museum shop
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Phone: 202-357-1429
Fax: 202-357-3151
Email: hirshhorn_museumstore@si.edu
To order, call 202-357-1429, fax 202-357-3151, or email hirshhorn_museumstore@si.edu.
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Louise Bourgeois
The Cinema Effect: Illusion, Reality and the Moving Image
$55.00 (hardcover)Isamu Noguchi: Master Sculptor
$29.95 (paperback)
In this 240-page catalogue, the main essay by Dr. Valerie Fletcher situates Noguchi’s sculptures in the context of their time, notably the artist’s utopian aspirations, his relationship to Surrealism, his daring sexual themes and his remarkably prescient globalist approach. Additional essays by Dana Miller, associate curator at the Whitney Museum of American Art, New York, and by Bonnie Rychlak, curator of the Isamu Noguchi Foundation Museum, address Noguchi’s relevance for land art of the 1970s and his relationship to Zen. (Limited quantities available)
Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985
$29.99 (hardcover)This fully illustrated, 288-page catalogue is the most definitive monograph produced to date on the work of Ana Mendieta and contains biographical, analytical and interpretive essays by Olga Viso, curator of the exhibition; Chrissie Iles, curator of contemporary art, Whitney Museum of American Art; art historian Julia Herzberg; and art critic Guy Brett. Additionally, art historian Laura Roulet contributed an extensive chronology of the artist’s life and career. (Limited quantities available)
The Panza Collection
$12.98
In 2008, The Hirshhorn Museum presented "The Panza Collection" featuring 39 important artworks from the late 1960s and early 1970s that were acquired from Count Giuseppe Panza di Biumo, one of the world’s foremost collectors of American and European contemporary art. Composed of works by an international roster of 16 artists, this acquisition substantially strengthens the Hirshhorn’s holdings of art from this period. This catalog accompanies the exhibition.
A Garden for Art: Outdoor Sculpture at the Hirshhorn
$15.95 (paperback)
Curator Valerie J. Fletcher describes the history of the Hirshhorn Sculpture Garden. Her commentaries on major art movements and works on view place the collection in context in this 96-page, lavishly illustrated text.