If there's an old sound recording you have on vinyl disc that you'd like to "upgrade" to a more contemporary format, such as a compact disc, you may have trouble finding it.
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If there's an old sound recording you have on vinyl disc that you'd like to "upgrade" to a more contemporary format, such as a compact disc, you may have trouble finding it. |
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The Library of Congress recently announced the results of its commissioned study on the nation's audio heritage. The study found that most of America's historical sound recordings have become virtually inaccessible-available neither commercially nor in the public domain. Laws still protect the rights to fully 84 percent of recordings of interest to collectors and scholars made in the United States between 1890 and 1964. Of those protected, rights holders have reissued only 14 percent on compact disc. This means that the vast majority of historically important sound recordings are available for hearing only through private collectors or at research libraries that collect the nation's audio heritage and have the equipment to play obsolete recordings. Significant recordings unavailable legally in the United States include the John Philip Sousa band's cylinder recordings of his most famous march, "Stars and Stripes Forever," Rudy Vallee's 1931 recording of "As Time Goes By" and Hoagy Carmichael's first recording of "Star Dust." Although bandleader Bob Crosby's 1930s and 1940s recordings for Decca are unavailable in America, many compact discs of these recordings are available on European labels. The study, "Survey
of Reissues of U.S. Recordings," grew out of a congressional
directive to establish the National
Recording Preservation Board at the Library of Congress to study
the state of sound-recording archiving, preservation and restoration
activities. |
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