Shelf Life

2X2 = $4.8 million (+ the chicken and the egg)

 You’ve by now heard tell of how this year’s TWO x TWO guest of honor, the artist Mark Grotjahn, got all perschnickered on art-party libations, stumbled off scene just before his painting went on the auction block to sell for a cool one million, as a golden-robed Patti LaBelle belted out “Voulez-vous couchez avec moi.” He swaggered [...]

2X2 = $4.8 million (+ the chicken and the egg)

Forrest Bess 100 Years at Kirk Hopper

So, remember how a few weeks ago I wrote about how Dallas galleries need to mount more shows with: ”contemporary work by a handful of emerging and established artists under the umbrella of a theme, in relation to older works of art or some other object(s), also on view.”  Well, Liliana Bloch from Kirk Hopper Fine [...]

Forrest Bess 100 Years at Kirk Hopper

The State Fair of Texas: A Feeling, in Pictures

It’s State Fair time again. I haven’t been in nearly a decade, but I’ve promised my small people I’ll go this year. I look forward to it with a kind of glee mixed with fear – a potent cocktail born of memories of sickness and stickiness and the smell of livestock. In honor of those [...]

The State Fair of Texas: A Feeling, in Pictures

How to Raise the Bar on Dallas’ Scene?

Last week, a Facebook friend of mine — an artist living in Dallas whom I’ve never actually met – caught my attention when he posted this on Facebook after his recent visit to NY: Walking through the galleries in Chelsea… the work that we saw felt different than art here in Dallas. Part of the difference was presentation. [...]

Thomas Demand's show at Matthew Marks Gallery, New York

An homage to Gaffes and Informations at FWCA

Gaffes and Informations at Fort Worth Contemporary Arts features the singular and collaborative work of Kevin Todora and Jeff Zilm. Enter dim gallery. Startled by digital sound. Digital sound. Digital sound. Digital sound. Cranked loud and overwhelming. Video game sound effects.  Sped up into madness. Grab a beer. Feel like you are rattled. Be rattled. Feel [...]

An homage to Gaffes and Informations at FWCA

Local fare at the Nasher (shop)

I recently learned that the gals who run the Nasher Sculpture Center’s store, Heidi Smith and Carolyn Spinelli, have been showing work by local artists in tandem with the museum’s major exhibitions. “We think there are talented artists in this city,” says Smith, “ and furthermore, customers are interested in something made in Dallas, from Dallas… [...]

work by Jonathan Cross, on view in the Nasher store during the Tony Cragg exhibit

Au Naturale: New Texas Talent 2011

This year, New  Texas Talent at Craighead-Green Gallery, juried by Marcie Inman, Director of Exhibitions for the Irving Arts Center, has the odor of a world gone feral, or at least the world trying to remember what nature is and getting all tangled up in thorny (sometimes horny) metaphors in the process. The show is replete [...]

Page White, Virginal Huntress

Momento Mori: A Texas Garden Bites the Dust

One of my favorite  writers, the poet Donald Hall, speaks often of gardens and nature in his work, recounting his farmstock lineage, his beloved dead wife’s care of her New England garden, and his own poetic struggles with the tending of Nature. In his book Life Work  Hall writes: My grandfather was the model for my adult [...]

Ann Hamilton's Mantle

Fertile (art) ground: What happens next on the other side of The Bridge?

For half of my life I’ve lived in Oak Cliff — a now hip and cool, but once bad-repped and socially misunderstood place that I’ve long prized for its rogue-ish solitude south of the Trinity. One of my favorite memories from living here is when, back in ’97,  a gussied-up blonde girl came into a 7- Eleven where I [...]

Fertile (art) ground: What happens next on the other side of The Bridge?

Art-sports: Tom Russotti brings levity to Big D

I wrote awhile back about the need for more unsanctioned, free-thinking, button-pushing art to take place in Dallas — things out in the public that recall, maybe, Dallas’ renegade spirit, or at least incite one. So I was greatly pleased to hear of  Centraltrak artist Tom Russotti’s little antic-ful operation called Aesthletics –a project that brings folks together to play sports with [...]

Art-sports: Tom Russotti brings levity to Big D

Two’s a Crowd: Summer Group Shows (ultra-filtered)

  From the sea of summer group shows I trekked through the other night, two artists stood out: Benjamin Terry and Kerry Pacillio, both on view at Cohn Drennan in a show called 110˚. Why I liked their work more than anyone else’s isn’t entirely clear to me, except to say that it played more smartly than other [...]

Two’s a Crowd: Summer Group Shows (ultra-filtered)

Under Pressure: Diagnosing Dallas’ Artistic Illness

I had an email correspondence about Dallas with a friend this week — I’ll call him Toojerstraap. You may know him. Dallas, and its particular insufficiencies – art-wise and all-wise, really — is a subject we hash out regularly, attempting to land on the sources of its problems mainly, and sometimes drafting could-be solutions to them. [...]

Peter Agostini, Cage I, 1967

Scorched: Texas Summer Malaise, in Pictures

   When we came back down to visit Texas a few years after moving to New England in a giant green Mercury Continental, I have the distinct memory of stepping out of the car and then climbing right back in, because the air outside was like jumping into hell itself — so freaking, searingly, take-your-breath-away hot. ”How do people survive here? How do they [...]

Tim Berg and Rebekah Myers, Here today, gone tomorrow, 2010, fiberglass, wood, paint

A Good Monument

In honor of Memorial Day, here’s a round-up of some of my favorite war monuments, all politics and other contest-ables aside, and in no particular order. Ara Pacis Augustae, Rome, 13-9 BC Consecrated in January of 9 BC, the Ara Pacis celebrates the peace established in the Empire after Augustus’s victories at Gaul and Hispania. It’s an embellished, [...]

A Good Monument

XXI: Conflicts in a New Century: Images of a First Decade Fraught with Violence

The other day I heard a montage of sound bites on NPR of the recent uprisings in the Middle East. The momentary inundation of  frantic sounds from Libya, Syria, Egypt and all those other conflicted places, and the journalists voices that steadily and resolutely fed the world the information coming out of them, suddenly made me keenly aware [...]

Rania Matar  Barbie Girl, Beirut 2006. Haret Hreik Beirut. The photographer arrived in Beirut to visit family days before the bombing of Lebanon by Israel started in 2006. Courtesy Rania Matar

Starry, Starry Night: Lite Light Art at the MAC

Independent curator June Mattingly has put together a show at the McKinney Avenue Contemporary called Starry, Starry Nights: Five Light-Filled Installations with work by five artists – Adela  Andea, Chris Lattanzio, JeremyMcKane, Susie Rosmarin, and Billy Zinser — that puzzled me and irked me more than a little. Nearly all five artists deal with light somehow in [...]

Starry, Starry Night: Lite Light Art at the MAC

Balancing Act: Barbara Hepworth on Motherhood

Child with Mother, White marble, 1972 (BH 544), Hepworth Estate Yesterday at the Glasstire panel discussion on regionalism at the Modern in Fort Worth, Art Guy Michael Galbreth repeated over and over that “artists care about the world” — that they are looking to the world and their experience of it, and not to other art [...]

Balancing Act: Barbara Hepworth on Motherhood

Martin Creed at the Nasher: A (non)fictional reaction

Wife: So? How was it? Terrifying? Husband: No, it was amazing! Totally different than I expected. I got completely lost in there and had to feel my way out . Wife: Holy crap, that sounds like my worst nightmare. Husband: But it’s like nothing I’ve ever experienced — it made my whole body feel completely different, and blind, without [...]

Martin Creed at the Nasher: A (non)fictional reaction

Tupperware Pastoral

Sterling Allen’s show up at Fort Worth Contemporary Arts, called Housing Edition, is a twenty-first century lesson in the old adage “You are what you eat.” Given the sure fact that our age consumes more, wastes more, and puts more crud into our brains and bellies than any other period in history, it follows that  we’d [...]

Tupperware Pastoral