By Sebastien Boncy on October 25, 2012
Yikes! That’s it? I can’t believe that In Appropriation at HCP is closing already. I’ve been thinking about the show quite a bit. And while I’ve been thinking, the clock’s been ticking. The show ends this weekend, and I still don’t have a rock solid angle. Here are some tentative thoughts in the hopes [...]
Posted in Monocular | Tagged Aaron Schuman, Adam Broomberg, Broomberg & Chanarin, Charlotte Cotton, Esther Teichmann, Gordon Gekko, Harlan Ellison, hcp, Hergé, houston center for photography, In Appropriation, Jon Lovitz, Melinda Gibson, Michael Douglas, michael wolf, Oliver Chanarin, Pablo Picasso, Queen Latifah, Repent Harlequin Said The Ticktockman, Seba Curtis, Terry Gilliam, The Crab with The Golden Claws, The Photograph as Contemporary Art, Tintin |
By Betsy Lewis on October 17, 2011
Photographic prints have risen steadily in both collector lust and monetary value over the last hundred years, and Afterimage Gallery in Dallas has been a microcosm of the history of photography for the last four decades. The black and white selections that comprise 40 Exceptional Photographs: Our 40th Anniversary Show thread a systematic history of [...]
Posted in Don't Look. Okay Look., Uncategorized | Tagged Afterimage Gallery, ambrotype, Arnold Newman, Ben Breard, Bob Gomel, Central Park, E.S. Dunshee, Falmouth, La Bare, Malcolm X, Michael Massaia, Mitch Dobrowner, Muhammad Ali, Pablo Picasso, Ron Evans, Sarah Lawrence, shepard fairey, Vallauris |