom, in order to grow more of it and plant more of it. The potato, by gratifying our desire for control, control over nature so that we can feed ourselves has gotten itself out of South America and expanded its range far beyond where it was 500 years ago. And the apple, by gratifying our desire for sweetness begins in the forests of Kazakhstan and is now the universal fruit. These are great winners in the dance of domestication.
In recent years, the gifts on offer have grown increasingly extravagant and ridiculous: a modern Zeppelin for $10 million, a 3-hole golf course designed by Jack Nicklaus for your back yard for $1 million, and a private concert with Elton John for $1.5 million. (via girlhacker)
A couple in London have found the ultimate space-saving solution for a city-dwelling book lover: a staircase bookshelf. UK-based Levitate Architects came up with the page-turning passage as a unique way to augment a loft sleeping space in the attic with discreet storage. If they could create a record crate bathroom, I'd be ready to move in.
The Informant (Steven Soderbergh, Matt Damon) is out in theaters now. I had no idea it was based on a true story...a genuinely crazy true story of corporate price fixing, FBI informants, and an eager-to-please executive. Kurt Eichenwald wrote a series of article about the case for The New York Times, which he fashioned into a book. This American Life devoted an entire hour to this story back in 2000...it's a fascinating listen.
We hear from Kurt Eichenwald, whose book The Informant is about the price fixing conspiracy at the food company ADM, Archer Daniels Midland, and the executive who cooperated with the FBI in recording over 250 hours of secret video and audio tapes, probably the most remarkable videotapes ever made of an American company in the middle of a criminal act.
The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature.
Here's more information about Dear Leader's cinematic and operatic interests.
On the Art of Opera describes how Kim and his dad, the late Great Leader Kim Il Sung, discovered the husk of a tired art form and gave it a much-needed shot of North Korean communism. Any impartial observer would agree that Kim's aesthetic prescriptions are every bit as crowd-pleasing as his economic policies.
"In conventional operas," Kim writes, "the personalities of the characters were abstract, their acting clumsy, and the flow of the drama tedious, because the singers were forced to sing unnaturally and their acting was neglected." Furthermore, until the arrival of the Kims, "no one interwove dance and story very closely."
And now? "The 'Sea of Blood'-style opera," he observes, "has opened up a new phase in dramaturgy." In case you've been living in a cave, Sea of Blood is North Korea's longest-running production, the Cats of Pyongyang. It has been staged 1,500 times, according to the official Korea News Service, which calls it an "immortal classical masterpiece." Kim claims to have revamped the form by chucking the aria out the window and replacing all solo performance with a cunning Kim innovation: the pangchang, a more satisfying off-stage chorus representing groupthink.
Maybe using the adverb "slowly" seven times in your first 10 pages is the secret to good writing. That would make it 11,428,571 copies sold for every "slowly."
Captain Bezu Fache carried himself like an angry ox, with his wide shoulders thrown back and his chin tucked hard into his chest. His dark hair was slicked back with oil, accentuating an arrow-like widow's peak that divided his jutting brow and preceded him like the prow of a battleship. As he advanced, his dark eyes seemed to scorch the earth before him, radiating a fiery clarity that forecast his reputation for unblinking severity in all matters.
05049 was an actual pig, raised and slaughtered on a commercial farm in the Netherlands. Rotterdam designer Christien Meindertsma was shocked to discover that she could document 185 products contributed to by the animal.
Meindertsma's design includes the publication of her book, PIG 05049, which charts and pictures each of the products supported by the animal. The surprise is in the fact that elements of production contributed to by pig farming include not only predictable foodstuffs -- pork chops and bacon -- but far less expected non-food items: ammunition, train brakes, automobile paint, soap and washing powder, bone china, cigarettes.
The caption on the page reads:
Fatty acids derived from pork bone fat are used as a hardening agent in crayons and also gives them their distinctive smell.
Crayons smell like pig bone fat. I don't think I'll use crayons ever again without thinking of that little factoid.
See also I, Pencil. Nobody knows how to make a pencil and nobody knows where all the parts of a pig go either. (via design observer)
The twothreads on book titles as if they were written today are still going strong...there are some really good ones in the comments.
Then: The Bible Now: A Million Little Signs and Wonders
Then: The Sun Also Rises Now: Drink, Bullfight, Mope
Then: Philosophiae Naturalis Principia Mathematica Now: Why Do Apples Fall Down and Not Up? Answers From The Cutting Edge of Physics
Then: Frankenstein, or The Modern Prometheus Now: Frankenstein: Wrath of the Supercorpse
Then: Declaration of Independence Now: The Pursuit of Happiness: How to get control of your continent and have fun doing it!
Then: The Oxford English Dictionary Now: Word Up! 300,000 proven ways to express yourself in speech and writing
Then: To Kill A Mockingbird Now: To Kill A Mockingbird (A Novel)
Then: If on a Winter's Night a Traveler Now: A Novel: A Novel: A Novel: A Novel: A Novel: A Novel: A Novel: A Novel: A Novel: A Novel
Then: Cry, the Beloved Country Now: Black. White.
Then: Little Women Now: Concord 01742
Then: The Hobbit Now: Hobbit
Then: The Art of War Now: Call of Duty: Modern Warfare Strategy Guide
Many of the entries took old fiction titles and converted them to contemporary non-fiction titles -- e.g. Cinderella becomes How to Escape Being Bullied Without Once Standing Up for Yourself -- which wasn't really the point of the exercise but entertaining nonetheless.
Oh and if anyone wants to whip up book covers for any of these, feel free.
Realize that some premium options exist as decoys -- that is, they are there only to make the less expensive options look more appealing, because they're easy to compare. Don't make binding decisions solely based on how easy it is to compare two side-by-side options from the same vendor. Try comparing all the alternatives, even those from other vendors.
What the Dog Saw is a collection of his writing from The New Yorker. Here's an annotated table of contents with links to all the articles and the dates on which they originally appeared in the magazine:
The Pitchman - Ron Popeil and the conquest of the American kitchen. (Oct 30, 2000)
The Ketchup Conundrum - Mustard now comes in dozens of different varieties. Why has ketchup stayed the same? (Sept 6, 2004)
Blowing Up - How Nassim Taleb turned the inevitability of disaster into an investment strategy. (Apr 22, 2002)
True Colors - Hair dye and the hidden history of postwar America. (Mar 22, 1999)
John Rock's Error - What the inventor of the birth control pill didn't know about women's health. (Mar 13, 2000)
What the Dog Saw - Cesar Millan and the movements of mastery. (May 22, 2006)
Open Secrets - Enron, intelligence and the perils of too much information. (Jan 8, 2007)
Million Dollar Murray - Why problems like homelessness may be easier to solve than to manage. (Feb 13, 2006)
The Picture Problem - Mammography, air power, and the limits of looking. (Dec 13, 2004)
Something Borrowed - Should a charge of plagiarism ruin your life? (Nov 22, 2004)
In a world where useful and important answers come looking for you, it is the idea of unimportance that is the primary selling point of the miscellanies. The books promise to guide the reader somewhere older and slower, to create a little world in which information can serve as amusement rather than currency. A carefully done miscellany appears random, but it achieves a sort of quiet intellectual bustle, set apart from the roar of the daily info-chaos. The miscellanies are information as art, and art for art's sake.
As Tyler Cowen seemingly reads every new book published in English each year (and I'm not even sure about the "seemingly"), a rave review from him directs my finger from its holster to Amazon's 1-Click trigger. This week Cowen is on about The Inheritance of Rome by Chris Wickham. From the review:
What can I say? I have to count this tome as one of the best history books I have read, ever.
Having just finished, coincidentially, Cowen's Create Your Own Economy (more on that soon), I *am* looking for another book to read.
Dave Eggers has written a young adult novel called The Wild Things that is based loosely on Maurice Sendak's Where the Wild Things Are and the screenplay he co-wrote with Spike Jonze for the movie version. The New Yorker published an excerpt of the book this week.
Max left the room and found Gary lying on the couch in his work clothes, his frog eyes closed, his chin entirely receded into his neck. Max gritted his teeth and let out a low, simmering growl.
Gary opened his eyes and rubbed them.
"Uh, hey, Max. I'm baggin' a few after-work Z's. How goes it?"
Max looked at the floor. This was one of Gary's typical questions: Another day, huh? How goes it? No play for the playa, right? None of his questions had answers. Gary never seemed to say anything that meant anything at all.
"Cool suit," Gary said. "Maybe I'll get me one of those. What are you, like a rabbit or something?"
But while I was working on the book, it was funny, because I started going in new directions, different from any of the screenplay versions, pushing it into some territory that was personal to me. So in a way the movie is more Spike's version of Maurice's book, and this novel is more my version.
The influential design magazine Emigre stopped publishing issues back in 2005, but now they're releasing issue No. 70, which is actually a hardcover book celebrating the best of Emigre from the past 25 years.
This book, designed and edited by Emigre co-founder and designer Rudy VanderLans, is a selection of reprints, using original digital files, tracing Emigre's development from its early bitmap design days in the late 1980s through to the experimental layouts that defined the so called "Legibility Wars" of the late 1990s, to the critical design writing of the early 2000s.
Pressed for more details, Pietsch cites a commencement speech that Wallace gave at Kenyon University in 2005, which he says is "very much a distillation" of the novel's material. "The really important kind of freedom," said Wallace, "involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day. That is real freedom... The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing."
Claudia Goes to Class Wearing Sweatpants With Words On the Backside
Kristy's Softball Friends Don't Buy it That She's Dating a Dude
Mary Anne Narcs On Her Roommate
When I was a kid, there were never enough books around the house that I hadn't read (and I was apparently too lazy to go to the library) so when my younger sister started reading the Baby-Sitters Club series, I did too; she would finish a book and I'd pick it up right after her. At one point, I even got ahead of her and read the first six or seven in the series. This also explains why I've read all of the Anne of Green Gables series (yes, even Rilla of Ingleside), many of the Little House books, and quite a few Nancy Drew books. Anyway, great to see that Claudia, Kristy, Mary Anne, and Stacey made it to college!
