But he did brand it.
Last summer, as uprisings shook the Middle East and much of the world economy struggled, Mr. Lasn and several colleagues at the small magazine felt the moment was ripe to tap simmering frustration on the American political left.
On July 13, he and his colleagues created a new hash tag on Twitter: #OCCUPYWALLSTREET. They made a poster showing a ballerina dancing on the back of the muscular sculptured bull near Wall Street in Manhattan.
For some people they were just words and images. For Mr. Lasn, they were tools to begin remodeling the “mental environment,” to create a new “meme,” the term coined by the evolutionary biologist Richard Dawkins for a kind of transcendent cultural message.
“There’s a number of ways to wage a meme war,” Mr. Lasn, whose name is pronounced KAL-luh LAS-en, said in an interview. “I believe that one of the most powerful things of all is aesthetics.”
….He has been accused of playing off the image-oriented culture that dominates advertising, instead of rejecting it outright. But Mr. Lasn said he believed in the power of media to subvert traditional power structures.
“If you’re able to come up with a very sexy sounding hash tag like we did for Occupy Wall Street, and you come up with a very magical looking poster that seems to have something very profound about it, these devices push these memes, these meta memes, into the public imagination in a very powerful way,” he said.
There’s some silliness at the end about how Lasn has specific goals “unlike many people involved in the protests,” which itself is becoming a (false) meme, but the discussion of the power of branding to create a transnational political movement is interesting.