Glass Satire’s newest installment explores the incompatibility of contemporary floor-based sculpture with very important people who don’t ever look down. (It also explains why the Félix González-Torres sculpture in the CAMH’s last show moved from the floor to a pedestal.)
![Glass Satire: CAMH Art Crush](https://webarchive.library.unt.edu/glasstire/20130116125229im_/http://glasstire.com/wp-content/themes/glasstire/library/extensions/tim-thumb/timthumb.php?src=http://glasstire.com/wp-content/uploads/2012/08/CAMH-Art-Crush.jpg&w=220&h=220&q=100)