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CORPORATE PETTING ZOO : Chad Hopper, February 2nd-9th, 2013

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CORPORATE PETTING ZOO : Chad Hopper

Opening Reception: Saturday, February 2nd, 2013, 7-11PM

@Project Space

Come one. Come all. We are opening up the gates to a zoo filled with wild metaphors and white collar crime. Prepare yourself for this once in a lifetime opportunity to have an up close and personal visit with the animals that feed on greed. They know what you had for breakfast and they will sell it to you for dinner. What a wonderful way to spend Groundhog’s Day… pointing and laughing at creatures who lurk in the shadows of giant buildings.

“Armageddon Outta Here” : Ink Tank, December 21st-29th, 2012

image

“Armageddon Outta Here” : Ink Tank
An End of the World/Winter Solstice/Galactic Convergence Party and Food Drive

Sponsored by Tito’s Handmade Vodka and Circle Brewing

@ Project Space (613 Allen St)

December 21st, 7PM-?

It is here. It is over. The end. And there are only two ways out; together or alone. Come comets, come catastrophes, come cats and dogs, come hell or high water. Our calendar has finally been exhausted, the Long Count has run its course. Mere anarchy will be loosed upon the world. The center cannot hold and there are only two ways out.

You can hide away, solitary and despairing, doomsday’s rumor your only companion. But we, Ink Tank, choose each other.

We will band together, tune our radios, stockpile, set our jaws and square our shoulders, build our bunks, and welcome the community into our protective fold.

On December 21st, 2012, Co-Lab will be fortified and buttressed, made a haven and a refuge; a new Arc. We will be gathering resources to ride out the end. Any canned or non-perishable food items or supplies you bring that night be added into our community cache and will grant you entry into our safe zone, replete with hope, shelter, and a last supper. But should this foretold end not come to pass and we do survive, our vigilance and efforts will not go to waste; any and all goods received will be donated to local food banks in time for a fresh start, a new beginning, 2013.

Guest soundscape performances by Zac Traeger and Henna Chou 

“Conspectus : Two Thousand Twelve” + “East Austin Studio Tour”, November 10th - December 1st, 2012



“Conspectus : Two Thousand Twelve” + “East Austin Studio Tour”

Kick-off Party/Opening Reception: November 10th, 2012, 7-11PM
E.A.S.T. Hours: November 10th, 11th, 17th, 18th 11AM-6PM
2012 Catalog/DVD Release Party: December 1st, 2012, 7-11PM

con·spec·tus    noun    \kən-ˈspek-təs\
1: a usually brief survey or summary (as of an extensive subject) often providing an overall view
2: outline, synopsis

A comprehensive look back at our 2012 programming year. Each artist or group of artists had the opportunity to transform our space utilizing it to express their ideas, now smaller components from each of these projects will be shown together illustrating the breadth and diversity of art we witnessed this year.

Featured Artists: Lisa Choinacky, Michael Abelman, Robert Jackson Harrington, Loring Baker, Jamie Panzer, Eric Timothy Carlson, Shawn Camp, Kollin Baker, Daniel Kliewer, Paul McLean, Alyssa Taylor Wendt, J Haley, Julia Hungerford and Lee Webster, Ben Brandt, Mark Johnson, Russell Etchen, Justin Balleza, Drew Liverman, Jules Buck Jones and Morgan Coy, Andrea Hyland, and Judy Rushin

Support our Kickstarter to fund the 2012 Catalog/DVD

“The Secret Social Life of Painting” : Judy Rushin, October 13th-November 24th, 2012



“The Secret Social Life of Painting” : Judy Rushin 
 
@ N Space (905 Congress Ave)
October 13th - November 24th, 2012
Also on view during open hours Wednesdays 5:30-8PM and by appointment

@ Project Space (613 Allen St)
October 20th - 27th, 2012
Opening Reception: Saturday, October 20th, 2012, 7-11PM
Also on view by appointment


The Secret Social Life of Painting is an exhibition of works in two parts by Judy Rushin and is simultaneously on view at Co-Lab and N Space. The works at Co-Lab hang on and lean against the walls and stand freely in open spaces, creating an experiential environment that Rushin sees as an extension of themes developed in the 60s by artists like Blinky Palermo, Imi Knoebel, and Helio Oiticica. Like her forerunners, Rushin allows her creative process to be intuitive and her post-creation analyses to be equally fluid. Essentially though, she reduces the elements of discourse to their most basic components to establish a space for larger and more mysterious concepts to emerge. Hanging limp or connected to one another, the paintings look for new ways to be paintings… and that’s it. No neon signs, no climaxes, no imagery, no limelight. The work exists quietly, proceeds at a slow pace, and waits patiently for your attention. While the works on view at Co-Lab create a group dynamic, the works on view at N Space focus on individual pieces.  Their statements are understated – they’re about the rigor of simplicity, not virtuosity for its own sake — but stripped of the anonymity of the group setting, they reveal an ability to speak confidently in their own right.

“OPT- A Discovery of self”: Andrea Hyland, October 6th-13th, 2012



“OPT- A Discovery of self”: Andrea Hyland

@ Project Space

Opening Reception: Saturday, October 6th, 2012, 7-11PM
On view by appointment through October 13th

The idea for the show started with a conversation about the road of life; inviting the possibility of choosing your own adventure. As humans we are obsessed with figuring out what the right path may be and as a society infatuated with time we begin to question ourselves when faced with crossroads; what am I doing? Where am I going? Am I doing the right thing? However when presented with options and enticed by distractions our paths tend to change. Through an interactive/ performance I will constructs an abstract environment and create a metaphorical experience that explores the idiosyncrasies of our decision making while offering simple explanations to understand the world in its complexity.

“Nagualia” : Jules Buck Jones and Morgan Coy, September 22nd-29th, 2012



“Nagualia” : Jules Buck Jones and Morgan Coy

@ Project Space

Opening Reception: Saturday, September 22nd, 7-11PM
On view by appointment only through September 29th
Beverages Provided by Tito’s Vodka

This body of work combines performance, photography, drawing, animation, projectors, costumes, and sculpture to illustrate transformations of humans and animals into and out of each other. The work is a collaborative effort by Jules Buck Jones and Morgan Coy, both interested in ideas of transformation, and hybridization and the mythological, scientific, and spiritual bases of such actions and occurrences.

“BbWwRr” : Outdoor Mural by Drew Liverman, September 22nd, 2012



“BbWwRr” Outdoor Mural by Drew Liverman

Project Space

On view beginning September 22nd, 2012

The Co-Lab mural is an extension and pseudo-promotion for an ongoing drawing series called BWR (Black/White/Reddish). While the mural will be largely improvisational/automatic to keep with the spirit of the drawings, certain visual elements/characters will be included to create a sort of graphic synthesis of the series so far.

Drew Liverman is an artist and designer residing in Austin, TX.  Since receiving his BFA in painting and printmaking from Virginia Commonwealth University in 2002,  Drew’s drawing, painting, screen-printing, video/animation, and installation work has been featured in Beautiful Decay Magazine and shown in The Centre for Contemporary Arts Glasgow, Scotland; Atelier als Supermedium Artists Space for Contemporary Art Den Haag/Rijswijk, The Netherlands; and the Lawndale Art Center in Houston, Texas.  In addition to his personal work, Drew contributes to the Austin, TX based art collective, Boozefox and is a staff member of MASS Gallery in Austin, TX.

“ERCATX” : Experimental Response Cinema, September 15th, 2012



“ERCATX” : Experimental Response Cinema


Screening: Saturday, September 15th, 8PM

ERC ATX, in collaboration with Co-Lab Projects, is proud to present our first show dedicated to local moving image artists. In conjunction to our mission of bringing classical and contemporary experimental cinema to Austin, ERC ATX aims to showcase the rich work that is happening within our midst, while further fostering a community around an other cinema.

Featuring work by Lyndsay Bloom, Jason Cortlund & Julia Halperin, Nathan Duncan, Jarrett Hayman, Caroline Koebel, Metrah Pashaee, Ekrem Serdar, Scott Stark and Rachel Stuckey. 

“The Sketchbook Project 2012 World Tour” : Art House Co-op, September 12th-16th, 2012



“The Sketchbook Project 2012 World Tour” : Art House Co-op


Open Hours: September 12th - 15th, 4-8PM and September 16th, 2-6PM

The 2012 Sketchbook Project World Tour kicked off April 14th at the Brooklyn Art Library, featuring thousands of sketchbooks contributed by artists from more than 100 countries.

Over the course of 2012, the Sketchbook Project Tour will visit 15 cities in four countries, bringing handmade artists’ books to art spaces around the world. Each interactive installation of the traveling library will draw thousands of patrons to explore the world’s largest library of sketchbooks, generating a groundswell of creative energy in communities from Chicago to Australia and among more than a million visitors online.

The Sketchbook Project is a mobile library of artists’ sketchbooks contributed by thousands of creative people from across the globe. The Project encourages artists from diverse backgrounds ― working artists, full-time parents, busy professionals, students ― to share their process with each other and the public. Participants sign up online to receive a blank sketchbook, then fill it with artwork and mail it back. The results are cataloged in the Brooklyn Art Library’s permanent collection, displayed online in the Digital Library, and exhibited at museums and arts festivals from coast to coast. The Project demonstrates the power of collaboration: When 10,000 people get together with a common purpose, we can create something uniquely awesome.

2012 World Tour
2012 Tour Stops include: Chicago, Portland (OR), Vancouver, Los Angeles, Oakland, Boston, Portland (ME), Toronto, Philadelphia, Atlanta, Orlando, Austin, London and Melbourne. See complete details here: www.arthousecoop.com/projects/sketchbookproject2012

Sketchbook Project 2013 is now open
The Sketchbook Project 2013 just opened for new participation, so that patrons inspired by the World Tour can join this worldwide creative experience right now. 
Please visit us online for details: www.sketchbookproject.com.

About Art House Co-op
Art House is an independent, Brooklyn-based company that organizes global, collaborative art projects. Our flagship endeavor is the Sketchbook Project: an evolving library that features more than 18,000 artists’ books contributed by creative people from 130+ countries. We also operate the Brooklyn Art Library, our storefront exhibition space in the heart of Williamsburg, as a home for all of our projects.

Art House began in 2006 in Atlanta, GA and moved to New York City in 2009. Since that time, our small organization has grown into a worldwide community of more than 60,000 artists. By focusing on the intersection of hands-on art making and new technology, Art House nurtures community-supported art projects that harness the power of the virtual world to share inspiration in the real world.

Works by Jules Buck Jones, September 1st - October 6th, 2012



Works by Jules Buck Jones

@ N Space

September 1st - October 6th, 2012

On view during open hours (Wednesdays 5:30-8PM) and by appointment only.

My work deals with animals. The depiction of animals through drawing and lore is as ancient as the imagination.  The impressions and ideas they provoke range from symbolism to science.  I make large scale, 2-dimensioal drawings, sometimes bizarre and fantastic, other times simple and subtle.  All of this stems from a long interest in the natural sciences.  The work grows from thoughts and research on biological and ecological concerns as well as along narrative and mythical dimensions.

I depict my animals in various ways.  I use techniques inspired by the clear careful illustrations of field guides, through a range of expressive and abstract artists.  A lot of my work bumps representation up against its limits.  Abstraction comes into play in many ways.  At times an animal, drawn in larger than life scale will melt away into aggressive strokes of color and marks, robbing the animal of its form. Other times I assemble animals into geometric formations, or I’ll attempt to merge scientific diagrams with the myths that precede them.

My work is very much about drawing itself.  The line plays a crucial role in the development of my subject matter.  I draw with a quick, gestural, playful delivery, which I believe gives the subject a liveliness that often eludes a slower, more meticulous, depiction.  I use a variety of media from all sorts of drawing tools, such as graphite, charcoal, and wax, to different water-based pigments as inks, acrylic, watercolor, and gouache. I team lines with washes to build or negate my subjects.  I strictly work on paper, preferably larger than a person. To me, drawing has more of a romantic relationship to paper than to other surfaces, like wood or canvas.  The paper allows my pencils to glide when they move and embraces my washes in some symbiotic manner.  The grand scale creates a 1 to 1 ratio between work and viewer. Conceptually I think this is interesting and intrinsic to the dialogue between man and nature.  The scale is also conducive to the loose descriptions and allows a greater arena to suggest the infinite details nature provides.

I revel in the idea of continuing the long inscription of drawing, painting, sculpting and believing in animals. I draw inspiration from prehistoric cave paintings, totemic symbols, the great artist/naturalists like Seba, Haeckel, Audobon, and a contemporary art world increasingly more aware and intrigued with issues of the natural world.   Fact and fiction, past, present and the future, all play a role in my work. I aim to express and conjure the flesh and magic of evolution, classification, environment, bio-diversity, mutation, and extinction.

Jules Buck Jones is a practicing artist living and working in Austin, TX.  Jules was born in Northampton MA but grew up in Northern and Central VA.  He got his BFA from VCU in Richmond, VA in 2005 and received his MFA from UT Austin in 2008.  Over the years Jules has developed a body of work dealing primarily with animal imagery and thoughts on biology, ecology, mythology, and transformation.  He participated in the Austin Museum of Art’s “20 to Watch” show in the spring of 2008 and was the Artist in Residence in Everglades National Park in May and June of 2009. He has also completed 3 residencies in 2011 at the Vermont Studio Center in VT, the Skowhegan School for Painting and Sculpture in ME, and Buoy Gallery, ME.  Jules shows extensively throughout TX with solo shows in Dallas, Austin, and Houston.  Jules is also part of several collaborative teams practicing large scale installations and collage and is president of the non-profit project space, MASS Gallery. 

“Divine Comedy: 3 Realms” : Justin Balleza, July 7th-14th, 2012



“Divine Comedy: 3 Realms” : Justin Balleza

Reception: Saturday, July 7th, 2012, 7-11PM
On view by appointment only through July 14th, 2012

The show is loosely based on Dante’s Divine Comedy using the classic work of literature as a launching point. The main themes are Heaven and Hell, with Dante representing humanity in the middle, or Purgatory. My thought is that these places or states of being are constructs of the human mind. For centuries humans have grappled with understanding the forces at work behind the world we can physically see. If there is injustice, pain and suffering in the world there must be a cause. This reason must be a combination of forces inside and outside our mortal control. We make decisions, but they are constrained by factors around us. Our environment, actions and other people’s actions combine to force what we can do for ourselves. Whether supernatural or not, scientifically explainable or not, we are caught in struggles of chaos and order, good and evil. These tendencies, however you might imagine or define them, are innate in the Universe and all life. It is the way of things - without darkness there is no light. 

The show is composed of a pair of wall murals that attempt to describe these opposing forces as well as a drawing of Dante in the middle representing humanity caught somewhere between. On the one side chaos or hell is shown in a literal sense as explosions. On the other side of the gallery is order, calm and transcendence seen as a field of Lotus flowers. These visions of heaven and hell are shown through images of nature - the frightening reality of Samsara and the calm realm of Nirvana most of us visit rarely if ever. 

Over the past year I have studied naturalistic drawing at the Atelier Charles Cecil Studios in Florence Italy. There we draw figures and portraits from nature using a naturalistic process of drawing called, “sight-size”. The cast drawing of Dante in the show is done using this method of drawing.

“Survey/Surveil” : Jason Reed and Bethany Delahunt, June 16th-23rd, 2012



“Survey/Surveil” : Jason Reed and Bethany Delahunt

Opening Reception: Saturday, June 16th, 2012, 7-11PM
On view by appointment only through June 23rd

Survey/Surveil explores the visual rhetoric and psychogeography of the U.S./Mexico border through video, interactive sculpture, photography, and appropriated imagery. We have worked independent of each other, except for a few conversations, and our nature of creating and reference of experience are quite different. However, we are intrigued by and have made work in response to similar issues, in particular the construction of border identity by the public and media, notions of otherness, the land as a surveyed/surveilled space, and the game of us vs. them that is played out daily along the line.

With an understanding that vision facilitates each of these issues and functions as the chief method of control in this environment, we have built an installation that shifts the context of looking and invites reflection on what is being seen and by whom. Within the space, we also invite interaction within real and constructed situations, illuminating how seductive it is to engage in the game of watching.

Ultimately this exhibition reflects our collective effort to use art as a means to pose significant social questions about borders, ways of looking, immigration, smuggling, and modes of representation. Rather than using the work to make a value judgment, we are most interested in the installation serving as a catalyst for critical inquiry and contemplation. And through participation we work to provide viewers an opportunity to explore multiple perspectives — to watch and to be watched.

“Not Cute” : Russell Etchen, June 9th, 2012


Outdoor Mural
“Not Cute”
 : Russell Etchen

Reception: June 9th, 2012, 7-11PM

“New Nature” : Calder Kamin, June 2nd-9th, 2012



“New Nature” : Calder Kamin

Opening Reception: Saturday, June 2nd, 2012, 7-11PM
“Think Like a Bird” workshop: Sunday, June 3rd, 2-3:30PM
On view by appointment only through June 9th, 2012

I am interested in synanthropes- animals that thrive due to mankind’s impact on biodiversity. Urbanization has been detrimental to many species, but it has also accelerated adaptations and successful symbiosis in some animals living amongst humans. I celebrate the creative effects of our influence on nature in addition to concerning myself with the negative. Synanthrope Stations are sculptural installations equipped to accommodate the seasonal needs of urban dwelling birds. Trash infused bird nests are a common sight in cities and suburban areas, and some researches say that birds benefit from the longevity of synthetic over natural. I will process and organize various man-made materials, taken from litter, and weave it through sculptural steel and ceramic supply stations for birds. By removing trash from a site and transforming it for animal use, I am hoping to initiate other ways of looking at refuse and our responsibility to nature.

On Sunday, June 3rd, 2-3:30PM, families and bird lovers are welcome to “Think Like a Bird” with the visiting artist.  Kamin will guide visitors through a quick walk to collect litter for building their own trash nests. The workshop will also include conversations about the artist’s work, bird architecture, and identifying different species that thrive in the city. The artist will also present participants with a small gift for their nest.  No materials or fees necessary just bring a curiosity for nature!

Calder Kamin (born Austin, TX) is an artist and art administrator in Kansas City, MO. Kamin’s fabricated ceramic fauna illustrate an investigation into our benevolence towards certain species and cultural constructions of nature. Before completing her BFA, for ceramics and art history from the Kansas City Art Institute in 2009, she curated for Red Star Studios, the Kansas City Art Institute’s Ferguson Teaching Collection and off campus galleries. Kamin is a 2011-2012 Charlotte Street Foundation’s Urban Culture Project resident artist, and has returned to KCAI, as staff in Career Services, responsible for the development of the Professional Practice programing. She has shown nationally, and is in several notable collections in Kansas City.

The Synanthrope Station was made possible with design assistance from K. Flecksing Studios, and funds from the ArtsKC Inspiration Grant.

 

“ROW HOME” : Mark Johnson, May 19th + 20th, 2012



Co-Lab Projects/Nelsen Partners presents 

“ROW HOME” : Mark Johnson 

Open hours during the West Austin Studio Tour May 19th and 20th, 11AM-6PM
On view by appointment May 21st-July 14th, 2012

N Space at Nelsen Partners
905 Congress Ave.
Austin, TX 78701

“In these works I invade the viewers space with fragmented conversations. The lost paragraphs meanings find their way to the surface through similar relationships between letters, drawings, color and texture. I try to observe events, human interactions, and personal perspectives to become more conscious of my own emotional responses and to find metaphors for experience. My findings become the phrases used in my work that are journalistic in nature and describe a universal struggle of reflection.” -Mark Johnson

http://paintjohnson.com/

Mark Johnson paints, draws, and creates multimedia work out of a studio in the east side art megaplex, Pump Project. Much of his work involves text and letters - sometimes with direct messages, others that are harder to decipher. He moved to Austin in 2008 from Brooklyn and has exhibited during the East Austin Studio Tours, “Fifth Business” a joint show with Debra Broz and Michael Merck at Pump Project, and a solo show at Art Project in 2009. He currently works as Operations Manager/Preparator at AMOA/Arthouse.

Newly rebranded nonprofit Co-Lab Projects has entered into a unique partnership with downtown architecture firm Nelsen Partners to provide an additional exhibition site called N Space—a new testing ground for a rotating selection of contemporary art meant to complement work customarily exhibited at Co-Lab’s Project Space in East Austin.

Co-Lab Projects will now serve the artistic community by providing multiple venues in which to exhibit, learn, and teach. Co-Lab Projects aims to cultivate a new collectorship for up and coming artists.

CORPORATE PETTING ZOO : Chad Hopper, February 2nd-9th, 2013

image

CORPORATE PETTING ZOO : Chad Hopper

Opening Reception: Saturday, February 2nd, 2013, 7-11PM

@Project Space

Come one. Come all. We are opening up the gates to a zoo filled with wild metaphors and white collar crime. Prepare yourself for this once in a lifetime opportunity to have an up close and personal visit with the animals that feed on greed. They know what you had for breakfast and they will sell it to you for dinner. What a wonderful way to spend Groundhog’s Day… pointing and laughing at creatures who lurk in the shadows of giant buildings.

“Armageddon Outta Here” : Ink Tank, December 21st-29th, 2012

image

“Armageddon Outta Here” : Ink Tank
An End of the World/Winter Solstice/Galactic Convergence Party and Food Drive

Sponsored by Tito’s Handmade Vodka and Circle Brewing

@ Project Space (613 Allen St)

December 21st, 7PM-?

It is here. It is over. The end. And there are only two ways out; together or alone. Come comets, come catastrophes, come cats and dogs, come hell or high water. Our calendar has finally been exhausted, the Long Count has run its course. Mere anarchy will be loosed upon the world. The center cannot hold and there are only two ways out.

You can hide away, solitary and despairing, doomsday’s rumor your only companion. But we, Ink Tank, choose each other.

We will band together, tune our radios, stockpile, set our jaws and square our shoulders, build our bunks, and welcome the community into our protective fold.

On December 21st, 2012, Co-Lab will be fortified and buttressed, made a haven and a refuge; a new Arc. We will be gathering resources to ride out the end. Any canned or non-perishable food items or supplies you bring that night be added into our community cache and will grant you entry into our safe zone, replete with hope, shelter, and a last supper. But should this foretold end not come to pass and we do survive, our vigilance and efforts will not go to waste; any and all goods received will be donated to local food banks in time for a fresh start, a new beginning, 2013.

Guest soundscape performances by Zac Traeger and Henna Chou 

“Conspectus : Two Thousand Twelve” + “East Austin Studio Tour”, November 10th - December 1st, 2012



“Conspectus : Two Thousand Twelve” + “East Austin Studio Tour”

Kick-off Party/Opening Reception: November 10th, 2012, 7-11PM
E.A.S.T. Hours: November 10th, 11th, 17th, 18th 11AM-6PM
2012 Catalog/DVD Release Party: December 1st, 2012, 7-11PM

con·spec·tus    noun    \kən-ˈspek-təs\
1: a usually brief survey or summary (as of an extensive subject) often providing an overall view
2: outline, synopsis

A comprehensive look back at our 2012 programming year. Each artist or group of artists had the opportunity to transform our space utilizing it to express their ideas, now smaller components from each of these projects will be shown together illustrating the breadth and diversity of art we witnessed this year.

Featured Artists: Lisa Choinacky, Michael Abelman, Robert Jackson Harrington, Loring Baker, Jamie Panzer, Eric Timothy Carlson, Shawn Camp, Kollin Baker, Daniel Kliewer, Paul McLean, Alyssa Taylor Wendt, J Haley, Julia Hungerford and Lee Webster, Ben Brandt, Mark Johnson, Russell Etchen, Justin Balleza, Drew Liverman, Jules Buck Jones and Morgan Coy, Andrea Hyland, and Judy Rushin

Support our Kickstarter to fund the 2012 Catalog/DVD

“The Secret Social Life of Painting” : Judy Rushin, October 13th-November 24th, 2012



“The Secret Social Life of Painting” : Judy Rushin 
 
@ N Space (905 Congress Ave)
October 13th - November 24th, 2012
Also on view during open hours Wednesdays 5:30-8PM and by appointment

@ Project Space (613 Allen St)
October 20th - 27th, 2012
Opening Reception: Saturday, October 20th, 2012, 7-11PM
Also on view by appointment


The Secret Social Life of Painting is an exhibition of works in two parts by Judy Rushin and is simultaneously on view at Co-Lab and N Space. The works at Co-Lab hang on and lean against the walls and stand freely in open spaces, creating an experiential environment that Rushin sees as an extension of themes developed in the 60s by artists like Blinky Palermo, Imi Knoebel, and Helio Oiticica. Like her forerunners, Rushin allows her creative process to be intuitive and her post-creation analyses to be equally fluid. Essentially though, she reduces the elements of discourse to their most basic components to establish a space for larger and more mysterious concepts to emerge. Hanging limp or connected to one another, the paintings look for new ways to be paintings… and that’s it. No neon signs, no climaxes, no imagery, no limelight. The work exists quietly, proceeds at a slow pace, and waits patiently for your attention. While the works on view at Co-Lab create a group dynamic, the works on view at N Space focus on individual pieces.  Their statements are understated – they’re about the rigor of simplicity, not virtuosity for its own sake — but stripped of the anonymity of the group setting, they reveal an ability to speak confidently in their own right.

“OPT- A Discovery of self”: Andrea Hyland, October 6th-13th, 2012



“OPT- A Discovery of self”: Andrea Hyland

@ Project Space

Opening Reception: Saturday, October 6th, 2012, 7-11PM
On view by appointment through October 13th

The idea for the show started with a conversation about the road of life; inviting the possibility of choosing your own adventure. As humans we are obsessed with figuring out what the right path may be and as a society infatuated with time we begin to question ourselves when faced with crossroads; what am I doing? Where am I going? Am I doing the right thing? However when presented with options and enticed by distractions our paths tend to change. Through an interactive/ performance I will constructs an abstract environment and create a metaphorical experience that explores the idiosyncrasies of our decision making while offering simple explanations to understand the world in its complexity.

“Nagualia” : Jules Buck Jones and Morgan Coy, September 22nd-29th, 2012



“Nagualia” : Jules Buck Jones and Morgan Coy

@ Project Space

Opening Reception: Saturday, September 22nd, 7-11PM
On view by appointment only through September 29th
Beverages Provided by Tito’s Vodka

This body of work combines performance, photography, drawing, animation, projectors, costumes, and sculpture to illustrate transformations of humans and animals into and out of each other. The work is a collaborative effort by Jules Buck Jones and Morgan Coy, both interested in ideas of transformation, and hybridization and the mythological, scientific, and spiritual bases of such actions and occurrences.

“BbWwRr” : Outdoor Mural by Drew Liverman, September 22nd, 2012



“BbWwRr” Outdoor Mural by Drew Liverman

Project Space

On view beginning September 22nd, 2012

The Co-Lab mural is an extension and pseudo-promotion for an ongoing drawing series called BWR (Black/White/Reddish). While the mural will be largely improvisational/automatic to keep with the spirit of the drawings, certain visual elements/characters will be included to create a sort of graphic synthesis of the series so far.

Drew Liverman is an artist and designer residing in Austin, TX.  Since receiving his BFA in painting and printmaking from Virginia Commonwealth University in 2002,  Drew’s drawing, painting, screen-printing, video/animation, and installation work has been featured in Beautiful Decay Magazine and shown in The Centre for Contemporary Arts Glasgow, Scotland; Atelier als Supermedium Artists Space for Contemporary Art Den Haag/Rijswijk, The Netherlands; and the Lawndale Art Center in Houston, Texas.  In addition to his personal work, Drew contributes to the Austin, TX based art collective, Boozefox and is a staff member of MASS Gallery in Austin, TX.

“ERCATX” : Experimental Response Cinema, September 15th, 2012



“ERCATX” : Experimental Response Cinema


Screening: Saturday, September 15th, 8PM

ERC ATX, in collaboration with Co-Lab Projects, is proud to present our first show dedicated to local moving image artists. In conjunction to our mission of bringing classical and contemporary experimental cinema to Austin, ERC ATX aims to showcase the rich work that is happening within our midst, while further fostering a community around an other cinema.

Featuring work by Lyndsay Bloom, Jason Cortlund & Julia Halperin, Nathan Duncan, Jarrett Hayman, Caroline Koebel, Metrah Pashaee, Ekrem Serdar, Scott Stark and Rachel Stuckey. 

“The Sketchbook Project 2012 World Tour” : Art House Co-op, September 12th-16th, 2012



“The Sketchbook Project 2012 World Tour” : Art House Co-op


Open Hours: September 12th - 15th, 4-8PM and September 16th, 2-6PM

The 2012 Sketchbook Project World Tour kicked off April 14th at the Brooklyn Art Library, featuring thousands of sketchbooks contributed by artists from more than 100 countries.

Over the course of 2012, the Sketchbook Project Tour will visit 15 cities in four countries, bringing handmade artists’ books to art spaces around the world. Each interactive installation of the traveling library will draw thousands of patrons to explore the world’s largest library of sketchbooks, generating a groundswell of creative energy in communities from Chicago to Australia and among more than a million visitors online.

The Sketchbook Project is a mobile library of artists’ sketchbooks contributed by thousands of creative people from across the globe. The Project encourages artists from diverse backgrounds ― working artists, full-time parents, busy professionals, students ― to share their process with each other and the public. Participants sign up online to receive a blank sketchbook, then fill it with artwork and mail it back. The results are cataloged in the Brooklyn Art Library’s permanent collection, displayed online in the Digital Library, and exhibited at museums and arts festivals from coast to coast. The Project demonstrates the power of collaboration: When 10,000 people get together with a common purpose, we can create something uniquely awesome.

2012 World Tour
2012 Tour Stops include: Chicago, Portland (OR), Vancouver, Los Angeles, Oakland, Boston, Portland (ME), Toronto, Philadelphia, Atlanta, Orlando, Austin, London and Melbourne. See complete details here: www.arthousecoop.com/projects/sketchbookproject2012

Sketchbook Project 2013 is now open
The Sketchbook Project 2013 just opened for new participation, so that patrons inspired by the World Tour can join this worldwide creative experience right now. 
Please visit us online for details: www.sketchbookproject.com.

About Art House Co-op
Art House is an independent, Brooklyn-based company that organizes global, collaborative art projects. Our flagship endeavor is the Sketchbook Project: an evolving library that features more than 18,000 artists’ books contributed by creative people from 130+ countries. We also operate the Brooklyn Art Library, our storefront exhibition space in the heart of Williamsburg, as a home for all of our projects.

Art House began in 2006 in Atlanta, GA and moved to New York City in 2009. Since that time, our small organization has grown into a worldwide community of more than 60,000 artists. By focusing on the intersection of hands-on art making and new technology, Art House nurtures community-supported art projects that harness the power of the virtual world to share inspiration in the real world.

Works by Jules Buck Jones, September 1st - October 6th, 2012



Works by Jules Buck Jones

@ N Space

September 1st - October 6th, 2012

On view during open hours (Wednesdays 5:30-8PM) and by appointment only.

My work deals with animals. The depiction of animals through drawing and lore is as ancient as the imagination.  The impressions and ideas they provoke range from symbolism to science.  I make large scale, 2-dimensioal drawings, sometimes bizarre and fantastic, other times simple and subtle.  All of this stems from a long interest in the natural sciences.  The work grows from thoughts and research on biological and ecological concerns as well as along narrative and mythical dimensions.

I depict my animals in various ways.  I use techniques inspired by the clear careful illustrations of field guides, through a range of expressive and abstract artists.  A lot of my work bumps representation up against its limits.  Abstraction comes into play in many ways.  At times an animal, drawn in larger than life scale will melt away into aggressive strokes of color and marks, robbing the animal of its form. Other times I assemble animals into geometric formations, or I’ll attempt to merge scientific diagrams with the myths that precede them.

My work is very much about drawing itself.  The line plays a crucial role in the development of my subject matter.  I draw with a quick, gestural, playful delivery, which I believe gives the subject a liveliness that often eludes a slower, more meticulous, depiction.  I use a variety of media from all sorts of drawing tools, such as graphite, charcoal, and wax, to different water-based pigments as inks, acrylic, watercolor, and gouache. I team lines with washes to build or negate my subjects.  I strictly work on paper, preferably larger than a person. To me, drawing has more of a romantic relationship to paper than to other surfaces, like wood or canvas.  The paper allows my pencils to glide when they move and embraces my washes in some symbiotic manner.  The grand scale creates a 1 to 1 ratio between work and viewer. Conceptually I think this is interesting and intrinsic to the dialogue between man and nature.  The scale is also conducive to the loose descriptions and allows a greater arena to suggest the infinite details nature provides.

I revel in the idea of continuing the long inscription of drawing, painting, sculpting and believing in animals. I draw inspiration from prehistoric cave paintings, totemic symbols, the great artist/naturalists like Seba, Haeckel, Audobon, and a contemporary art world increasingly more aware and intrigued with issues of the natural world.   Fact and fiction, past, present and the future, all play a role in my work. I aim to express and conjure the flesh and magic of evolution, classification, environment, bio-diversity, mutation, and extinction.

Jules Buck Jones is a practicing artist living and working in Austin, TX.  Jules was born in Northampton MA but grew up in Northern and Central VA.  He got his BFA from VCU in Richmond, VA in 2005 and received his MFA from UT Austin in 2008.  Over the years Jules has developed a body of work dealing primarily with animal imagery and thoughts on biology, ecology, mythology, and transformation.  He participated in the Austin Museum of Art’s “20 to Watch” show in the spring of 2008 and was the Artist in Residence in Everglades National Park in May and June of 2009. He has also completed 3 residencies in 2011 at the Vermont Studio Center in VT, the Skowhegan School for Painting and Sculpture in ME, and Buoy Gallery, ME.  Jules shows extensively throughout TX with solo shows in Dallas, Austin, and Houston.  Jules is also part of several collaborative teams practicing large scale installations and collage and is president of the non-profit project space, MASS Gallery. 

“Divine Comedy: 3 Realms” : Justin Balleza, July 7th-14th, 2012



“Divine Comedy: 3 Realms” : Justin Balleza

Reception: Saturday, July 7th, 2012, 7-11PM
On view by appointment only through July 14th, 2012

The show is loosely based on Dante’s Divine Comedy using the classic work of literature as a launching point. The main themes are Heaven and Hell, with Dante representing humanity in the middle, or Purgatory. My thought is that these places or states of being are constructs of the human mind. For centuries humans have grappled with understanding the forces at work behind the world we can physically see. If there is injustice, pain and suffering in the world there must be a cause. This reason must be a combination of forces inside and outside our mortal control. We make decisions, but they are constrained by factors around us. Our environment, actions and other people’s actions combine to force what we can do for ourselves. Whether supernatural or not, scientifically explainable or not, we are caught in struggles of chaos and order, good and evil. These tendencies, however you might imagine or define them, are innate in the Universe and all life. It is the way of things - without darkness there is no light. 

The show is composed of a pair of wall murals that attempt to describe these opposing forces as well as a drawing of Dante in the middle representing humanity caught somewhere between. On the one side chaos or hell is shown in a literal sense as explosions. On the other side of the gallery is order, calm and transcendence seen as a field of Lotus flowers. These visions of heaven and hell are shown through images of nature - the frightening reality of Samsara and the calm realm of Nirvana most of us visit rarely if ever. 

Over the past year I have studied naturalistic drawing at the Atelier Charles Cecil Studios in Florence Italy. There we draw figures and portraits from nature using a naturalistic process of drawing called, “sight-size”. The cast drawing of Dante in the show is done using this method of drawing.

“Survey/Surveil” : Jason Reed and Bethany Delahunt, June 16th-23rd, 2012



“Survey/Surveil” : Jason Reed and Bethany Delahunt

Opening Reception: Saturday, June 16th, 2012, 7-11PM
On view by appointment only through June 23rd

Survey/Surveil explores the visual rhetoric and psychogeography of the U.S./Mexico border through video, interactive sculpture, photography, and appropriated imagery. We have worked independent of each other, except for a few conversations, and our nature of creating and reference of experience are quite different. However, we are intrigued by and have made work in response to similar issues, in particular the construction of border identity by the public and media, notions of otherness, the land as a surveyed/surveilled space, and the game of us vs. them that is played out daily along the line.

With an understanding that vision facilitates each of these issues and functions as the chief method of control in this environment, we have built an installation that shifts the context of looking and invites reflection on what is being seen and by whom. Within the space, we also invite interaction within real and constructed situations, illuminating how seductive it is to engage in the game of watching.

Ultimately this exhibition reflects our collective effort to use art as a means to pose significant social questions about borders, ways of looking, immigration, smuggling, and modes of representation. Rather than using the work to make a value judgment, we are most interested in the installation serving as a catalyst for critical inquiry and contemplation. And through participation we work to provide viewers an opportunity to explore multiple perspectives — to watch and to be watched.

“Not Cute” : Russell Etchen, June 9th, 2012


Outdoor Mural
“Not Cute”
 : Russell Etchen

Reception: June 9th, 2012, 7-11PM

“New Nature” : Calder Kamin, June 2nd-9th, 2012



“New Nature” : Calder Kamin

Opening Reception: Saturday, June 2nd, 2012, 7-11PM
“Think Like a Bird” workshop: Sunday, June 3rd, 2-3:30PM
On view by appointment only through June 9th, 2012

I am interested in synanthropes- animals that thrive due to mankind’s impact on biodiversity. Urbanization has been detrimental to many species, but it has also accelerated adaptations and successful symbiosis in some animals living amongst humans. I celebrate the creative effects of our influence on nature in addition to concerning myself with the negative. Synanthrope Stations are sculptural installations equipped to accommodate the seasonal needs of urban dwelling birds. Trash infused bird nests are a common sight in cities and suburban areas, and some researches say that birds benefit from the longevity of synthetic over natural. I will process and organize various man-made materials, taken from litter, and weave it through sculptural steel and ceramic supply stations for birds. By removing trash from a site and transforming it for animal use, I am hoping to initiate other ways of looking at refuse and our responsibility to nature.

On Sunday, June 3rd, 2-3:30PM, families and bird lovers are welcome to “Think Like a Bird” with the visiting artist.  Kamin will guide visitors through a quick walk to collect litter for building their own trash nests. The workshop will also include conversations about the artist’s work, bird architecture, and identifying different species that thrive in the city. The artist will also present participants with a small gift for their nest.  No materials or fees necessary just bring a curiosity for nature!

Calder Kamin (born Austin, TX) is an artist and art administrator in Kansas City, MO. Kamin’s fabricated ceramic fauna illustrate an investigation into our benevolence towards certain species and cultural constructions of nature. Before completing her BFA, for ceramics and art history from the Kansas City Art Institute in 2009, she curated for Red Star Studios, the Kansas City Art Institute’s Ferguson Teaching Collection and off campus galleries. Kamin is a 2011-2012 Charlotte Street Foundation’s Urban Culture Project resident artist, and has returned to KCAI, as staff in Career Services, responsible for the development of the Professional Practice programing. She has shown nationally, and is in several notable collections in Kansas City.

The Synanthrope Station was made possible with design assistance from K. Flecksing Studios, and funds from the ArtsKC Inspiration Grant.

 

“ROW HOME” : Mark Johnson, May 19th + 20th, 2012



Co-Lab Projects/Nelsen Partners presents 

“ROW HOME” : Mark Johnson 

Open hours during the West Austin Studio Tour May 19th and 20th, 11AM-6PM
On view by appointment May 21st-July 14th, 2012

N Space at Nelsen Partners
905 Congress Ave.
Austin, TX 78701

“In these works I invade the viewers space with fragmented conversations. The lost paragraphs meanings find their way to the surface through similar relationships between letters, drawings, color and texture. I try to observe events, human interactions, and personal perspectives to become more conscious of my own emotional responses and to find metaphors for experience. My findings become the phrases used in my work that are journalistic in nature and describe a universal struggle of reflection.” -Mark Johnson

http://paintjohnson.com/

Mark Johnson paints, draws, and creates multimedia work out of a studio in the east side art megaplex, Pump Project. Much of his work involves text and letters - sometimes with direct messages, others that are harder to decipher. He moved to Austin in 2008 from Brooklyn and has exhibited during the East Austin Studio Tours, “Fifth Business” a joint show with Debra Broz and Michael Merck at Pump Project, and a solo show at Art Project in 2009. He currently works as Operations Manager/Preparator at AMOA/Arthouse.

Newly rebranded nonprofit Co-Lab Projects has entered into a unique partnership with downtown architecture firm Nelsen Partners to provide an additional exhibition site called N Space—a new testing ground for a rotating selection of contemporary art meant to complement work customarily exhibited at Co-Lab’s Project Space in East Austin.

Co-Lab Projects will now serve the artistic community by providing multiple venues in which to exhibit, learn, and teach. Co-Lab Projects aims to cultivate a new collectorship for up and coming artists.

CORPORATE PETTING ZOO : Chad Hopper, February 2nd-9th, 2013
“Armageddon Outta Here” : Ink Tank, December 21st-29th, 2012
“Conspectus : Two Thousand Twelve” + “East Austin Studio Tour”, November 10th - December 1st, 2012
“The Secret Social Life of Painting” : Judy Rushin, October 13th-November 24th, 2012
“OPT- A Discovery of self”: Andrea Hyland, October 6th-13th, 2012
“Nagualia” : Jules Buck Jones and Morgan Coy, September 22nd-29th, 2012
“BbWwRr” : Outdoor Mural by Drew Liverman, September 22nd, 2012
“ERCATX” : Experimental Response Cinema, September 15th, 2012
“The Sketchbook Project 2012 World Tour” : Art House Co-op, September 12th-16th, 2012
Works by Jules Buck Jones, September 1st - October 6th, 2012
“Divine Comedy: 3 Realms” : Justin Balleza, July 7th-14th, 2012
“Survey/Surveil” : Jason Reed and Bethany Delahunt, June 16th-23rd, 2012
“Not Cute” : Russell Etchen, June 9th, 2012
“New Nature” : Calder Kamin, June 2nd-9th, 2012
“ROW HOME” : Mark Johnson, May 19th + 20th, 2012

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