Browse: Home / claes oldenburg
By GT contributors on September 6, 2012
Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super smart curator and art historian Andy Campbell invited New York- and Stockholm-based artist Emily Roysdon to take over the VAC’s Vaulted Gallery for the fall semester. I first heard of Roysdon in [...]
Posted in Article, Feature, Uncategorized | Tagged a useful life, A Wrinkle In Time, aaron landsman, aaron parazette, amoa, Andy Campbell, Andy Coolquitt, animals, Ann Stautberg, Anne Wilkes Tucker, Annenberg Space for Photography, archetype, Architecture, art, Art Museum of Southeast Texas, arthouse, Artpace, austin, austin museum of art, BEAUMONT, ben lima, Benito Huerta, Beverly Penn, blaffer, box 13 artspace, Brooklyn Museum, bureaucracy, Burt Long, Canis Familiaris, Carter Ernst, Cathy Cunningham-Little, Charles Jones, Charmaine Locke, children, Chinati Weekend 2012, chris powell, claes oldenburg, Co-Lab, Co-Lab Projects, Colby Bird, collage, Colombia University, commercial images, Conduit Gallery, contemporary, coosje van bruggen, Corcoran Gallery of Art, Corinne Jones, Cornelia Parker, cosmopolitanism, culture, dallas, DB12: Volume 2, denison university, Día de los Muertos, diverseworks, DIY, Documentary, East Texas, Ed Hill, el paso museum of art, El Paso Public Library, Elizabeth Akamatsu, Emily Roysdon, erika osborne, Eugene Binder Gallery, Eva Rothschild, exhibition, Federico Veiroj, film, Fl!ght gallery, fort worth, Fort Worth Contemporary Arts, found objects, Frank Tolbert, FringeNYC, front gallery, glassblowing, Global Lens, Gregg Bordowitz, hair, Harris Lieberman Gallery, Harry Geffert, Hilary Harnischfeger, House Lamps, Houston, installation, james surls, janeil engelstad, Janet Chaffee, Jeffers Theatre, Jerolyn & Roger Colombik, jesus moroles, Joan Batson, joe rosenthal, john wilcox, Judy Rushin, Julie Bozzi, Justin Parr, Ken Little, kia neill, Kris Pierce, Kristin Gamez, Lawndale, Lesbians to the Rescue, Letitia & Sedrick Huckaby, Liam Gillick, Linda Ridgway, Liza & Lee Littlefield, local government, LTTR, Manuel Carrillo, Marfa, mari hernandez, Marianne Green, Mario Ybarra Jr., mark cole, Mark McDaniel, Martha Rosler, más rudas collective, Más Triste San Antonio, menil, menil drawing institute, mexic-arte, mfah, michelle white, mitchell center, Modern Art Museum of Fort Worth, modernism, modular design, Mona Hatoum, Moody Gallery, multimedia, multimedia storytelling, museum of fine arts, Nasher Sculpture Center, natalie zelt, New York International Fringe Festival, nut milk, NYIFF, off-the-grid, Otis Jones, painting, panhandle, Paul Kittelson, paul strand, performance art, Photographic Society of America, photography, piero fenci, pop art, public action, Randy Twaddle, Rebecca Drolen, Renzo Piano, richard wentworth, rio grande valley, robert kinmont, Ruth Leonela Buentello, San Antonio, Sarah Castillo, sauerkraut, Shannon & William Cannings, Sharon Engelstein, Sightings, silkscreen, Slanguage, sol lewitt, south texas underground film, SRO Photo Gallery, Stephen Lapthisophon, Susan Budge, sustainable farming, Suzanne Bloom, technology, terri thornton, Terry & Jo Harvey Allen, Texas, Texas State University Galleries, texas tech, The Dallas Bienniel, The Guadalupe Cultural Arts Center, the Menil Collection, The Reading Room, The Sleepy Border Town Insomniacs, Tommy White, TRR, Unit B, university of georgia, university of texas pan american, UT Arlington, UTPA, VAC, Vernon Fisher, Vincent Falsetta, virtual, Visual Arts Center, Waiting for Godot, war, whole foods, will michels, William Campbell Contemporary, window works, women, women & their work, worm farm |
By Bryan Miller on July 11, 2012
It’s the All Star break, a time when the very best professional baseball players have to travel for work and the rest get a four-day vacation. It’s also the dead of summer, when the Houston art world generally slows to a trickle and creative group shows compete for the attention of whoever’s not in Aspen. [...]
Posted in Article, The Ten List, Uncategorized | Tagged ai wei wei, all stars, art and baseball, Bacher, Benjamin Hirte, claes oldenburg, Contemporary art and baseball, David Adamo, Ewan Gibbs, Jean-Michel Basquiat, Lutz, Radcliffe Bailey, Raymond Pettibon, Todd Hebert |
By Bill Davenport on December 17, 2011
Since 1991, Claes Oldenburg and Coosje van Bruggen’s Monument to the Last Horse has stood at the center of the Chinati collection, a bit of cornball figuration amid arid transcendentalism, a testament to both the history of Fort D.A. Russell and to the friendship between Donald Judd and the two artists. In 2012, Chinati will [...]
Posted in Newswire | Tagged Chinati Foundation, claes oldenburg, coosje van bruggen, donald judd, fort d.a. russell, monument to the last horse |
By Lucia Simek on September 30, 2011
It’s State Fair time again. I haven’t been in nearly a decade, but I’ve promised my small people I’ll go this year. I look forward to it with a kind of glee mixed with fear – a potent cocktail born of memories of sickness and stickiness and the smell of livestock. In honor of those [...]
Posted in Blog, Shelf Life, Uncategorized | Tagged claes oldenburg, elizabeth crawford, janine antoni, jeff kooks, lindee climo, margaret meehan, martin paar, neo rauch, peter saul, Rebecca Warren, state fair, texas state fair, william eggleston |