![Image: Cotton Puffs, Q-tips®, Smoke and Mirrors: The Drawings of Ed Ruscha, February 13 - May 30, 2005](https://webarchive.library.unt.edu/eot2008/20090506021444im_/http://www.nga.gov/images/decor/ruschainfo.gif)
This exhibition is no longer on view at the National Gallery. Please follow the links below for related online resources or visit our current exhibitions schedule.
![Image: Ed Ruscha, American, born 1937
Dirty Baby
1977, pastel on paper
57.15 x 72.39 cm (22 1/2 x 28 1/2 in.)
Courtesy Anthony d'Offay, London](https://webarchive.library.unt.edu/eot2008/20090506021444im_/http://www.nga.gov/images/decor/ruschainfo.jpg)
Enigmatic paintings, drawings, and photographic books of gasoline
stations, apartment buildings, palm trees, and vacant lots have
made Ed Ruscha (born 1937)
one of America's most important and influential contemporary
artists. The first museum retrospective of Ruscha's drawings
highlights his genius for the wry and deadpan juxtaposition of
words and objects. Featuring some 90 drawings from the past four
decades, the exhibition includes examples made with conventional
drawing materials, such as graphite and pastel, and unorthodox
materials, such as gunpowder, vegetables juices, and tobacco
stains, to name just a few. The title of the exhibition,
Cotton
Puffs, Q-Tips®, Smoke and Mirrors, is a quote from Ruscha
and refers to his drawing tools (cotton puffs and Q-tips) and
secondly to his illusory effects (smoke and mirrors). Ruscha
casts a critical eye on the shifting emblems of American popular
culture in the form of classic Hollywood logos and stylized gas
stations. He also embraces language as the very subject of his
work. In a variety of scripts and styles—from Gothic to longhand,
from ribbonlike lettering to words that seem poured rather than
printed—Ruscha gives words physical voice. Beautifully rendered
with meticulous precision, his art is one of subtle wit and calculated
understatement.