Crane, London, and Literary Naturalism

Introduction

Dismissing realism as "the drama of a broken teacup," Frank Norris was just one of many writers seeking to document the harsh realities of American life in the transition from the 19th into the 20th century, as opposed to the trials of the parlor often described in realist texts such as those written by Henry James. Whereas literary realism tended to focus on the travails of life in the upper classes, naturalist writing featured characters surviving in far grittier surroundings, often in a universe indifferent to human suffering. Heavily influenced by social and scientific theories, including those of Darwin, writers of naturalism described—usually from a detached or journalistic perspective—the influence of society and surroundings on the development of the individual. Jack London and Stephen Crane also participated in this tradition of literary naturalism, writing about city life, social class, industry, and, in two memorable short stories, the callous indifference of nature. In the following lesson plan, students will learn the key characteristics that comprise American literary naturalism as they explore London's "To Build a Fire" and Crane's "The Open Boat."

Guiding Questions

• In what ways do Jack London's "To Build a Fire" and Stephen Crane's "The Open Boat" represent the genre known as American literary naturalism?
• How do the two stories differ as representations of American literary naturalism?

Learning Objectives

• Identify key characteristics of the genre known as American literary naturalism, including the naturalist "plot of decline"
• Understand the literary context for Jack London and Stephen Crane's work
• Conduct in-depth character analysis
• Compare and contrast two writers' literary styles

Background Information for the Teacher

• Knowledge or Instinct? Jack London's "To Build a Fire"
• Stephen Crane's "The Open Boat"

• Review Naturalism in American Literature, from the Literary Movements website of literary critic Donna Campbell from Washington State University (via the EDSITEment-reviewed Internet Public Library). Literary critic Donna Campbell defines naturalism as follows:

"The term naturalism describes a type of literature that attempts to apply scientific principles of objectivity and detachment to its study of human beings. Unlike realism, which focuses on literary technique, naturalism implies a philosophical position: for naturalistic writers, since human beings are, in Emile Zola's phrase, "human beasts," characters can be studied through their relationships to their surroundings."

Preparing to Teach this Lesson

• Review the lesson plan. Locate and bookmark suggested materials and websites. If necessary, download and print out any documents you will use and duplicate copies as necessary for student viewing.
• Students can access the stories and some of the activity materials via the EDSITEment LaunchPad.
• Have students read London's "To Build a Fire" and Crane's "The Open Boat" prior to class. Alternatively, teach the following EDSITEment lesson plans prior to concluding with this lesson plan.
  • Knowledge or Instinct? Jack London's "To Build a Fire"
  • Stephen Crane's "The Open Boat"
  • The online texts for these short stories are available:
    • "To Build a Fire," an online version (1908 version) of London's story, a link from the EDSITEment-reviewed University of Virginia's Center for Liberal Arts.
    • "The Open Boat" (1894), available at the UVA E-text center, via EDSITEment reviewed Center for Liberal Arts.

Suggested Activities

1. Introduction to Literary Naturalism

2. Analyzing Naturalism's Common Themes

3. Navigating the Naturalist Plot of Decline

1. Introduction to Literary Naturalism

Share with students, or have them visit and read, literary critic Donna Campbell's review of Naturalism in American Literature, via the EDSITEment-reviewed Internet Public Library. In particular, review with students Charles Child Walcutt's common themes of naturalism as noted in his American Literary Naturalism: A Divided Stream (cited at Donna Campbell's Literary Movements website). As a summary, Walcutt notes the following themes in naturalism:

1. The "brute within"—which is the notion that everyone has "strong and often warring emotions: passions, such as lust, greed, or the desire for dominance or pleasure," leading to behavior considered taboo by society. Encountering the indifferent universe can cause this brute to rise up, often in violent ways. Students will likely see similarities to certain comic book heroes like The Incredible Hulk.
2. The indifference of nature as man struggles to survive.
3. The influence of "heredity and environment" (or one's background and surroundings) on the development of a person. This emphasizes the difficulty of moving between or mixing social classes (even if successful, the repercussions can be tremendous).
4. Determinism: the inability to express free will or personal agency.

If you wish, use this interactive quiz to test their reading comprehension or understanding of these concepts. A PDF version is also available, along with a teacher version of the PDF with the correct answers highlighted.

Finally, ask students to imagine how a character might look from a novel or short story written in the literary style of naturalism. What settings might be appropriate? What is their social situation? What choices are or are not available to them? Ask them to create this character at the beginning of this imaginary story or novel. Students might speculate about a wealthy patron of the arts, a noble dock worker, or a charming school teacher. Ask them to keep this image in mind—they will return to this newly formed character at the end of the lesson and speculate what might become of him or her if they follow the path of typical naturalist fiction.

2. Analyzing Naturalism's Common Themes

Divide students into groups appropriate to your class size. Drawing from the overview of the common themes of naturalism, ask each student group to complete the PDF chart to use as the basis for class discussion. Each student group should explore only one of the following topics; in other words, assign one theme per group (but note that some groups may apply different themes to the same passages from a text). Students can use the online version of Crane's "The Open Boat" and London's "To Build a Fire," to cut and paste passages into a word processing document.

Themes:

• The "brute within"
• The indifference of nature
• The forces of "heredity and environment" (one's background or environment)
• An indifferent, deterministic universe (lack of free will or agency)

After students have spent 10 or 15 minutes in their groups, ask the group leader to share one or two of their passages from the text and explain why it relates to their assigned theme. Note that this exercise might be completed as an at-home activity to prompt discussion for the following day's class.

3. Navigating the Naturalist Plot of Decline

Now that students have explored many of the general themes of naturalist fiction, reintroduce them to the idea that naturalist plots typically follow a noticeable "plot of decline," or a plot that often depicts a character's progression (or retrogression) toward degeneration or death.

Ask students to note at least three to five major plot shifts in "The Open Boat" and/or "To Build a Fire" (arrange students in groups or run as a general class discussion, as best suits your classroom arrangement). Each story contains a metaphorical journey, with the protagonists encountering nature and succumbing to its indifferent wrath. Students first should cite passages from each story to represent important steps along the journey, and then they should chart these steps on a graph, noting whether or not the characters' situation improves or devolves.

Encourage students to focus on descriptions that relate the fragility of experience, and draw out other themes of naturalist literature (they can and should build on some of the passages found in the previous exercise). For example, students can cite key events/narrative observations from "The Open Boat" as follows:

The oiler, steering with one of the two oars in the boat, sometimes raised himself suddenly to keep clear of water that swirled in over the stern. It was a thin little oar and it seemed often ready to snap. The correspondent, pulling at the other oar, watched the waves and wondered why he was there.

When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples. Any visible expression of nature would surely be pelleted with his jeers.

In his childhood, the correspondent had been made acquainted with the fact that a soldier of the Legion lay dying in Algiers, but he had never regarded the fact as important. Myriads of his school-fellows had informed him of the soldier's plight, but the dinning had naturally ended by making him perfectly indifferent. He had never considered it his affair that a soldier of the Legion lay dying in Algiers, nor had it appeared to him as a matter for sorrow. It was less to him than breaking of a pencil's point. Now, however, it quaintly came to him as a human, living thing. It was no longer merely a picture of a few throes in the breast of a poet, meanwhile drinking tea and warming his feet at the grate; it was an actuality -- stern, mournful, and fine.

This tower was a giant, standing with its back to the plight of the ants. It represented in a degree, to the correspondent, the serenity of nature amid the struggles of the individual -- nature in the wind, and nature in the vision of men.

But finally he arrived at a place in the sea where travel was beset with difficulty. He did not pause swimming to inquire what manner of current had caught him, but there his progress ceased. The shore was set before him like a bit of scenery on a stage, and he looked at it and understood with his eyes each detail of it.

• How does each event affect the following event?
• Are the effects or consequences of each event on the protagonist better or worse than the one that preceded it? Why or why not?
• Can you think of ways in which the protagonist could have changed the course of events? What are several factors that might prevent the protagonist from changing the course of events that unfold throughout each story?
• How would you describe the ending of "To Build a Fire"? How would you describe the ending of "The Open Boat?" Compare and contrast these endings.

Assessment

Ask students to write a 2-3 page essay in which they compare and contrast the narrators of "To Build a Fire" and "The Open Boat" and each story's "plot of decline."

Extending the Lesson

Assign the Jack London story "In a Far Country." Have each student write a 2-3 page argumentative essay on the following topic: "In what ways does Jack London's "In a Far Country" represent the genre known as American literary naturalism?" Prompt students to consider the narrator and the story's key themes.

Assign the Stephen Crane story "The Blue Hotel." Have each student write a 2-3 page argumentative essay on the following topic: "In what ways does Stephen Crane's "The Blue Hotel" represent the genre known as American literary naturalism?" Prompt students to consider the narrator and the story's key themes.

Selected EDSITEment Website

• Center for Liberal Arts
  [http://www.virginia.edu/cla/]
  • "To Build a Fire"
    [http://sunsite.berkeley.edu/London/Writings/LostFace/fire.html]
  • "The Open Boat"
    [http://etext.lib.virginia.edu/etcbin/ot2www-pubeng?specfile
    =/texts/english/modeng/publicsearch/modengpub.o2w&act=text&offset
    =182021153&textreg=3&query=open+boat&id=CraOpen]
• Internet Public Library [http://www.ipl.org/]
  • Literary Movements
    [http://www.wsu.edu/~campbelld/amlit/litfram.html]
    • Naturalism in American Literature
      [http://www.wsu.edu/~campbelld/amlit/natural.htm]