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Ballet in London
Alastair Macaulay, chief dance critic of The Times, reported from England.
In this week’s performances, solely of “Don Quixote,” the Maryinsky Ballet is fielding a number of star casts.
Ms. Englund was a ballet mistress of ABT II, a former dancer with American Ballet Theater and the Joffrey Ballet and a former ballet mistress of the Joffrey II Dancers.
Over the weekend a flotilla of debuts added extra excitement to New York City Ballet’s repertory.
Let us pause for a moment to praise the Sisterhood of the Tumbling Tutus, which is seriously upping the charm quotient of the Broadway musical “Billy Elliot.”
It’s that time of year when those strange creatures belonging to the Association of Performing Arts Presenters flood New York for their conference.
“Choreography, a Prologue for the Apocalypse of Understanding, Get Ready!” is a new dance by D D Dorvillier/human future dance corps that wrapped up its first weekend of performances on Sunday.
Reviews of shows by Yoshiko Chuma and Shirotama Hitsujiya, Gallim Dance and the Body Cartography Project.
Ballet BC’s creditors unanimously approved a repayment plan, Ballet BC announced.
American Ballet Theater has announced that it has selected David Lansky as its general manager.
A passionate dance lover has turned a debt-ridden theater into a powerhouse.
Celebrating Busby Berkeley’s unique choreographic vision and lasting influence, at Lincoln Center.
Harold Pinter’s plays are also works of choreography in that they are about the space in which they occur and who invades it.
“Remember Me” is the name of David Parsons’s newest work, and one thing is certain: it won’t be easy to forget.
It says something for Cedar Lake Contemporary Ballet that there was something of the same buzz and excitement about the opening of its winter season.
American Ballet Theater has announced that it has selected David Lansky as its general manager.
With his music for “Coppélia,” a production of which has been revived by New York City Ballet, Léo Delibes gave 19th-century ballet its first truly great narrative score.
The fierce works created by the current resident artists of the Baryshnikov Arts Center as seen on Wednesday included a politically pointed piece by Jane Comfort.
With three Balanchine works, New York City Ballet opened its eight-week post-“Nutcracker” season on Tuesday at the David H. Koch Theater.
David Parsons returned to the Joyce Theater on Tuesday with a typically breezy repertory program and a clear intention: to give the audience a boost.
The Dance on Camera festival does a stalwart service in bringing together a selection of new features and shorts.
The Alvin Ailey American Dance Theater closed its 50th-anniversary season at City Center on Sunday night with a program of the season’s highlights.
Jane Goldberg, a diehard tap-dancer, journalist and historian, has published a memoir about her drive to unearth all things tap.
The holidays are anything but calm at the New York City Ballet costume shop, where last-minute fittings coincide with preparation for the opening of the company’s repertory season on Tuesday.
Ballet British Columbia has proposed a restructuring plan to its creditors that it hopes will keep it out of bankruptcy.
Merce Cunningham — who has been choreographing professionally for 66 years — has long spoken of motion in stillness and stillness in motion.
Miguel Gutierrez’s piece, “freedom of information 2008,” consists, ideally, of an improvisational solo by a participant in each of the 50 states and the District of Columbia.
Celebrating Busby Berkeley’s unique choreographic vision and lasting influence, at Lincoln Center.
The holidays are anything but calm at the New York City Ballet costume shop, where last-minute fittings coincide with preparation for the new season.
Columbia Ballet Collaborative was started by a group of ballet dancers who wanted to run and dance in their own company -- a common path for modern dancers, but not ballerinas.
For the Columbia Ballet Collaborative, formed at the university by five professional dancers turned students, the semester culminated in a performance at City Center.
Alastair Macaulay, chief dance critic of The Times, reported from England.
Times Topics: Musicians