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National Gallery of Art, Press Images for:
Dada
February 19–May 14, 2006

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Zurich

file name: 202-228.jpg
Probably Tristan Tzara
Poster for the Mouvement Dada: 8.Dada-Soirée (Dada Movement: Eighth Dada Soirée), Saal zur Kaufleuten (Buyer's Hall), 4/1/1919
lithograph with collage additions
69 x 99 cm (27 3/16 x 39)
Elaine Lustig Cohen Dada Collection, The New York Public Library, Astor, Lenox and Tilden Foundations
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file name: 202-487.jpg
Hans Arp
Cover and illustrations for the book Phantastische Gebete (Fantastic Prayers) by Richard Huelsenbeck (with 7 woodcuts by Arp), Collection Dada, 1916
woodcuts
23 x 14.8 cm (9 1/16 x 5 13/16)
Research Library, The Getty Research Institute, Los Angeles
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Cat. No. 11
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Marcel Janco
Untitled (Mask, Portrait of Tzara), 1919
paper, board, burlap, ink, and gouache
55 x 25 x 7 cm (21 5/8 x 9 13/16 x 2 3/4)
Centre Pompidou, Musée national d'art moderne, Paris. Gift of the artist, 1967
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Marcel Janco/Artists Rights Society (ARS), New York/ADAGP, Paris
Photo by Philippe Migeat
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Cat. No. 12
file name: 202-654.jpg
Marcel Janco
Poster for 1re Exposition Dada (First Dada Exhibition), 1917
linoleum cut
42.5 x 26.4 cm (16 3/4 x 10 3/8)
Collection Merrill C. Berman
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Cat. No. 17
file name: 202-303.jpg
Hans Arp and Sophie Taeuber
Untitled (Pathetic Symmetry), 1916-1917
cotton needlepoint
76 x 65 cm (29 15/16 x 25 9/16); 95.3 x 102.9 cm (37 1/2 x 40 1/2)
Centre Pompidou, Musée national d'art moderne, Paris. Gift of Marguerite Arp-Hagenbach 1967
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Sophie Taeuber/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Jacqueline Hyde
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Cat. No. 18
file name: 202-556.jpg
Hans Arp
Untitled (Terrestrial Forms - forest), 1916-1917
wool needlepoint
30.5 x 32.4 cm (12 x 12 3/4); framed: 56.5 x 59 cm (22 1/4 x 23 1/4)
Mark Kelman, New York
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Cat. No. 19
file name: 202-412.jpg
Sophie Taeuber
Untitled (Composition with Squares, Circle, Rectangles, Triangles), 1918
wool needlepoint
61 x 62.5 cm (24 x 24 5/8); framed: 64.5 x 66.2 x 4.5 cm (25 3/8 x 26 1/16 x 1 3/4)
Stiftung Hans Arp und Sophie Taeuber-Arp e.V., Rolandseck
© 2005 Sophie Taeuber/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 20
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Sophie Taeuber
Untitled (Vertical-Horizontal Composition), 1916
wool needlepoint
50 x 38.5 cm (19 11/16 x 15 3/16); 76.2 x 64.8 x 2.5 cm (30 x 25 1/2 x 1)
Fondazione Marguerite Arp, Locarno
© 2005 Sophie Taeuber/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 21
file name: 202-003.jpg
Hans Arp
Untitled (Collage with Squares Arranged According to the Laws of Chance), 1916-1917
collage of torn papers on paper
48.6 x 34.6 cm (19 1/8 x 13 5/8)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
Digital Image © 2005 The Museum of Modern Art, New York
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Cat. No. 33
file name: 202-001.jpg
Hans Arp
Untitled (Automatic Drawing), 1917-1918 (inscribed 1916)
ink and pencil on paper
42.6 x 54 cm (16 3/4 x 21 1/4); 63.5 x 78.7 cm (25 x 31)
The Museum of Modern Art, New York. Given anonymously, 1936
Digital Image © 2005 The Museum of Modern Art, New York
©2005 Hans Arp/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 34
file name: 202-002.jpg
Hans Arp
Untitled (Enak's Tears), 1917
painted wood relief
86.2 x 58.5 x 6 cm (33 15/16 x 23 1/16 x 2 3/8)
The Museum of Modern Art, New York. Benjamin Scharps and David Scharps Fund and Purchase, 1979
Digital Image © 2005 The Museum of Modern Art, New York
©2005 Hans Arp/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 37
file name: 202-294.jpg
Hans Arp
Untitled (Forest), 1916/1917
painted wood relief
32.7 x 19.7 x 7.6 cm (12 7/8 x 7 3/4 x 3)
National Gallery of Art, Washington, Andrew W. Mellon Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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Cat. No. 41
file name: 202-435.jpg
Hans Richter
Visionäres Porträt-Ekstase durch Verzweiflung gefährdet (Visionary Portrait-Ecstasy Threatened by Doubt), 1917
oil on canvas
54 x 39.5 cm (21 1/4 x 15 9/16)
Galerie Berinson, Berlin / UBU Gallery, New York
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Cat. No. 43
file name: 202-432.jpg
Sophie Taeuber
Untitled (Dada Head, Portrait of Hans Arp), 1918
oil on turned wood
height: 24 cm (9 7/16); diameter: 8.7 cm (3 7/16)
Private collection
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Cat. No. 45
file name: 202-310.jpg
Sophie Taeuber
Untitled (Head, Portrait of Hans Arp), 1918/1919
oil on turned wood
height: 34 cm (13 3/8); diameter: 20 cm (7 7/8)
Centre Pompidou, Musée national d'art moderne, Paris. Gift of Marguerite Arp-Hagenbach, 1967
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Sophie Taeuber/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Jacqueline Hyde
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Cat. No. 49a
file name: 202-035.jpg
Sophie Taeuber
König Deramo (King Deramo), 1918
turned, painted wood, bell, brass ornament, brocade, and metal joints
57.5 x 13 cm (22 5/8 x 5 1/8); diameter: 8 cm (3 1/8); 14 cm (5 1/2)
Kunstgewerbesammlung im Museum Bellerive, Museum für Gestaltung Zürich
Photo by Marlen Perez
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Cat. No. 49c
file name: 202-448.jpg
Sophie Taeuber
Die Wachen (Military Guards), 1918
turned, painted wood and metal joints
40.5 x 18.5 cm (15 15/16 x 7 5/16); diameter: 13 cm (5 1/8)
Kunstgewerbesammlung im Museum Bellerive, Museum für Gestaltung Zürich
Photo by Marlen Perez
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Cat. No. 54
file name: 202-489.jpg
Francis Picabia
Réveil matin I (Alarm Clock I), illustration on the title page of the journal Dada, no. 4-5: Anthologie Dada (Dada Anthology), Tristan Tzara editor, Mouvement Dada, May 1919
line block reproduction of ink drawing
Open with blank page opposite image: 37.7 x 28 cm (14 13/16 x 11); 27.4 x 18.5 cm (10 13/16 x 7 5/16); 13.4 x 13.5 cm (5 1/4 x 5 5/16)
National Gallery of Art, Library, Gift of Thomas G. Klarner
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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Cat. No. 56
file name: 202-119.jpg
Francis Picabia
Construction moléculaire (Molecular Construction), illustration on the cover of the journal 391, no. 8, Francis Picabia editor and publisher, 2/1/1919
line block reproduction of ink drawing
43.8 x 27.5 cm (17 1/4 x 10 13/16)
National Gallery of Art, Library, David K. E. Bruce Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
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Cat. No. 57
file name: 202-632.jpg
Christian Schad
Poster for the Grand Bal Dada (Great Dada Ball), Geneva, 1920

79.5 x 56 cm (31 5/16 x 22 1/16); sheet: 81.5 x 56.5 x 3 cm (32 1/16 x 22 1/4 x 1 3/16)
Cabinet des estampes du Musée d'art et d'histoire, Genève
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Cat. No. 58
file name: 202-325.jpg
Christian Schad
Trépanation indienne (Indian Trepanning), 1920
assemblage of wood, decorative tacks, oil, and found objects
47 x 38 x 6 cm (18 1/2 x 14 15/16 x 2 3/8)
The Israel Museum, Jerusalem, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art at The Israel Museum
© The Israel Museum, Jerusalem
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Cat. No. 65
file name: 202-335.jpg
Christian Schad
Untitled (Schadograph no. 4), 1918
photogram: gelatin silver printing-out paper print
6.4 x 8.9 cm (2 1/2 x 3 1/2); 12.5 x 16.3 cm (4 15/16 x 6 7/16)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
©2005 Christian Schad/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Berlin

file name: 202-630.jpg
George Grosz
Cover for the journal Der blutige Ernst, no. 4: Die Schieber (Bloody Serious, no. 4: The Profiteer), Carl Einstein and George Grosz editors, Trianan-Verlag, special issue 1919
line block reproductions of ink drawings
40.4 x 28.7 cm (15 7/8 x 11 5/16)
National Gallery of Art, Library, David K. E. Bruce Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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file name: 202-641.jpg
Raoul Hausmann
Cover of the booklet Club Dada: Prospekt Verlags Freie Strasse (Club Dada: Prospectus of the Publisher Freie Strasse), Richard Huelsenbeck, Franz Jung, and Raoul Hausmann editors, Freie Strasse, 1918
wood engraving
26.6 x 19.5 cm (10 1/2 x 7 11/16)
Collection Merrill C. Berman
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Cat. No. 100
file name: 202-075.jpg
Raoul Hausmann
fmsbwtözäu, poster poem, 1918
line block
33 x 48 cm (13 x 18 7/8); 63.5 x 78.7 cm (25 x 31)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1974
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Raoul Hausmann/Artists Rights Society (ARS), New York/ADAGP, Paris
Photo by Philippe Migeat
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Cat. No. 103
file name: 202-220.jpg
Johannes Baader
Der Verfasser des Buches "Vierzehn Briefe Christi" in seinem Heim (The Author of the Book "Fourteen Letters of Christ" in His Home), c. 1920
photomontage and collage on book page with ink inscription
21.6 x 14.6 cm (8 1/2 x 5 3/4)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
Photo by Lorene Emerson
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Cat. No. 112
file name: 202-121.jpg
Hannah Höch
Staatshäupter (Heads of State), 1918-1919
photomontage on iron-on embroidery pattern
16.2 x 23.3 cm (6 3/8 x 9 3/16); 41.9 x 52.1 cm (16 1/2 x 20 1/2)
Institut für Auslandsbeziehungen e.V., Stuttgart
© Institut für Auslandsbeziehungen e.V., Stuttgart
© 2005 Hannah Höch/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 113
file name: 202-118.jpg
Hannah Höch
Bürgerliches Brautpaar (Streit) (Bourgeois Bridal Couple [Quarrel]), 1919
photomontage and collage
38 x 30.6 cm (14 15/16 x 12 1/16); framed: 56.5 x 48.3 x 3.5 cm (22 1/4 x 19 x 1 3/8)
Private collection
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Cat. No. 114
file name: 202-116.jpg
Hannah Höch
Da Dandy, 1919
photomontage and collage
30 x 23 cm (11 13/16 x 9 1/16); framed: 56.8 x 47.6 x 3.5 cm (22 3/8 x 18 3/4 x 1 3/8)
Private collection
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Cat. No. 115
file name: 202-114.jpg
Hannah Höch
Das schöne Mädchen (The Beautiful Girl), 1919-1920
photomontage and collage
35 x 29 cm (13 3/4 x 11 7/16); framed: 55.5 x 47.6 x 3.5 cm (21 7/8 x 18 3/4 x 1 3/8)
Private collection
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Cat. No. 116
file name: 202-088.jpg
Hannah Höch
Dada-Ernst, 1920-1921
photomontage and collage on paper
18.6 x 16.6 cm (7 5/16 x 6 9/16)
The Israel Museum, Jerusalem, The Vera and Arturo Schwarz Collection of Dada and Surrealist Art at The Israel Museum
© Israel Museum, Jerusalem
Photo by Avshalom Avital
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Cat. No. 117
file name: 202-030.jpg
Hannah Höch
Dada Puppen (Dada Dolls), 1916
fabric, yarn, thread, board, and beads
height: 60 cm (23 5/8); 55.8 x 57.5 cm (21 15/16 x 22 5/8)
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
© 2005 Hannah Höch/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 119
file name: 202-027.jpg
Hannah Höch
Meine Haussprüche (Proverbs to Live By), 1922
photomontage and collage with ink, zinc white, graphite, crayon, and colored pencil on board
sheet: 32 x 41.3 cm (12 5/8 x 16 1/4); mat: 50 x 60 cm (19 11/16 x 23 5/8); framed: 54 x 63.8 x 4.2 cm (21 1/4 x 25 1/8 x 1 5/8)
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
© 2005 Hannah Höch/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 120
file name: 202-117.jpg
Hannah Höch
Goldener Mond (Golden Moon), 1923
collage and gouache on black construction paper
19.2 x 26.5 cm (7 9/16 x 10 7/16); framed: 41 x 47 x 2.5 cm (16 1/8 x 18 1/2 x 1)
Collection Timothy Baum, New York
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Cat. No. 121
file name: 202-123.jpg
Hannah Höch
Schneider Blume (Tailor's Flower), 1920
collage (of cut sewing or handiwork patterns) with photomontage, in artist's frame with glued zippers, fasteners, and snaps
51.6 x 43.8 x 3.4 cm (20 5/16 x 17 1/4 x 1 5/16); 31.1 x 24.6 cm (12 1/4 x 9 11/16)
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Gift of Louise Rosenfield Noun in Honor of James T. Demetrion, 1996
Photo by Lee Stalsworth
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Cat. No. 123
file name: 202-108.jpg
Otto Dix
Die Skatspieler (Skat Players) (later titled Kartenspielende Kriegskrüpple [Card-playing War Cripples]), 1920
oil on canvas with photomontage and collage
110 x 87 cm (43 5/16 x 34 1/4); 125.7 x 101.6 cm (49 1/2 x 40)
Staatliche Museen zu Berlin, Nationalgalerie. Eigentum Verein der Freunde der Nationalgalerie
© Nationalgalerie. Staatliche Museen zu Berlin - Preussischer Kulturbesitz
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Cat. No. 124
file name: 202-739.jpg
Otto Dix
Kriegskrüppel (War Cripples), 1920
drypoint
plate: 25.9 x 39.4 cm (10 3/16 x 15 1/2); 32.5 x 47.4 cm (12 13/16 x 18 11/16)
The Museum of Modern Art, New York. Purchase, 1949
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Otto Dix /Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 126
file name: 202-033.jpg
Georg Scholz
Bauernbild (Farmer Picture), also known as Industriebauern (Industrial Farmers), 1920
oil on wood with collage and photomontage
98 x 70 cm (38 9/16 x 27 9/16)
Von der Heydt-Museum, Wuppertal
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Cat. No. 128
file name: 202-111.jpg
Otto Dix
Erinnerung an die Spiegelsäle von Brüssels (Memory of the Mirrored Halls of Brussels), 1920
oil on canvas
124 x 80.4 cm (48 13/16 x 31 5/8); 134.6 x 97.8 cm (53 x 38 1/2)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase in memory of Siegfried Poppe, 1999
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Otto Dix/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Georges Merguerditchian
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Cat. No. 130
file name: 202-031.jpg
Rudolf Schlichter
Dada Dachatelier (Dada Rooftop Studio), c. 1920
watercolor and ink on paper
sheet: 45.8 x 63.8 cm (18 1/16 x 25 1/8); mat: 60 x 80 cm (23 5/8 x 31 1/2); framed: 62.8 x 82.8 x 2.8 cm (24 3/4 x 32 5/8 x 1 1/8)
Private Collection
© 2005 Rudolf Schlichter/Artists Rights Society (ARS), New York
Photo by Peter Oszvald
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Cat. No. 131
file name: 202-106.jpg
Rudolf Schlichter
Tote Welt (Dead World), c. 1920
watercolor on paper
49.5 x 64.7 cm (19 1/2 x 25 1/2); 68.6 x 88.9 cm (27 x 35)
Staatsgalerie Stuttgart / Graphische Sammlung
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Cat. No. 132
file name: 202-067.jpg
George Grosz
Republikanische Automaten (Republican Automatons), 1920
watercolor and pencil on paper
60 x 47.3 cm (23 5/8 x 18 5/8); 78.1 x 64.8 cm (30 3/4 x 25 1/2)
The Museum of Modern Art, New York. Advisory Committee Fund, 1946
Digital Image © 2005 The Museum of Modern Art, New York
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
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Cat. No. 135
file name: 202-099.jpg
George Grosz
Grauer Tag (Gray Day), 1921
oil on canvas
115 x 80 cm (45 1/4 x 31 1/2); 133.4 x 97.8 cm (52 1/2 x 38 1/2)
Staatliche Museen zu Berlin, Nationalgalerie
© 2005 Bildarchiv Preussischer Kulturbesitz, Berlin
Photo by Jörg P. Anders, Berlin
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Cat. No. 66
file name: 202-098.jpg
George Grosz
Metropolis, 1916-1917
oil on canvas
100 x 102 cm (39 3/8 x 40 3/16); 121.9 x 123.8 cm (48 x 48 3/4)
Museo Thyssen-Bornemisza, Madrid
©Museo Thyssen-Bornemisza, Madrid
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Cat. No. 67
file name: 202-101.jpg
George Grosz
Menschen im Café (People in a Café), 1917
ink on paper
44 x 58.9 cm (17 5/16 x 23 3/16); framed: 65.2 x 85.5 x 2.2 cm (25 11/16 x 33 11/16 x 7/8)
The British Museum, London
© Copyright The British Museum
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Cat. No. 69
file name: 202-204.jpg
George Grosz
Die Stimme des Volkes, die Stimme Gottes (Voice of the People, Voice of God), 1920
ink and collage on paper
35.3 x 50 cm (13 7/8 x 19 11/16); 53.3 x 67.3 cm (21 x 26 1/2)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1978
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
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Cat. No. 71
file name: 202-102.jpg
George Grosz
Der Schuldige bleibt unerkannt (The Guilty One Remains Unknown), 1919
collage with ink on paper
53.8 x 35.9 cm (21 3/16 x 14 1/8)
The Art Institute of Chicago, Gift of Mr. and Mrs. Stanley M. Freehling, 1964.236
Photography © The Art Institute of Chicago
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Cat. No. 72
file name: 202-095.jpg
George Grosz
Ein Opfer der Gesellschaft (A Victim of Society) (later titled Remember Uncle August, the Unhappy Inventor), 1919
oil and graphite on canvas with photomontage and collage of papers and buttons
49 x 39.5 cm (19 5/16 x 15 9/16)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1977
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
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Cat. No. 75
file name: 202-066.jpg
George Grosz
"Der Strafling" Monteur John Heartfield nach Franz Jungs, Versuch ihn auf die Beine zu stellen ("The Convict" Monteur John Heartfield after Franz Jung's Attempt to Get Him Up on His Feet) (also known as The Engineer Heartfield), 1920
watercolor and pencil on paper with photomontage
41.9 x 30.5 cm (16 1/2 x 12); 64.8 x 50.2 cm (25 1/2 x 19 3/4)
The Museum of Modern Art, New York. Gift of A. Conger Goodyear, 1952
Digital Image © 2005 The Museum of Modern Art, New York
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
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Cat. No. 76
file name: 202-096.jpg
George Grosz
Tatlinistischer Planriss (Tatlinesque Diagram), 1920
watercolor, pencil, and ink on paper with photomontage and collage
41 x 29.2 cm (16 1/8 x 11 1/2); 70.5 x 55.3 cm (27 3/4 x 21 3/4)
Museo Thyssen-Bornemisza, Madrid
© Museo Thyssen-Bornemisza, Madrid
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Cat. No. 77
file name: 202-023.jpg
George Grosz
"Daum" marries her pedantic automaton "George" in May 1920, John Heartfield is very glad of it. (Meta-Mech. constr. nach [according to] Prof. R. Hausmann), 1920
watercolor, pencil, and ink on paper with photomontage and collage
42 x 30.2 cm (16 9/16 x 11 7/8); mat: 60 x 47.6 cm (23 5/8 x 18 3/4); framed: 64.4 x 51.3 x 4.2 cm (25 3/8 x 20 3/16 x 1 5/8)
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
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Cat. No. 78
file name: 202-648.jpg
John Heartfield
Cover of the exhibition catalogue Erste Internationale Dada Messe (First International Dada Fair), John Heartfield and Wieland Herzfelde editors, Otto Burchhard and Malik-Verlag, July 1920
photolithograph
31 x 39 cm (12 3/16 x 15 3/8)
Collection Merrill C. Berman
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Cat. No. 80
file name: 202-761.jpg
John Heartfield and Rudolf Schlichter
Preussischer Erzengel (Prussian Archangel), 2004 (reconstruction of lost 1920 original)
papier mâché (pig's head); wire mesh (body); palm grass, hemp, and horse hair (filling); uniform cut from field gray material, following original pattern; World War I field cap, boots, and shoulder lapels; woodcut (signs)
height c.: 180 cm (70 7/8)
Neue Galerie New York
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Cat. No. 81
file name: 202-028.jpg
George Grosz and John Heartfield
Der wildgewordene Spiesser Heartfield (Elektro-mechan. Tatlin-Plastik) (The Middle-Class Philistine Heartfield Gone Wild [Electro-Mechanical Tatlin Sculpture]), 1988 (reconstruction of 1920 original)
tailor's dummy, revolver, doorbell, knife, fork, letter "C" and number "27" signs, plaster dentures, embroidered insignia of the Black Eagle Order on horse blanket, Osram light bulb, Iron Cross, stand, and other objects
overall, including base: 220 x 45 x 45 cm (86 5/8 x 17 11/16 x 17 11/16); base: 90 x 45 x 45 cm (35 7/16 x 17 11/16 x 17 11/16); object: 130 x 45 x 45 cm (51 3/16 x 17 11/16 x 17 11/16)
Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur
Art © Estate of George Grosz/Licensed by VAGA, New York, NY
© 2005 John Heartfield /Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 82
file name: 202-455.jpg
John Heartfield
Cover of the journal Der Dada, no. 3, Raoul Hausmann, John Heartfield, and George Grosz editors, Malik-Verlag, April 1920
photolithograph
23 x 15.6 cm (9 1/16 x 6 1/8)
National Gallery of Art, Library, Gift of Thomas G. Klarner
© 2005 Board of Trustees, National Gallery of Art, Washington
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Cat. No. 83
file name: 202-495.jpg
George Grosz and John Heartfield
Cover of the book Dada siegt! Eine Bilanz des Dadaismus (Dada Triumphs! A Report on Dadaism) by Richard Huelsenbeck, Malik-Verlag, 1920

22.3 x 14 cm (8 3/4 x 5 1/2)
Elaine Lustig Cohen Dada Collection, The New York Public Library, Astor, Lenox and Tilden Foundations
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Cat. No. 88
file name: 202-112.jpg
Raoul Hausmann
Elasticum, 1920
photomontage and collage with gouache on the cover of the exhibition catalogue Erste Internationale Dada-Messe (First International Dada Fair)
31 x 37 cm (12 3/16 x 14 9/16)
Galerie Berinson, Berlin / UBU Gallery, New York
© 2005 Raoul Hausmann/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 89
file name: 202-083.jpg
Raoul Hausmann
Selbstporträt des Dadasophen (Self-Portrait of the Dadasoph), 1920
photomontage and collage on Japanese paper
36.2 x 28 cm (14 1/4 x 11)
Private collection, Courtesy Annely Juda Fine Art, London
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Cat. No. 94
file name: 202-078.jpg
Raoul Hausmann
Der Kunstreporter (The Art Critic), 1919-1920
photomontage and collage with ink stamp and crayon on printed poster poem
31.8 x 25.4 cm (12 1/2 x 10); framed: 37.5 x 31 x 2.6 cm (14 3/4 x 12 3/16 x 1)
Tate. Purchased 1974
© Tate, London 2005
© 2005 Raoul Hausmann/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 95
file name: 202-071.jpg
Raoul Hausmann
Mechanischer Kopf (Der Geist unserer Zeit) (Mechanical Head [The Spirit of Our Age]), c. 1920
hairdresser's wig-making dummy, crocodile wallet, ruler, pocket watch mechanism and case, bronze segment of old camera, typewriter cylinder, segment of measuring tape, collapsible cup, the number "22," nails, and bolt
32.5 x 21 x 20 cm (12 13/16 x 8 1/4 x 7 7/8)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1974
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Raoul Hausmann/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 96
file name: 202-086.jpg
Raoul Hausmann
Kutschenbauch dichtet (Mr. Jones Makes Poetry), 1920
watercolor and gouache on paper
42.5 x 32 cm (16 3/4 x 12 5/8); framed: 70.5 x 58 x 5 cm (27 3/4 x 22 13/16 x 1 15/16)
Musée d'art moderne, Saint-Etienne
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Cat. No. 98
file name: 202-072.jpg
Raoul Hausmann
ABCD or Portrait de l'artist, 1923-1924
collage and photomontage on paper
40.4 x 28.2 cm (15 7/8 x 11 1/8)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1974
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Raoul Hausmann/Artists Rights Society (ARS), New York/ADAGP, Paris
Photo by Jacqueline Hyde
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Hannover

file name: 202-342.jpg
Hans Arp
The Castaways' Bundle, 1921
wood
19.5 x 32 x 4 cm (7 11/16 x 12 5/8 x 1 9/16); in plexi box: 22.2 x 38.1 x 12.1 cm (8 3/4 x 15 x 4 3/4)
Musée d'Art Moderne et Contemporain de Strasbourg
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Cat. No. 137
file name: 202-068.jpg
Kurt Schwitters
Bild mit heller Mitte (Picture with Light Center), 1919
collage, watercolor, oil, and pencil on board
84.5 x 65.7 cm (33 1/4 x 25 7/8)
The Museum of Modern Art, New York. Purchase, 1950
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 141
file name: 202-461.jpg
Kurt Schwitters
Cover of the illustrated book Anna Blume. Dichtungen (Anna Blume. Poems) by Kurt Schwitters, Paul Steegemann Verlag, 1919
ink and watercolor on paper mounted on book cloth
22 x 14.5 cm (8 11/16 x 5 11/16)
Spencer Collection, The New York Public Library, Astor, Lenox and Tilden Foundations
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Cat. No. 144
file name: 202-255.jpg
Kurt Schwitters
Merzbild 46 A. Das Kegelbild (Merzpicture 46 A. The Skittle Picture), 1921
assemblage of wood, oil, metal, and board on board, with artist's frame
with frame: 55 x 43.8 cm (21 5/8 x 17 1/4); 47 x 35.8 cm (18 1/2 x 14 1/8)
Sprengel Museum Hannover
Kurt Schwitters Archiv im Sprengel Museum Hannover
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Michael Herling
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Cat. No. 145
file name: 202-250.jpg
Kurt Schwitters
Bild mit Raumgewächsen (Picture with Spatial Growths) or Bild mit 2 kleinen Hunden (Picture with 2 Small Dogs), 1920 and 1939
assemblage of oil, papers, board, fabric, wood, hair, ceramic, and metal on board
97 x 69 cm (38 3/16 x 27 3/16); framed: 115.5 x 86.3 x 13.1 cm (45 1/2 x 34 x 5 3/16); 115.6 x 86.4 x 13.3 cm (45 1/2 x 34 x 5 1/4)
Tate. Purchased 1984
© Tate, London 2005
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 146
file name: 202-726.jpg
Kurt Schwitters
Die heilige Sattlermappe (The Holy Saddlers' Portfolio), 1922
collage on board folder
38.4 x 55.8 cm (15 1/8 x 21 15/16); framed: 60.5 x 78 cm (23 13/16 x 30 11/16)
Collection Claude Berri
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Cat. No. 151
file name: 202-008.jpg
Kurt Schwitters
Untitled (Merz Construction), c. 1921
assemblage of painted wood, wire mesh, board, and paper
38 x 21 x 6.4 cm (14 15/16 x 8 1/4 x 2 1/2)
Philadelphia Museum of Art, The A. E. Gallatin Collection, 1952
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Graydon Wood, 1992
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Cat. No. 156
file name: 202-264.jpg
Kurt Schwitters
Untitled (Erfurt-Erfur), c. 1924-1926
collage of papers, board, and primed canvas on paper
21.6 x 19.1 cm (8 1/2 x 7 1/2); framed: 40.6 x 36.2 x 2.5 cm (16 x 14 1/4 x 1)
Collection Jasper Johns
Photo by Dorothy Zeidman
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Cat. No. 159
file name: 202-373.jpg
Kurt Schwitters
Mz 317. Lenox, 1921
collage on paper
composition: 18 x 14.5 cm (7 1/16 x 5 11/16); original mat: 32.6 x 23.3 cm (12 13/16 x 9 3/16)
Kurt und Ernst Schwitters Stiftung, Hannover
Kurt Schwitters Archiv im Sprengel Museum Hannover
Photo by Michael Herling
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Cat. No. 166
file name: 202-247.jpg
Kurt Schwitters
Untitled (Assemblage on Hand Mirror), 1920/1922
assemblage of oil, papers, board, wood, metal leaf, porcelain, plaster, metal, and glass on mirror
28.5 x 11 cm (11 1/4 x 4 5/16); framed, with glass: 38.5 x 27 x 16.5 cm (15 3/16 x 10 5/8 x 6 1/2); 37.5 x 27 x 16.5 cm (14 3/4 x 10 5/8 x 6 1/2)
Musée d'Art Moderne de la Ville de Paris
© Photothèque des musées de la ville de Paris
Photo by Jean-Yves Trocaz
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Cat. No. 169
file name: 202-649.jpg
Theo van Doesburg (and Kurt Schwitters?)
Poster and program for Kleine Dada Soiree (Small Dada Evening), 1922/1923
lithograph
30.2 x 30.2 cm (11 7/8 x 11 7/8)
The Museum of Modern Art, New York. Gift of Philip Johnson, 1945
Digital Image © 2005 The Museum of Modern Art, New York
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Cat. No. 170
file name: 202-404.jpg
El Lissitzky
Hans Arp, 1924
gelatin silver print
18 x 12.9 cm (7 1/16 x 5 1/16); framed: 49.5 x 43.8 x 1.9 cm (19 1/2 x 17 1/4 x 3/4)
The Manfred & Hanna Heiting Collection
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Cat. No. 171
file name: 202-675.jpg
El Lissitzky
Kurt Schwitters, 1924
gelatin silver print
10.6 x 9.4 cm (4 3/16 x 3 11/16); 35.6 x 34.3 cm (14 x 13 1/2)
The Museum of Modern Art, New York, Thomas Walther Collection. Purchase, 2001
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 El Lissitzky/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 174
file name: 202-773.jpg
Kurt Schwitters
Wrap-around cover of the journal Merz, no. 6: Jmitatoren watch step! (Imitators Watch Your Step!)/Arp, no. 1: Prapoganda und Arp (Propaganda and Arp), Kurt Schwitters editor, Merzverlag, Merzverlag, October 1923
letterpress
Open with both covers shown: 28.2 x 22 cm (11 1/8 x 8 11/16); cover: 44 x 29 cm (17 5/16 x 11 7/16); closed: 22.3 x 29 cm (8 3/4 x 11 7/16)
National Gallery of Art, Library, Gift of Thomas G. Klarner
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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Cat. No. 185
file name: 202-265.jpg
Kurt Schwitters
1. weisses Relief (1st White Relief), 1924/1927
painted wood and glass relief
66.5 x 48.7 x 28.7 cm (26 3/16 x 19 3/16 x 11 5/16); in plexi box: 91.4 x 76.2 x 32.4 cm (36 x 30 x 12 3/4)
Sprengel Museum Hannover
Kurt Schwitters Archiv im Sprengel Museum Hannover
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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Cat. No. 186
file name: 202-378.jpg
Kurt Schwitters
Merz 1924,1. Relief mit Kreuz und Kugel [Merz 1924,1. Relief with Cross and Sphere], 1924
relief: ink?, oil, metal (ladle), board, and plastic panel on wood on board
69.1 x 34.4 x 9.3 cm (27 3/16 x 13 9/16 x 3 11/16); in box: 99.1 x 64.8 x 13.3 cm (39 x 25 1/2 x 5 1/4)
Kurt und Ernst Schwitters Stiftung, Hannover
Kurt Schwitters Archiv im Sprengel Museum Hannover
© 2005 Kurt Schwitters/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn
Photo by Michael Herling
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Cologne

Cat. No. 190
file name: 202-046.jpg
Max Ernst
Cover of the journal Bulletin D, with illustration by Hans Arp, unique issue, catalogue for the exhibition in Section D at Cologne Kunstverein, Johannes Baargeld and Max Ernst editors, 11/1/1919

31.4 x 23.5 cm (12 3/8 x 9 1/4)
Research Library, The Getty Research Institute, Los Angeles
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Cat. No. 199
file name: 202-056.jpg
Max Ernst
adieu mon beau pays de Marie Laurencin (Farewell My Beautiful Land of Marie Laurencin), 1919
proof of printer's blocks with ink on paper
sheet: 40 x 27.9 cm (15 3/4 x 11)
The Museum of Modern Art, New York. Purchase
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 200
file name: 202-457.jpg
Heinrich Hoerle (?)
Cover of the journal Stupid, no. 1, unique issue, catalogue for the exhibition Dada-Abspaltung (Dada-Split), Angelika and Heinrich Hoerle and Franz-Wilhelm Seiwert editors, Stupid Verlag, November 1920

28.4 x 22.3 cm (11 3/16 x 8 3/4)
Elaine Lustig Cohen Dada Collection, The New York Public Library, Astor, Lenox and Tilden Foundations
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Cat. No. 203
file name: 202-368.jpg
Johannes Baargeld
Ordinäre Klitterung: Kubischer Transvestit vor einem vermeintlichen Scheidewege (Vulgar Mess: Cubistic Transvestite at an Alleged Crossroads), 1920
photomontage and collage on paper
30.9 x 14.4 cm (12 3/16 x 5 11/16); framed: 65 x 59 cm (25 9/16 x 23 1/4)
Private Collection
© Galerie Brusberg, Berlin
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Cat. No. 206
file name: 202-664.jpg
Johannes Baargeld and Max Ernst
Le Roi rouge (The Red King), 1920
ink on printed wallpaper
49.2 x 38.7 cm (19 3/8 x 15 1/4); 72.4 x 61 cm (28 1/2 x 24)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 207
file name: 202-064.jpg
Johannes Baargeld
Käfer (Beetles), 1920
ink and pencil on tissue paper
29.2 x 23.2 cm (11 1/2 x 9 1/8)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
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Cat. No. 208
file name: 202-063.jpg
Johannes Baargeld
Das menschliche Auge und ein Fisch, letzterer versteinert (The Human Eye and a Fish, The Latter Petrified), 1920
collage, ink, and pencil on paper
31.1 x 23.8 cm (12 1/4 x 9 3/8)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
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Cat. No. 210
file name: 202-094.jpg
Johannes Baargeld
Unendlicher Regenschirm (Endless Umbrella), 1919/1920
ink on paper
24.5 x 32.5 cm (9 5/8 x 12 13/16); framed: 55 x 45 cm (21 5/8 x 17 11/16)
Galerie Remmert und Barth, Düsseldorf, Germany
Photo by Walter Klein, Düsseldorf
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Cat. No. 211
file name: 202-047.jpg
Max Ernst
Untitled, 1920
photomontage, collage, and pencil on photographic reproduction mounted on board
6 x 14.6 cm (2 3/8 x 5 3/4)
The Menil Collection, Houston
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
Photo by Hester & Hardaway Photographers
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Cat. No. 215
file name: 202-282.jpg
Max Ernst
die flamingi... (The Flamingos...), 1920
photographic enlargement of photomontage, mounted on board with ink inscription
with mount: 29.5 x 23.5 cm (11 5/8 x 9 1/4)
Private collection
Courtesy The Metropolitan Museum of Art
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Cat. No. 218
file name: 202-354.jpg
Max Ernst and Hans Arp
hier ist noch alles in der schwebe... (Here Everything is Still Floating...), 1920
gouache and ink on photographic enlargement of photomontage, mounted on board with ink inscription
with mount: 32 x 38.8 cm (12 5/8 x 15 1/4); composition: 29.7 x 35.7 cm (11 11/16 x 14 1/16); framed: 44.6 x 54.6 x 2 cm (17 9/16 x 21 1/2 x 13/16)
Stiftung Hans Arp und Sophie Taeuber-Arp e.V., Rolandseck
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris © 2005 Hans Arp/Artists Rights Society (ARS), New York, VG Bild-Kunst, Bonn
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Cat. No. 220
file name: 202-443.jpg
Max Ernst
the punching ball ou l'immortalité de buonarotti (The Punching Ball or the Immortality of Buonarotti) (or max ernst et caesar buonarotti [Max Ernst and Caesar Buonarotti]), 1920
photomontage, gouache, and ink on photograph
17.6 x 11.4 cm (6 15/16 x 4 1/2)
Arnold Crane Collection, Chicago
Photo by Michael Tropea
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Cat. No. 222
file name: 202-458.jpg
Max Ernst
Dada siegt! (Dada Triumphs!), poster for the exhibition Dada-Vorfrühling (Dada Early Spring), Brauhaus Winter (Winter Brewery), 1920
letterpress
43.2 x 63.5 cm (17 x 25)
Elaine Lustig Cohen Dada Collection, The New York Public Library, Astor, Lenox and Tilden Foundations
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Cat. No. 223
file name: 202-065.jpg
Max Ernst
c'est le chapeau qui fait l'homme (The Hat Makes the Man), 1920
gouache and pencil on collage on board with ink inscription
35.6 x 45.7 cm (14 x 18)
The Museum of Modern Art, New York. Purchase, 1935
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 224
file name: 202-756.jpg
Max Ernst
1 kupferblech 1 zinkblech 1 gummituch... (1 Copper Sheet 1 Zinc Sheet 1 Rubber Cloth) (or Deux figures ambigues [Two Ambiguous Figures]), c. 1920
gouache, watercolor, ink, pencil, and ink inscripton on page of teaching aid catalogue illustrating science equipment
composition: 24.2 x 16.7 cm (9 1/2 x 6 9/16); framed: 48.6 x 41 x 2.9 cm (19 1/8 x 16 1/8 x 1 1/8)
Collection Michael and Judy Steinhardt, New York
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Cat. No. 227
file name: 202-283.jpg
Max Ernst
frau wirtin an der lahn... (Landlady on the Lahn...), 1920
collage, gouache, and ink on paper mounted on board with inscription
25 x 31.5 cm (9 13/16 x 12 3/8)
Staatsgalerie Stuttgart/Graphische Sammlung
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Cat. No. 230
file name: 202-286.jpg
Max Ernst
la bicyclette graminée... (The Gramineous Bicycle...), c. 1921
gouache and ink on botanical chart with ink inscription
74.3 x 99.7 cm (29 1/4 x 39 1/4)
The Museum of Modern Art, New York. Purchase, 1937
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 238
file name: 202-365.jpg
Max Ernst
Jeune chimère (Young Chimera), c. 1921
gouache and ink on printed page
26 x 9 cm (10 1/4 x 3 9/16)
Private collection
Photo Courtesy The Metropolitan Museum of Art
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Cat. No. 240
file name: 202-290.jpg
Max Ernst
Célèbes (Celebes) or Der Elefant von Celebes (The Elephant of Celebes), 1921
oil on canvas
125.4 x 107.9 cm (49 3/8 x 42 1/2); framed: 139.7 x 121 x 10.2 cm (55 x 47 5/8 x 4)
Tate. Purchased 1975
© Tate, London 2005
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 242
file name: 202-070.jpg
Max Ernst
des éventails brisés (Broken Fans), 1922, illustration for the book Les Malheurs des immortels (The Misfortunes of the Immortals) by Paul Eluard, Paris, Librairie Six, 1922
gouache on collage (colored after use in Les Malheurs des immortels)
composition: 10.2 x 16.5 cm (4 x 6 1/2); sheet: 25 x 18 cm (9 13/16 x 7 1/16)
Private collection
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Cat. No. 243
file name: 202-050.jpg
Max Ernst and Paul Eluard
Page from Les Malheurs des immortels (The Misfortunes of the Immortals) by Paul Eluard, Paris: Librairie Six, 1922
reproduction of collage
Open with page of text opposite image: 36.5 x 25 cm (14 3/8 x 9 13/16); 25 x 19 cm (9 13/16 x 7 1/2)
National Gallery of Art, Library, David K. E. Bruce Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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Cat. No. 245
file name: 202-090.jpg
Max Ernst
les moutons (The Sheep), 1921
illustration maquette for the book Répétitions (Repetitions), gouache and ink on collage of printed reproductions on paper (colored after use in Répétitions)
11.3 x 16.2 cm (4 7/16 x 6 3/8)
Centre Pompidou, Musée national d'art moderne, Paris. Gift of Marguerite Arp-Hagenbach, 1973
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Max Ernst/Artists Rights Society (ARS), New York, ADAGP, Paris
Photo by Philippe Migeat
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New York

Cat. No. 250
file name: 202-574.jpg
Marcel Duchamp
Broyeuse de chocolat no. 1 (Chocolate Grinder no. 1), 1913, (executed in Neuilly, France)
oil on canvas
61.9 x 64.8 cm (24 3/8 x 25 1/2); 68 x 64.8 cm (26 3/4 x 25 1/2)
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
Photo by Graydon Wood
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Cat. No. 253
file name: 202-653.jpg
Marcel Duchamp
Roue de bicyclette (Bicycle Wheel), 1951 (third version, after lost original of 1913 made in Paris)
assisted readymade: bicycle wheel and fork mounted on kitchen stool
overall: 129.5 x 63.5 x 41.9 cm (51 x 25 x 16 1/2)
The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection, 1967
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
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Cat. No. 256
file name: 202-126.jpg
Marcel Duchamp
Trébuchet (Trap), 1964 (second version, after lost original of 1917)
assisted readymade: coat rack nailed to floor
19 x 100 x 13 cm (7 1/2 x 39 3/8 x 5 1/8)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1986
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
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Cat. No. 259
file name: 202-012.jpg
Marcel Duchamp
A bruit secret (With Hidden Noise), 1916
assisted readymade: ball of twine (containing unknown object added by Walter Arensberg) pressed between brass plates joined by screws
11.4 x 12.9 x 13 cm (4 1/2 x 5 1/16 x 5 1/8)
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
Photo by Graydon Wood
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Cat. No. 260
file name: 202-013.jpg
Marcel Duchamp
Apolinère Enameled, 1916-1917
rectified readymade: gouache and pencil on painted tin (advertising sign for Sapolin Enamel) mounted on board
24.4 x 33.9 cm (9 5/8 x 13 3/8); plexi stand measurements: 23 x 31 x 15 cm (9 1/16 x 12 3/16 x 5 7/8)
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
Photo by Graydon Wood
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Cat. No. 261
file name: 202-764.jpg
Marcel Duchamp
Fontaine (Fountain), 1964 (fifth version, after lost original of 1917)
assisted readymade: porcelain urinal turned on its back
36 x 48 x 61 cm (14 3/16 x 18 7/8 x 24)
Mugrabi Collection, Courtesy Gagosian Gallery
Photo Courtesy Gagosian Gallery, New York
Photo by Robert McKeever
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Cat. No. 262
file name: 202-582.jpg
Alfred Stieglitz
Fountain, photograph of sculpture by Marcel Duchamp, 1917
gelatin silver print
23.5 x 17.8 cm (9 1/4 x 7); 35.6 x 31.1 cm (14 x 12 1/4)
Succession Marcel Duchamp, Villiers-sous-Grez, France
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
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Cat. No. 266
file name: 202-032.jpg
Marcel Duchamp
Rotative Plaques verre (Optique de précision) (Rotary Glass Plates [Precision Optics]), 1979 (second replica, based on the 1920 original)
motorized optical device: painted plexiglass plates on metal axle, motor and metal and wood stand
170 x 125 x 100 cm (66 15/16 x 49 3/16 x 39 3/8)
Centre Pompidou, Musée national d'art moderne, Paris. Acquisition, 1979
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
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Cat. No. 267
file name: 202-571.jpg
Man Ray
Marcel Duchamp with His Rotary Glass Plates Machine (in Motion), 1920
gelatin silver print
12.5 x 7.6 cm (4 15/16 x 3); framed: 25.5 x 21 x 2.5 cm (10 1/16 x 8 1/4 x 1)
Collection Timothy Baum, New York
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Cat. No. 269
file name: 202-345.jpg
Marcel Duchamp and Man Ray
Marcel Duchamp as Belle Haleine, 1921
gelatin silver print
17.5 x 12.5 cm (6 7/8 x 4 15/16); framed: 41.5 x 35 cm (16 5/16 x 13 3/4)
Private collection
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Cat. No. 270
file name: 202-160.jpg
Marcel Duchamp
Cover of the magazine New York Dada, unique issue, Marcel Duchamp, editor with Man Ray, 4/1/1921
letterpress and relief halftone
37.5 x 25.5 cm (14 3/4 x 10 1/16)
National Gallery of Art, Library, David K. E. Bruce Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Lorene Emerson
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Cat. No. 271
file name: 202-346.jpg
Marcel Duchamp and Man Ray
Belle Haleine, eau de voilette (Beautiful Breath, Veil Water), 1921
assisted readymade: Rigaud perfume bottle with artists' label in cardboard box
bottle height: 15.2 cm (6); box: 16.3 x 11.2 cm (6 7/16 x 4 7/16)
Collection Yves Saint Laurent - Pierre Bergé
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Cat. No. 277
file name: 202-151.jpg
Francis Picabia
Révérence (Reverence), 1915
oil and metallic paint on board
99.7 x 99.7 cm (39 1/4 x 39 1/4)
The Baltimore Museum of Art: Bequest of Saidie A. May (BMA 1951.347)
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Cat. No. 278
file name: 202-161.jpg
Francis Picabia
Ici, c'est ici Stieglitz/foi et amour (Here, This is Stieglitz/Faith and Love), cover for the journal 291, no. 5-6, deluxe edition, Paul Haviland, Ernst Meyer, Alfred Stieglitz, and Marius de Zayas editors and publishers, July-August 1915
reproduction of ink drawing on vellum paper
43.9 x 28.9 cm (17 5/16 x 11 3/8)
Francis M. Naumann Fine Art, New York
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Cat. No. 286
file name: 202-060.jpg
Man Ray
The Rope Dancer Accompanies Herself with Her Shadows, 1916
oil on canvas
132.1 x 186.4 cm (52 x 73 3/8)
The Museum of Modern Art, New York. Gift of G. David Thompson, 1954
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 288
file name: 202-130.jpg
Man Ray
Admiration of the Orchestrelle for the Cinematograph, 1919
airbrushed ink and gouache, ink, and pencil on gray paper
66 x 54.6 cm (26 x 21 1/2)
The Museum of Modern Art, New York, Gift of A. Conger Goodyear, 1937
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 289
file name: 202-133.jpg
Man Ray
Seguidilla, 1919
airbrushed gouache, watercolor, ink, and colored pencil on board
55.9 x 70.6 cm (22 x 27 13/16); framed: 76.5 x 89.2 x 5.1 cm (30 1/8 x 35 1/8 x 2)
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Hirshhorn Purchase Fund and Museum Purchase, 1987
Photo by Lee Stalsworth
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Cat. No. 294
file name: 202-143.jpg
Man Ray
Obstruction, 1961 (replica of 1920 original)
63 wooden coat hangers
110 x 120 x 120 cm (43 5/16 x 47 1/4 x 47 1/4)
Moderna Museet, Stockholm. Gift 1966 from the artist
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Cat. No. 296
file name: 202-148.jpg
Man Ray
Boardwalk, 1917
assemblage of oil, wood, furniture knobs, twine, and fabric on wood panel (shot with three bullet holes by students protesting a 1958 Dada exhibition at a commercial gallery in Paris)
85.5 x 92 x 11.5 cm (33 11/16 x 36 1/4 x 4 1/2); in plexi box: 94 x 100.3 x 16.5 cm (37 x 39 1/2 x 6 1/2)
Staatsgalerie Stuttgart
Staatsgalerie Stuttgart
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Cat. No. 298
file name: 202-144.jpg
Man Ray
L'Homme (Man), 1918
gelatin silver print
48.3 x 36.8 cm (19 x 14 1/2); 81.3 x 66 cm (32 x 26)
Private collection
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Cat. No. 299
file name: 202-145.jpg
Man Ray
La Femme (Woman) or Shadows, 1918
gelatin silver print
43.7 x 33.5 cm (17 3/16 x 13 3/16)
Lent by The Metropolitan Museum of Art, Gilman Collection, Gift of The Howard Gilman Foundation, 2005
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Cat. No. 301
file name: 202-168.jpg
Man Ray
Dadaphoto, later titled Portemanteau (Coat Stand), 1920
gelatin silver print
40.4 x 26.9 cm (15 7/8 x 10 9/16); 82.6 x 66 cm (32 1/2 x 26)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1996
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Man Ray Trust /Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 302
file name: 202-224.jpg
Jean Crotti
Le Clown (The Clown), 1916
lead wire, glass eyes, and colored paper attached to glass
37 x 20 cm (14 9/16 x 7 7/8); framed, with glass: 39.5 x 27.5 x 5 cm (15 9/16 x 10 13/16 x 1 15/16)
Musée d'Art Moderne de la Ville de Paris
© Photothèque des musées de la ville de Paris
Photo by Charles Delepelaire
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Cat. No. 305
file name: 202-665.jpg
Richard Boix
Da-Da (New York Dada Group), 1921
ink on paper
28.6 x 36.8 cm (11 1/4 x 14 1/2)
The Museum of Modern Art, New York. Katherine S. Dreier Bequest, 1953
Digital Image © 2005 The Museum of Modern Art, New York
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Cat. No. 309
file name: 202-570.jpg
John Covert
Water Babies, 1919
oil on board
64.1 x 58.4 cm (25 1/4 x 23); framed: 67.5 x 62 cm (26 9/16 x 24 7/16)
Seattle Art Museum, gift of Paul Denby Mackie in memory of Kathleen Lawler and Nona Lawler Mackie
Photo by Paul Macapia
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Cat. No. 313
file name: 202-022.jpg
Baroness Elsa von Freytag-Loringhoven and Morton Livingston Schamberg
God, c. 1917
wood miter box and cast iron plumbing trap
overall height: 31.4 cm (12 3/8); Wood block Base: 7.6 x 12.1 x 29.5 cm (3 x 4 3/4 x 11 5/8); base: 101.6 x 52.4 cm (40 x 20 5/8)
Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950
Photo by Graydon Wood
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Cat. No. 315
file name: 202-166.jpg
Baroness Elsa von Freytag-Loringhoven
Limbswish, c. 1917-1918
metal spring, curtain tassle, and wire mounted on wood block
height with base: 55.1 cm (21 11/16); base, approx.: 35.6 x 19.1 cm (14 x 7 1/2)
Mark Kelman, New York
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Paris

file name: 202-652.jpg
Tristan Tzara
Poster for Salon Dada, Exposition Internationale, Galerie Montaigne, 1921
lithograph
121 x 80.2 cm (47 5/8 x 31 9/16); 123.8 x 83 cm (48 3/4 x 32 11/16)
Collection Merrill C. Berman
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Cat. No. 316
file name: 202-182.jpg
Marcel Duchamp
L.H.O.O.Q., 1919
rectified readymade: pencil on reproduction of Leonardo da Vinci's Mona Lisa
19.7 x 12.4 cm (7 3/4 x 4 7/8); in plexi box: 30.5 x 24.1 cm (12 x 9 1/2)
Private collection
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Cat. No. 319
file name: 202-472.jpg
Francis Picabia
Tableau Dada: Portrait de Cézanne... (Dada Picture: Portrait of Cézanne...), illustration in the journal Cannibale (Cannibal), no. 1, Francis Picabia editor and publisher, 4/1/1920

23.7 x 15.6 cm (9 5/16 x 6 1/8)
Bibliothèque Kandinsky, Centre de Documentation et de recherche, du Musée national d'art moderne, Centre Pompidou, Paris
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
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Cat. No. 321
file name: 202-016.jpg
Man Ray
Marcel Duchamp as Rrose Sélavy, c. 1920-1921
photograph retouched by Duchamp, gelatin silver print
image: 21.6 x 17.3 cm (8 1/2 x 6 13/16); mount: 22.9 x 18.3 cm (9 x 7 3/16); 45.7 x 36.8 cm (18 x 14 1/2)
Philadelphia Museum of Art, The Samuel S. White 3d and Vera White Collection, 1957
© 2005 Marcel Duchamp/Artists Rights Society (ARS), New York © 2005 Man Ray/Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
Photo by Lynne Rosenthal
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Cat. No. 324
file name: 202-624.jpg
Marcel Duchamp
50 cc Air de Paris (50 cc of Paris Air), 1949 (artist's replacement for broken 1919 original)
readymade: opened and resealed glass ampoule
height: 15.2 cm (6)
Philadelphia Museum of Art, Louise and Walter Arensberg Collection, 1950
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Cat. No. 325
file name: 202-184.jpg
Marcel Duchamp
Disks Bearing Spirals, 1923
ink, white paint, and pencil on seven white paper disks, mounted on paper disk attached to board
108.2 x 108.2 cm (42 5/8 x 42 5/8)
Seattle Art Museum, Eugene Fuller Memorial Collection
© Paul Macapia
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Cat. No. 326
file name: 202-186.jpg
Marcel Duchamp
Rotative Demisphère (Optiques de précision) (Rotary Demisphere [Precision Optics]), 1924
motorized optical device: painted wood demisphere fitted on velvet disk, copper collar with plexiglass dome, motor, pulley, and metal stand
148.6 x 64.2 x 60.9 cm (58 1/2 x 25 1/4 x 24)
The Museum of Modern Art, New York. Gift of Mrs. William Sisler and Edward James Fund, 1970
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Marcel Duchamp /Artists Rights Society (ARS), New York/ADAGP, Paris/Succession Marcel Duchamp
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Cat. No. 331
file name: 202-655.jpg
Man Ray
Cadeau (Gift), c. 1958 (replica of lost 1921 original)
painted flat iron with row of tacks, heads glued to bottom
15.3 x 9 x 11.4 cm (6 x 3 9/16 x 4 1/2)
The Museum of Modern Art, New York. James Thrall Soby Fund, 1966
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Man Ray Trust /Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 334
file name: 202-019.jpg
Man Ray
Marquise Casati, 1922
gelatin silver print
image: 21.6 x 16.7 cm (8 1/2 x 6 9/16); mount: 32.7 x 25.2 cm (12 7/8 x 9 15/16); 45.7 x 36.8 cm (18 x 14 1/2)
Philadelphia Museum of Art, Gift of Carl Van Vechten, 1949
© 2005 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris
Photo by Graydon Wood
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Cat. No. 337
file name: 202-192.jpg
Man Ray
Rayograph, 1922
photogram: gelatin silver print
23.9 x 29.9 cm (9 7/16 x 11 3/4)
The Museum of Modern Art, New York. Gift of James Thrall Soby, 1941
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Man Ray Trust /Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 344
file name: 202-059.jpg
Max Ernst
Deux Enfants sont menacés par un rossignol (Two Children Are Threatened by a Nightingale), 1924
oil on wood with painted wood elements in artist's frame
69.8 x 57.1 x 11.4 cm (27 1/2 x 22 1/2 x 4 1/2)
The Museum of Modern Art, New York. Purchase
Digital Image © 2005 The Museum of Modern Art, New York, 1937
© 2005 Max Ernst /Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 345
file name: 202-036.jpg
Max Ernst
Au rendez-vous des amis (At the Rendezvous of Friends), 1922
oil on canvas
130 x 193 cm (51 3/16 x 76)
Museum Ludwig, Cologne
Rheinisches Bildarchiv Köln
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Cat. No. 348
file name: 202-297.jpg
Hans Arp
Plastron et fourchette (Shirt Front and Fork), 1922
painted wood relief
58.4 x 70 x 6.1 cm (23 x 27 1/2 x 2 3/8)
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
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Cat. No. 352
file name: 202-223.jpg
Jean Crotti
Portrait d'Edison (Portrait of Edison), 1920
gouache, watercolor, and pencil on paper
48.9 x 64.5 cm (19 1/4 x 25 3/8); framed: 71.4 x 86.2 x 4.8 cm (28 1/8 x 33 15/16 x 1 7/8); ornate frame: 71.1 x 86.4 cm (28 x 34)
Tate. Purchased 1978
© Tate London 2005
© 2005 Jean Crotti/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 356
file name: 202-229.jpg
Suzanne Duchamp
Multiplication brisée et rétablie (Broken and Restored Multiplication), 1918-1919
oil and collage of silver paper on canvas
61 x 50 cm (24 x 19 11/16)
The Art Institute of Chicago, Gift of Mary P. Hines in memory of her mother, Frances W. Pick; through prior acquisitions of Mr. and Mrs. Martin A. Ryerson, H. J. Willing, and Charles H. and Mary F. S. Worcester
Photograph © The Art Institute of Chicago, All Rights Reserved.
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Cat. No. 362
file name: 202-473.jpg
Unknown designer
Cover of the journal Dada, no. 6: Bulletin Dada, Tristan Tzara editor, 2/1/1920
letterpress
37.6 x 27.7 cm (14 13/16 x 10 7/8)
National Gallery of Art, Library, Gift of Thomas G. Klarner
© 2005 Board of Trustees, National Gallery of Art, Washington
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Cat. No. 365
file name: 202-172.jpg
Francis Picabia
L'Oeil cacodylate (The Cacodylic Eye), 1921
oil with photomontage and collage on canvas
148.6 x 117.4 cm (58 1/2 x 46 1/4); 160 x 134.6 cm (63 x 53)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1967
CNAC/MNAM/Dist. Réunion des Musées Nationaux/Art Resource, NY
© 2005 Francis Picabia/Artists Rights Society (ARS), New York/ADAGP, Paris
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Cat. No. 368
file name: 202-453.jpg
Francis Picabia
Machine tournez vite (Machine Turn Quickly), 1916/1918
ink and watercolor with gold paint on paper mounted on canvas
49.6 x 32.7 cm (19 1/2 x 12 7/8)
National Gallery of Art, Washington, Patrons' Permanent Fund
© 2005 Board of Trustees, National Gallery of Art, Washington
Photo by Philip A. Charles
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Cat. No. 370
file name: 202-171.jpg
Francis Picabia
M'Amenez-y (Take Me There), 1919-1920
oil on cardboard
129.2 x 89.8 cm (50 7/8 x 35 3/8); 142.5 x 102.9 cm (56 1/8 x 40 1/2)
The Museum of Modern Art, New York. Helena Rubinstein Fund, 1968
Digital Image © 2005 The Museum of Modern Art, New York
© 2005 Francis Picabia /Artists Rights Society (ARS), New York, ADAGP, Paris
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Cat. No. 379
file name: 202-175.jpg
Francis Picabia
Volucelle II, 1922
enamel paint on canvas
198.5 x 249 cm (78 1/8 x 98 1/16)
Private Collection
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Cat. No. 380
file name: 202-177.jpg
Francis Picabia
Dresseur d'animaux (The Animal Tamer), 1923 (inscribed "1937")
enamel paint on canvas
250 x 200 cm (98 7/16 x 78 3/4)
Centre Pompidou, Musée national d'art moderne, Paris. Purchase, 1998
CNAC/MNAM/Dist. Réunion des Musées Nationaux / Art Resource, NY
© 2005 Francis Picabia /Artists Rights Society (ARS), New York/ADAGP, Paris
Photo by Jacques Faujour
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	National Gallery of Art, Press Office