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Music History, Theory, and Ethnomusicology
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Core Theory Credit By Exam (CBE)
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GAMUT
SSENT
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Lecture Series
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Upcoming Lectures
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Past Lectures
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Matthias Brzoska
Meyerbeer's Grand Opera Le Prophète (1849) – The Concept of the New Critical Edition
Spring 2019
Thomas Christensen
Scales, Skulls, and Sanskrit: The Search for the Origins of Musical Tonality in France, c. 1860
Spring 2019
Gillian Robertson
Past, Yearning, and Fantasy: Interpreting Musical Nostalgia
Spring 2019
Jennifer Saltzstein
Power, Privacy, and Performance: The Gendered Song-Space of the Medieval Garden
Spring 2019
Graham H. Phipps
MUSIC FROM VIENNA'S "BEAUTIFUL MOUNTAIN" STANDS HIGH ABOVE C-LEVEL: Pitch Notation and its Consequences in Schoenberg's Opus 33a
Spring 2019
Hettie Malcomson
Negotiating Violence and Creative Agency in Commissioned Mexican Narco-Rap
Fall 2018
Janet Schmalfeldt
Domenico Scarlatti, Escape Artist: Sightings of His 'Mixed Style' Towards the End of the Eighteenth Century.
Fall 2018
David Locke
“The ‘Rhythm Section’ of an African Drum Ensemble: the Case of Agbadza (Ewe, Ghana/Togo)”
Spring 2018
Jann Pasler
Deconstructing Colonial and Postcolonial Interculturality
Spring 2018
UNT Residency: Jack Boss
Musical Idea in Schoenberg’s Piano Piece Op. 33a
Spring 2018
Matthew Rahaim
Circuits of Voice: Vocal Situations and Practices of Listening in South Asia
Fall 2017
Mark Spicer
"Sowing (Sewing?) the Seeds of Love": The 1967 Beatles' Influence on Tears for Fears
Fall 2017
William Rothstein
Aspects of Rhythm and Meter in Italian Opera from Mozart to Verdi
Fall 2017
Deborah Vargas
“Brown Soul”
Spring 2017
Barry Wiener
Stefan Wolpe's Compositional Pedagogy
Spring 2017
Matildie Thom Wium
Arnold van Wyk's Van Liefde en Verlatenheid: Love and Others in 1950s South Africa
Fall 2016
Francesca Brittan
Electricity, Magic, and the Birth of the Podium Conductor
Fall 2016
Deborah Kapchan
Listening to Disintegration: Between Secular and Sacred Worlds in France
Fall 2016
Mark Spicer
The Question of Tonality in Pop and Rock Songs
Spring 2016
Frank Samarotto
What's the Use of Outmoded Theories? Rehearing Brahm's Third Symphony
Spring 2016
Janette Tilley
An Uneasy Eros: Secularization and the Changing Musical Expression of Mystical Love in Early Modern Germany
Spring 2016
Barbara Willi
Series Basso Continuo versus Counterpoint: An Intellectual and Musical Fight during the 17th and 18th Centuries
Fall 2015
Álvaro Torrente
A la recherche du bal perdu: Erotic Dance-Songs in Early-Modern Spain
Fall 2015
Louise Meintjes
Singing Violence: Zulu Ngoma During South Africa's Transition
Fall 2015
Jonathan Kregor
"I Have Prayed It Rather than Composed It": On Franz Liszt's Religious Programs, 1857-1865
Fall 2015
Paul Dworak
Vowel Set Transformations and Vowel Harmonies in Claude Debussy's Proses lyriques
Spring 2015
Amanda Minks
Mapping Culture across Borders: Music Research and U.S.-Mexico Relations in the 1930s and 40s
Spring 2015
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