Situation Normal, 1944
Focus, 1945
All My Sons, 1947
An Enemy of the People, adapted from Henrik Ibsen's play, 1951
Death of a Salesman, 1949
The Crucible, 1953
A View from the Bridge: A Play in Two Acts, 1957
The Witches of Salem, 1958
The Misfits, 1961
The Misfits, United Artists, 1961
Jane's Blanket, 1963
After the Fall, 1964
Incident at Vichy, 1965
I Don't Need You Anymore: Stories, 1967
The Price, 1968
In Russia [with Inge Morath], 1969
Poetry and Film: Two Symposiums [with Dylan Thomas], 1972
The Creation of the World and Other Business, 1973
In the Country [with Inge Morath], 1977
Chinese Encounters [with Inge Morath], 1979
Playing for Time, 1980
The American Clock, adapted from Studs Terkel's Hard Times, 1980
Final Edition, 1981
Playing for Time, 1981
Elegy for a Lady, 1982
A Memory of Two Mondays: Play in One Act, 1984
Up From Paradise, 1984
Salesman in Beijing, 1984
Some Kind of Love Story, 1984
The Archbishop's Ceiling, 1985
The Last Yankee, 1987
Danger: Memory!: Two Plays: "I Can't Remember Anything" and "Clara," 1987
Everybody Wins: A Screenplay, 1990
The Golden Years, 1990
Ride Down Mount Morgan, 1992
Homely Girl: A Life, 1992
Broken Glass, 1994
Mr. Peter's Connections, 1999

"Afterword," Calder in Connecticut by Alexander S. Rower and Eric Zafran (New York: Rizzoli International Publications, 2000).

"The American Theater," Holiday, January 1955.

"Arthur Miller on The Crucible," Audience, Volume 2, July -August 1972.

"Arthur Miller on 'The Nature of Tragedy'," New York Herald-Tribune, March 27, 1949.

"The Bored and the Violent," Harper's, Volume 225, November 1962.

"A Boy Grew in Brooklyn," Holiday, March 1955.

"Bridge to a Savage World," Esquire, Volume 50, October 1958.

"Contemporary Theater" Michigan Quarterly Review, Volume 6, Summer 1967.

"The Family in Modern Drama," Atlantic Monthly, April 1956.

"Foreword," Toward the Radical Center: A Karel Capek Readerby Karel Capek (North Haven: Catbird Press, 1990).

"Introduction," Chapters From My Autobiography by Mark Twain (New York: Oxford University Press, 1997).

"The Limited Hang-Out: The Dialogues of Richard Nixon as a Drama of the Antihero," Harper's, Volume 249, September 1974.

"Literature and Mass Communication," World Theatre, Volume 15, 1966.

"The Man Who Had All the Luck," Cross-section: A Collection of New American Writing, ed. Edwin Seaver, New York: Fischer, 1944.

The Misfits: Story of a Shoot, with Serge Toubiana, (New York: Phaidon Press Inc.,2000)

"My Wife Marilyn," Life, Volume 45, December 22, 1958.

"On Recognition," Michigan Quarterly Review, Volume 2, Autumn 1963.

"Our Guilt for the World's Evil," New York Times Magazine, January 3, 1965.

"The Plaster Masks," Encore, April 1946.

"The Playwright and the Atomic World," Colorado Quarterly, Volume 5, Autumn 1956.

"The Role of P.E.N.," Saturday Review, Volume 49, June 4, 1966.

"The 'Salesman' has a Birthday,"New York Times, February 5, 1950.

"A Modest Proposal for the Pacification of the Public Temper," The Nation, July 3, 1954.

"The Shadows of the Gods," Harper's, August 1958.

The Theater Essays of Arthur Miller (New York: Viking, 1978).

Timebends: A Life, 1987

"Tragedy and the Common Man," New York Times, February 27, 1949.

"The Writer in America," Mainstream, July 1957.

List prepared by Donna McClish of the NEH Library