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Lawson Taitte: Lawson Taitte is the theater critic for The Dallas Morning News. February 2010
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That's Broadway: somewhere over Northampton, England We were there: Cirque du Soleil in Frisco How much nudity in "Equus"? It's Uptown Players, so .... Dallas Theater Center bargain tonight only Kitchen Dog Theater and Uptown Players ticket pricing That's Broadway: in the West End with Keira Knightley CityArts Festival to move to Fair Park We were there: Fabulous 'Phantom' at the Music Hall Recent Comments
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February 25, 2010
It is easy to think of Judy Garland today and make a joke. Whether you are referring to drug addiction, gay icons or simply celebrity gone awry, she can evoke a shake of the head and a 'what a waste' attitude. At least for some people. For others, Judy Garland represents triumph over tragedy, overcoming adversity and strength when the world pulls the rug out from under you. But there is no denying her devastating talent. During my trip to London, I hopped a commuter train to Northampton, 67 miles to the northwest. My friend and I were invited to the Royal & Derngate, a 125 year-old theater which has been renovated into a glossy and impressive showcase. End of the Rainbow by Peter Quilter revolves around the 1969 concerts at London's Talk of the Town, which would mark the beginning of the last months of her life.
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The entry "That's Broadway: somewhere over Northampton, England" is tagged: All the Fun of the Fair , David Essex , Judy Garland , Royal and Derngate , Talk of the Town , Tracie Bennett February 24, 2010
Jaw-dropping is one of those terms that people throw around, but I found my mouth gaping in amazement again and again during the opening night of Cirque du Soleil's Alegría in Frisco. The performers just kept surprising me. A woman spinning five silver hoops on her arms, her neck, her torso, her legs, wiggling to send each of the hoops flying into the hands of another performer. A pair of acrobats more flexible than anyone I've ever seen (arch-of-foot to shoulder, rear end to back-of-head flexible). A seven-man trapeze act. It's all woven into a slightly bizarre, quick-paced dreamscape of music, elaborate costumes and circus art. The clowns in this Cirque production are quite funny, with jokes ranging from imitations of the acts that remind the audience members of the almost-impossibility of the feats they've just seen, to horse-flatulence humor, to audience-participation bits (if you sit on the floor level, be warned, they might recruit you). Worried about the venue being an arena? Don't. Dr Pepper Arena can be adapted to fit the performance, and one end of the arena is sectioned off with a black curtain in a way that feels intimate. When the lights come up and you see the arena-style ads (Hooters, Ikea, Texans Credit Union) on the screens around the sides of the venue and the Texas Tornado Robertson Cup Champions banner overhead, it's like waking up from a dream. The show runs through Sunday.
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The entry "We were there: Cirque du Soleil in Frisco" is tagged: Alegria , Cirque du Soleil , Dr Pepper Arena , Frisco
The three productions I have seen of "Equus" did not go for nudity. But Uptown Players is never shy in going for the nudity that is either written or implied in a script. In their upcoming production of "Equus" a scene that in the script has the young protagonist pantomiming undressing will skip the pantomime and go for full nudity. Another nude scene has been staged between the protagonist and the young woman. It will be interesting to hear from audience and critics whether the nudity added to or distracted from the production.
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The entry "How much nudity in "Equus"? It's Uptown Players, so ...." is tagged: Angela Wilson , Uptown Players February 23, 2010
Angela talks about some bargains in the previous entry, but there's another one tonight -- Tuesday, Feb. 23, only. The Dallas Theater Center offers pay-what-you-can admission to the first preview of The Shape of Things (the first in its Neil LaBut "Beauty Plays" trilogy) tonight. Hurry -- the curtain is at 7 p.m. Just walk up to the box office.
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The entry "Dallas Theater Center bargain tonight only" is tagged: Dallas Theater Center
Just a reminder that Kitchen Dog Theater still offers pay what you can nights, because, as Artistic Director, Tina Parker, notes "theater without an audience is frankly, just rehearsal" and Kitchen Dog Theater believes in keeping theater accessible and affordable to everyone who wants to see a show. I like that attitude. Kitchen Dog Theater is the only theater that offers so many PWYC opportunities- 6 out of 18 performances are pay what you can. You don't see yesterday's theater at KDT very often, so if you fret over shelling out $20 or so to see a show, you can pay what you can on Wednesday and Thursday performances. Kitchen Dog Theater will still welcome you. I just received notice that tickets to Uptown Players' upcoming production of "Equus" (at the Kalita Humphrey Theater) will be in the $30-$40 range. This is a pretty big jump in Uptown ticket pricing, though still not horrible pricey, and there's a good reason for the jump in price -the show is well known - people will pay it- and the space and the rights to perform the show are probably a big part of the show's budget. It's an ongoing plight - how to keep ticket prices low enough to fill seats, while rental (and other) costs escalate. Kitchen Dog Theater produces classics and would do a really kick A production of "Equus" too, but for the most part they produce very contemporary, edgy plays that have little Broadway (or any other) word of mouth build. On the boards now is "BOOM" by Peter Sinn Nachtrieb - check it out until March 13. 214.953.1055 or www.kitchendogtheater.org "Equus" by Peter Shaffer is helped along by a strong revival and great word of mouth - it's an old show, but it's not a waxwork yet. February 26- March 21 at Uptown Players, 214 219 2718 or www.uptownplayers.org
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The entry "Kitchen Dog Theater and Uptown Players ticket pricing" is tagged: Angela Wilson , Kitchen Dog Theater , Uptown Players
Back from my jaunty little trip to London over the weekend, I have so much to share with you. I am going to spread my thoughts and British adventures over three separate blogs just to fit it all in. While I am often one who complains about the shortcomings of others, I would hardly put myself in the category of a misanthrope - a person who hates or distrusts human kind. But after living in New York City for almost 10 years, I have gained an understanding for those who are misanthropic. My first theatrical stop was at Keira Knightley's West End debut in the adaptation of Moliere's The Misanthrope by Martin Crimp, which is breaking box office records in London. (Some of you may remember my stance on movie stars as cash cows.) My friend and I were interested in the new translation of the French classic, as well as Ms. Knightley's performance.
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The entry "That's Broadway: in the West End with Keira Knightley" is tagged: Chanel , Damien Lewis , Keira Knightley , Love Never Dies , The Misanthrope , West End
CityArts Festival is undergoing a lot of changes this year, moving from downtown Dallas to Fair Park, as well as being held in May instead of June. This year's dates are May 7 to 9.
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The entry "CityArts Festival to move to Fair Park " has no entry tags. February 22, 2010
Tim Martin Gleason makes a magnificent, more-vulnerable-than-typical Phantom in this "pharewell" leg of the U.S. tour of Phantom of the Opera, which has been on the road continuously since 1989 and will close in November in Los Angeles. Last week, Marni Raab portrayed Christine, the fragile soprano who becomes the tortured Phantom's muse. On Tuesday, the role will be taken over by Trista Moldovan, who'll continue till the show closes March 14. Despite Phantom's familiarity after 20 years, audiences still gasp over the special effects -- the foggy underground lake, the crashing chandelier -- and Andrew Lloyd Webber's pounding score more than holds up. Gleason, who starred as the handsome and decidedly un-Phantom-like Raoul in the show for three years, makes a winning transition to the dark side for this tour. I heard sobbing at the finale on opening night; his touching emotional fragility makes you truly root for the Phantom's redemption, despite his heinous deeds. Tickets, $21-$86, are available through Ticketmaster. PHOTO by Joan Marcus: Tim Martin Gleason and Trista Moldovan as the Phantom and Christine
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The entry "We were there: Fabulous 'Phantom' at the Music Hall" is tagged: Andrew Lloyd Webber , Dallas Summer Musicals , Phantom of the Opera , Tim Martin Gleason , Trista Moldovan
This just in on the "news that makes you feel old" front: Melissa Gilbert, who played little Laura on the Little House on the Prairie TV show in the 70s and 80s, takes on the role of Ma in a touring stage production of Little House on the Prairie, the Musical that will be at Fair Park Music Hall from May 11-23 and at Bass Hall from June 8-13.
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The entry ""Little House on the Prairie" with Melissa Gilbert as Ma" is tagged: Casa Mañana , Little House on the Prairie , Melissa Gilbert , Performing Arts Fort Worth February 17, 2010
Soon after moving into its new space in the Design District, Dallas Contemporary pulled a surprise Wednesday by announcing that Joan Davidow is retiring as its executive director effective May 31. Dallas Contemporary states, in a press release, that its "national" search for a new director has already begun. Davidow, the release says, will "continue in a consulting role" until the end of 2010. Her retirement comes "after nine years of dynamic leadership under which Dallas Contemporary has grown membership, expanded programming and initiated Art Think, a nationally award-winning education program, that served more than 11,000 students last year," the release says. Dallas Contemporary also credits Davidow with spearheading the purchase of its new location at 161 Glass Street -- a location that recently endured the embarrassment of not being able to open on time because it lacked all the necessary city inspections and approvals. It is, of course, open now. "Upon near completion of our capital campaign and our move into new quarters, I have the bittersweet duty of announcing Joan Davidow's retirement from Dallas Contemporary," said board president, Jo Marie Lilly. "After nine years of dedication and the devotion of tremendous Photo: Joan Davidow
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The entry "Joan Davidow to retire as head of Dallas Contemporary" is tagged: Dallas Contemporary , Joan Davidow , Meadows Foundation February 16, 2010
The snow is falling once again here in New York City. But instead of revelling in the winter wonderland, I am worried about my flight tomorrow. When a friend of mine mentioned she was heading over to London for the weekend to see a bit of theatre, I glanced at my tax refund check. Hmm, what better way to spend a little of my hard-earned dough on expanding my horizons? So, I am off to check out what the West End has to offer in the way of theatre right now. I will fill you in on what we saw when I return. I am completely devastated that Love Never Dies, the sequel to Sir Andrew Lloyd Webber's smash hit Phantom of the Opera, postponed the first preview to the day after we leave. Curses! Coming soon: that will be the West End for you.
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The entry "That's Broadway: crossing the pond" is tagged: Love Never Dies , West End theate February 15, 2010
For a tiny theater in a basement, Undermain Theatre is surely in some high cotton these days. The folks there have been talking with Stan Wojewodski, Jr., about getting together to do a show for some time. They wanted this distinguished former dean of Yale Drama School -- and recently named chair of the theater division at SMU -- to choose his own vehicle to direct. Now it's settled: Wojewodski will stage Samuel Beckett's masterpiece Endgame, to open April 10. It was easy enough to predict that co-founder Bruce DuBose would play Hamm and current Undermain leading man Jonathan Brooks would be Clov. But Undermain has scored a real coup in signing Fred Curchack and Laura Jorgensen to play the aging parents in trash cans, Nagg and Nell. For the third show running, Tony Award winner John Arnone will design the set -- and this time the costumes as well. This show couldn't get any more all-star if it were being played at Cowboy Stadium. File shot of Stan Wojewodski by Damon Winter
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The entry "Wojewodski to the helm at Undermain" is tagged: Dallas theater , Jr. , Stan Wojewodski , Undermain Theatre
Valentine's weekend showed the love for Theatre Three's seems-to-always-be-playing-at-this-time-of-year I Love You, You're Perfect, Now Change, so the show's been extended through March 7. In the photo (by Ken Birsell), left to right is the show's cast: Bradley Campbell, Lisa J. Miller (standing), Carrie Slaughter and Gary Floyd.
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The entry ""I Love You, You're Perfect, Now Change" extended" is tagged: I love you , Theatre 3 , Theatre Too February 12, 2010
The Eisemann Center in Richardson has added a seventh performance of the immensely popular Till Death Do Us Part: Late Nite Catechism 3, at 8 p.m. Monday (Feb. 15). In the comedy show, the ever-helpful "Sister" instructs the audience on how to enjoy marriage, within the confines of scripture, of course. $36-$39. 972-744-4650 or the Eisemann Center Web site.
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The entry "One more chance to see 'Late Nite Catechism'" is tagged: Eisemann Center , Late Nite Catechism February 11, 2010
The Dallas Symphony Orchestra has cancelled its Thursday-night classical concert because of the snow.
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The entry "Dallas Symphony concert cancelled" is tagged: Dallas Symphony Orchestra
Because of the snow, Theatre Three has canceled tonight's (Thursday's) performance of the perennial favorite I Love You, You're Perfect, Now Change! And only three days before Valentine's! The company has added a matinee performance on Saturday to make up for it.
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The entry "Theatre Three cancels Love " is tagged: Dallas theater , Theatre Three
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The entry "Michael Ian Black postpones at UNT" is tagged: Michael Ian Black , University of North Texas February 9, 2010
The Dallas Center Theater announced this afternoon that it has cast Broadway and screen actor Jeffrey DeMunn as Willy Loman in its Death of a Salesman, coming up this April and May. The 62-year-old actor replaced David Dukes in the original production of Bent, starred in the 1996 revival of Arthur Miller's The Price and played Mr. Webb in the 2002 Our Town in which Paul Newman played the Stage Manager. Audiences outside New York know DeMunn's face from his recurring role as Prof. Norman Rothenberg on Law and Order -- and from appearance on 100 other TV series over the years. His movie credits include The Green Mile, The Shawshank Redemption, and the Cohen brothers' Burn After Reading. The director of Death of a Salesman with be Amanda Dehnert, AD Kevin Moriarty's former colleague at Trinity Repertory Company.
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The entry "Dallas Theater Center's Willy Loman: Jeffrey DeMunn" is tagged: Dallas Theater Center , Jeffrey DeMunn February 5, 2010
I got a chance to attend a preview showing of the 2nd annual Dallas Art Fair on Thursday, and I gotta tell you, walking through the local, national and international exhibits on display was good for my soul. If you don't already have plans to get over to Fashion Industry Gallery (f.i.g.) downtown this weekend, I strongly recommend it. The fair continues until 7 tonight, Saturday 11am-7pm and Sunday 11am-5pm. The fair, which is showcasing more than 50 galleries (16 from Texas), has plenty of modern and contemporary paintings, sculptures, drawings, prints and photographs to keep you intrigued all weekend. I was there for an hour and a half wishing I could have stayed longer. As a recent art student graduate who perhaps has lost touch with my own creative expression, I found the fair to be incredibly inspiring. Continue reading for a couple of pieces and exhibits I found worth noting. Photo by Kye R. Lee / The Dallas Morning News: Carlos Perez, of Unified Fine Arts Services, checks the lighting at Kristy Stubbs Gallery booth of the Dallas Art Fair on Thursday.
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The entry "2nd annual Dallas Art Fair is a must-see" has no entry tags. February 4, 2010
His show, The Be(a)st of Taylor Mac, at Undermain Theatre through Feb. 13, is one of the most entertaining, transporting experiences I've ever had in a theater. He's hilarious, profane, endearing, infuriating, perplexing, political and utterly disarming. He appeared Wednesday night in green and pink fishnets, a pink-and-white polka-dot skirt covered in rubber gloves, a dreadlocked-and-sequined blonde wig, and with glittery, sequined makeup that made his face look like an exquisite Mardi Gras mask. Mac is world-renowned as a performance artist -- which he says is just a "really fancy way of saying drag" -- and this is his first performance in Dallas, or Texas for that matter. You're missing something very, very special if you don't see it, whatever your politics or attitudes about men wearing frilly women's "finery," as he calls it. PHOTO of Taylor Mac by Drew Geraci
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The entry "We were there: Taylor Mac at Undermain" is tagged: Taylor Mac , Undermain Theater |
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great story. sounds like you had a good
To both of you on either side of the LO
To "Love Should Die" - do you have noth
LOVE NEVER DIES is indeed a trainwreck.
Ag Equity Release offers best equity re
To me, the real exciting news here is t
Soon to follow the stunning Dallas Art
I have to agree with all of you!
They're lucky!
Prof Wells is right, of course: Taylor