Allah's Holiday from Katinka (Rudolf Friml)--Jaudas's Society Orchestra, 1917
Carnival of Venice--Variations --Bohumir Kryl, 1922
Hungarian Rag (Julius Lenzberg)--New York Military Band, 1913
In a Monastery Garden (Albert W. Ketelbey)--Peerless Orchestra and male chorus, 1921
In My Heart, on My Mind All Day Long; and I Wonder if You Still Care For Me (Kalmar--Ruby--Snyder)--Lou Chiha "Friscoe," 1921
Kitten on the Keys (Zez Confrey)--Zez Confrey, 1921
Medley of Southern Airs--Fred Bacon, 1920
Myona-Hawaiian Waltz (Morgan--Friedland)--Waikiki Hawaiian Orchestra, 1920
Night Time in Little Italy--Frisco "Jass" Band, 1919
Old Pal (Why Don't You Answer Me?) (M. K. Jerome)--Herbert Soman, 1921
Poor Butterfly (Raymond Hubbell)--Jaudas' Band, 1917
Spanish Rhapsody (S. Salvetti)--Alessios Mandolin Quartet, 1916
The Stars and Stripes Forever March (J. P. Sousa)--Imperial Marimba Band, 1917
True to the Flag March (F. von Blon)--United States Marine Band, 1922
12th Street Rag (Euday L. Bowman)--Imperial Marimba Band, 1921
Umbrellas to Mend (Mel B. Kaufman)--Frisco "Jazz" Band, 1918
The U.S. Field Artillery March (John Philip Sousa)--New York Military Band, 1920
Popular Vocals: (TOP)
The Aba Daba Honeymoon (Fields and Donovan)--Collins and Harlan, 1914
Are You From Dixie? ('Cause I'm From Dixie, Too) (George L. Cobb)--Billy Murray, 1916
At the Ball That's All (J. Leubrie Hill)--Mayo and Tally, 1915
Beautiful Ohio (Mary Earl)--Metropolitan Quartet, 1919
The Bells of St. Mary's (A. Emmett Adams)--Lewis James, 1920
Carolina Rolling Stone (Young--Squires)--Vernon Dalhart, 1922
Crazy Blues (Perry Bradford)--Noble Sissle, 1921
Don't Bite the Hand That's Feeding You (Jimmie Morgan)--Walter Van Brunt, 1916
Farmyard Medley--Premier Quartet, 1918
Gasoline Gus and His Jitney Bus (Gay--Brown)--Billy Murray, 1915
Give a Man a Horse He Can Ride (Geoffrey O'Hara)--Arthur Middleton, 1921
I'm Forever Blowing Bubbles (Kenbrovin--Kellette)--Helen Clark and George Wilton Ballard, 1919
I've Been Floating Down the Old Green River (Joe Cooper)--Billy Murray, 1916
In the Little Red School House (A. Wilson & J. Brennan)--Billy Jones and Ernest Hare, 1922
Indiana (James F. Hanley)--The Homestead Trio, 1917
Just a Baby's Prayer at Twilight (M. K. Jerome)--The Homestead Trio, 1918
Lorraine (My Beautiful Alsace-Lorraine) (Fred Fisher)--Vernon Dalhart, 1918
Love, Here is My Heart (Lao Silesu)--Reed Miller, 1921
Madelon (I'll Be True to the Whole Regiment) (Robert)--Arthur Fields, 1919
Mister Gallagher and Mister Shean (Ed. Gallagher--Al. Shean)--Edward Meeker, Steve Porter, 1922
My Mother's Rosary (Geo. W. Meyer)--Walter Van Brunt, 1916
The Preacher and the Bear (Joe Arizonia)--Arthur Collins, 1919
Save a Little Dram for Me (Skidmore--Walker)--Duke Rogers, 1922
That Tumble-Down Shack in Athlone (M. Carlo--A. Sanders)--Will Oakland, 1919
There's a Long, Long Trail (Zo Elliott)--George Wilton Ballard, 1916
'Till the Boys Come Home, or Keep the Home-Fires Burning (Novello)--Frederick Wheeler, 1915
Spoken Word: (TOP)
Lasca (F. Desprez)--Harry E. Humphrey, 1919
Let Us Not Forget--A Message to the American People by Thomas A. Edison, 1919
The Raggedy Man; The Bumblebee; and An Impetuous Resolve (James Whitcomb Riley)--Harry E. Humphrey, 1914
Santa Claus Hides in Your Phonograph (Arthur A. Penn)--Harry E. Humphrey, 1922
Seven Ages of Man; and Hamlet's Advice to the Players (Shakespeare)--Harry E. Humphrey, 1919
The Three Bears (L. Leslie Brooke)--Edna Baily, 1919
Spoken Comedy: (TOP)
Backyard Conversation Between Mrs. Reilly and Mrs. Finnegan--Ada Jones and Steve Porter, 1920
The Band Festival at Plum Center (Charles W. Doty)--Ada Jones, Byron G. Harlan and Steve Porter, 1917
Cohen on His Honeymoon--Monroe Silver, 1920
Dinnie Donohue, on Prohibition--William Cahill, 1920
Happy Tho' Married (Duprez)--Fred Duprez, 1915
A Police Court Scene--Steve Porter & Co., 1919
The Shop Girl (Department Store Scene)--Justine Roberts, 1921
Uncle Josh Buys an Automobile (Stewart)--Cal Stewart, 1915
A Visit to Reilly's--Charles Reilly, 1922
Foreign Language and Ethnic Recordings: (TOP)
Die Schnitzelbank--Manhattan Male Quartett mit Orchester, 1921 [German]
Die Witwe und Ihre Sieben Maenner (Bacchus Jacoby)--Ernest Balle, 1921 [German]
Tancuj, Tancuj--Alois Havrilla, 1921 [Czecho-Slovak]
Oi Ya Nestchastay (Malo Russkaya Piesnia) (Lisenko)--Alexander Sashko, 1921 [Russian]
Polski Taniec--Aleksander Iwanowski, 1922 [Polish]
Polka Warszawska "Wiszniaczka" (Warsaw Polka)--Aleksander Iwanowski, 1922 [Polish]
Omar Rabbi Elozor (Traditional from the Talmud)--Cantor Meyer Kanewsky and his choir, 1919 [Hebrew]
Opera and Concert Recordings: (TOP)
Ah! Non Credea Mirarti from La Sonnambula (Bellini)--Anna Case, 1915
Explanatory talk from opposite side
Caprice Espagnol (Ketten--Loeffler)--Albert Spalding, 1919
Elégie (J. Massenet)--Guido Ciccolini, 1917
Introduction and Tarentelle (Pablo de Sarasate)--Mischa Viólin, 1921
Kashmiri Song (Amy Woodforde-Finden)--Maggie Teyte, 1920
La Mamma Morta from Andrea Chénier (Giordano)--Claudia Muzio, 1921
O Patria Mia from Aïda (Verdi)--Marie Rappold, 1916
Prelude in C Sharp Minor Op. 3(Sergei Rachmaninoff)--Sergei Rachmaninoff, 1920
Second Hungarian Rhapsodie, part I (F. Liszt)--Sergei Rachmaninoff, 1919
(a) Quand' ero Paggio from Falstaff (Verdi), and (b) Deh Vieni Alla Finestra from Don Giovanni (Mozart)--Arthur Middleton, 1921
The Trumpet Shall Sound from Messiah (Handel)--Arthur Middleton, 1916
Vesti la giubba from I Pagliacci (Leoncavallo)--Guido Ciccolini, 1917
*No actual production or release dates are available for these recordings. The date given is the date that coupling orders were prepared by the Music Room Committee. This information is taken from Edison Disc Recordings by Raymond R. Wile. He writes, "Before the 1920s there might be as much as a six month lead in time between matching and eventual issue dates. By 1924 production had been so speeded up that it became unnecessary to utilize that date. Thus from 1924 on, this date means official listing date."