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By GT contributors on January 6, 2013
Glasstire contributors offer up their picks for the best spring shows around the state. Think we missed something great? Post it in the comments section below! AUSTIN Alison Kuo: Colorful Food 1117 Garland January 4 – February 14 Former Austin resident and current School of Visual Art grad student, Alison Kuo will present a psychedelic [...]
Posted in Article, Feature, Uncategorized | Tagged 1117 Garland, 500X, Adam Putnam, Alison Kuo, amset, Andrew Douglas Underwood, andrew wyeth, angela kallus, Art Museum of Southeast Texas, Artpace, Ben Shahn, Blue Star Contemporary Art Center, brett bloom, Charles Burchfield, Charles Sheeler, colette copeland, Colorful Food, Dave HIckey, Day Wheeler, designated drivers, Diego Bianchi, diverseworks, Edgardo Aragón, Edward Hopper, Fernando Brito, FotoFest, Gary Simmons, George Tooker, Gunilla Klingberg, Interactive Records, Into the Wild Meaning, Ivete Lucas, J. Parker Valentine, Jennifer Ward, Jimmy Peña, Jorge Arreola Barraza, Joseph Cornell, K Space Contemporary, Keri Oldham, kirk hopper fine art, Man Ray, marc fischer, Marcela Rico, Marty Walker Gallery, mckinney avenue contemporary, McNay Museum of Art, miguel aragon, Modern Art Museum of Fort Worth, Ogden Museum of Southern Art, Okay Mountain, Paul Cadmus, Pedro Reyes, Philip Guston, rice gallery, Roberta Harris, salem collo-julin, sally chandler, Scott Martin, Sterling Allen, Susie Kalil, Suzanne Cotter, Tala Madani, temporary services, terri thornton, Texas State University Galleries, The Jung Center Gallery, The Reading Room, tony feher, UNLV, VAC, Visual Art Center, Yves Tanguy |
By John Aasp on July 15, 2012
If you’ve been paying attention lately, you know Texas has a bit of a water problem. If you’ve been out of the loop, start with the woes in the little town of Robert Lee (12 miles from where I grew up) or if you’re more big-city, how about Houston’s water coming from Dallas’s wastewater (which [...]
Posted in Blog, John Aäsp, The Open Blog | Tagged Cande Aguilar, colette copeland, Emily Stergar, Environmental Art, Gulf Coast, K Space Contemporary, Watered Down |
By Colette Copeland on December 11, 2011
Video exhibitions tend to be hit or miss. As someone who makes, curates and writes about video, I have seen my share of mediocre video work. Most recently I wrote about the Memery exhibition at Mass MoCA, in which nine primarily video artists explore Internet memes and memory in visual culture. (A meme is a [...]
Posted in Article, Review | Tagged Anna Barham, Christian Marclay, colette copeland, Diller + Scofidio, Hugh Walton, Laurina Paperina, Marlene Nathan Meyerson, Mary Reid Kelley, Rainer Ganahl |
By Colette Copeland on December 9, 2011
Fort Worth Contemporary Art’s exhibit of Angus Fairhurst’s bronze gorilla sculpture entitled A Couple of Differences Between Thinking and Feeling pays homage to the YBA artist who tragically died in 2008. Post-death, we cannot help but anthropomorphize and project the artist’s depression and loneliness onto the magnificent sculpture. The gorilla, regal in stature, stares at [...]
Posted in Blog, The Open Blog, Uncategorized | Tagged Angus Fairhurst, Christina Rees, colette copeland, Fort Worth Contemporary Arts, FWCA, Goss-Michael Foundation, Jim Lambie |
By Colette Copeland on December 5, 2011
Every writer has her biases and I’m no exception. If someone were to ask me if Abstract Expressionism were my favorite art genre, I would vehemently shake my head “no.” So it surprises me that I’m having such a lovefest with the expressive work of L.A. artist Mark Bradford at the DMA. In fact, this [...]
Posted in Article, Review | Tagged Art21, colette copeland, Dallas museum of art, mark bradford |
By Colette Copeland on November 25, 2011
My husband is like the other 99.5% of Americans who go to the movies to be entertained, not to think. So it is with some trepidation that I asked him to accompany me to the Contemplative Cinema event at the Texas Theater earlier this month. The short 45-minute screening and beer allowed in the theater [...]
Posted in 350 Words, Article, Review | Tagged Carolee Schneemann, colette copeland, Contemplative Cinema, film feedback, fuses, Mike Morris, mothlight, Stan Brakhage, texas theater, Tony Conrad |