Sustainability of Digital Formats
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PCM, Pulse Code Modulated Audio

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Format Description Properties Explanation of format description terms

Identification and description Explanation of format description terms

Full name Pulse code modulation
Description

Type of encoding used for audio bitstreams. Pulse code modulation was originally developed in 1939 as a method for transmitting digital signals over analog communications channels. The same technique proved effective as a method of sampling and quantizing audio for encoding in digital form. Variants are based on different mathematical techniques for quantization, including linear, logarithmic, and adaptive. The method was developed in 1939 by the English inventor Alec H. Reeves.

Linear PCM is an uncompressed format. Compressed variants are widely used for telephony and other low-bandwidth applications.

Relationship to other formats
    Has subtype LPCM, Linear PCM
    Has subtype A-Law,
    Has subtype µ-Law,
    Has subtype DPCM,
    Has subtype ADPCM,

Local use Explanation of format description terms

LC experience or existing holdings WAVE with Linear PCM encoding for bitstreams is used as the best digital format for most audio converted for American Memory and the Digital A/V Prototype. See WAVE_LPCM.
LC preference See WAVE_LPCM

Sustainability factors Explanation of format description terms

Disclosure The basic technique is described fully in textbooks. Some implementations (subtypes) have been adopted as international standards (particularly for telephony applications) or fully documented in file format specifications (e.g. for WAVE_LPCM).
    Documentation

Telephony applications (A-Law, µ-Law) standardized through ITU Recommendation G.711 (11/88). Corresponding ANSI-C code is available in the G.711 module of the ITU-T G.191 Software Tools Library. Incorporated into Broadcast Wave standard. See WAVE_LPCM_BWF

For use in WAVE: Multimedia Programming Interface and Data Specifications 1.0. IBM Corporation and Microsoft Corporation, August 1991. Available online, e.g., at http://www.tactilemedia.com/info/MCI_Control_Info.html

Adoption Very widely used for encoding bitstreams. Used on audio CDs, Digital Audio Tape (DAT). Default bitstream encoding for WAVE and AIFF. One of the bitstream encodings supported for sound on DVD-Video. Coders and decoders available as chips.
    Licensing and patents None
Transparency Uncompressed linear PCM is comparable in transparency to uncompressed bit-mapped images. See WAVE_LPCM
Self-documentation Not applicable. Metadata can be embedded in some file formats that incorporate PCM bitstreams (e.g., WAVE, AIFF).
External dependencies None
Technical protection considerations None

Quality and functionality factors Explanation of format description terms

Sound
Fidelity (high audio resolution) High audio resolution is supported by high sampling rates and high bit-depth (word length). PCM with uncompressed linear quantization is used for digital audio, with a sampling rate of 48kHz currently recommended by the Audio Engineering Society (AES) for the "origination, processing, and interchange of audio programs." 44.1kHz sampling is standard for audio CDs; 96kHz is a recommended sampling frequency for use when higher bandwidth is available. Telephony applications use non-linear quantization for more efficient use of low bandwidth for speech.
Multiple channels PCM encodes a single sound channel. Support for multichannel audio depends on file format and relies on interweaving or synchronization of PCM streams.
Functionality beyond normal rendering Not applicable

File type signifiers Explanation of format description terms

Tag Value Note
Filename extension Not applicable.   
Internet Media Type Not applicable.   
Magic numbers Not applicable.   

Notes Explanation of format description terms

General  
History  

Format specifications Explanation of format description terms


Useful references

URLs

Books, articles, etc.

Last Updated: 03/09/2009