Many writing guides have suggested that fiction contains a limited number of basic plots, and Booker offers his version at great length. Furthermore, he claims all of these plots, from "overcoming the monster" to "rebirth," are variations on "the same great basic drama," a Jungian archetypal representation of the development and integration of the mature self. The meticulous detailing of this theory in plot summaries (of everything from
Beowulf to
Jaws, ancient comedy to modern tragedy, Western culture and Eastern) is an imposing enough task, but Booker is just warming up. In the book's second half, he explains how the psychological shortcomings of modern authors such as Shaw and Joyce led them to reject archetypal truth in favor of writing out their own sentimental and morbid fantasies. The biographical analysis is simplistic, however, and Booker makes numerous errors in the sections on film. The transition from literary criticism to Jungian psychology might be more bearable were it not saddled with an overabundance of academic cliché surprising in a writer of Booker's extensive journalistic background (he now contributes to England's
Daily Telegraph). Clearly striving for the intellectual respectability of Northrop Frye, he falls far short, and accusing those who disagree with him of suffering from "limited ego-consciousness" doesn't help his case.
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"This magisterial volume really does offer readers a genuinely fresh and exciting perspective on virtually every tale ever told." —Bookmark, July 2005 (Bookmark)
'This book...has mind-expanding properties. Not only for anyone interested in literature, but also for those fascinated by wider questions of how human beings organise their societies and explain the outside world to their inmost selves, it is fascinating.' Katherine Sale, FT
'Christopher Booker's mammoth account of plot types, archetypes, their role in literary history and where Western culture has gone horribly wrong.'Times Literary Supplement
'His prose is a model of clarity, and his lively enthusiamsm for fictions of every description is infectious...The Seven Basic Plots is...one of the most diverting works on storytelling I've ever encountered.' Dennis Dutton, The Washington Post
'This is the most extraordinary, exhilarating book. It always seemed to me that 'the story' was God's way of giving meaning to crude creation. Booker now interprets the mind of God, and analyses not just the novel - which will never to me be quite the same again - but puts the narrative of contemporary human affairs into a new perspective. If it took its author a lifetime to write, one can only feel gratitude that he did it.'Fay Weldon, novelist
'An enormous piece of work...nothing less than the story of all stories. And an extraordinary tale it is ... Booker ranges over vast tracts of literature, drawing together the plots of everything from Beowulf to Bond, from Sophocles to soap opera, from Homer to Homer Simpson, to show the underlying parallels in stories from what appear to be the most disparate sources. If stories are about "what happens next", this book sets out to show that the answer is always "the same things", then to explain why. I found it absolutely fascinating.' Ian Hislop, editor of Private Eye
'This is literally an incomparable book, because there is nothing to compare it with. It goes to the heart of man's cultural evolution through the stories we have told since storytelling began. It illuminates our nature, our beliefs and our collective emotions by shining a bright light on them from a completely new angle. Original, profound, fascinating - and on top of it all, a really good read.'Sir Antony Jay, co-author of Yes, Minister
'I have been quite bowled over by Christopher Booker's new book. It is so well planned with an excellent beginning and the contrasts and comparisons throughout are highly entertaining as well as informative and most original - and always extremely readable.'John Bayley
'Booker's knowledge and understanding of imaginative literature is unrivalled, his essays on the great authors both illuminating and stimulating. This is a truly important book, an accolade often bestowed and rarely deserved in our modern age.'Dame Beryl Bainbridge
Number 5 in Foyles bookshop Top Ten
'some splendid links between story and reality...enjoyably provocative'
(Gordon Parsons
Morning Star)
'It's hard not to admire the commitment of any writer whose book has taken 34 years to evolve. And there can be no doubting that Christopher Booker's 700-page, exhaustive examination of "Why we tell stories" - the book's subtitle - is a labour of love.'
(Gordon Parsons
Morning Star)
"....remarkable parallels between the structure of the modern film Jaws and that of the Old English Beowulf."
Writing Magazine
"If you have any interest in fiction and the way it works, you will enjoy this exploration of the seven basic plots and how they have been adapted and developed across the centuries."
Writing Magazine
"one of the most brilliant books of recent years" (Bel Mooney
Times)
Mentioned in article about author in The Lady, 17/07/07
(The Lady)
Title mention in article
(Neil Philip
Books For Keep)
"Fantastically entertaining" The Times
mention in Evangelical Times, 1 May 2009
"This magisterial volume really does offer readers a genuinely fresh and exciting perspective on virtually every tale ever told." —Bookmark, July 2005 (Sanford Lakoff)
'some splendid links between story and reality...enjoyably provocative'
(Sanford Lakoff
Morning Star)
'It's hard not to admire the commitment of any writer whose book has taken 34 years to evolve. And there can be no doubting that Christopher Booker's 700-page, exhaustive examination of "Why we tell stories" - the book's subtitle - is a labour of love.'
(Sanford Lakoff
Morning Star)
"one of the most brilliant books of recent years" (Sanford Lakoff
Times)
Mentioned in article about author in The Lady, 17/07/07
(Sanford Lakoff)
Title mention in article
(Sanford Lakoff
Books For Keep)