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By Colette Copeland on November 1, 2012
The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically I buy into that idea, but on a practical level, trying to achieve consensus on the definition of morality would prove impossible. Curator Ben Lima’s [...]
Posted in 350 Words, Article, Blog, Review, Uncategorized | Tagged ben lima, Conduit Gallery, cosmopolitanism |
By Garry Reece on September 26, 2012
One Ordinary Day of an Ordinary Town, Mimi Kato’s current exhibition on view at Conduit Gallery, is a continuation of the hybrid digital landscapes she first presented at ArtPace in 2009. Kato takes subject matter and format from traditional Japanese art history and then creates stylized illustrations within the context of her contemporary world. [...]
Posted in Article, Review, Uncategorized | Tagged Artpace, Conduit Gallery, japanese theater, mim kato, ukiyo-e |
By GT contributors on September 6, 2012
Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super smart curator and art historian Andy Campbell invited New York- and Stockholm-based artist Emily Roysdon to take over the VAC’s Vaulted Gallery for the fall semester. I first heard of Roysdon in [...]
Posted in Article, Feature, Uncategorized | Tagged a useful life, A Wrinkle In Time, aaron landsman, aaron parazette, amoa, Andy Campbell, Andy Coolquitt, animals, Ann Stautberg, Anne Wilkes Tucker, Annenberg Space for Photography, archetype, Architecture, art, Art Museum of Southeast Texas, arthouse, Artpace, austin, austin museum of art, BEAUMONT, ben lima, Benito Huerta, Beverly Penn, blaffer, box 13 artspace, Brooklyn Museum, bureaucracy, Burt Long, Canis Familiaris, Carter Ernst, Cathy Cunningham-Little, Charles Jones, Charmaine Locke, children, Chinati Weekend 2012, chris powell, claes oldenburg, Co-Lab, Co-Lab Projects, Colby Bird, collage, Colombia University, commercial images, Conduit Gallery, contemporary, coosje van bruggen, Corcoran Gallery of Art, Corinne Jones, Cornelia Parker, cosmopolitanism, culture, dallas, DB12: Volume 2, denison university, Día de los Muertos, diverseworks, DIY, Documentary, East Texas, Ed Hill, el paso museum of art, El Paso Public Library, Elizabeth Akamatsu, Emily Roysdon, erika osborne, Eugene Binder Gallery, Eva Rothschild, exhibition, Federico Veiroj, film, Fl!ght gallery, fort worth, Fort Worth Contemporary Arts, found objects, Frank Tolbert, FringeNYC, front gallery, glassblowing, Global Lens, Gregg Bordowitz, hair, Harris Lieberman Gallery, Harry Geffert, Hilary Harnischfeger, House Lamps, Houston, installation, james surls, janeil engelstad, Janet Chaffee, Jeffers Theatre, Jerolyn & Roger Colombik, jesus moroles, Joan Batson, joe rosenthal, john wilcox, Judy Rushin, Julie Bozzi, Justin Parr, Ken Little, kia neill, Kris Pierce, Kristin Gamez, Lawndale, Lesbians to the Rescue, Letitia & Sedrick Huckaby, Liam Gillick, Linda Ridgway, Liza & Lee Littlefield, local government, LTTR, Manuel Carrillo, Marfa, mari hernandez, Marianne Green, Mario Ybarra Jr., mark cole, Mark McDaniel, Martha Rosler, más rudas collective, Más Triste San Antonio, menil, menil drawing institute, mexic-arte, mfah, michelle white, mitchell center, Modern Art Museum of Fort Worth, modernism, modular design, Mona Hatoum, Moody Gallery, multimedia, multimedia storytelling, museum of fine arts, Nasher Sculpture Center, natalie zelt, New York International Fringe Festival, nut milk, NYIFF, off-the-grid, Otis Jones, painting, panhandle, Paul Kittelson, paul strand, performance art, Photographic Society of America, photography, piero fenci, pop art, public action, Randy Twaddle, Rebecca Drolen, Renzo Piano, richard wentworth, rio grande valley, robert kinmont, Ruth Leonela Buentello, San Antonio, Sarah Castillo, sauerkraut, Shannon & William Cannings, Sharon Engelstein, Sightings, silkscreen, Slanguage, sol lewitt, south texas underground film, SRO Photo Gallery, Stephen Lapthisophon, Susan Budge, sustainable farming, Suzanne Bloom, technology, terri thornton, Terry & Jo Harvey Allen, Texas, Texas State University Galleries, texas tech, The Dallas Bienniel, The Guadalupe Cultural Arts Center, the Menil Collection, The Reading Room, The Sleepy Border Town Insomniacs, Tommy White, TRR, Unit B, university of georgia, university of texas pan american, UT Arlington, UTPA, VAC, Vernon Fisher, Vincent Falsetta, virtual, Visual Arts Center, Waiting for Godot, war, whole foods, will michels, William Campbell Contemporary, window works, women, women & their work, worm farm |
By Betsy Lewis on December 14, 2011
While others swoon over Vincent Falsetta’s distinctly abstract paintings, The Reading Room’s Karen Weiner swoons over his handwriting, archiving, and documentation. Her small, noncommercial Exposition Park gallery is devoted to the intersection of visual art and the written word, with a goal of good discussion rather than sales. The current exhibition The Index Cards: Vincent [...]
Posted in Don't Look. Okay Look., Uncategorized | Tagged 500X, Conduit Gallery, Exposition Park, Janis Joplin, Jimi Hendrix, Johnny Robertson, Karen Weiner, Martha Falsetta, Pulp Fiction, Quentin Tarantino, The Index Cards, The Reading Room, Vincent Falsetta |
By Lucia Simek on September 27, 2011
Last week, a Facebook friend of mine — an artist living in Dallas whom I’ve never actually met – caught my attention when he posted this on Facebook after his recent visit to NY: Walking through the galleries in Chelsea… the work that we saw felt different than art here in Dallas. Part of the difference was presentation. [...]
Posted in Blog, Shelf Life | Tagged Conduit Gallery, facebook, FWCA, Holly Johnson Gallery, Matthew Marks Gallery, Thomas Demand |