Archive for the ‘The Bridge of San Luis Rey/Our Town’ Category

From the Desk of Paulette

Monday, July 13th, 2009

July 13, 2009
Washington, DC

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One of the things about The Big Read that continually amazes me is the uniqueness of each and every project. There were 33 Big Reads on To Kill a Mockingbird in the last round, and not one project was the exact same as any other project. Sure they have things in common—not least of which is the novel—but each organization, and its many project partners, takes very seriously the expectation that its Big Read will celebrate the book but also, ultimately, celebrate the unique character of the community. Don’t believe me? Just click on one of the book titles  to the right (under categories) to experience a little taste of the diversity of the projects we’ve been able to feature since we started this blog early last year.

 

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To get back to Wilder, The Big Read program—and I think the one book-one community movement as a whole—is in many ways a “blank check” that each of The Big Read organizers and readers and event participants signs to make the project his or her own. Hmmm, come to think of it, that sounds an awful lot like the essential experience of reading a book.

 

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(Since a picture’s worth a thousand words, this post features just a few of the many images from this year’s To Kill a Mockingbird Big Reads. From top: Ashley Horner’s entry for the altered books project hosted by Southern Ohio Performing Arts Association; a portrait by Barbara Parker of then-Senator Joe Biden with a copy of the novel for Piedmont Arts’ Big Read; and the rotunda of Kansas’s Topeka and Shawnee County Public Library.)

WHAT PAGE ARE YOU ON?

Monday, June 15th, 2009

June 15, 2009
Washington, DC

The Big Read enters new territory with the addition of Thornton Wilder to The Big Read library. Big Readers of Wilder’s The Bridge of San Luis Rey are also encouraged to contemplate his play Our Town. (Did you know that, to date, Wilder is the only writer to have received a Pulitzer Prize for both fiction and drama?) In his intro for the Reader’s Guide, Tappan Wilder — Thornton’s nephew — has this to say:

“As different as these two works are in form and setting, they pose the same enduring questions that Wilder explored throughout his writing career — often employing death as the window to life. He could well have written of The Bridge of San Luis Rey as he wrote of Our Town: ‘It is an attempt to find a value above all price for the smallest events of our daily life.’”

WHAT PAGE ARE YOU ON?

Friday, June 5th, 2009

June 5, 2009
Washington, DC

Another sneak peek this morning at Thornton Wilder, who is debuting on The Big Read list this fall. As I read through an advance copy of the Reader’s Guide to The Bridge of San Luis Rey and Our Town, I was struck by the opening quote, taken  from a 1929 letter by Wilder: “It seems to me that my books are about: what is the worst thing that the world can do to you, and what are the last resources one has to oppose it. In other words: when a human being is made to bear more than human beings can bear—what then?”
Wilder’s description of his work aptly describes the central conflict in several Big Read titles, The Grapes of Wrath, The Things They Carried, and A Lesson Before Dying, to name a few. It also resonates with one of my favorite passages from another Big Read author, Ernest Hemingway. This quote from A Farewell to Arms seems perhaps a kind of answer or corollary to Wilder’s.
 

If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places.”
Your thoughts?

Getting Away With Happiness

Monday, April 13th, 2009

April 13, 2009
Washington, DC

For one of the three possibly lifelong celibates in the Big Read library — along with Emily Dickinson and Henry James — Thornton Wilder sure spent a lot of time thinking about happiness and heartbreak.

Researching meetings between Big Read authors for a talk I’m giving at orientation this year, I was prowling the index of Wilder’s journals last night. No face-to-face encounters with his fellow Big Read luminaries yet, but I did turn up some fascinating discussions of unhappiness with regard to both Steinbeck and especially Poe — with whom Wilder may have been slightly obsessed.

Caricature of Thornton WIlder

Artwork by John Sherffius.

 

Steinbeck, who would coincidentally work with Alfred Hitchcock on Lifeboat immediately after Wilder did on Shadow of a Doubt, comes up in a discussion of movie sentimentality. Wilder is grousing benignly about the liberties taken in distilling The Grapes of Wrath into a film. He’s not alone in finding its presentation of a government workers’ camp just a little too “happy” to be true: “The kindliness of the camp-director and the appearances of its inhabitants were stated in cliché ‘nice’ terms without the degree of realism — warts, wrinkles, off bony structures, imperfections — which had been adopted for the rest of the picture.”

Wilder’s right, I guess, though I like the scene anyway. (My tolerance for squishy liberal pieties has always been rather on the high side.) It’s all part of a larger point about when a happy plot turn is, or isn’t, a cheat. As Wilder writes, “A sentimentalist (and here the pessimist is included as identical) is one whose desire that things be happy [(or sad)] exceeds his desire that (and suppressed knowledge) that things be truthful; he demands that he be lied to.”

Compare this to Wilder on Poe, whose notorious “unhappiness” he regards with more skepticism than most. “A life filled with unhappy moments,” Wilder cautions, “is not necessarily an unhappy life.”

There’s something charmingly youthful about Wilder’s preoccupation with happiness and its lack. Too many writers dismiss bliss as a phenomenon unfit for fiction, maybe even inimical to creativity. Wilder, on the contrary, knew that no theme as universally pursued as happiness can ever, in the right hands, stay boring. To invoke yet another Big Read author, Tolstoy famously begins Anna Karenina with the observation that all happy families are alike - -but are the Webbs and the Gibbses in Our Town, each moderately happy in their own way, alike? Don’t you believe it.

WHAT PAGE ARE YOU ON?

Monday, March 2nd, 2009

March was named for Mars, the Roman god of war. According to the Reader’s Guide for Ernest Hemingway’s A Farewell to Arms – one of three Big Read titles that addresses war– the novel “became Hemingway’s first bestseller, selling 100,000 copies in twelve months. It was adapted for the stage a year later and has been made into a film twice.” Learn more about Hemingway and his novel from the Reader’s Guide. And coming to the Web site this fall, more on Thornton Wilder’s The Bridge of San Luis Rey and Tim O’Brien’s The Things They Carried, the other two Big Read books that take wartime as their setting.

Memory Lane

Tuesday, August 19th, 2008

Terry Teachout, Wall Street Journal critic and National Council on the Arts member, shares today on his blog about two authors very close to the hearts of Big Readers.
http://www.artsjournal.com/aboutlastnight/2008/08/tt_sacred_to_the_memory.html

NEA Announces Four New Selections for The Big Read Library

Tuesday, June 3rd, 2008

June 3, 2008
Washington, DC

Last week in Los Angeles, thousands of publishing professionals descended on BookExpo America, the publishing industry’s annual four-day orgy of gladhanding and handwringing. If you’re reading this, the prospect of everybody from our Readers Circle member Azar Nafisi to Andre Dubus III converging just down the street from L.A.’s Original Pantry (”We Never Close”) might have had you calling friends in town for spare couch space.

But if you prefer not to read, especially novels or poetry — in common with more than half of America at the moment–then you probably don’t give a flying Wallenda. But, as it turns out, this nonreading cohort’s days may be numbered. If unemployment, prison, or early death don’t get them, as they disproportionately do with folks who know how to read but don’t, The Big Read is gunning for them too.

I need not to tell readers of this blog (recently recognized for excellence by the National Association of Government Communicators — which may explain why nobody’s heard anything about this ) that The Big Read is getting more and more Americans to pick up and devour good, meaty novels alongside their neighbors. What’s news is that, in addition to Scott Fitzgerald’s The Great Gatsby, Rudy Anaya’s Bless Me, Ultima, and Dashiell Hammett’s The Maltese Falcon, The Big Read and its Readers Circle have just added four new titles to our growing list:

  • A special selection of Edgar Allan Poe’s surreal short fiction and brooding poetry will acquaint cities and towns with this short-lived titan of American literature, whose dread-soaked dreams pioneered both the horror story and detective fiction. His verse marks the first appearance of poetry on the national Big Read list and, after The Maltese Falcon, the second appearance of a black bird.
  • Louise Erdrich’s first novel, Love Medicine, will join the list and introduce readers to the agile, compassionate storytelling of a modern master, Her novels of immigrant and Native American families on the Great Plains have drawn accolades as recently as this year for her new novel, The Plague of Doves.
  • Thornton Wilder’s The Bridge of San Luis Rey investigates the lives of five pilgrims killed in a bridge collapse, and deepens over scarcely a hundred pages to explore the question — sadly more contemporary than ever — of why violent, untimely death spares most of us, yet searches out an unlucky few. Also, for the first time among the now-twenty Big Read novels, students and theater companies will be encouraged to enrich their local celebrations of Wilder’s work with a production of his most enduring play: Our Town.
  • The connected short fiction of Tim O’Brien’s The Things They Carried follows a platoon of young soldiers into the jungles of Vietnam, where the brutality of war, the joys of camaraderie, and death’s fateful lottery await them all — and where even a fresh-faced American girl, visiting her sweetheart, can go frighteningly native.

Coming up in the blog: Posts on each of these books and writers, a Great Gatsby cruise, Big Read orientation in Minneapolis, and scads more…