350 Words

350 Words: “Cosmopolitanism” at Conduit Gallery

The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically I buy into that idea, but on a practical level, trying to achieve consensus on the definition of morality would prove impossible. Curator Ben Lima’s [...]

Héctor Zamora, "Sciame di Dirigibili," video still, 1:05

350 Words: “Hybrid Forms” at AMOA-Arthouse

Hybrid Forms at AMOA-Arthouse seeks to codify new media as a traditional art medium. With contributions from ten artists, the exhibition is anchored by video innovator Nam June Paik’s Zen for TV. First created in 1963, the original work sprang from an accidentally-damaged television with a single line on the screen—a moment of Zen striking [...]

Susie J. Lee’s "Consummation"

350 Words: “City Zoo” at Brand 10 Art Space, And X Art Space

Featuring seven artists’ work in two galleries, the exhibition City Zoo marks the debut of Brand 10’s new space—And X. Conveniently located on the I-30 service road, And X’s mission is to showcase large-scale sculptural and video installations, as well as host collaborative or collective artist groups. Artists will be invited to spend a few [...]

Susi Brister, "Crystal-Studded Shag in Dunes," 2012, Archival pigment print on Hahnemühle photo rag

350 Words: Jackie Tileston at Holly Johnson Gallery

Jackie Tileston’s latest exhibition Freefall at Holly Johnson Gallery in Dallas includes paintings from 2007 to present. I’ve followed Tileston’s work for the past ten years and I never get tired of looking at it. The artist draws inspiration from a variety of sources including abstraction, physics, traditional eastern imagery and contemporary visual culture. Co-mingling [...]

350 Words: Jackie Tileston at Holly Johnson Gallery

350 Words: John Waters at McClain Gallery

At least one person in the crowd at the opening of John Waters’ exhibition “Neurotic” at McClain Gallery appeared to be angling to be the next Divine. Waters was in attendance, wearing a natty blue suit with stripes “painted” across it. The work he presented was as sly and smartass as his pencil-thin mustache. His [...]

350 Words: John Waters at McClain Gallery

350 Words: “Glenn Ligon: America”

I have followed Glenn Ligon’s work over the past twenty years. He’s not known for his subtlety. In fact, he deliberately provokes his viewers. Given that his work examines race, gender and politics in such raw and unblinking ways, I admit I was pleasantly surprised that The Modern was willing to take the risk of [...]

Glenn Ligon, "Malcolm X (Version 1) #1," 2000, Vinyl-based paint, silkscreen ink, and gesso on canvas, 96 x 72 in. (243.8 x 182.9 cm) Collection of Michael and Lise Evans

350 Words: “In the Interest of Time” at Brazos Gallery

The exhibition In the Interest of Time presents three projects by the Brooklyn collaborative Smudge Studio, comprised of artists Elizabeth Ellsworth and Jamie Kruse. Their primary subject is the landscape, and their approach includes embodying the roles of scientist, historian, anthropologist and, of course, artist. Their process is a performative journey, navigating, investigating and documenting [...]

Smudge Studio

350 Words: Jeff Shore and Jon Fisher’s “Reel to Reel” at McClain Gallery

Composed of wall-mounted sculptures, sound and film, Reel to Reel, Jeff Shore and Jon Fisher’s current installation at McClain Gallery, holds small revelations about the nature of machinery, art, music—and technology itself. Walking into the dark gallery space, I found my attention drawn to the many different aspects of the installation. Wire-ridden sculptures with jittery [...]

Jeff Shore and Jon Fisher, "Reel to Reel"

350 Words: Contemplative Cinema at Texas Theater

My husband is like the other 99.5% of Americans who go to the movies to be entertained, not to think. So it is with some trepidation that I asked him to accompany me to the Contemplative Cinema event at the Texas Theater earlier this month. The short 45-minute screening and beer allowed in the theater [...]

Still from Carolee Schneemann's "Fuses," (1965).