Online Search Results

Contributors
Calvin Tomkins

Calvin Tomkins has been a staff writer for The New Yorker since 1960. He wrote his first fiction piece for the magazine in 1958 and his first fact piece in 1962. His many Profile subjects include Marcel Duchamp, John Cage, Robert Rauschenberg, Merce Cunningham, Buckminster Fuller, Philip Johnson, Julia Child, Georgia O’Keeffe, Leo Castelli, Frank Stella, Carmel Snow, Christo and Jeanne-Claude, Frank Gehry, Damien Hirst, Richard Serra, Matthew Barney, and Jasper Johns. Tomkins wrote the Art World column from 1980 to 1988.

Before joining The New Yorker, Tomkins was a general editor of Newsweek, a post he held from 1957 through 1959. He had joined Newsweek as an associate editor in 1955.

Tomkins is the author of “The Bride and the Bachelors,” (1965), “Merchants and Masterpieces,” (1970), “Living Well Is the Best Revenge,” (1971), “Off the Wall,” (1980), and “Post- to Neo-,” (1988), an examination of changes in the art world in the nineteen-eighties. His most recent book is “Duchamp,” a biography of the artist.

Tomkins has served on the board of directors of the Cunningham Dance Foundation and on the Fine Arts Committee of Battery Park City. He was named a Guggenheim fellow in 1978.

Tomkins lives in New York City.

Results 1 - 10 of 295
Dec 10, 2012
Onward and Upward with the Arts

A Doll’s House

ONWARD AND UPWARD WITH THE ARTS about the artist Laurie Simmons. Laurie Simmons had a substantial part in her daughter Lena Dunham’s 2010 film “Tiny Furniture.” She played her mother, Siri, a successful New York artist. As Lena sees it, being the daughter of two artists (her father is the…
Sep 17, 2012
Posterity Dept.

Barack

Talk story about Chuck Close making several portraits of President Barack Obama for the Obama Victory Fund…
July 9, 2012
Blog: The Sporting Scene

Federer’s Seventh

Watching Roger Federer win his seventh Wimbledon men’s singles title on Sunday, beating a determined and frequently inspired Andy Murray in four tight sets, I kept asking myself whether the Swiss master had ever...
Jul 02, 2012
Profiles

The Modern Man

PROFILE of Nicholas Serota. In his twenty-four years as the director of the Tate Gallery, in London, Nicholas Serota has been widely acclaimed—and often vilified—for changing the culture of Great Britain. The establishment, the press, and the numberless upright citizens who used to regard modern…
Mar 12, 2012
Up on the Roof

Stingers

Talk story about beekeeper Chucker Branch installing a bee hive on the roof of the Whitney Museum…
Dec 05, 2011
Profiles

The Materialist

PROFILE of artist Carl Andre. Although the Paula Cooper gallery shows his work regularly, Andre has not had a one-man exhibition at a New York museum since 1970, and his name, as a key figure in the development of minimal art, is no longer prominent in the critical discourse…
Aug 29, 2011
Art’s Sake

Higher Arcana

Talk story about the celebrity portraits Francesco Clemente did for a show built around a deck of tarot cards…
June 30, 2011
Blog: The Sporting Scene

Wimbledon: Federer’s Majestic Decline

Roger Federer’s loss to Jo-Wilfried Tsonga, in the quarter-finals at Wimbledon, was a strangely undramatic chapter in the majestic decline of this incomparable tennis player. He won the first two sets and then lost...
January 26, 2011
Blog: The Sporting Scene

Nadal Falls

The upper-leg muscle injury that led to Rafael Nadal’s losing his quarterfinal match against David Ferrer, at the Australian Open this week, was doubly distressing because it was not unexpected. An undercurrent of anxiety...
Jan 17, 2011
Profiles

Portraits of Imaginary People

PROFILE of the painter George Condo. George Condo, whose mid-career survey exhibition “George Condo: Mental States” opens at the New Museum on January 26th, rediscovered Old Master painting in 1982, when he was twenty-four. He had recently quit his job in New York, working as a printer for…
Results: 1 - 10 of 295
Subscribe to The New Yorker
  • This Week: Links to articles and Web-only features in your inbox every Monday.
  • Cartoons: A weekly note from the New Yorker's cartoon editor.
  • Daily: What's new today on newyorker.com.
  • Receive all the latest fake news from The Borowitz Report.
I understand and agree that registration on or use of this site constitutes agreement to its User Agreement, and Privacy Policy.