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Wall Street
October 7, 2008

Wall Street

Wall Street by Arnold Ronnebeck

The market's up! The market's down! While the financial markets try to regain their footing, I decided to see how artists have portrayed Wall Street over the years, and came across this interesting lithograph by Arnold Ronnebeck. Executed in 1925, Ronnebeck's view of "the Street" creates a precisionist's canyon of shadows and light. The buildings loom tall and have taken on larger-than-life personalities. From the viewer's vantage point, it appears as if you've just landed in a new country or are about to embark on a monumental quest, one step at a time.

Ronnebeck was born in Germany in 1885 and died in Denver, Colorado in 1947. As a young man he fought in the German army during World War I, then studied art in Munich and Berlin before moving to Paris in 1908 to continue his studies with Aristide Maillol and Emile-Antoine Bourdelle. When Ronnebeck immigrated to America he arrived in Washington, D.C., where he lived briefly before moving to New York City and finally settling in Colorado.

Ronnebeck's fascination with downtown Manhattan is apparent in this lithograph. He often worked from photographs to capture the precise details of his subjects. What Berenice Abbott could do with a camera, Ronnebeck accomplished with ink and paper. Here the buildings loom tall and easily intimidate. However, there is light at the end of the tunnel, as well as the steeple of Trinity Church. Of course, this image was made in 1925 . . . four years before the Street would take its record pounding.


Posted by Howard on October 7, 2008 in American Art Here


Comments

Hi, you write: "As a young man he fought in the German army during World War I, then studied art in Munich and Berlin before moving to Paris in 1908 to continue his studies with Aristide Maillol and Emile-Antoine Bourdelle." Should 1908 be 1918 to be after WWI?

Posted by: Barbara Davey | Oct 7, 2008

Barbara, you're right. The dates don't make any sense. I just checked my source, ArtNet, and they list 1908. Now I'm not sure of the sequence of events: the war and his studies in Paris. I appreciate your catching this.

I learned one thing, okay maybe two. Triple check all sources and also check out the material at the Archives of American Art. Turns out Ronnebeck was deeply involved in Stieglitz's circle, a great thing to learn in light of the O'Keeffe/Adams show currently on view. I hope to do better next time.

Thanks again.

Posted by: Howard | Oct 7, 2008

Oooh dark, towering, intimidating, and pointy. That's just how I see Wall Street too!

Posted by: Honeybees | Oct 7, 2008

I find it really spooky that this image was made just previous to the great depression. In that light the dark and ominous features really take on a new meaning.

Posted by: AddictionWriter | Oct 8, 2008

Hey Howard: check out James Rosenberg's Dies Irae in the collection. That might be most appropriate for this past week!


Posted by: Patrick | Oct 8, 2008

That's a pretty fascinating picture. Where did you find it out? Wall Street seems ominous and overwhelming, but there's a light at the end. Great job.

Posted by: Adams Eaves | Oct 8, 2008

Another bad day on Wall Street everybody. I hope we hit the bottom of this soon. Wall Street conjures up so many different images, even if many are dark and ominous.

Thanks for pointing out James Rosenberg's work. I hope we don't run the gamut from Ronnebeck to Rosenberg this week! The above etching is in SAAM's collection. Enter Wall Street into SEARCH and see what else you can find. Oh, I've also been looking at Georgia O'Keeffe's painting Manhattan in SAAM's collection and am finishing a post on that. I'm grateful for the comments and feedback.

Posted by: Howard | Oct 9, 2008


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