Lola’s back. The spicy, sassy PI, Delores “Lola” Cruz, returns home only to find her entire family mourning her death in Hasta la Vista, Lola! by Argyle author Misa Ramirez. The second book in Ramirez’s mystery romance series features the novice Latina detective hot on the trail to find out who stole her identity.

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Paramount Pictures

Mark Ruffalo, left, and Leonardo DiCaprio co-star in the thriller Shutter Island, Martin Scorsese’s creepy adaptation of Dennis Lehane’s novel.

Wiseguys and goodfellas give way to hallucinations, nightmares and evil doctors in Shutter Island, Martin Scorsese’s creepy new mystery. Based on a novel by Dennis Lehane (Mystic River), with a screenplay from Laeta Kalogridis, this multisided thriller plays its secrets so cleverly that a viewer could easily get lost in its complex misdirection. Even when it becomes apparent that not all is what it seems, several other surprises lie ahead.

For the third year, Denton will host Thin Line Film Fest, an international documentary festival that runs Feb. 17-21. During the five-day event, 46 films will be screened — with an even split between features and shorts. Moviegoers will have the opportunity to go to numerous world, Southwest and Texas premieres and view 13 international films representing nine countries. In addition, 25 filmmakers from as far away as New York City and Japan will attend screenings of their works.

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Director Brad Speck needed all the blood, sweat and tears of his staff, his crew and his cast to open Cyrano De Bergerac at the Campus Theatre on Friday. All of them, he said, were working toward the same end. “I want this to be an absolutely beautiful show. Beautiful sets, beautiful costumes, beautiful language,” Speck said. “From the moment the show opens, I want the audience to feel like their at the Hotel de Bourgogne in 1640 Paris, to the very end of the show — I want this to be beautiful.”

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Screen Gems

A brief, intense romance sparks between John (Channing Tatum) and Savannah (Amanda Seyfried) in Dear John.

Dear John goes trippingly down the same sugary path previously laid out by other offspring of “novelist” Nicholas Sparks. In the literary goo that is Sparky-world, love conquers all, even Alzheimer’s (The Notebook) and hurricanes (Nights in Rodanthe). And lovers defiantly overcome obstacles that would make the travails of Romeo and Juliet seem laughable. Coming soon: pestilence and a plague of frogs. Director Lasse Hallstrom showed an intelligence in transferring novel to screen in his adaptation of John Irving’s The Cider House Rules. Here, however, he struggles mightily before eventually succumbing to the saccharin-saturated Sparky-world.