Rebecca
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Rebecca Paperback – September 5, 2006
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Editorial Reviews
From Library Journal
Surely no audiobook collection should be without some version of this timeless classic, arguably the most famous and well-loved gothic novel of the 20th century, and this production would be an excellent choice. Read in wonderfully British cadences by Anna Massey, all the mysterious and oppressive nuances are made immediate and chilling. We even feel some sympathy for the absurdly timid and cowering heroine; it is, after all, easy to imagine feeling woefully inferior to the predecessor and desperately eager to please. Of course the story requires great leaps of credulity... Forget the movie; it makes mincemeat of the actual tale. A wise seven-year-old once told me, "The book is always betterDit goes right into your head." This is a prime exampleDlisten again; it gets even better. Highly recommended.DHarriet Edwards, East Meadow P.L., NY
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
Rebecca is a novel of mystery and passion, a dark psychological tale of secrets and betrayal, dead loves and an estate called Manderley that is as much a presence as the humans who inhabit it: "when the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly and fall, and scatter away along the ground, they might be the pitter, patter of a woman's hurrying footsteps, and the mark in the gravel the imprint of a high-heeled satin shoe." Manderley is filled with memories of the elegant and flamboyant Rebecca, the first Mrs. DeWinter; with the obsessive love of her housekeeper, Mrs. Danvers, who observes the young, timid second Mrs. DeWinter with sullen hostility; and with the oppressive silences of a secretive husband, Maxim. Rebecca may be physically dead, but she is a force to contend with, and the housekeeper's evil matches that of her former mistress as a purveyor of the emotional horror thrust on the innocent Mrs. DeWinter. The tension builds as the new Mrs. DeWinter slowly grows and asserts herself, surviving the wicked deceptions of Mrs. Danvers and the silent deceits of her husband, to emerge triumphant in the midst of a surprise ending that leaves the reader with a sense of haunting justice. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Vickie Sears
--This text refers to the
Mass Market Paperback
edition.
More About the Author
Daphne du Maurier was born in 1906 and educated at home and in Paris. She began writing in 1928, and many of her bestselling novels were set in Cornwall, where she lived for most of her life. She was made a DBE in 1969 and died in 1989.
Customer Reviews
Most Helpful Customer Reviews
188 of 193 people found the following review helpful
By
A Customer
on August 17, 1999
Format: Mass Market Paperback
9 Comments
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This book is one of the all-time greatest works of fiction, combining suspense, romance, and character development, all wrapped up in a mystery that is literally not resolved until the last page.
Modern readers should treat this story as a period piece of sorts; American readers in particular should bear in mind the differences between British and American cultures, and also the historical differences (Rebecca was published in 1938), otherwise they are apt to find the story 'slow' or 'dull.'
Like any great mystery writer, du Maurier throws out subtle clues in the first third of the story; about halfway through, she begins to resolve these clues, and from then on, the story races at full steam. *Don't let* the seemingly slow introduction stop you from finishing the book; patient readers will be well- rewarded when they see how brilliantly du Maurier sets up her surprises.
The story revolves around the unusual marriage of the young, unworldly narrator (whose first name is never revealed, one of the book's charming idiosyncrasies)to the brooding 'landed gentleman,' Maxim de Winter. When she arrives at his grand country manor, Manderly (the house is perhaps the book's most potent character), she is immediately confronted by the other characters' feelings about Rebecca, Maxim de Winter's flamboyant late wife.
Perhaps du Maurier's greatest accomplishment, character-wise, is the way she develops Rebecca, who is already dead when the main action of the story begins, and never really appears 'on-screen,' so to speak. Rebecca is very much alive in the memories of Maxim, the house servants, friends and family members, but most crucially, of her personal maid, Mrs. Danvers (and also of Rebecca's sleazy cousin, Jack Favel). It is Mrs.Read more ›
Modern readers should treat this story as a period piece of sorts; American readers in particular should bear in mind the differences between British and American cultures, and also the historical differences (Rebecca was published in 1938), otherwise they are apt to find the story 'slow' or 'dull.'
Like any great mystery writer, du Maurier throws out subtle clues in the first third of the story; about halfway through, she begins to resolve these clues, and from then on, the story races at full steam. *Don't let* the seemingly slow introduction stop you from finishing the book; patient readers will be well- rewarded when they see how brilliantly du Maurier sets up her surprises.
The story revolves around the unusual marriage of the young, unworldly narrator (whose first name is never revealed, one of the book's charming idiosyncrasies)to the brooding 'landed gentleman,' Maxim de Winter. When she arrives at his grand country manor, Manderly (the house is perhaps the book's most potent character), she is immediately confronted by the other characters' feelings about Rebecca, Maxim de Winter's flamboyant late wife.
Perhaps du Maurier's greatest accomplishment, character-wise, is the way she develops Rebecca, who is already dead when the main action of the story begins, and never really appears 'on-screen,' so to speak. Rebecca is very much alive in the memories of Maxim, the house servants, friends and family members, but most crucially, of her personal maid, Mrs. Danvers (and also of Rebecca's sleazy cousin, Jack Favel). It is Mrs.Read more ›
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120 of 127 people found the following review helpful
By
Kona
VINE VOICE on August 8, 2004
Format: Audio Cassette
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2 Comments
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This riveting tale of fear, suspicion, and love opens as the unnamed narrator reminisces about her former home, the grand English estate, Manderley. She had been young and shy, a lady's companion, when she met the wealthy recent widow, Maxim de Winter, fell in love with him, and married him in a matter of weeks. They returned to his home, where she was immediately overwhelmed with the responsibilities of running the house and dealing with her forbidding housekeeper as well as the memory of Maxim's first wife, Rebecca. She had been beautiful, sophisticated, and supremely confident, and the narrator felt lost and helpless in comparison. Her new husband was strangely distant to her, until a horrible secret was revealed that would change their lives and the very existence of Manderley.
Daphne Du Maurier has crafted a wonderfully spooky story with remarkably little action, but a great deal of atmosphere and a steadily mounting feeling of impending doom. The ravishing Rebecca is never seen, and yet she is the main character, dominating the story with her passions and cruelty. Another main "character" is the great house itself, which is described in such fascinating detail that I felt as if I had walked its long hallways, descended its grand stairs, and had tea in the library. The narrator is purposely kept anonymous to contrast her with the larger-than-life Rebecca, and Maxim is a seriously flawed but lovable man.
Anna Massey does not just read the story, she performs it, delighting the listener with her upper-class British accent, giving a different voice to each character. I happily recommend this audio cassette version of Rebecca to those who enjoy exciting tales of suspense, psychological dramas, and mysteries.
Daphne Du Maurier has crafted a wonderfully spooky story with remarkably little action, but a great deal of atmosphere and a steadily mounting feeling of impending doom. The ravishing Rebecca is never seen, and yet she is the main character, dominating the story with her passions and cruelty. Another main "character" is the great house itself, which is described in such fascinating detail that I felt as if I had walked its long hallways, descended its grand stairs, and had tea in the library. The narrator is purposely kept anonymous to contrast her with the larger-than-life Rebecca, and Maxim is a seriously flawed but lovable man.
Anna Massey does not just read the story, she performs it, delighting the listener with her upper-class British accent, giving a different voice to each character. I happily recommend this audio cassette version of Rebecca to those who enjoy exciting tales of suspense, psychological dramas, and mysteries.
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96 of 104 people found the following review helpful
By
Joanna Daneman
#1 HALL OF FAMETOP 10 REVIEWERVINE VOICE on April 17, 2001
Format: Mass Market Paperback
11 Comments
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A young, naive woman who is the paid companion of an obnoxious rich woman is taken along to Monte Carlo. While she smarts under the rudeness and gauche behavior of her employer, she meets the dark, handsome widower Max de Winter.
What follows is a love story and a ghost story of a woman haunted by the powerful presence of the former mistress of Manderley. We never learn the name of the heroine as she marries Max, moves into the rigid but elegant life at Manderley and tangles with Mrs. Danvers, Manderley's fearsome housekeeper. What unfolds is not only a mystery but a story of obsessions and evil. The end is a shock.
Du Maurier created an unforgettable atmosphere of decaying beauty, frightening spirits and horror mixed with love and death. If you haven't read this, I am envious. You get to experience it for the first time.
What follows is a love story and a ghost story of a woman haunted by the powerful presence of the former mistress of Manderley. We never learn the name of the heroine as she marries Max, moves into the rigid but elegant life at Manderley and tangles with Mrs. Danvers, Manderley's fearsome housekeeper. What unfolds is not only a mystery but a story of obsessions and evil. The end is a shock.
Du Maurier created an unforgettable atmosphere of decaying beauty, frightening spirits and horror mixed with love and death. If you haven't read this, I am envious. You get to experience it for the first time.
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36 of 38 people found the following review helpful
By
Myra Schjelderup
VINE VOICE on November 5, 2006
Format: Paperback
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It's all about Rebecca. She appears constantly in the mind of the main character telling the story, whose name you never learn, further burying her in the presence of Rebecca. The protagonist is a young woman who quite suddenly marries a man older than herself who was married once before. Maxim de Winter's previous wife, the last Mrs. de Winter, was Rebecca.
Our young bride goes with Maxim to his great home, Manderly, which she loves, but it can not hide her from Rebecca's overwhelming presence. To her it seems Maxim is always thinking about Rebecca, whom everyone loved, who died in a boating accident just a year before. She feels herself being constantly compared to Rebecca; this is not what Rebecca would have done, Rebecca must have done it like this, Rebecca was taller, Rebecca was a social butterfly, Rebecca was very beautiful, Rebecca Rebecca Rebecca. She is 'nothing like Rebecca.'
Having not been brought up in this type of life, she must get used to the grandness of Manderly. The servants, like one Mrs. Danvers who absolutely adored Rebecca; the people, who she must contact and talk to and who are constantly pressing her to hold the great dress ball of Manderly that Rebecca used to run; and the ocean, which stands as a constant reminder of Rebecca's tragic death, with its little boat-house that brings painful memories to Maxim.
Although people must compare her to Rebecca, the poor girl makes it worse by exercising her very vivid imagination; putting words where none were said, and constantly imagining things that don't happen. She does not fit into this life, and Maxim isn't making it any easier. You feel very, very sad for her, as it seems it's quite impossible for her to be really happy.Read more ›
Our young bride goes with Maxim to his great home, Manderly, which she loves, but it can not hide her from Rebecca's overwhelming presence. To her it seems Maxim is always thinking about Rebecca, whom everyone loved, who died in a boating accident just a year before. She feels herself being constantly compared to Rebecca; this is not what Rebecca would have done, Rebecca must have done it like this, Rebecca was taller, Rebecca was a social butterfly, Rebecca was very beautiful, Rebecca Rebecca Rebecca. She is 'nothing like Rebecca.'
Having not been brought up in this type of life, she must get used to the grandness of Manderly. The servants, like one Mrs. Danvers who absolutely adored Rebecca; the people, who she must contact and talk to and who are constantly pressing her to hold the great dress ball of Manderly that Rebecca used to run; and the ocean, which stands as a constant reminder of Rebecca's tragic death, with its little boat-house that brings painful memories to Maxim.
Although people must compare her to Rebecca, the poor girl makes it worse by exercising her very vivid imagination; putting words where none were said, and constantly imagining things that don't happen. She does not fit into this life, and Maxim isn't making it any easier. You feel very, very sad for her, as it seems it's quite impossible for her to be really happy.Read more ›
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