Twist in Sale of Relics Has China Winking
By MARK McDONALD and CAROL VOGEL
The bidder for two prized Chinese sculptures surfaced, saying it was his patriotic duty to refuse to pay the $40 million winning bid.
The Donnell branch, above, in Midtown was to be razed as part of a deal that would benefit the central library.
A decision by Orient-Express Hotels Ltd. to back out of its plans to buy the former Donnell Library building in Midtown Manhattan is likely to deprive the New York Public Library of millions it was counting on.
As you walk through this exhibition, you may not learn anything new about his theories, but you will begin to understand that our ways of seeing have evolved because of the power of Charles Darwin’s vision.
The city landmarks agency has yet to be convinced that Morningside Heights is worthy of protection.
The bidder for two prized Chinese sculptures surfaced, saying it was his patriotic duty to refuse to pay the $40 million winning bid.
A statue of a giant male horse at Denver International Airport is freaking more than a few people out.
Tehching Hsieh’s performance art in the 1970s and ’80s, the stuff of legend, is getting new appreciation from mainstream museums.
Little attention has been paid to American photography’s relationship to Edward Hopper. That is, until now.
The Mugrabis are. Jose and his sons, who own one of the world’s largest collections, are convinced that treating a few contemporary artists like commodities is smart business, even in a down market.
Google misses an opportunity with its Life magazine archive.
A pair of exhibits, one featuring snapshots, the other showcasing political portraits, shed light on the artist.
An anthology of the earliest superhero stories; a “serious parody” of old superhero comics by Jonathan Lethem; and the final volume of Grant Morrison’s “All-Star Superman.”
An exhibition in Jerusalem of works by Bruno Schulz includes wall paintings he created under Nazi coercion shortly before he was killed.
An exhibition of works by the artist Adel Abdessemed has been prevented from opening because it includes clips of animals dying violently.
Mr. Martin was a nationally known graphic designer who was one of the first to modernize art museum catalogs and who simplified the cluttered look of industrial trade catalogs.
Mr. Fehn’s talent for applying Modernist ideas to traditional Nordic forms and materials made him the most prominent Norwegian architect of the postwar era.
Selective listings from art critics of The New York Times.
The newly loaned European paintings from the Norton Simon Museum bring a whiff of fresh air into the Frick.
The Museum of Modern Art offers an excellent retrospective of Martin Kippenberger’s messy and raucous works.
The collective rawness of early 20th-century German art still startles, as seen in “Brücke,” at the Neue Galerie.
The French bronze sculptures of the 17th and 18th centuries now on view at the Met display a slavish obeisance to the official culture of their times.
With the purchase of “The Baptism of Christ” by Bassano, the Met has filled a gap in its collection of works from the Venetian high Renaissance.
Two bronze heads originally looted from China were sold for nearly $35.9 million without commissions after fierce protests and a failed legal challenge.
The son of Communist dictator Nicolae Ceausescu has won a lawsuit to get back artworks that belonged to the family before Romania’s revolution in 1989.
Jonathan Horowitz's retrospective at the P.S. 1 Contemporary Art Center is a survey that looks as though it were made of many random parts, but feels of a piece.
The only known archive of items associated with the ’60s pop-art muse Candy Darling has been given to the Andy Warhol Museum in Pittsburgh.
The first round of auctions of items from Yves Saint Laurent’s art collection brought record prices for works by several artists, including Henri Matisse.
Owners are realizing that a painting can bring in much-needed cash when used as collateral.
With many halls closed and many pieces still missing, the opening reflects how far Iraq’s recovery has to go.
A major new exhibition at the United States Holocaust Memorial Museum in Washington puts powerful pieces of Nazi propaganda on display.
The Metropolitan Museum of Art will close seven more of its satellite shops around the country, bringing to 15 the number it has closed in the last year.
The museum joins the growing roster of cultural institutions that have suspended their operations in the face of a weakening economy.
The small sovereign nation of Rocaterrania, as imagined by artist Renaldo Kuhler, is about to go public.
The womblike performance space of Alice Tully Hall, its surfaces flush with new life, makes it hard to remember the dreariness of the 1969 original.
In a bleak economy, the university museum offers a model for convention-challenging exhibitions that could carry museums, lighter and brighter, into the future.
Razzle-dazzle spectacle, stampeding collectors and buy-it-now pressure-cooking has never been the Art Show’s style. But the times may be catching up with it.
Daria Martin’s film “Minotaur” is one of four new commissions at the New Museum in what amounts to an uneven and meager whole-museum exhibition.
An exhibition of French television commercials in Paris suggests that the ads speak to French culture no less than French literature or music does.
A small exhibition at the Museum of Modern Art features the photographs, taken daily, that documented the performance artist Tehching Hsieh's year spent in a cell-like cage.
The city of light lives also by reflected glory, and rarely has an event been more “mediatized” than next week’s auction of the collection of Yves Saint Laurent.
Tehching Hsieh’s performance art in the 1970s and ’80s, the stuff of legend, is getting new appreciation from mainstream museums.
An exhibition, in Jerusalem, of works by Bruno Schulz includes wall paintings he created under Nazi duress shortly before he was killed.
The Museum of Modern Art offers an excellent retrospective of Martin Kippenberger’s messy and raucous works. Holland Cotter reviews.
The collective rawness of early 20th-century German art still startles, as seen in “Brücke,” at the Neue Galerie. Roberta Smith reviews.
Communist-era portraits of the Romanian dictator Nicolae Ceausescu and his wife, Elena, on view in an exhibition, "Overcoming Dictatorship," in Bucharest.
Nazi Party posters and views from the exhibition “State of Deception: The Power of Nazi Propaganda” at the Holocaust Memorial Museum in Washington.
Images of Jonathan Horowitz’s retrospective “And/Or” at the P.S. 1 Contemporary Art Center.
A dense and busy show on Picasso at Yale University investigates the importance of words — written, painted, printed, spoken — in Picasso’s art.
A show at the Yale University Art Gallery aims to evoke the look and spirit of an intricately choreographed social convention in Japan.
Images from three of the commercials in the exhibition “Forty Years of Ads on TV" at the Musée des Arts Décoratifs in Paris.
Images of the art and antiques from Yves St. Laurent and Pierre Berge’s collection to be offered up at an auction by Christie’s in Paris.
It is the ambition of “Becoming Edvard Munch: Influence, Anxiety and Myth,” a thrilling exhibition at the Art Institute of Chicago, to upend or at least balance Munch’s famous persona.
Emily Jacir, who focuses on the plight of the Palestinian people in her art, is the subject of a thought-provoking exhibition at the Guggenheim.