“You’re never gonna make it flat, anyway:” Jung Mun and the Sala Diaz effect
I’ve seen the Sala Diaz effect encourage unprecedented audacity more than once. More than ten times. The secret is, to a large extent, the flip-flop of the usual S.A. gallery show, in which an artist hangs finished work in the course of one or two days, and that art hangs or stands in there for [...]