Publishers Gave Away 122,951,031 Books During World War II

And, in the process, they created a nation of readers.
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U.S. soldiers reading books from a military library in their barracks in Northern Ireland February 24, 1942. (AP)

In 1943, in the middle of the Second World War, America's book publishers took an audacious gamble. They decided to sell the armed forces cheap paperbacks, shipped to units scattered around the globe. Instead of printing only the books soldiers and sailors actually wanted to read, though, publishers decided to send them the best they had to offer. Over the next four years, publishers gave away 122,951,031 copies of their most valuable titles.

"Some of the publishers think that their business is going to be ruined," the prominent broadcaster H. V. Kaltenborn told his audience in 1944. "But I make this prediction. America's publishers have cooperated in an experiment that will for the first time make us a nation of book readers." He was absolutely right. From small Pacific islands to sprawling European depots, soldiers discovered the addictive delights of good books. By giving away the best it had to offer, the publishing industry created a vastly larger market for its wares. More importantly, it also democratized the pleasures of reading, making literature, poetry, and history available to all.

Serious books were hard to find before the war. An industry study in 1931 highlighted the book trade's limited audience. Nineteen out of every 20 books sold by the major publishing houses cost more than two dollars, a luxury even before the Depression. Those who could afford them often struggled to find them. Two out of three counties in America lacked any bookstore, or even so much as a department store, drugstore, or other retailer selling enough books to have an account with a publishing house. In rural areas, small towns, and even mid-sized cities, dedicated customers bought their books the way they bought other household goods, picking the titles out of mail-order catalogs. Most did not bother.

There was another, less-reputable class of books, though, that enjoyed broader distribution. Cheap mysteries, westerns, and comics could be snapped up at newsstands in paperbound editions that cost far less to produce than hardcover books. Throughout the 1920s and '30s, publishers tried to take advantage of this format to publish a wider range of books. Most efforts failed. Then, in 1939, two new entrants changed the equation. Pocket Books and Penguin Books each offered a mix of new titles and reprints of hardcover books, including some of a literary bent. More importantly, they sold these paperback books on magazine racks.

Americans could put down a quarter and pick up a book all over town, from train stations and drugstores. Within a year, Americans bought 6 million paperback books. By 1943, Pocket Books alone printed 38 million copies. "It's unbelievable," said the head of Random House. "It's frightening."

Old-line publishers had good reason to be scared. They were in the business of selling a premium product to an affluent audience. The sudden flood of paperbacks threatened to swamp their refined trade and erode its prestige. The cheap, disposable format seemed best suited to works of little lasting value. That Penguin and Pocket Books included some distinguished titles on their lists threatened the stability of these categories, even as their sales still tilted heavily toward the lower end of the spectrum. Paperbacks were expanding the market for books, but that market remained divided.

Then, war intervened. The key actors in the book trade organized themselves into the Council on Books in Wartime, hoping to use books to advance the war effort. In February of 1943, they circulated an audacious proposal. They proposed to print and sell millions of books to the army, for just six cents a volume.

Hardcover books could not possibly be produced so cheaply. But magazines could. So the Council decided to use magazine presses, printing two copies on each page, and then slicing the book in half perpendicular to the binding. The result was a book wider than it was tall, featuring two columns of text for easier reading in low light. The real innovation, though, was less technological than ideological. The publishers proposed to take books available only in hardcover form, and produce them in this disposable format.

The plan, breathtaking in its ambition, was sure to engender skepticism among publishers asked to donate the rights to some of their most valuable property. So the chair of the committee, W.W. Norton, took care to appeal not just to the patriotism of his fellow publishers, but also to their pursuit of profits. "The net result to the industry and to the future of book reading can only be helpful," he explained. "The very fact that millions of men will have the opportunity to learn what a book is and what it can mean is likely now and in postwar years to exert a tremendous influence on the postwar course of the industry."

Not everyone agreed. Some publishers worried that the books, reserved for soldiers, would flood back into the civilian market. Others were concerned that, if soldiers became accustomed to six-cent books, it would be impossible to sell two-dollar hardcovers.

Even those skeptical of the program as a business initiative, though, had to cede its power as a statement of American values. The Council contrasted its own efforts to distribute all kinds of books with the book-burning of the Nazi regime. "People of the Axis Lands are prevented by force from knowing the facts of the time, and are told what to think," The New York Times editorialized. "People of this free nation are supplied with the truth as free men see it and are confidently left to think for themselves."

The army and the navy endorsed the program, and in July of 1943, began shipping the books around the world. The Council aimed to produce one box of books for every 150 soldiers and sailors, and also sent boxes to smaller, isolated detachments. By the spring of 1945, the program shipped 155,000 crates of these Armed Services Editions each month, with 40 new books packed into each box. Wherever they arrived, soldiers tore them open, and began to read.

"Dog-eared and moldy and limp from the humidity those books go up the line," wrote a war reporter from the southwest Pacific. "Because they are what they are, because they can be packed in a hip pocket or snuck into a shoulder pack, men are reading where men have never read before." A lieutenant in the Marshall Islands wrote of seeing men devour books "by a dim flashlight under a shelter half, even after the air-raid siren has already blown and they should be in a foxhole." Another soldier reported that "the books are read until they fall apart."

Even as millions of books arrived overseas, demand often outpaced the supply. One rifleman who served in Europe recalled the books as "real life savers," but complained that the brass and rear-area units snatched them up before they could trickle down to the front-line troops. Another private, who managed to find just two books in three-and-a-half years, finally asked in desperation if he could just buy copies at his own expense.

The books were "as popular as pin-up girls," reported a GI stationed in New Guinea. Indeed, they often served much the same purposes. "The principal favorites," a study found, "are novels that deal frankly with sexual relations (regardless of tone, literary merit and point of view, no matter whether the book is serious or humorous, romantically exciting or drably pedestrian)." Sex sold. So did westerns and mysteries.

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Yoni Appelbaum is a social and cultural historian of the United States. He is a lecturer on history and literature at Harvard University.

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