Portrait of William Faulkner by Carl Van Vechten.
Courtesy of American Memory at the Library of Congress.

 
 
Subject Areas
Literature and Language Arts
   American
   Fiction
 
Time Required
  Images of Faulkner and the South 1-2 class periods
Voices In As I Lay Dying 1-2 class periods
Crossing the River 1-2 class periods
Burying Addie’s Voice 1-2 class periods
Concluding the Novel 1-2 class periods
 
Skills
  Reading literary texts
Critical analysis
Literary interpretation
Historical interpretation
Internet skills
Writing skills (informal and formal)
 
Additional Data
  Date Created: 01/08/04

Faulkner’s As I Lay Dying: Crossing the River

Lesson Three of the Curriculum Unit: Faulkner's As I Lay Dying: Form of a Funeral

Guiding Questions

  • How is the river crossing significant to each of the characters involved?
  • How does the description of the river and the crossing relate to the method of narration?

Learning Objectives

  • Explore the use of symbolism in relation to narrative voice
  • Understand and explore the use of multiple voices in narration

Preparing to Teach this Lesson

Review the curriculum unit overview and the lesson plan. Locate and bookmark suggested materials and other useful websites. If necessary, download and print out any documents you will use and duplicate copies as necessary for student viewing.

Activity

Have students examine the photograph, Yocana River Bridge, at the Mississippi Writer's Page, available via the EDSITEment reviewed Internet Public Library. The river crossing occurs just prior to Addie's only section in the novel. How is the river crossing significant to each of the characters involved?

A useful but brief commentary about the river crossing (see "The First Threat: Flood") is available at William Faulkner on the Web, via the EDSITEment reviewed Internet Public Library. The website also has the following glosses, which help contextualize Faulkner's semi-fictional geography:

Yoknapatawpha County
Yoknapatawpha River
Yoknapatawpha Map

Teachers might ask students to discuss the symbol of the river at this point in the narrative. How does the description of the river and the river crossing relate to the method of narration? In other words, how might students read this scene as a metaphor for the difficulty in telling a story (or, more precisely, how Faulkner is trying to tell a story)? What does the image of the river say about the emotions of the scene?

For example, students might refer to Darl's section (just before Vardaman's description of the river crossing):

Before us the thick dark current runs. It talks up to us in a murmur become ceaseless and myriad, the yellow surface dimpled monstrously into fading swirls traveling along the surface for an instant, silent, impermanent and profoundly significant, as though just beneath the surface something huge and alive waked for a moment of lazy alertness out of and into light slumber again…
Students might also compare the four different perspectives prominent in the description of the crossing: Darl, Tull, Vardaman, and Cash. How does each of these four narrators describe the river? What is the relationship between the way they see the world, the images they attach themselves to, and the way they describe the river crossing? Students might consider especially Vardaman's stream-of-consciousness style, where the reader sees the toss and tumble of his thoughts as reflective of the turmoil of the flooded river. Cash, in his brief section that might be considered the conclusion of the river crossing, measures the attempt according to his carpenter precision: "It wasn't on balance."

Throughout As I Lay Dying, characters rely on or refer to various objects or images. As students continue to fill out the PDF chart from Lesson 2, they should list important images associated with each character, from Jewel's horse, to Vardaman's statement "My mother is a fish," from Cash's tools to Dewey Dell's abortion money and Anse's teeth. What do these objects reveal about the character? What do they reveal about the characters' grieving process?

Students should continue to enter any new characters' names, providing details about their voices, preferably providing insights beyond what is available in the character list at William Faulkner on the Web. Students should explore particulars of the characters' voices that reveal (intentionally, or not) aspects of not only their own character but also that of their family and now dead mother. This segment of the activity should continue throughout the duration of the novel, perhaps supplemented with journal responses, in order to enhance classroom discussion and prepare students for exams or papers. Journal entries can include, among many other possibilities, detailed examinations of characters, explorations of symbols, or a discussion of different reasons for going to Jefferson. The chart is useful only as a beginning point for students to map the novel's progression—journals and brief essays are highly encouraged to garner more critical engagement with the text.

Possible questions to consider in class discussion or in student journals: What is the role of the Tulls, who provide the reader with a "non-Bundren" perspective? Why include non-Bundren voices?

Assessment:

Students can write a detailed profile of one character, citing examples from the book to support their claims. A few basic questions to get students started might include: What makes the character tick? What motivates the character? What is their role in the novel? What major symbols are associated with the character, and what might they mean?

Students should also keep a reading journal so they can take notes on questions they have, quotations of importance, and their thoughts on the novel.

Previous Lesson

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Return to curriculum unit overview—Faulkner's As I Lay Dying: Form of a Funeral

Selected EDSITEment Websites

Internet Public Library
[http://www.ipl.org/]

Other Information


Standards Alignment

  1. NCSS-2

    Time, continuity, and change. The ways human beings view themselves in and over time. more

  2. NCSS-4

    Individual development and identity. more

  3. NCTE/IRA-1

    Students read a wide range of print and nonprint texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world; to acquire new information; to respond to the needs and demands of society and the workplace; and for personal fulfillment. Among these texts are fiction and nonfiction, classic and contemporary works. more

  4. NCTE/IRA-2

    Students read a wide range of literature from many periods in many genres to build an understanding of the many dimensions (e.g., philosophical, ethical, aesthetic) of human experience. more

  5. NCTE/IRA-3

    Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes. more

  6. NCTE/IRA-7

    Students conduct research on issues and interests by generating ideas and questions, and by posing problems. They gather, evaluate, and synthesize data from a variety of sources (e.g., print and nonprint texts, artifacts, people) to communicate their discoveries in ways that suit their purpose and audience. more

  7. NCTE/IRA-8

    Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge. more

  8. NCTE/IRA-9

    Students develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

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