CDC en Español

Search:

ISSN: 1080-6059

  • Email this page

Article Contents

Volume 8, Number 8 –August 2002

About the Cover

Eugène Delacroix (1798-1863). "Arab Horses Fighting in a Stable." 1860.

 

Polyxeni Potter* comments to authors
*Centers for Disease Control and Prevention, Atlanta, Georgia, USA

Suggested citation for this article

Cover Artwork
Eugène Delacroix (1798-1863). "Arab Horses Fighting in a Stable." 1860.
Oil on canvas. Photo: Gerar Blot. Copyright Réunion des Musées Nationaux/Art Resource, NY Louvre, Paris, France


From his early years, Delacroix, like his contemporary Théodore Gericault, was attracted to the savagery of wild animals. In a note written in Morocco, Delacroix mentions a scene of fighting horses. Among the precedents for this kind of wild-animal imagery was the antique group "Lion Attacking a Horse" (Rome, Mus. Conserv.), which was said to have been particularly admired by Michelangelo and which was copied in stone by Peter Scheemakers (1740; Rousham Park, Oxon). George Stubbs used the wild-animal theme within naturalistic settings in several paintings, for example, in "Horse Attacked by a Lion," (1770; London, Tate), of which Gericault made at least one copy (1820/21; Paris, Louvre).

In "Arab Horses Fighting in a Stable," his version of the subject, Delacroix was able to synthesize the classical with the exotic, with his studies of ecorché (French for flayed bodies), with the example of English art, and with the work of Rubens—Delacroix owned Pieter Claesz Soutman's engravings of Rubens' paintings of hunts. In 1847, Delacroix described two of these engravings in detail, indicating how highly he valued the elements of movement, variety, and unity. Of Delacroix' three great lion hunts, three have survived, a fragment (1855, now in Bordeaux, France) and two complete paintings: one from 1858 (now in Boston, Massachusetts) and one from 1861 (now in Chicago, Illinois); the latter is the most spacious and free in its handling of circular, dancelike movements that suggest a perpetual struggle—one of the underlying themes in which form and content are inseparable.

References

From The Dictionary of Art, Macmillan, NY, NY, 1996.

Suggested Citation for this Article

Potter P. Eugène Delacroix (1798-1863). "Arab Horses Fighting in a Stable." 1860 [about the cover]. Emerg Infect Dis [serial on the Internet]. 2002 Aug [date cited]. Available from: http://www.cdc.gov/ncidod/EID/vol8no8/v8n8cover.htm

Comments to the Authors

Please use the form below to submit correspondence to the authors or contact them at the following address:

Polyxeni Potter, EID Journal, Centers for Disease Control and Prevention, 1600 Clifton Rd, Mailstop D61, Atlanta, GA 30333, USA; email: PMP1@cdc.gov

Return email address:

Please note: To prevent email errors, please use no web addresses, email addresses, HTML code, or the characters <, >, and @ in the body of your message.

Comments to the EID Editors

Please contact the EID Editors at eideditor@cdc.gov

The opinions expressed by authors contributing to this journal do not necessarily reflect the opinions of the U.S. Department of Health and Human Services, the Public Health Service, the Centers for Disease Control and Prevention, or the authors' affiliated institutions. Use of trade names is for identification only and does not imply endorsement by any of the groups named above.

This page posted July 16, 2002

Safer Healthier People

Centers for Disease Control and Prevention, 1600 Clifton Rd, Atlanta, GA 30333, U.S.A
Tel: (404) 639-3311 / Public Inquiries: (404) 639-3534 / (800) 311-3435