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Crane, London, and Literary Naturalism
Introduction
Dismissing realism as "the drama of a broken teacup," Frank Norris was just one of many writers seeking to document the harsh realities of American life in the transition from the 19th into the 20th century, as opposed to the trials of the parlor often described in realist texts such as those written by Henry James. Whereas literary realism tended to focus on the travails of life in the upper classes, naturalist writing featured characters surviving in far grittier surroundings, often in a universe indifferent to human suffering. Heavily influenced by social and scientific theories, including those of Darwin, writers of naturalism described—usually from a detached or journalistic perspective—the influence of society and surroundings on the development of the individual. Jack London and Stephen Crane also participated in this tradition of literary naturalism, writing about city life, social class, industry, and, in two memorable short stories, the callous indifference of nature. In the following lesson plan, students will learn the key characteristics that comprise American literary naturalism as they explore London's "To Build a Fire" and Crane's "The Open Boat."
Guiding Questions
- In what ways do Jack London's "To Build a Fire" and Stephen Crane's "The Open Boat" represent the genre known as American literary naturalism?
- How do the two stories differ as representations of American literary naturalism?
Learning Objectives
In this lesson, students will learn how to:
- Identify key characteristics of the genre known as American literary naturalism, including the naturalist "plot of decline"
- Understand the literary context for Jack London and Stephen Crane's work
- Conduct in-depth character analysis
- Compare and contrast two writers' literary styles
Background Information for the Teacher
Note: this lesson plan is best taught as a concluding lesson to the following two EDSITEment lesson plans:
Naturalism is often described as the representation of the negative forces of
real life, and fiction in this literary sub-genre is often populated with characters
whose relationship with their surroundings is especially difficult or challenging.
In fact, naturalist plots typically follow a noticeable "plot of decline," or
a plot that often depicts a character's progression (or retrogression) toward
degeneration or death. These narratives tend to be written in the third person,
omniscient point of view, presenting an objective or detached tale of a main character's
downward spiral. It is no surprise that several of the most widely read American
naturalists—Stephen Crane, Theodore Dreiser, and Jack London—also wrote
journalistic pieces, non-fiction prose, and essays. This lesson will introduce
students to the genre known as American literary naturalism in the context of
Jack London's "To Build a Fire" and Stephen Crane's "The Open Boat."
"The term naturalism describes a type of literature that
attempts to apply scientific principles of objectivity and detachment to its
study of human beings. Unlike realism, which focuses on literary technique,
naturalism implies a philosophical position: for naturalistic writers, since
human beings are, in Emile Zola's phrase, "human beasts," characters can be
studied through their relationships to their surroundings."
Preparing to Teach this Lesson
- Review the lesson plan. Locate and bookmark suggested materials and websites.
If necessary, download and print out any documents you will use and duplicate
copies as necessary for student viewing.
- Students can access the stories and some of the activity materials via the
EDSITEment LaunchPad.
- Have students read London's "To Build a Fire" and Crane's "The Open Boat"
prior to class. Alternatively, teach the following EDSITEment lesson plans
prior to concluding with this lesson plan.
Suggested Activities
1. Introduction to Literary Naturalism
Share with students, or have them visit and read, literary critic Donna Campbell's
review of Naturalism
in American Literature, via the EDSITEment-reviewed Internet
Public Library. In particular, review with students Charles Child Walcutt's
common themes of naturalism as noted in his American Literary Naturalism:
A Divided Stream (cited at Donna Campbell's Literary Movements website).
As a summary, Walcutt notes the following themes in naturalism:
- The "brute within"—which is the notion that everyone has "strong and
often warring emotions: passions, such as lust, greed, or the desire for dominance
or pleasure," leading to behavior considered taboo by society. Encountering
the indifferent universe can cause this brute to rise up, often in violent
ways. Students will likely see similarities to certain comic book heroes like
The Incredible Hulk.
- The indifference of nature as man struggles to survive.
- The influence of "heredity and environment" (or one's background and surroundings) on the
development of a person. This emphasizes the difficulty of moving between
or mixing social classes (even if successful, the repercussions can be tremendous).
- Determinism: the inability to express free will or personal agency.
If you wish, use
this interactive quiz to test their reading comprehension or understanding of these concepts. A PDF
version is also available, along with a
teacher version of the PDF with the correct answers highlighted.
Finally, ask students to imagine how a character might look from a novel or short story
written in the literary style of naturalism. What settings might be appropriate?
What is their social situation? What choices are or are not available to them?
Ask them to create this character at the beginning of this imaginary story or
novel. Students might speculate about a wealthy patron of the arts, a noble
dock worker, or a charming school teacher. Ask them to keep this image in mind—they
will return to this newly formed character at the end of the lesson and speculate
what might become of him or her if they follow the path of typical naturalist
fiction.
2. Analyzing Naturalism's Common Themes
Divide students into groups appropriate to your class size. Drawing from the
overview of the common themes of naturalism, ask each student group to complete
the PDF chart to use as the
basis for class discussion. Each student group should explore only one of the
following topics; in other words, assign one theme per group (but note that
some groups may apply different themes to the same passages from a text). Students
can use the online version of Crane's "The
Open Boat" and London's "To
Build a Fire," to cut and paste passages into a word processing document.
Themes:
- The "brute within"
- The indifference of nature
- The forces of "heredity and environment" (one's background or environment)
- An indifferent, deterministic universe (lack of free will or agency)
After students have spent 10 or 15 minutes in their groups, ask the group
leader to share one or two of their passages from the text and explain why it
relates to their assigned theme. Note that this exercise might be completed
as an at-home activity to prompt discussion for the following day's class.
3. Navigating the Naturalist Plot of
Decline
Now that students have explored many of the general themes of naturalist fiction,
reintroduce them to the idea that naturalist plots typically follow a noticeable
"plot of decline," or a plot that often depicts a character's progression (or
retrogression) toward degeneration or death.
Ask students to note at least three to five major plot shifts in "The Open Boat" and/or
"To Build a Fire" (arrange students in groups or run as a general class discussion,
as best suits your classroom arrangement). Each story contains a metaphorical
journey, with the protagonists encountering nature and succumbing to its indifferent
wrath. Students first should cite passages from each story to represent important
steps along the journey, and then they should chart these steps on a graph,
noting whether or not the characters' situation improves or devolves.
Encourage students to focus on descriptions that relate the fragility of experience,
and draw out other themes of naturalist literature (they can and should build
on some of the passages found in the previous exercise). For example, students
can cite key events/narrative observations from "The Open Boat" as follows:
The oiler, steering with one of the two oars in the boat, sometimes raised
himself suddenly to keep clear of water that swirled in over the stern. It was
a thin little oar and it seemed often ready to snap. The correspondent, pulling
at the other oar, watched the waves and wondered why he was there.
When it occurs to a man that nature does not regard him as important, and that
she feels she would not maim the universe by disposing of him, he at first wishes
to throw bricks at the temple, and he hates deeply the fact that there are no
bricks and no temples. Any visible expression of nature would surely be pelleted
with his jeers.
In his childhood, the correspondent had been made acquainted with the fact
that a soldier of the Legion lay dying in Algiers, but he had never regarded
the fact as important. Myriads of his school-fellows had informed him of the
soldier's plight, but the dinning had naturally ended by making him perfectly
indifferent. He had never considered it his affair that a soldier of the Legion
lay dying in Algiers, nor had it appeared to him as a matter for sorrow. It
was less to him than breaking of a pencil's point. Now, however, it quaintly
came to him as a human, living thing. It was no longer merely a picture of a
few throes in the breast of a poet, meanwhile drinking tea and warming his feet
at the grate; it was an actuality -- stern, mournful, and fine.
This tower was a giant, standing with its back to the plight of the ants. It
represented in a degree, to the correspondent, the serenity of nature amid the
struggles of the individual -- nature in the wind, and nature in the vision
of men.
But finally he arrived at a place in the sea where travel was beset with difficulty.
He did not pause swimming to inquire what manner of current had caught him,
but there his progress ceased. The shore was set before him like a bit of scenery
on a stage, and he looked at it and understood with his eyes each detail of
it.
Ask students the following questions:
- How does each event affect the following event?
- Are the effects or consequences of each event on the protagonist better
or worse than the one that preceded it? Why or why not?
- Can you think of ways in which the protagonist could have changed the course
of events? What are several factors that might prevent the protagonist from
changing the course of events that unfold throughout each story?
- How would you describe the ending of "To Build a Fire"? How would you describe
the ending of "The Open Boat?" Compare and contrast these endings.
As students consider the outcome for "The Open Boat," encourage them to think
of each character individually, but also the group as a whole. While many characters
managed to survive, including the captain, the loss of the oiler—the strongest
among them—presents a stark view for his weaker companions. Return to
the mental exercise that students began earlier in this lesson plan. As students
imagine their character, ask them to imagine where their character might end up
if they were featured in a naturalist novel or short story. The wealthy patron
of the arts might have been too enamored by a work of art, only to lose their
wealth and position by pursuing it. The dock worker might have attempted to nobly
save another, only to suffer a crippling injury (while the person they saved moves
into a position of esteem or wealth). As students spend five minutes creating
a plot of decline for their character, ask them to note which elements of naturalism
they choose to include in their story framework. How might they also deviate from
this framework of naturalism? In this exploration, they should come to understand
that not all plots of naturalism are exactly the same. Encourage them to tinker
with the conventions (perhaps as an at-home activity with their parents) so that
they can continue to develop a nuanced view of the genre.
Assessment
Ask students to write a 2-3 page essay in which they compare and contrast the
narrators of "To Build a Fire" and "The Open Boat" and each story's "plot of
decline."
Extending the Lesson
More stories:
Assign the Jack London story "In
a Far Country." Have each student write a 2-3 page argumentative essay on
the following topic: "In what ways does Jack London's "In a Far Country" represent
the genre known as American literary naturalism?" Prompt students to consider
the narrator and the story's key themes.
Assign the Stephen Crane story "The
Blue Hotel." Have each student write a 2-3 page argumentative essay on the
following topic: "In what ways does Stephen Crane's "The Blue Hotel" represent
the genre known as American literary naturalism?" Prompt students to consider
the narrator and the story's key themes.
Also, there are several EDSITEment lesson plans and websites that complement this
lesson. You may want to visit the EDSITEment lesson Metaphorical
Gold: Mining the Gold Rush for Stories in order to introduce your students
to Jack London in the Klondike. Or, for a brief overview of the genre of American
realism, see the EDSITEment lesson plan Kate
Chopin's The Awakening: Chopin, Realism, and Local Color in late 19th
Century America.
Selected EDSITEment Website
Standards Alignment
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