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Exposing Ourselves to Art
Scott Fields Abstract Artists are exposed through their work to a number of potentially harmful chemicals, fumes, dusts, and heavy metals. Each discipline has its own hazardous materials, such as the potter's lead glazes, the painter's toluene-based solvents, the printer's cyanide electroplating solutions, and the sculptor's sand and rock dusts. The art world is full of anecdotes about artists who have had serious health problems related to the materials they used. It's not just professional artists at risk, either–it's any hobbyist, art teacher, student, or summer camper. The hazards associated with the fine arts have been recognized since at least the early 18th century. The brilliant colors that characterize many of the Old Masters' works were created with the use of toxic heavy metals, materials that caused disease in artists such as Rubens and Renoir. But the danger to artists includes more than just the raw materials. A devotion to experimentation combined with a general unfamiliarity with proper safety procedures can yield disastrous results. It is difficult to regulate the art world because of the diversity of its population, and most professional artists work alone and are therefore not accountable to the Occupational Safety and Health Administration. Furthermore, some artists may purposely put themselves at risk in the belief that it is required by their calling. In 1988, the Labeling of Hazardous Art Materials Act required art supplies to start carrying warning labels for materials that are unsuited for use by children. But such labels may be incorrect and incomplete and have no bearing on the stock of old supplies sitting in school art closets and artists' studios. In addition, there are materials in use today that specialists suspect may someday be found to be hazardous. The full version of this article is available for free in HTML format. |
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