box 13 artspace
Drawings!: My Favorites From Houston 2012
By Rachel Hooper on December 29, 2012
There has been a lot of excitement about painting in Houston this year, with Aaron Parazette’s In Plain Sight at McClain Gallery and a big exhibition planned for the CAMH’s 65th anniversary. But what about good old drawing? Often more humble and imaginatively evocative than painting, there have been some outstanding drawings shown in Houston [...]
Posted in Blog, Wax by the Fire | Tagged aaron parazette, Ariane Roesch, Art Palace, box 13 artspace, camh houston, carl suddath, clarence chun, Debra Barrera, devin borden gallery, drawing, eric zimmerman, front gallery, Gallery Sonja Roesch, galveston arts center, graphite, ink, kerry inman, kia neill, Laura Lark, linda darke, mark lombardi, mark ponder, McClain Gallery, Michael Bise, Moody Gallery, pen, redbud gallery, robert pruitt, Robyn O’Neil, unit, william witte | 1 Response
Pan Art Fair
By Rachel Hooper on October 20, 2012
Last year, the Houston art fairs were the talk of the town, and most people were dubious that two fairs would be able to survive. Well, not only did both return this year, but a third satellite project has been added– The Pan Art Fair. Organized by Robert Boyd, author of the blog The Great [...]
Posted in Blog, Wax by the Fire | Tagged biff bolen, box 13 artspace, cardoza fine art, chris cascio, david mcclain, diane arbus, emily peacock, emily sloan, fotofest biennial, Geoff Hippenstiel, houston fine art fair, jim nolan, Lane Hagood, Lawndale Art Center, mark flood, monica vidal, pan art fair, robert boyd, solomon kane, texas contemporary art fair, the great god pan is dead, the kenmore, Virginia Fleck | Leave a response
2012 Fall Preview
By GT contributors on September 6, 2012
Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super smart curator and art historian Andy Campbell invited New York- and Stockholm-based artist Emily Roysdon to take over the VAC’s Vaulted Gallery for the fall semester. I first heard of Roysdon in [...]
Posted in Article, Feature, Uncategorized | Tagged a useful life, A Wrinkle In Time, aaron landsman, aaron parazette, amoa, Andy Campbell, Andy Coolquitt, animals, Ann Stautberg, Anne Wilkes Tucker, Annenberg Space for Photography, archetype, Architecture, art, Art Museum of Southeast Texas, arthouse, Artpace, austin, austin museum of art, BEAUMONT, ben lima, Benito Huerta, Beverly Penn, blaffer, box 13 artspace, Brooklyn Museum, bureaucracy, Burt Long, Canis Familiaris, Carter Ernst, Cathy Cunningham-Little, Charles Jones, Charmaine Locke, children, Chinati Weekend 2012, chris powell, claes oldenburg, Co-Lab, Co-Lab Projects, Colby Bird, collage, Colombia University, commercial images, Conduit Gallery, contemporary, coosje van bruggen, Corcoran Gallery of Art, Corinne Jones, Cornelia Parker, cosmopolitanism, culture, dallas, DB12: Volume 2, denison university, Día de los Muertos, diverseworks, DIY, Documentary, East Texas, Ed Hill, el paso museum of art, El Paso Public Library, Elizabeth Akamatsu, Emily Roysdon, erika osborne, Eugene Binder Gallery, Eva Rothschild, exhibition, Federico Veiroj, film, Fl!ght gallery, fort worth, Fort Worth Contemporary Arts, found objects, Frank Tolbert, FringeNYC, front gallery, glassblowing, Global Lens, Gregg Bordowitz, hair, Harris Lieberman Gallery, Harry Geffert, Hilary Harnischfeger, House Lamps, Houston, installation, james surls, janeil engelstad, Janet Chaffee, Jeffers Theatre, Jerolyn & Roger Colombik, jesus moroles, Joan Batson, joe rosenthal, john wilcox, Judy Rushin, Julie Bozzi, Justin Parr, Ken Little, kia neill, Kris Pierce, Kristin Gamez, Lawndale, Lesbians to the Rescue, Letitia & Sedrick Huckaby, Liam Gillick, Linda Ridgway, Liza & Lee Littlefield, local government, LTTR, Manuel Carrillo, Marfa, mari hernandez, Marianne Green, Mario Ybarra Jr., mark cole, Mark McDaniel, Martha Rosler, más rudas collective, Más Triste San Antonio, menil, menil drawing institute, mexic-arte, mfah, michelle white, mitchell center, Modern Art Museum of Fort Worth, modernism, modular design, Mona Hatoum, Moody Gallery, multimedia, multimedia storytelling, museum of fine arts, Nasher Sculpture Center, natalie zelt, New York International Fringe Festival, nut milk, NYIFF, off-the-grid, Otis Jones, painting, panhandle, Paul Kittelson, paul strand, performance art, Photographic Society of America, photography, piero fenci, pop art, public action, Randy Twaddle, Rebecca Drolen, Renzo Piano, richard wentworth, rio grande valley, robert kinmont, Ruth Leonela Buentello, San Antonio, Sarah Castillo, sauerkraut, Shannon & William Cannings, Sharon Engelstein, Sightings, silkscreen, Slanguage, sol lewitt, south texas underground film, SRO Photo Gallery, Stephen Lapthisophon, Susan Budge, sustainable farming, Suzanne Bloom, technology, terri thornton, Terry & Jo Harvey Allen, Texas, Texas State University Galleries, texas tech, The Dallas Bienniel, The Guadalupe Cultural Arts Center, the Menil Collection, The Reading Room, The Sleepy Border Town Insomniacs, Tommy White, TRR, Unit B, university of georgia, university of texas pan american, UT Arlington, UTPA, VAC, Vernon Fisher, Vincent Falsetta, virtual, Visual Arts Center, Waiting for Godot, war, whole foods, will michels, William Campbell Contemporary, window works, women, women & their work, worm farm | Leave a response