Podcast: Music
This week, a focus on Latin music. Ben Ratliff reviews “Juntos Para Siempre” by Bebo and Chucho Valdés and the Portuguese Fado singer Mariza performs in our studio.
Mary Zimmerman’s new production of Bellini’s “Sonnambula” for the Metropolitan Opera, which goes behind the scenes, is exasperating and clichéd.
The Metropolitan Opera said it had decided to put up its celebrated Chagall murals as part of the collateral for an existing loan.
Zubin Mehta was thoroughly in his element conducting the Vienna Philharmonic in Strauss’s “Heldenleben” at Carnegie Hall on Sunday.
Paavo Jarvi and the Deutsche Kammerphilharmonie Bremen gave vigorous performances of Beethoven symphonies that kept Alice Tully Hall rocking until midnight on Monday.
Amid rumors of an uncertain future for the Newport jazz and folk festivals, the veteran jazz concert producer George Wein gained permission to negotiate to regain them.
Festival promoters for events like Bonnaroo are trying to improve ticket sales by dividing the price of admission into smaller bites.
On Sunday, Philippe Herreweghe conducted his 18-voice chorus and period-instrument orchestra in a texturally lucid and transfixing account of Bach’s Mass in B minor.
For now, at least, “Strange Fruit” has had another hearing, courtesy of the Harlem School of the Arts in association with New York City Opera.
Most of what the pianist Donald Berman played at Le Poisson Rouge on Sunday was rooted in decades-old trends from the classical avant-garde and the fringes of pop.
Alexei Lubimov gave a stellar performance of Rachmaninoff’s Piano Concerto No. 4 at Avery Fisher Hall on Sunday with the London Philharmonic Orchestra conducted by Vladimir Jurowski.
In “Let Me Sing and I’m Happy,” her third cabaret show at the Oak Room of the Algonquin Hotel, Sheera Ben-David gets to the heart of the matter.
Reviews of “War and Pieces,” a dramatic presentation Daniel Hope conceived with the Austrian actor Klaus Maria Brandauer, the composer and percussionist Lukas Ligeti and the pianist Hélène Grimaud.
In revisiting the rarely performed songs from his classic album, Van Morrison seemed overwhelmed by too many instruments and his own limitations.
Too much of this concert, built around new and old “Songs of David Byrne and Brian Eno,” was just clever and neat.
This concert fleshed out an idea, in a few different ways and with varying degrees of success.
Last week’s concerts demonstrated two different kinds of respect for the music of Thelonious Monk.
Dan Auerbach’s brooding new solo debut is an album at once more intimate and less exposed than his work with the Black Keys.
Vladimir Martynov’s stupefying opera, a work of nearly two and half hours, is banal and pretentious.
The Metropolitan Room will present a return engagement of “Strings Attached,” the cabaret show starring Anne Steele.
Thirty years in and millions of albums sold, U2 still wants to be the next big thing.
Nina Kuzma-Sapiejewska, a classical pianist who is an expert on Chopin, likes to perform for small groups on the concert grand Grotrian piano in her apartment in Larchmont, N.Y.
Culture mingles with neighborly warmth at “Opera Night,” a monthly event at St. Paul’s United Methodist Church.
Rob Garza of Thievery Corporation discusses the music of Buraka Som Sistema, Quiet Village, Quantic and Bersa Discos.
The mythic lady of the waves is muse to opera, dance and theater.
Yo-Yo Ma’s international ensemble tries updating the timeless with a new version of a storied opera from the Middle East.
Local musicians organize their own concert series ain South Orange, hoping to spawn a local rock renaissance.
Lucinda Williams, the acclaimed singer and songwriter whose music blends rock, folk and country, lives in a 2,600-square-foot 1950s Modernist house in Los Angeles.
After dubbing himself and his band Milton, the singer-songwriter once known as Marc Rosenthal saw good things start to happen.
The Qatar Philharmonic Orchestra, which came into being last summer, made its American debut last week at the Kennedy Center in Washington.
The Juilliard Orchestra performed Messiaen’s “Des Canyons aux Étoiles” Thursday as part of the reopening festivities for Alice Tully Hall.
“Shuffle Mode,” the Brooklyn Philharmonic program on Thursday night at the Brooklyn Academy of Music, put the orchestra on an equal footing with two indie-rock bands.
Pinchas Zukerman’s recital at the 92nd Street Y on Thursday offered a mix of the wonderful and the wonderfully odd.
The latest record store to announce its closing in New York is a big one: the Virgin Megastore in Union Square.
Harlem’s incubator of talent in jazz, blues, comedy, dance and R&B, turns 75.
Several things made the Apollo Theater special: its location, roots and longevity. But above all there was its audience.
Thievery Corporation mixed policy wonkery and dance-club rhythms in their show on Wednesday.
The Vienna Philharmonic gave a benefit performance Wednesday evening as a precursor to its annual three-concert residency at Carnegie Hall.
Mark Padmore deployed his light voice with tonal allure and clarity, and Imogen Cooper was a superlative partner at Alice Tully Hall on Wednesday.
The Academy, a grand experiment in music education, has fallen victim to the recession.
The violinist Nurit Pacht performed Tuesday evening at the Morgan Library & Museum.
Silver-haired and 68, Tom Jones was still the target of flying undergarments when he performed at Terminal 5 on Tuesday night.
This week, a focus on Latin music. Ben Ratliff reviews “Juntos Para Siempre” by Bebo and Chucho Valdés and the Portuguese Fado singer Mariza performs in our studio.
The artist Andrew Kuo has determined the three best albums of the year (that aren’t by Animal Collective).
Photos from the 51st Grammy Awards ceremony in Los Angeles.
Celebrities arriving at the annual music awards ceremony in Los Angeles.
Photos from the Metropolitan Opera’s production, starring Karita Mattila and Thomas Hampson.
A look inside the renovated concert hall at Lincoln Center, which will reopen in less than a month, as musicians test the acoustics.
A sound collage featuring a sampling of the musicians who died this year.
A do-it-yourself music promoter takes his show on the road, fueled by little more than vegetable oil and his own enthusiasm.
Dave Itzkoff, a reporter for the culture department of The New York Times, and Jon Caramanica, who frequently writes about music for The Times, are living blogging tonight’s awards ceremony.